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Both Sostenuto and Dal niente were composed for the clarinetist Eduard Brunner. “As in the earlier Ausklang for piano and orchestra, the musical material is determined by the interplay of the experiences of resonance on the one hand and motion on the other. Both aspects of sound encounter one another in the conception of structure as a multiply ambivalent ‘arpeggio’, i.e. as a process of construction, deconstruction and reconstruction – experienced in temporal succession – which is conveyed both…
One of the mysteries surrounding Jesús Rueda is the question how he was able to find a voice of his own, the various influences to which he was exposed during his development as a composer notwithstanding. He bid farewell to the constructivist rigor of Francisco Guerrero, and his pieces to do not immediately betray influences by Luis de Pablo, Giacomo Manzoni and Luigi Nono. Characteristic of his compositions are fast tempos, present in “slower” parts as brisk figurations, his sense of harmony a…
Very last copy. First release of the early sound installations from the German sound artist Rolf Julius, ranging from 1979 to 1982 : Music on Two High Poles (1979), Morning Song (Berlin Concert Series, 1981, in collaboration with Joan La Barbara), Music for the Earth (Berlin Concert Series, 1981), Music for the Eyes , (1981), Music for a Pane of Glass (1980), Music for a Yellow Room (Berlin Concert Series, 1982), Chamber Concert for Three Loudspeakers, (Berlin Concert Series, 1982), Concert for …
rare UK album from 1981. Musique Concret were an obscur London duo composed by Jim Friedman & Michael Mullen with a short lived musical history : their sole album 'bringing up baby' was originally released on Steven Stapleton's label United Dairies and there is also one short track on compilation. This is a great experimental power electronics works with the use of many delay and echo, tape recorder manipulations, collages, rhythms box, noise, and others studio trickery, naturally close to Nurse…
String Quartets Nos. 7, 8 and 9 suggest that Rihm has finally left behind the neo-romantic expressive pathos of earlier compositions: “Real or virtual allusions to the past are rarely to be found any more – and the same holds of the luscious and revelling strings. Remnants of tonal harmony are, with a few exceptions, almost completely obliterated. … Instead, new constellations come to the fore, emancipated from traditional conceptions of sound – heeding, in particular, the principle of polarity …
This is a studio recording, and thus somewhat different in approach and tone to the group's continuous live sets; an example can be heard on a compilation from the 2003 Freedom of the City festival. Here the emphasis is more on developing specific ideas with a consistent logic than on modulating between passages of tension and climax. On the longest track, the 13-minute Absolute Xero, the logic is sure and compelling; Skzypce is more playful, with Wilkinson vocalising through his reed and Noble,…
Summons of Shining Ruins is a project of Shinobu Nemoto, who works with electric guitar, tape delay, old rhythm machines, stompboxes and 4-track-recorders. No computer or software is used to record this work. And you can hear that in every tone.
Analog and computer-generated electroacoustic music and mixed pieces for voice, instruments and live-electronics, realized at EMS - the Stockholm Electronic Music Studio. (now the Stockholm Institute of Electroacoustic Music) 1970-1979. Miklós Maros was a composition teacher at the Stockholm secondary school of music in Stockholm, (1971-1973), teacher at the Electronic Music Studio in Stockholm (EMS) (1971-1978), and lecturer in electronic music at the College of Music in Stockholm (1976-1980…
The Sinfonia n° 1 "Canarias" is dedicated to the composer's father, an old Canary Islander aged 94 at the time it was written. He was the reason why Cruz de Castro decided to focus the composition's middle movement wholly on the Canarian Folía. This special, important form of Canarian folk music appears both in its original form and in variations: "That's the way it should be: from the simple to the complex, from the melody line to the concentration: a harmonious whole." (Cruz de Castro) The Toc…
2002 release ** "One of the world's premier noise percussionists and a learned scholar of Kabbalah, Torah and Talmud, Z'ev has been a vital force in the downtown scene since the late 1970s. In addition to his collaborations with Glenn Branca, Rudolph Grey and his fascinating solo work, Z'ev is also a prolific writer and musical thinker. He has written on subjects ranging from music composition, ritual performance and has also translated several esoteric Tibetan and Hebrew texts into English. His…
George Antheil was not only always ahead of his time; he was also an alert contemporary and ready to take in all artistic trends of the first half of the 20th century. There was hardly a kind of music he wasn't aware of, hardly a madness he didn't take part in, and hardly a scandal he missed, or missed to cause. All his personal entanglements are certainly reflected in his compositions – and we wouldn't expect any less from him; but his continuing reputation as a genuinely unique character is ne…
Someday someone will write a history of modern music that will free us of the false dichotomies such as high vs. low, improviser vs. composer, classical vs. everything else… …The written materials Joe passed out to the musicians for Red Morocco was minimal, sometimes more visual than musical, but always modest. Everyone was seated in the same room, in a circle. The music heard on this recording occurred late in the day, when Joe felt a certain clarity was occurring……The results are an elegant,…
“Michel Doneda soprano and soprano saxophones. Jonas Kocher accordion, objects. Recorded live on 27th november 2009 at Red House, Sofia, Bulgaria. Mastering by Christian Weber. Design: Fabienne Bartel. Limited edition of 160 numeroted copies. Screenprint on sandpaper. The duo explores and questions the sound, listening and space with sound actions simple, minimal and acoustic. Entirely improvised, the duo's approach is in place and time of the concert, thus inviting a real experience of listenin…
The "devil's organist" in action: if you really want to know what the "Queen of Instruments" is all about, make sure to experience Wolfang Mitterer play it live.Mitterer's organ event at Darmstadt in 2004 included not only works for organ solo but also synthetic sounds. In the piece mixture V (1995) he adheres to the principle indicated in the title, the mixture, in various respects – on the one hand in terms of organ technique and sound, on the other hand by his way of combining organ and elect…
It is the eternal questions that Nikolaus Brass mainly concerns himself with in his compositional work: the question of existence, of being, and first and foremost of all possible intermediate stages at the edge of what is conceivable, of what can just be grasped. In VOID (1999) he investigates the feeling left by loss, "structural empty spaces that bear the construction of sound while challenging it at the same time." For a due (2003), Brass has borrowed short captions from Yashushi Inoue's nov…
After several hugely impressive concerts, where the visuals from Kurt D\\'Haeseleer are almost as important as the music, Guillaume Graux or Tuk comes up with a first cd. \\'Proud Princess of a Brand New City\\' contains mostly finished versions of the tracks he used the first three years at his live performances. The main sources on the cd are guitars, most of them so heavily treated that you barely hear it\\'s a guitar. Even if it\\'s only a beat, it might be guitar. You never know on this rec…
Long deleted, this is a must have cd collecting all the Scelsi pieces for string orchestra. "An internal struggle, stemming from the introductory tremolo, all through its serene yet chaotic means of lumonisity"
Finally, we have managed to track down copies of one of the most revered Sunburned Hand of the Man records in existence. Originally pressed up by the prestigious Arthur magazine's own imprint, this handmade reissue (straight from the Sunburned Men themselves) takes the factory made cd and plonks it in a very plush gatefold hard-cover with handprinted artwork. 'No-Magic Man' was the first time that the band submitted a truly coherent album, prior to this their cds although insanely good were more…
One of the biggest finds in total Kraut electronic underground in the recent years. Crack in the Cosmic Egg asks: Does this exist? Yes it does! A Student of Eimert, Reinhold Weber produced several records of his own, two between 1969 and 1971, both of which are total weird and wild electronic, handmade, pre-synthesizer. Topped with crazy German language monotone lyrics. For fans of Cluster, Eimert, Stockhausen and people generally interested in the weird side of music. The second LP of his will …
JanuarY 2004. Two years after the highly acclaimed album “Rose-garden", the portables come up with their second full length. “Girls Beware!" starts where their previous album ended. De Portables developed a cult reputation during the years, mainly because of their many intense and always different performances. Against all recent trends, standards and expectations they do their thing; they play because they like playing. The quartet twists themselves during 11 songs a way between pop, post-rock …