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Scott Walker – Bish Bosch
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Scott Walker

Bish Bosch

Format2LP + CDLabel4ADGenreExperimental

Arriving from the supplier: restock due soon (ships as soon as it reaches us)

€31.00
VAT exempt
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Deluxe double LP pressed onto 180g vinyl, includes a copy of the album on CD free inside. Also includes a comprehensive 36 page booklet. It can't be easy following a record as beguiling as 2008's genre-defying 'The Drift', but pounding to life with the incessant woodpecker percussion of album opener 'See You Don't Bump His Head', it's clear that 69-year-old Scott Walker has shock and awe in mind. He's never been an artist who's struggled with originality, and 'Bish Bosch' takes his aural cubism even further than ever before with confusing instrumentation and some of his finest vocal work to date.

Where its predecessor profited from a hoarse, growling electronic backdrop, 'Bish Bosch' is almost circus-like in its approach, draped in horns, strings and crushing guitars - but rarely does the cacophony encroach on Walker's hallowed vocal tones. In what feels like a conclusion to a trilogy (along with 'Tilt' and 'The Drift') Walker has turned in a delightfully difficult to navigate masterpiece, filled with wrong-turns and red herrings. From the much hyped chorus of farts (it works, seriously) to the humorous asides on 'SDSS14+13B (Zercon, A Flagpole Sitter)' it feels like Walker delights in making an generation of music listeners have to sing for their supper for the very first time.

'Bish Bosch' is a million miles from the instant gratification we'd hope to glean from the majority of contemporary releases, and yet it doesn't sound dated or stuck in time; rather Walker has created a record that sounds conscious of its surroundings while it tears them down relentlessly. The near-doomed, close apocalyptic holler of 'Bish Bosch' isn't likely going to appeal to everyone out there, but those of you looking for originality, craftsmanship, challenge and sheer imagination should look no further. Defiant, beautiful and occasionally spine-chillingly frightening, 'Bish Bosch' is a late contender for album of the year, and one that will be hard to shake from the mind any time soon.

Details
Cat. number: CAD 3220
Year: 2012

Format

Double LP in clear plastic sleeve with sticker, records in black polylined inners. Contains CD version in clear plastic sleeve. Initial copies contained a 32-page booklet, with lyrics, art and credits.

Recorded at Kore Studios, London.

Session preparation, pre-mixing, Protools editing at KHS Studios Dusseldorf.

Vocals recording and mixing at Sofasound Studio, London.

Analog recording and mixing at Metropolis Studios, London.

Orchestra recording at Air Studios, The Hall, London.

Mastering at Abbey Road Studios, London.

℗ 2012 4AD Ltd, © 2012 4AD Ltd

Release notes

Double LP in clear plastic sleeve with sticker, records in black polylined inners. Contains CD version in clear plastic sleeve. Initial copies contained a 32-page booklet, with lyrics, art and credits. Recorded at Kore Studios, London. Session preparation, pre-mixing, Protools editing at KHS Studios Dusseldorf. Vocals recording and mixing at Sofasound Studio, London. Analog recording and mixing at Metropolis Studios, London. Orchestra recording at Air Studios, The Hall, London. Mastering at…

Tracklist
A1'See You Don't Bump His Head'4:06
A2Corps De Blah10:11
A3Phrasing4:46
BSDSS1416+13B (Zercon, A Flagpole Sitter)21:42
C1Epizootics!9:41
C2Dimple6:47
D1Tar5:39
D2Pilgrim2:27
D3The Day The "Conducator" Died (An Xmas Song)7:45
CD-1'See You Don't Bump His Head'4:06
CD-2Corps De Blah10:11
CD-3Phrasing4:46
CD-4SDSS1416+13B (Zercon, A Flagpole Sitter)21:42
CD-5Epizootics!9:41
CD-6Dimple6:47
CD-7Tar5:39
CD-8Pilgrim2:27
CD-9The Day The "Conducator" Died (An Xmas Song)7:45
Credits
Ben Farquharson
Artwork [Painted Words]
Chris Fish
Cello (A2, B1, C2)
Dom Pecheur
Cello (A2, B1, C2)
Frank Schaefer
Cello (A2, B1, C2)
Joely Koos
Cello (A2, B1, C2)
Justin Pearson
Cello (A2, B1, C2)
Nerys Richards
Cello (A2, B1, C2)
Tamsy Kayner
Cello (A2, B1, C2)
Vicky Metthews
Cello (A2, B1, C2)
Peter Walsh
Co-producer, Recorded By, Effects [Electronic Sound Treatments & Manipulation], Mastered By, Mixed By
Mark Warman
Conductor, Orchestrated By (A2, B1, C2), Directed By [Musical Director], Effects [Electronic Sound Treatments & Manipulation]
Philip Laslett
Design
Alice Kent
Double Bass (A2, B1, C2)
Chris West
Double Bass (A2, B1, C2)
Clare Tyack
Double Bass (A2, B1, C2)
Enno Senft
Double Bass (A2, B1, C2)
Lucy Hare
Double Bass (B1)
Stacey Watton
Double Bass (A2, B1, C2)
Stephen Warner
Double Bass (B1)
Steve Rossell
Double Bass (A2, B1, C2)
Negus-Fancey Company
Management [Scott Walker]
Alex Wharton
Mastered By
Steve Rooke
Mastered By
Scott Walker
Mixed By, Producer, Vocals, Written-By
Davy Evans
Photography By
Geoff Foster
Recorded By [Orchestra, Air Studios]
Adam Miller
Technician [Assistant, Air Studios]
John Prestage
Technician [Assistant, Air Studios]
Angie Teo
Technician [Assistant, Metropolis Studios]
Liam Nolan
Technician [Assistant, Metropolis Studios]
Paul Norris
Technician [Assistant, Metropolis Studios]
Xavier Stephenson
Technician [Assistant, Metropolis Studios]
Scott Knapper
Technician [Assistant, Sofasound Studios]
Steve Morris
Violin [2nd - Leader] (A2, B1, C2)
Brian Wright
Violin [2nd] (A2, B1, C2)
Charlie Brown
Violin [2nd] (A2, B1, C2)
Clive Dobbins
Violin [2nd] (A2, B1, C2)
Elizabet Wexler
Violin [2nd] (A2, B1, C2)
Nikki Gleed
Violin [2nd] (A2, B1, C2)
Paddy Roberts
Violin [2nd] (A2, B1, C2)
Sebastian Rudnicki
Violin [2nd] (A2, B1, C2)
Steve Bentley-Klein
Violin [2nd] (A2, B1, C2)
Tom Pigott-Smith
Violin [2nd] (A2, B1, C2)
Paul Willey
Violin [First - Leader] (A2, B1, C2)
Abigail Young
Violin [First] (A2, B1, C2)
Ann Morfee
Violin [First] (A2, B1, C2)
Boguslaw Kostecki
Violin [First] (A2, B1, C2)
Dave Smith
Violin [First] (A2, B1, C2)
Dave Ogden
Violin [First] (A2, B1, C2)
Jonathan Rees
Violin [First] (A2, B1, C2)
Julian Trafford
Violin [First] (A2, B1, C2)
Laura Melhuish
Violin [First] (A2, B1, C2)
Ruth Ehrlich
Violin [First] (A2, B1, C2)