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The Willisau Concert
Joe McPhee's first international release, Black Magic Man, was issued on the newly formed Hat Hut imprint in 1975. It was a watershed moment for the 35-year-old musician. Based in Poughkeepsie, New York, he was too far away from Manhattan to have participated extensively in the Loft Jazz happenings of the decade. European exposure, however, would give McPhee an alternative circuit, something of an escape route from the trappings of American cultural myopia.
" In support of the new record for thi…
Nation Time
2022 Repress. "Joe McPhee's solo album, Tenor literally changed my life. The recording (one of his first for Hat Hut, in September 1976) displayed his unique ability to integrate unconventional sounds and extended techniques with pure melodicism, and it permanently altered my perspective on what the saxophone could do and what music could be. Nation Time was recorded six years earlier, but ideas regarding the integration of means and methods were already at the forefront of McPhee's approach to …
Models of Duration
*Limited edition of 400 copies.* The latest from the uncompromising John McCowen is a split release between Dinzu Artefacts and Astral Spirits. Models of Duration follows the same trajectory as McCowen's other amazing solo releases - Solo Contra (International Anthem, 2017), 4 Chairs in 3 Dimensons (Astral Spirits, 2018), Mundanas I - V (Editions Wandelweiser, 2018) but is also a whole world beyond those. McCowen continues to focus on extended possibilities of the clarinet family as well as acou…
Quartet Music Vol. I: LuMiSong
The first time the band that became LuMiSong ever played together was during the Great Lockdown of July 2020. The others wore masks while I stood twenty feet away with the door behind me open to a Gowanus side-street. I hadn’t shared a sound or negotiated an eighth-note with anybody for months and the experience overwhelmed me with emotion. (The most basic facts of collective music-making are the most profound.) We all brought in music to that session and to the many that followed. Matt and Sant…
Routines
*Edition of 300 glass-mastered CDs in wallet with spine.* "Three leaders in the Chicago free improv scene -Keefe Jackson on tenor & sopranino saxophones, Jim Baker on piano & synthesizer and Julian Kirshner on drums - in a collective album of concentrative conversation, a group of equals that function together through close listening and interactive support in expressive playing that leaves ego out of the equation." - squidco.comKettle Hole Records is a Chicago-based independent record label, wh…
So Far
Between 1961 and 1965 Eje Thelin formed his first own group with which he toured across Europe. In 1964 he performed in Copenhagen with George Russell; from the late 60s to the mid-70s he played with Joachim Kühn and John Surman and turned to Free Jazz. This quintet is famous for the cooperation with Belgian Joel Vandrooogenbroeck, who had played with big names such as Barney Wilen and Zoot Sims. In 1968 Vandroogenbroeck formed the experimental rockband Brainticket.This 1963 session features the…
Colla Voce
What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…
Schizo
Pianist Berndt Egerbladh was a prolific writer with considerable talents, who also recorded with Lars Lystedt. The three musicians in this trio (Egerbladh, Björn Alke and Sten Ödberg) were all on the same wavelength and able to change between different musical moods. This is a remastered vinyl reissue of a 1964 recording, issued in an edition of 500 LP's.
Our telluric conversation
'23five Incorporated proudly presents Our Telluric Conversation - the second collaborative album from John Duncan and Carl Michael von Hausswolff. This is an album which Duncan describes as having been galvanized by magnetism. In a semantic sleight of hand, Duncan and Hausswolff reveal magnetism through a duality of meanings. One on hand, they speak of the physical phenomenon of charged objects that exert an attraction or repulsion upon other objects; yet on the other, magnetism can be defined t…
Free At The German Jazz Festival 1966
Unreleased live recordings - featuring the pioneers from the Euro-pean New Jazz scene! This is the third in our series of exciting jazz albums with beautiful unreleased live recordings from the German Jazz Festival 1966! Please check the whos's who of the European jazz scene in the tracklisting.This 2-CD set comes in a SABA-style packaging.
We had the impression that those recordings could easily have been part of the SABA/MPS catalogue back in 1966 - that's why we decided to design the co…
Turiya Sings
CD version. “Divine music is a curative virtue; it is a gift from God that brings healing and comfort to the soul. This music can uplift one’s spirit up to a higher dimension of being that is filled with peace and joy. Divine music is the sound of true life, wisdom, and bliss. This music transcends geographical boundaries, language barriers, age factors; and whether educated or uneducated, it reaches deep into the heart and soul, sacred and holy, like an Infinite sound of glory entering the Lord…
More Modern At The German Jazz Festival 1966
An incredible meeting of talents – both American and European jazz musicians coming together at a festival that must have been one hell of a event – certainly more exciting than just about any jazz festival we've ever attended in our lifetime! Unlike other festival recordings, this isn't just any sort of rehash of standards, done by all-star groups – and instead showcases some of the best modern jazz talents on both sides of the Atlantic in the mid 60s – all trying to outdo each other with their…
European Jazz Sounds
The 'European Jazz Sounds' series, that started around 1960 with legendary albums by the Michael Naura Quintet, Tubby Hayes and Max Greger, sees a welcome revival! This first volume presents the early recordings of the renowned Joki Freund Quintet from the late 1950s. German saxophonist and arranger Joki Freund played with Jutta Hipp in the mid-'50s, before forming his own Joki Freund Quintet. During the late '50s they played various European festivals, together with visiting American musicians …
Jazz Jamboree 62 Vol. 2
A CD-issue of excellent '62 live recordings from the highly regarded Swedish jazz trombonist
European Jazz Sounds
A collection of unreleased radio session recordings from the original tapes! The few recordings made by the New Jazz Group from Hannover in Germany are scarcely documented. The band was founded in -or around- 1954 by Bernd Rabe (alto sax and clarinet), pianist Klaus Wunderlich, drummer Helmut Perschke, bass player Eberhard Pommerencke and Karl Blume (baritone sax and vibraphone). This release documents a special chapter in German jazz history. Alto Saxophone, Clarinet – Bernd Rabe Baritone Saxop…
Fanfar!
The Lars Lystedt Quintet from Sweden played international Jazz festivals in the early 60s. On this session they feature the astonishing Leif Hellman on sax. Most tracks were composed and arranged by pianist Berndt Egerbladh, giving a fair indication of the considerable talents of this prolific writer. On the second side of this 10inch record is a recording of his "Arctic Suite". All these tracks were recorded during an August 1962 session. This reissue on LP was newly remastered for optimal soun…
Move
Jazz in Australia at its best with incredible sessions from autumn 1960 – three masters with unbelievable musical control and understanding. This album was recorded at the El Rocco club six weeks after the group was formed, and the boys claim they were only just becoming accustomed to one another’s playing. In all, they cut thirty different titles in two 3-hour sessions, all of which were one take only. This in itself is incredible as the resulting takes never fall below top-level
International Holy Hill Jazz Meeting 1969
CD version. BeJazz is happy to come up with a true “holy” modern/free jazz gems of the late 1960s. The original double LP was issued by Meno Liechtenstein’s CB Records – he was also the organizer of the “International Holy Hill Jazz Meeting” in Heidelberg/Germany. The sound quality on the original album was not really bad – but it certainly was not really good as well. We spent a lot of work on a proper restoration of the live tapes. The result is truly amazing – after almost 50 years we are now…
Jazz am Rhein 1967-1968
It was the summer of love in 1967, and more than 12 000 people found their way into the Rheinpark in Cologne – situated opposite the majestic cathedral and right at the bank of the Rhine river – for the first German open air jazz festival. Featured on those two sunny days in September were three big bands – including ace musicians like Jiggs Whigham, Dusko Gojkovic, Manfred Schoof and Volker Kriegel – and the Kenny Clarke - Francy Boland Sextet. When the festival was revived the following year, …
International New Jazz Meeting Burg Altena 1972-1973
Box Set with 8 CDs of exciting and adventurous New Jazz recorded live at the Altena New Jazz Meetings from 1972 and 1973. More than 8 hours of music recorded live at the Altena Castle, West Germany. Two 28-page booklets with concert pictures, flyers and newspaper clippings (in German and English). Includes complete performances and improvisations by Chris McGregor’s Brotherhood Of Breath, Michal Urbaniak Group, Phil Woods, Wolfgang Dauner’s Et Cetera and many more! Read more at: https://www.bear…