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*2025 stock* Nocturnal Emissions' releases throughout the 1980s are eclectic, adventurous and intermittently raw. 1991's "Cathedral" is something else entirely — ritualistic, expansive, awe-inducing. It is at turns warm, ominous and ethereal. We could come up with adjectives all day, but it really must be heard to be believed. Originally released by Italy's Musica Maxima Magnetica, "Cathedral" finally gets its due on vinyl with a deluxe 2xLP edition featuring a large booklet with many of Nigel A…

From the viral Severance TV dance party to spiritual jazz explorations, this vinyl compilation spans five decades of the Poughkeepsie legend's most electrifying moments. Funky grooves, cosmic transcendence, and raw improvisation collide.

Tip! "Expect the unexpected.  Masami Akita, corrupt mastermind behind the bound and gagged and tossed into the jet engine noise of Merzbow has, over the last years, really begun to stretch the limits of what he sonically does.  Seems, with releases (Tauromachine, Hybrid Noisebloom, 1930...), there has been more variety within the choppy slabs of noise that he designs. What we have here is, quite possibly, the most varied Merzbow release to date.  Why?  Because, amidst the stalk and squeal noise,…

*249 copies limited edition* Reissue of the long out of print 1996 album. In the 22 years since "God Has Shot Himself" was released as a CDr by Legion Sudan, it has gained a somewhat mythic status as a notably disquieting release. Some might say disturbing — and they'd be right. But it's also more than that. "God Has Shot Himself" is the sound of abandonment, of spiritual collapse. It is just over a half hour of total blackening annihilation that still must be heard to be understood. Now on viny…

Tip! Tip! Tip! New funky soul record of FNR! All music written, recorded & mixed by Pavel Grachav.

Having found support from tastemakers including Gilles Peterson, Deb Grant, Jyoty and Tony Minvielle for last year’s EP ‘The Changing Tides Of Dreams’, SHOLTO returns with his forthcoming album ‘Letting Go of Forever’ – a 26-track expansive double LP, scheduled to drop later this year on DeepMatter Records / Funk Night Records. Drawing inspiration from Mozart’s ‘Lacrimosa’ and the work of David Axelrod, the album’s first offering ‘For The Love Of Stripes’ combines moving strings and choral orche…

2024 Stock. Funk Night Records presents a beautiful psychedelic-funk dance-theatre music by the great Misha Panfilov for the 2021 Tallinn premiere of Karistjan Rohioja's Original Theater Soundtrack 'Plan X'. A unique project from the legendary Misha Panfilov, but one that is very much in keeping with the psychedelic feel of his funky 45s - as the collection here is entirely instrumental and includes tracks recorded by Misha for a live performance! However, this is hardly familiar soundtrack musi…

2025 stock "Schematics For A Blank Stare - Volume Three" is a meticulously crafted album that explores organic grooves with a strong funk and soul influence. Released in 2021 under the Funk Night label, this LP vinyl captures Jeffery Scott Greer's signature lo-fi funk sound, recording straight to cassette tape for an authentic vintage feel. The album showcases a blend of groovy, soulful tracks that offer a rich auditory journey for fans of instrumental funk and soul music. It's a perfect additio…

2025 stock "Schematics For A Blank Stare - Volume One" by Jeffery Scott Greer is a collection of lo-fi funk tracks, released in 2021 under Funk Night Records. It features a distinctive organic grooves style with influences from funk and soul genres. The album was recorded on a 4-track cassette between January and June 2017, showcasing a raw and authentic sound. Key tracks include "Gorilla Funk 1," "Orange September," "Hazy Lazy," "Druid Soul," "Night Of The Fox," and "Space Debris." The project …

Akashaplexia is the culmination of Merzbow and John Wiese’s decades-long partnership, offering over three hours of new music across four CDs. Recorded together in Tokyo, the album balances Merzbow’s psychedelic intensity and Wiese’s meticulous sonic architecture, presenting a vast and intricately detailed landscape of noise, improvisation, and unpredictable dynamic shifts.​

Sissy Spacek’s Non-Linear detonates the idea of narrative from within, stitching decades of raw sessions and volatile improvisations into a panoramic fever-dream. Restlessly shape-shifting, the album spirals through states of collapse and acceleration, refusing to settle - a radical archive of noise at its most ungovernable.

*2025 stock. 300 copies limited edition* The third offering in No Holiday's September 7-inch batch comes courtesy of Merzbow, offering up twin bursts of total electronic punishment that could have been made by no one else. Avian electronics for white-cheeked starlings the world over.

This is a sprawling, ambitious painting in sound modeled on the birth of the universe. Moving from roiling, gaseous clouds of hiss and static through sharp peels of detailed, unrestrained texture, this is acousmatic music at its very finest, literally creating a universe of sound out of thin air. (AMG)

Funambulesqueries en 14 séquences adapted from Alfred Jarry's Ubu Roi, for voices, saxophones and tape. Jacques Lejeune studied music at the Schola Cantorum and the Paris Conservatory with Daniel-Lesur and Pierre Schaeffer before working with François Bayle at the Groupe de Recherches Musicales. He entered the GRM in 1968, taking charge of the “music cell for images”, where he completed various projects for stage and television. It was at his insistence that in 1978 the Ateliers de la Musique Él…

One 25 minute piece, from 1996. A State/CIRM commissioned work. A dreamy five-movement suite that deals with the encounter and metamorphosis of natural sounds and synthetic sounds. Bernard Parmegiani wrote about this piece  "There is already music... of an Italian an character in this title! Sonare: l love this word because it is Italian and because upon hearing it, music simply springs forth from within it. For each of the 5 movements, I have chosen a pseudo-instrumental or synthesis sound whic…

Digipack CD including a 24-page booklet in French and English. INA grm is pleased to present Le Projet « Ouïr » by François Bayle, a 62’ minute piece composed between 2015 and 2019, published for the first time on CD digipak. The French language can hear (entendre), listen (écouter), grasp (comprendre). “Comprendre” aims too far. What is grasped has already been digested by the mind, away from the ear. “Entendre” is poorly distinguished from it—mainly because of “en- tendement”, which is virtual…

"Broken Allures", the fifth release from trio Jac Berrocal, David Fenech, and Vincent Epplay (following releases on Blackest Ever Black, Akuphone, KlangGalerie), furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Fenech and Epplay have paired with legendary French musician Berrocal, renowned for his collaborations with Nurse With Wound, Vince Taylor, Jaki Liebezeit, Pascal Comelade, Su…

* Ltd x 250 copies on 180gm black vinyl. * Isolationist, minimal, alienating Drone / Dark Ambient from Mick Harris (Scorn). Staggeringly beautiful, glacial sub-bass sounds, deep ambient and thunderous tones, with subtle shifts. Originally released as a 99-track continuous CD in 1998 (Relapse), now presented on vinyl for the first time, "Moments" is expanded to 100 cuts, with bonus material from the original recording sessions."Tectonic rumblings and icy sound slivers move and swirl around each o…

This album was commissioned by KAAP / Concertgebouw Brugge for Jazz Brugge Festival. Music, production, pianos, Fender Rhodes, synthesizers and pipe organ by Giovanni Di Domenico. Featuring Alexandra Grimal on soprano saxophone (Part I) and Eric Thielemans on drums (Part II and Part III). Recorded in January 2023 at Concertgebouw Brugge by Christophe Albertijn and in April 2023 in Zaal Miry (Ghent) by Peter Desmedt. Mastered by Joe Talia at Good Mixture. Vinyl cut by Andreas at Schnitstelle. Art…

To pour some out for one of their heroes, the cosmos’ own Sun Ra, Bitchin Bajas simply cut a slice of their own DNA and amplify it! Or something like that: they clearly vibe with Ra in hypno-symbiosis, setting the controls of their analog synths for the heart of Sun. Bonus mixtribute: a heartfelt doff to Queen Wendy C, sythnaut and another mother!

Editions Mego welcomes KMRU back to the fold. Kin is Kenyan born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with…

From out of the dark, the crackle of feed back birdsong signals a return to the land of sound environments exclusive to the music of Rafael Toral. A year and a half after his epochal electric guitar album, Spectral Evolution, Traveling Light finds him sharpening his focus, moving boldly from abstract forms to concrete compositions in the form of a set of jazz standards. Based on Toral’s discography, this may seem an unlikely endeavor, but happily, Traveling Light transpires to be one of the majo…

Updating canonical Scottish folk tunes is a rather unfashionable niche, placing these songs within the context of modern/alternative rock is an even tougher chore, but it's one that Scottish neo-traditionalist Alasdair Roberts approaches with pluck and somber intensity. Previously with the band Appendix Out, No Earthly Man is Roberts' third album as a solo artist and it is undoubtedly his most difficult to approach. His previous album, Farewell Sorrow, was a collection of joyful, filigreed songs…

Giuseppe Ielasi & Riccardo D. Wanke’s debut duo album blends electric guitar and piano with reverb, showcasing shared improvisational artistry and a delicate sculpting of sonic space through careful interplay and mindful silences.

*2026 stock* A young, super-tight and intense power trio from Moscow, Brom genuinely push heavily, crossing over among improv, noise-rock and free jazz with Sunstroke.  "One of the most amazing mixes of musical elements I have heard in a long freakin´ time."- Mats Gustafsson

"When I came to New York City in 1975, after my second period in Paris, I felt as if I was starting again. I didn’t have a band at that time. The Black Artists Group had broken up, or separated—well, it wasn’t much of a “break-up,” but we had come to our musical end, even though one of the last groups I had before returning to New York was with BAG member Baikida Carroll playing trumpet, Peter Warren on bass, and Oliver Johnson on drums. I was basically by myself. I felt eager and anxious to see…

NoBusiness Records presents Walpurgisnacht by Total Music Association. Transferred and remastered from the original tape. Tape transfer by Wolfgang Obrecht at Tonstudio RichArt, Munich. Original Cover Design by Manfred Vogel. Design by Oskaras Anosovas. Remastered by Arūnas Zujus at MAMAstudios. Photography of the musicians by Konstanze Vollmer. Produced by Danas Mikailionis and Ernst Nebhuth. Co-producer - Valerij Anosov. Liner Notes by Hans-Jörg Hussong / Liner Notes (translation) - Ernst Nebh…

NoBusiness Records presents Live at Jazz Spot Combo 1975 by Itaru Oki Quartet. Improvised and composed by Itaru Oki, Yoshiaki Fujikawa, Keiki Midorikawa and Hozumi Tanaka. Recorded live on the 7th December, 1975 at Jazz Spot Combo, Fukuoka City, Japan by Heihachiro Arita 有田平八郎 (cassette tape). Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Cover photo by Tatsuo Minami南達雄. Booklet photos by Tatsuo Minami 南 達雄 and Heihachiro Arita / 有田平八郎. Liner noto by Akira Saito齊藤聡. Produc…

"Recorded live at Yamaneko-ken, Ogose, Saitama, Japan, in December 2019, Japan Suite includes 6 kind free jazz pieces in Japanese style. The fantastic idea of this album is actually to confront kind free jazz phrasing of François Carrier with the truly free jazz phrasing of Masayo Koketsu. That is actually the second amazing aspect of this album: the battle of two alto saxophones. The opening monumental Uchi-soto - Inside Outside is a great illustration of these aspects. All of this happens with…

Lovely archival recording by this incredible due comprised of Midori Takada - percussion and Kang Tae Hwan - alto saxophone. Recorded live on the 14nd March 1995 at Café Amores, Hofu, Yamaguchi, Japan by Takeo Suetomi.Mastered by Arūnas Zujus at MAMAstudios.

Recorded at Staccato Studios, Stavanger, Norway on 12th October, 1982 by Kjell Arne Jensen - with Frode Gjerstad - tenor and soprano saxophones, Johnny Mbizo Dyani - double bass and John Stevens - drums. Re-mastered by Arūnas Zujus at MAMAstudios. Cover drawing by Tora Fredrikke Helle, photos by Judith Sørvik, liner notes by Frode Gjerstad.

Recorded April 21, 1976, Blue Rock Studio, NYC. This is a reissue of the rare album, ‘The Haunt’ (Otic 1005). Includes a nearly 7 minute bonus track not found on original LP. Featuring Bobby Naughton on vibes & compositions, (Wadada) Leo Smith on trumpet and Perry Robinson on clarinet. Recorded April 21, 1976, Blue Rock Studio, NYC. This is a reissue of the rare album, ‘The Haunt’ (Otic 1005). After attending dozen of jazz gigs at places like the Village Vanguard, the Village Gate and the Five S…

Kang Tae Hwan plays alto sax with a rawness that's usually reserved for the tenor – a fantastic sound that really comes through beautifully here in this solo set of improvisations! The material was recorded around the same time as Kang's brilliant (and few) recordings for the Japanese market – and the long-overdue presentation of this performance comes as a much-needed accompaniment to his small catalog – the kind of record that boldly, brilliantly documents a completely unique talent – one whos…

*2025 stock* One live improvisation of over an hour that zips by with the velocity of a three-minute single, Zafiro confirms that one of improvising music’s most enduring partnerships – 25 years and counting – is still a potent and electrifying force. Refining their interaction every time they play together – saxophonist Evan Parker, bassist Barry Guy and percussionist Paul Lytton don’t lack for other gigs, but express instinctive rapport here. Veteran British improvisers, the three use a variet…

Not enough is heard from Brooklyn-born bassist Adam Lane. He boasts an impressive track record, illuminated by a series of outstanding recordings, mainly on the CIMP label, but culminating in the acclaimed Ashcan Rantings (Clean Feed, 2010). Nothing has surfaced under his own name since, so any new disc grabs attention. That's not to say he has been idle, notching up notable appearances on drummer William Hooker's excellent Bliss Suite (Not Two, 2010) which also featured rising star saxophonist …

The title's a good one – given the complex layers of sound and interaction going on here – as this avant quintet find a way to come together in these varied and compelling ways over the course of the long improvisations in the set! Pianist Alexander Von Schlippenbach may well be the biggest name in the group – but all players contribute equally, and the lineup also includes Frank Paul Schubert on alto and soprano sax, Paul Hubweber on trombone, Clayton Thomas on bass, and Willi Kellers o…

*2023 stock* "Both a reunion and a new configuration, the galloping interaction which makes up Hell-Bent in the Pacific unites alto saxophonist Marco Eneidi, who now lives in Austria, with his West Coast rhythm section plus added impetus from Los Angeles-based Vinny Golia’s many reeds. Golia’s wide-ranging gigs have frequently put him in contact with bassist Lisa Mezzacappa and drummer Vijay Anderson, two of the Bay area’s busiest players, so that his contributions are inspired not alienating. M…

*2023 stock* "Constantly changing and challenging, this extended three-part sequence by four of Europe’s most accomplished improvisers ebbs and flows enough to create a perfectly framed soundscape, but leaves enough ellipses for individual expression. Recorded at the Total Meeting in Tours, the almost 52 minutes of music were put together with no pre-conceptions. But as the interaction evolved, the players found themselves melding and separating their extended and expected narratives into sponta…

The Freestyle Band never courted fame, but they never welcomed obscurity either. The choices they made to follow their individual muses and to independently document their efforts were conscious ones. The musicians made this music in the faith - perhaps certainty is a better word - that its power and integrity would ultimately triumph over shortsighted commercial pressures and America’s racist attitudes toward black artists. Perhaps this reissue does a little bit to validate that faith.

* 2021 Stock * A never earlier released duo recording that was played back in 1987 at Kassiopeia, Wuppertal brings these two great musicians and composers together for this unique and unforgettable session. The late great saxophonist Julian Hemphill and bassist Peter Kowald ate their peak