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Graves At Sea / Asunder
Arizona's Graves at Sea churn out two crushing tracks of thick and murky doom bubbling through a thin layer of blackened crust. Think Grief, 13, or Burning Witch and you're halfway there. 20 minutes of nauseating downtuned sludge brought to you by four sun baked freaks from the desert. Asunder return with a new 20 minute track of gargantuan sludge. Funeral doom from the ghetto.
Elemental Disgrace
Cut at Dubplates & Mastering, Berlin August 2011. 'Elemental Disgrace' is an album that needs to happen now. Finally, the next phase has arrived - a stunning double side-long record of some of the U.S. best underground synthesizer music we have heard here at the Spectrum Spools headquarters. Whatever rise to the synthesizer came later on in the 00's is hardly of any concern to Greh Holger and his Hive Mind project. Having released private press cassettes of solo synth works as far back as 2002, …
Harry Smith
New LP - first ever vinyl - from this great west coast drone group with a magical sÇance in tribute to occultist, archivist, artist and visionary film-maker Harry Smith, performed as a live soundtrack to his films. Mile-deep tones that you could swim in flux through intricately populated blankets of brain-cushioning foo with that classic aircraft-hangar-filled-with-white-light feel. Edition of only 300 copies with paste-on art.
IV
The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbled, fragmented, with random data integrity issues, but seeming more the brainchild of inspired pop anarchists than calculating avant-gardists. Yes, the record sounds more 'professional' than any of their others, but somehow that doesn't actually equate to slick sounds: Opener 'Krautrock' (which Irmler says wa…
Sticks, stones & breaking bones
restocked: "the hardest thing in the world is to have an original idea.  As much as creative musicians hate to admit, free improv/experimental/underground (and all other useless adjectival identifiers) music now has as many stylistic tropes as your standard 19th century symphony: the endless variations on white noise, the orgiastic free ensemble climaxes, reassuring bass drones, "brutality", all of which point to performance, not playing.  Musicians cling to the next solution that the med…
Qbico U-nite Bruxelles III
Split/collaborative release between Denmark's Family Underground with Finland's Rauhan Orkesteri. Rec. April 19, 2005 @ Cinema Nova.
Renewable Destination
*restocked* Recorded from 2009-2011, during which time Caboladies members Eric Lanham and Chris Bush relocated from Kentucky to Chicago, Renewable Destination constitutes the duo's most refined and focused work to date. Both as a collaborative unit and under solo monikers Carl Calm and Flower Man, Lanham and Bush have produced a wealth of limited-run releases in recent years on labels such as Arbor, Dekorder, Digitalis, and their own Smooth Tapes imprint which document their uniquely fractured s…
Spiritual Church Movement
Perispirit is the collaborative project of Ricardo Donoso and Luke Moldof, here delivering their debut album proper after a number of cassette editions for Prurient's Hospital Productions and Ricardo's own Semata imprint. The sound they make is brilliantly impossible to categorise, bringing together analogue and digital electronic sound sources to create a freakish organism that reminds you of anything from Keith Fullerton Whitman to Prurient to Autechre to purist musique concrète without…
Rag
Rag captures the best from a series of freely improvised meetings between saxophonist George Cartwright and percussionist Davu Seru, recorded at various Minneapolis venues over the course of 2009. Cartwright – longtime leader of Curlew, and owner of a musical c.v. which includes Ornette Coleman, Half Japanese, Alex Chilton and Loren Mazzacane – can be restlessly melodic or jaggedly guttural on the reeds, although his bedrock lyricism is never far from the surface. Seru’s playing is a tr…
Trowel And Era
With a treasure trove of analogue, swirling effects, arch songcraft and a sweet yet assured vocal delivery, Trowel & Era  brings to the table the epic debut long player by the one man band Apothecary Hymns (AKA Alex Stimmel). Stimmel has made a collection with one foot in kaleidoscopic coastal loner psych that floats on a musical bed of whimsical levity and another foot rooted firmly in the grand ethos of east village troubadours of the mid 60s." Alex Stimmel: acoustic & electric guitars 6 & 12 …
Boris at Last:Feedbacker
Boris's meteoric rise to superstardom doesn't seem to be stopping any time soon, only today I heard that the band had signed their last album (the absolutely stunning 'Rainbow' from a few weeks back) to US mega-label Drag City - what next eh, how long before EMI and Atlantic start getting interested? How about Sunn O))) on Geffen then? It could happen. Still we're back on our ongoing mission to seek out every Boris record we can, and this 2003 release is one of those absolute gems that keep step…
Fantastic Party
"Probably one of the weirdest discoveries in the field of collectable German albums in recent years, Staff Carpenborg's sole output was first brought to the spotlight by the compilers of the celebrated Kraut! Demons! Kraut! CD series in the mid-'90s. Since then, rumors and interest about the album have risen exponentially since this weird record (and we mean WEIRD) is one of the earliest known examples of Kraut rock. How such a demented collection of tunes found their way on the budget Ma…
Tunnel Dinner
Sax player Steve Mackay blow with The Stooges on the legendary Fun House session in 1970 (and rejoined them in 2003 when they played their first show in 29 years at the Coachella Festival, and he has performed with them ever since + rec. two more albums)... nearly 25 years later he got involved w/Radon Ensemble, which includes members from such disparate groups such as Temple of Bon Matin & the Arthur Doyle EAE (Paternostro/Wilcox), Nimrod (Lohman), Koonda Holaa (Kamilsky), ect... the 10 tracks …
Life coach
‘Life Coach’ is the debut solo album from Phil Manley (of Trans Am, Oneida, The F*cking Champs, Jonas Reinhardt). This instrumental album will certainly appeal to fans of the aforementioned bands as well as those into the classic works of Kraftwerk, Neu!, and Harmonia as well as modern Kosmische / ambient music from the likes of Arp, Mountains, The Alps and Type Records. The CD version comes in a four panel mini-LP style gatefold package. (Boomkat)
The Mad Excitement, The Barbaric Pulsations, The Incomparable Rh
Smegma has been around, in one form or another, since 1973, issuing an average of a record a year out of odd tape-loops and jarring-yet-ambient original instrumentation long before electronic sampling was even a glimmer in Mr. and Mrs. Casio's eyes. They achieved a small degree of noteriety in the '80s as one of that proud elite of North American new-music acts hiply obscure enough to have European-only record deals. They're also known among the anti-pop sound exchangers of the international cas…
Let's make a solar system
TWINKLE³ are: Richard Scott : buchla lightning, analogue synthesizer, sampler, processing - Richard Scott is a British composer and improvisor working mostly with infra-red instruments and modular synthesizers. Closely associated with London Musician's Collective in the early eighties, Richard Scott now lives between Manchester and Berlin, also with an artistic residency at STEIM in Amsterdam. He is a member of Grutronic and the ir trio. David Ross : hawaiian tremoloa,panart hang,kantele,droscil…
The Young Cricketer
The Young Cricketer is Chris Corsano's debut of Frankenstein-gamelan skin detail. It's a monster and a babe all wrapped under the guise of The Solo Drum Album. Corsano's flea-market kit of cast-iron pot lids, super-bouncy-balls on sticks, butter knives, and even a sax mouth-piece jammed-in-a-hose conjures a part rhythmic maelstrom, like a Milford Graves drip painting, and the sweet metallic ice drones of Tony Conrad and Keiji Haino rubbing sticks together until end days. Globally known for a doz…
CINo51
"Previously, a boy dreams the dreams of many other boys. He meets three other boys and they dream together. Sadly, one of his co-dreamer's dreams become nightmare. In an effort to avoid seeing their own dreams relegated back to sleeping, our hero and his fair dreaming compatriots leave their troubled friend to face his nightmares on his own. His nightcap is quickly filled and the boys march forward, eventually seeing all of their dreams made manifest. In this installment our boy has beco…
Gussie
On a hot Minneapolis night in the summer of 2001, the legendary avant/jazz group Curlew played a scorching gig at the now-defunct Gus Lucky's Gallery. Gussie documents that evening: the veteran improvising group dispensed with their compositions altogether and took an eminently successful walk along the free-improv tightrope. The ever-evolving lineup featured George Cartwright (saxophones), Davey Williams (guitar), Chris Parker (piano), Fred Chalenor (bass), and Bruce Golden (percussion). A limi…
Inventaire & contradictions. Retrospective 1982-88
started in the early 80's in Berlin with two electronical industrial - avant-garde associated cassette releases. A first LP on the outstanding Madrid based label Discos Esplendor Geometrico followed up by cd's and vinyl on SFCR (F) and Pinch-A-Loaf (Usa), Povertech (Usa) as well as releases with likes as MSBR, Mnortham, Frans de Waard, Ios Smolders, Artificial Memory Trace, Thomasius, TBC, The Oval Language and others, as well as a pile of compilations. Guido Hübner  wrote a piece for the Zeitkr…