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Super Tip! *Cover design A* Tribe’s inaugural release in 1972 would see three editions released in as many years. 1972’s first edition featured a photo of the ocean on the front, the following year’s second edition had a drawing of the Earth, while 1974’s third edition had a colorful illustration of Tribe founders Wendell Harrison and Phil Ranelin’s faces. Each version is unique. A Message From The Tribe 1st version (LP + 7") The inaugural release from Tribe is getting its first ever analog reis…

Almost everything recorded by Confusional Quartet, the Bologna band of Lucio Ardito, Gianni Cuoghi, Enrico Serotti and Marco Bertoni: their 1980 LP, the 1981 10" and the flexi set Documentario, with outtakes and an unreleased piece.

25th anniversary deluxe reissue of To Live and Shave in L.A.'s "The Wigmaker in Eighteenth- Century Williamsburg." in an expanded 4LP box set. The four LPs contain all 27 tracks from the original “Wigmaker” double CD remastered for vinyl, including complete lyrics, original liner notes & production credits, plus an entire LP side of unreleased songs from the original 1996 version of the album. The set also includes a 36-page perfect-bound book with never- before-seen photos, a critical appreciat…

Demetrio Stratos' stage music for Teatro dell'Elfo's 1979 Satyricon, directed by Gabriele Salvatores, with extended vocal techniques, Balinese instruments and whale song recordings. Lost for over forty years, it is one of his last works.

On Vonski Speaks, Von Freeman stretches out with his New Apartment Lounge Quartet at Jazzfest Berlin 2002, turning four long pieces into a swaggering, late‑career testimony to Chicago grit, club intimacy and unforced authority.

On Serenade & Blues, Von Freeman eases his Chicago tenor into an after‑hours glow, trading the swagger of Have No Fear for late‑night ballads and slow blues that stretch time without ever losing their bite.

On Have No Fear, Von Freeman turns a 1975 marathon session into a fiercely personal manifesto, his elastic Chicago tenor pouring blues, bravado and vulnerability into performances that sound both off‑the‑cuff and obsessively shaped.

On Ride The Wind, Roscoe Mitchell scales up the chamber‑like intensity of his Conversations work, setting it inside a 20‑piece Montreal–Toronto ensemble that treats his textures as weather systems to move through, reshape and suddenly ignite.

On Signaling, Nick Mazzarella and Tomeka Reid compress a wide slice of Chicago’s creative music history into intimate alto–cello dialogues, tracing a clear line from Hemphill/Wadud’s 1970s duets to a present tense that feels urgent and newly carved.

On Silver Cornet, Bobby Bradford and Frode Gjerstad turn a one‑night Baltimore stop into a fiercely conversational blowout, their quartet with Ingebrigt Håker Flaten and Frank Rosaly mapping free jazz as living, mobile history.

On 6 Duos (Wesleyan) 2006, Anthony Braxton and John McDonough turn a teacher–student bond into a finely wired brass–reeds colloquy, shuttling between Braxton systems, McDonough themes, open improvisation and Sousa with disarming clarity and wit.

On Indian Summer, Eddie Johnson lets his late‑era Chicago tenor glow with undimmed warmth, spinning swing‑era lyricism and speech‑like nuance over a veteran quartet that treats time as something to lean into, not chase.

Recorded in Chicago in 1976, All Music catches Warne Marsh in lucid, late-middle form: a cool-toned tenor moving with dry wit and quiet daring through Tristano-school material, buoyed by Lou Levy, Fred Atwood and Jake Hanna’s alert swing.

On Snurdy McGur dy and Her Dancin’ Shoes, Roscoe Mitchell launches the Sound Ensemble with a volatile mix of abstraction and groove, folding AACM rigor into slyly funky frameworks that keep tilting from tight forms into open risk.

On their 1981 debut, NRG Ensemble, Hal Russell and his much younger bandmates detonate a joyous, combustible mix of free jazz, skewed swing and dada humour, turning multi-instrumental chaos into a sharply etched group identity.

On Generation, Hal Russell’s NRG Ensemble collides with Charles Tyler to turbo‑charge its already volatile chemistry, turning multi‑author charts into a raucous, shape‑shifting suite of free‑jazz blowouts, sly grooves and side‑eyed melody.

On Procession of the Great Ancestry, Wadada Leo Smith threads trumpet history and civil rights struggle into a lean, glowing suite where dedications to Davis, Gillespie, Little and Eldridge sit alongside blues testifying and a closing hymn for Martin Luther King Jr.

On Circumstantial, Ira Sullivan returns to Chicago after fourteen years away, sounding both relaxed and razor‑sharp as he trades easy, hard‑won wisdom with a seasoned hometown rhythm section and a fiery young guitarist at his side.

Opening with the 18+ minute track of the same name, Archie Shepp’s ‘The Magic of Ju-Ju’ takes on a fevered pace as the centrepiece of this date from 1968. Shepp lets loose from the beginning as he’s joined by Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles and Dennis Charles, all on percussion. The initial pace never dissipates throughout the title-track’s run. The additional tracks on Magic of Ju-Ju are a departure from the first, sitting more in a traditional realm. The album is a va…

*2024 stock* “Between stood and still stands for the simultaneity of things that are really mutually exclusive” (Peter Michael Hamel, 2005). “Originally we wanted to call the project B.A.C.H.,” Peter Michael Hamel re-calls, when, in 1970, they were looking for the most unusual name possible for a extremely unusual formation. “Naturally we chose in it in part in allusion to the immortal baroque composer of that name, but above all the letters stood for “Between All Chairs.” That’s exactly how we …

*2022 stock* The Polish composer Krzysztof Penderecki used to write chamber music even as a student in Krakow. He was writing the chamber music works for himself, then already an accomplished violinist, and his fellow students (The title "Sonata for Violin and Piano" from 1953 has only recently been published.). A specialty of these early works are Penderecki's inventions with which he altered the sound of the stringed instruments, indeed almost to the point of being completely unrecognizable. W…

In modern experimental music, and especially among a number of musician-composers emerging in America during the Sixties, a fixation on process and awareness became a structural hallmark, exploring the gradual change of sonic materials, built environments, and the human body. Though much maligned as a term by its practitioners, figures like Steve Reich, La Monte Young, Philip Glass, and Terry Riley were among these 'minimal' composers; askew of them were electroacoustic explorers like Alvin Luci…

This recording is the product of a remarkable intercultural musical experiment. It contains five strikingly varied works, each one the fruit of musical cross-pollination between America and the island of Bali. The three American composers represented here－Evan Ziporyn, Michael Tenzer and Wayne Vitale, along with their peers in the Sekar Jaya ensemble－have, since 1979, devoted an extraordinary amount of effort, intelligence, and talent to the study and performance of traditional Balinese music. T…

Important reissue of two historic minimalist albums, originally released on LP via the Advance label and out of print for decades now. Mastered from original tapes according to the composers original specifications. Packaged with informative liner notes by Kyle Gann, including an overview discography for seminal works within the field of minimalism. This timely CD reissue combines two LPs from the Advance label-Richard Maxfield’s Electronic Music and Harold Budd’s The Oak of the Golden Dreams-bo…

This album, by virtue of its initial founder characteristic from 1981, shows this concern about participating to the interaction of the energy of the future, to the reciprocal mediation linked to the productive activity of the world. Like Vivenza will say: « By working and through the strengths of work, in the sonorous magma of the industrial society, at the heart of the forges and weirs, of the rolling mills and power stations, reactors and artificial intelligence, nature reveals its dynamic ch…

Veriti Plastici, the third part of the first works of Vivenza, recorded and completed in 1983, represents a fundamental step in the definitive formalisation of the bruitist sonorous views. Made of very objective industrial atmospheres, this recording will be the bridge between the pure experimental approach, and the rigorous structuring of the works that will be produced later (Fondements Bruitistes - 1984, Réalités Servomécaniques - 1985, Machines - 1985, etc.).  The release of …

For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and socia…

For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and socia…

CD Compact disc album, cardboard cover, limited edition. '17 french bands from the genesis of industrial, experimental, free jazz musics, for the most part unclassable underground musics, and more recent and emergent artists from the same vein, form COILECTIF. These artists explore and express, openly and without limits, what Coil's heritage suggests to them, an opportunity to make an homage to Geff Rushton aka John Balance or Jhon[n] who left us on November 13th 2004. Coilectif is also an homag…

Rotorelief present a reissue of The Bonaparte's Welcome to the Isle ff Dogs, originally released in 1986. The second studio album from The Bonaparte's, an emblematic figure of French post-punk, released with the participation of Lol Tolhurst, founding member of The Cure. The singing and guitar work is reminiscent of Echo and the Bunnymen, other titles will remind you of the energy of Killing Joke, even in the psychedelic or Gothic moods. Welcome to the Isle of Dogs is an album that has not been …

Rotorelief present an expanded reissue of Shiny Battles by The Bonaparte's, originally released in 1985. The Bonaparte's trio was born after the split of two bands, Kan Ji Zai founded by Pat Griffiths from 23 Skidoo, Ruben Azca, and Baroque Bordello. According to Giri, the boss of the Gibus, the punk public usually became agitated sitting very attentively at the Kan Ji Zai gig on October 4th, 1983. In 1984 after their first record the EP Today, the drummer Prad and the bass player Pix from Baroq…

Black vinyl version. Color sleeve. Numbered edition of 2000 copies. Rotorelief present a reissue of Silver Apples' second album Contact, originally released in 1969. Available in four versions: A black vinyl version with a color sleeve in a numbered edition of 2000 (ROTOR 056C-LP); a clear vinyl version with a color sleeve in a numbered edition of 1000 (ROTOR 056C-CLR); a black vinyl version with a silver gatefold sleeve in a numbered edition of 2000 (ROTOR 056S-LP); and a silver and black vinyl…

This 45 rpm 12'' called « 1000 » is a collection of Roxy's unreleased New Wave and synth-infused tracks still signed by her oh so particular voice. Sometimes punchy, sometimes languorous and velvety, a common point all the tracks have is a strength that seems never to leave her. Also noticeable is the reprise of the mythical and mysterious synth-pop band Nine Circles, who else better than Roxy could tell us « What's There Left »?.

** 2021 Stock. Limited and numbered edition of 100 copies on clear vinyl **  Rotorelief presents MB I I I by Moodie Black. Artwork By – Jamee Varda. Layout – Emeric Guémas. Pressed by Rotorelief Records, this limited edition vinyl comes with the bonus track "Ye. Death (feat. Ceschi)" along with lyric poster.

The title Whiter than white sounds like an advert for soap. Adverts and soap are precisely what Les Belles Noïseuses blame. Or even more precisely what they represent: consumption, conformity, economic liberalism. However, don't expect to get a speech from Les Belles Noïseuses. Only feelings, emotions, dreams and nightmares are conveyed through their refined musical structure. The doom-jazz double-bass reminds the best from Mick Karn. The minimalist guitar scrapes melody to the bone, to the aton…

LP version. "While they have collaborated a good many times, Next is the first recorded evidence of Danish guitarist (or more properly Bastardist) Jørgen Teller playing with American ex-pat multi-instrumentalist Mark Cunningham. The pair both have long histories on the fringes of known sounds. I first heard Teller as a member of the dizzily freakoid Tzarina Q Cut and Cunningham's decades of musical adventurism with Mars, Don King, Bestia Ferida, Blood Quartet, etc. have been well documented, not…

* Deluxe Edition limited and numbered to 99 copies in 200g vinyl and metallic sleeve *  1976, Vince Taylor, the Black Archangel of Rock’n’roll, agrees to come and record “Rock’n’Roll Station”, a piece of futuristic clinking of a bicycle wheel. Other sessions contrary to custom, a pigsty with microphones mired in the middle of unruly pigs, towels shaken by Pierre Bastien in the middle of this “bric-a-brac” a noisy piece in homage to Luigi Russolo repertoire reorganized by bonuses and unpublished …

* Deluxe Edition limited and numbered to 99 copies in 200g vinyl and metallic sleeve *  1979, the year of the album Catalogue. Jac Berrocal and his “Marquises of disorder” make the guitars rattle in primrose-sprayed vomit, patchwork of uncontrollable slows, furious accordion (Claude Parle) and martial rocks. Kind of “Micro-cinemas put end-to-end”, a maelstrom of cries and saturation which, paradoxically, an album that is worth the respect of the Punks and the contempt of jazz purists. Berrocal i…

Landform Erosion In the sequence of the debut album Landform, Fujako releases Landform Erosion, into the cosmic wilderness of haunted grounds and landscapes. The telluric evocation of the underworld through bass and echo involves this time a new set of collaborations, a group of producers were invited to remix sound coming from the previous Landform. REMIXERS | SPECTRE explorer into the realm of low frequency manipulation, TZII Brussels based musician and video artist, the second half of …

LP album, numbered and stamped vinyl edition limited to 250 copies. A different version from ' Music for Air Raids ', recomposed for the vynil format and entirely remastered. Comes above our heads the distant roar of ' Music for air raids v2.0 ' as a prelude to the waves of polyrhythmic drums and unremitting guitars, of powerful and constructive poundings that will penetrate us to the core throughout the album. As this album is a tour de force end-to-end, with raids of drums, persussions and gui…