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Some Fine Legacy is proud to announce the first LP by Project Pope, the collaborative project of Antwerp artist Gerard Herman and Christoph Heemann, known from his solo output as well as many releases with Mimir, In Camera and Mirror. Prior to Project Pope Gerard Herman has been producing a series of intriguing solo LP releases for the Entracte, Kraak and Opgewarmde Groenten labels. Then in 2021 the two met for a week at Les Ateliers Claus in Brussels to produce this new masterpiece of distorted…
Mega Tip! **Edition of 300 copies, comes with insert** Some Fine Legacy is pleased to announce Arnold Dreyblatt’s Music from the Resting State. Though widely celebrated for the pioneering high-energy exploration of alternate tunings in his Orchestra of Excited Strings, Dreyblatt’s parallel work as an artist over the last forty years has received less attention in experimental music circles. This LP is drawn from a major installation work, The Resting State, exhibited at the Neuer Berliner Kunstv…
Not long after recording her 10th album, Ruins, Grouper (Liz Harris) traveled to Wyoming to work on art and record music. She found herself drawn towards the pairing of skeletal piano phrasing with spare, rich bursts of vocal harmony. A series of stark songs emerged, minimal and vulnerable, woven with emotive silences. Inspired by the idea that something is missing or cold, the pieces float and fade like vignettes, implying as much as they reveal. She describes them as small texts hanging in spa…
Released as a short-run private press LP in 1965, Harry Taussig's 'Fate Is Only Once' has long been a coveted collectible among American Primitive guitar enthusiasts. The album presages the broader movement. Acoustic musicians were still largely stuck in a rigid "Folk" mindset in 1965, and there are just not that many other examples of the exploratory guitar sounds found on 'Fate' during this time period. Alternating between haunting originals and jaunty blues-based traditional numbers, this abs…
What a pleasure it is to bring you the first vinyl version of Jokes and Trials, the 2006 solo debut by Melbourne's Ned Collette, whose incredible song cycle Old Chestnut (FTR 362-2LP, 2018) and brilliant instrumental album Afternoon-Dusk (FTR 468LP, 2019) have been widely and correctly lauded as classics. As Mark Harwood explains in his excellent liner notes, Ned emerged from the Melbourne improv underground along with people like Will Guthrie and Joe Talia. Indeed, it was Talia who turned Ned o…
2025 stock Orange vinyl (US exclusive). Here we have the third solo LP by London's Alison Cotton, following on previous successes, All Quiet at the Ancient Theatre (FTR 424LP, 2019) and Only Darkness Now (FTR 564LP, 2020). And as with each of Cotton's projects it is a stylistic advance as well as another example of her dark signature sound. Alison's work with bands is well documented by recordings with Saloon, 18th Day of May, Trimdon Grange Explosion, and her current, ecstatic folk/psych duo, T…
2025 stock Hazy Road is the debut album from Bong Wish, the solo project of Palestinian-American artist Mariam Saleh. Former bassist for beloved garage rock band Fat Creeps, Saleh got her start in the Boston music scene of the early 2010s. While living above a music venue, where she was also employed, she was exposed to a myriad of jazz, psych, and experimental music. In turn, Bong Wish incorporates both the high-energy and distortion of garage alongside kaleidoscopic soundscapes, and folds them…
The debut album from Whitney Johnson & Lia Kohl has evolved over several years from their initial practice of free improvisation on viola and cello into (for the moment), this: a neophonic orchestral expression. At once stimulating and soothing, For Translucence is a living, breathing meditation in which layers of acoustic strings, synthesizers, field recordings, radio and sine waves illuminate each other as they twine and grow.
A luminous collaboration between Natural Information Society and Bitchin Bajas, Totality is a slow-burning suite of cosmic ambient ritual—blending jazz, drone, and natural resonance into a radiant whole.
After the high times and critical-mass arrangements of the previous two records, Snowbug exuded a breezy, spare, morning-after vibe. Edified by all manner of world-folk, classic Brazilian pop and the first volumes of the Ethiopiques comp, the Llamas recorded in London with Fulton Dingley and in Chicago with Bundy Brown and Jim O’Rourke engineering at Electrical Audio and John McEntire mixing at Soma. Snowbug is an understated, underrated gem.
Big tip! Antigone is Eiko Ishibashi’s latest musical masterwork, one rife with chilling speculations for the future calling from inside her own head. Out March 28th, it marks Eiko’s first “traditional” songcraft album — that is, with lyrics and singing — since 2018’s acclaimed The Dream My Bones Dream, arriving on the heels of her celebrated soundtracks for Ryusuke Hamaguchi’s films. Within Antigone, Eiko teases out images from a dystopia not unlike the one we’ve already got. Hers is suffused wi…
2025 repress; originally released in 1999. Twenty-six years after its initial release, Jim O'Rourke's Eureka remains one of experimental music's most beautifully contradictory statements - an album that somehow manages to be utterly devoid of anything resembling conventional pop music while simultaneously being magnificent in scale, pleasant to listen to, catchy, and even reminiscent of records you might have heard on The Casey Kasem Show. Now, Drag City presents a 2025 repress of this essential…
2024 Repress. Insignificance, Jim O'Rourke's third solo album for Drag City, reaffirms that he is not only a fine composer, arranger, and producer, but a gifted, creative songwriter as well. As with Eureka and the Halfway to a Threeway EP, O'Rourke continues to find as many possibilities in singing and songwriting as he does experiment with pure sound. However, this time O'Rourke adds a few twists to the formula he pioneered on those two efforts.
He sings on each of Insignificance's tracks, his…
More than a decade after its initial release, Om's Advaitic Songs continues to stand as a towering achievement in heavy music's ongoing evolution - a record that demolished preconceptions about what drone-doom could become while establishing new possibilities for consciousness-expanding composition. Now, Drag City presents a 2025 repress of this essential double LP, offering contemporary listeners the opportunity to experience one of the most focused and progressive documents in Om's remarkable …
Originally released by Extreme in 1991, Tamper holds a significant place in Jim O'Rourke's discography, as it represents one of his early ventures into the realm of electro-acoustic music
2025 stock If Coley can do anything and, I assure you, he can do a few things, some very well indeed -- cooking, drinking, smoking, chortling, collecting, dissecting, inspecting, sniffing, gassing, pranking -- to name but a few, he can, without a beat gone by, make you wanna listen to the goddamn records he's criteeking whether it be in old ishes of Forced Exposure, Boston Rock, New York Rocker, or the LA Weekly or his nugget column in Wire. For many his obscurant references to what is already a…
2025 stock Creative Healing is a new Massachusetts combo mixing the folks from Hollow Deck (Andy Allen and Mia Friedman) with three old pals who also passed through the Ran Blake Paddle Tunnel at NE Conservatory (Katie McShane, Jesse Heasly and Nick Neuberg). The results are, as the old men say, a real gas. Although it's not a constant, there are moments throughout this album where the swonky collision of sax, guitar and drums puts me in mind of several classic versions of Beefheart's Magic Band…
2025 stock Vinylization of an insane and legendary CDR that Nashville's Cherry Blossoms collective issued when they did a 2007 tour of Upper and Lower Rangoon with Josephine Foster as a special guest member. The Cherry Blossoms are a musical entity not easily described, but I feel as though their essential whatsis was grasped by Michael Hurley. We were talking a few weeks ago and when the Blossoms were mentioned, Mike said, 'Oh Yeah. I remember the last time I played a gig with those guys. Their…
2025 stock "Finely thuggish debut LP by a trio led by guitarist Micah Blue Smaldone, a well-known figure in the same South Portland Maine scene that gave us Big Blood and other treats. Indeed, Micah's fourth solo album was a split with Big Blood, but the fingerpicking sound of his solo recordings is a far cry from Wake in Fright. WIF are a trio. Micah plays guitar, Greg Bazinet plays bass, Jonas Eule plays drums, and all of them add vocals. It was Greg who sort of got things going when he convin…