When Sunn O))) first approached Scott Walker about appearing on their 2009 album 'Monoliths and Dimensions', little did they know what it would actually lead to. Four years on, Scott was back with something even more enticing, collaborating on 'Soused', a body of work he was writing with them in mind. With a career spanning more than five decades, Scott Walker's cult status remains as significant as ever before. Experiencing mega-stardom as part of The Walker Brothers before carving out a career as a solo crooner who released a quartet of peerless self-titled LPs that painted rich vignettes of life in the late 60s, Scott went through what felt like a massive U-turn by recording a collection of masterfully challenging albums: 'Climate Of Hunter' (1984), 'Tilt' (1996), 'The Drift' (2006) and 'Bish Bosch' (2013). While there's some truth to this artistic arc, the actual picture is a lot more complex, with his knack for introducing the disturbingly counter-intuitive and the uncanny into his songwriting dating back to the likes of 'The Plague' (1967) and 'It's Raining Today' (1969). Centred around the core duo of Stephen O'Malley and Greg Anderson, Sunn O))) have been at the heart of underground and experimental metal since they began in Los Angeles back in 1998, broadening in range to increasingly encompass avant-garde and jazz dynamics to their dark music. Anderson runs Southern Lord (Sunn O)))'s usual label home), whilst O'Malley is involved in a remarkable web of projects as a musician, designer, and label head of Ideologic Organ. They appear alongside extended Sunn O))) member Tos Nieuwenhuizen on this recording. Recorded in London in early 2014 and produced by Scott Walker and long-time ally Peter Walsh with the assistance of musical director Mark Warman, 'Soused' is a 5-track, 50-minute collaborative record that cements the status of both act's wide-reaching and otherworldly renown. LP - Double 180 Gram Vinyl includes Download.

"…And the earth crack'd to reveal Scott Walker & Sunn 0)))'s colossal offspring 'Soused' in its riveting, tragic glory. Four years on from their intended collaboration in 'Monoliths & Dimensions', the arch avant-crooner meets the robed duo (and Tos Nieuwenhuizen) at the apex of their powers, presenting a peerless, operatic vision of doom metal informed as much by Native American history and the underground US psyche as experimental jazz and electronic dynamics. We can safely say it matches and surpasses our high expectations of the project, offering a complex, widescreen portal to a chiaroscuro world slashed in black by Anderson and O'Malley and illuminated by Walker's range of possessed vocal personas, from anguished despair to internal torment and shocking convulsions. Embarking over the bull-whipped Moog bass momentum and banking riffs of 'Brando', Walker is a disturbing yet utterly compelling presence enticing us to cross thresholds into the arcane, uncanny worlds animated by Sunn 0))), whether projecting across the molasses drone trudge of 'Bull' or alternately wilting and lashing out from the percussive attacks and abyssal tar pits of 'Herod 2014'. By 4th song 'Fetish' their path has narrowed to a 'marish corridor of re-amped synth ghouls and spectral noise before distant drums abort the pregnant drones somewhere in the final third, for closing shot, 'Lullaby' to emulsify their unheimlich resolution at its most dramatic, synth-fired and intimate. It's a genuinely remarkable session, surely one of 2014's best." Boomkat