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A collection of remixes and compilation tracks 1999-2006. Carefully edited by Felix Kubin and Eric Mattson, this CD is more than a compilation. It brings lights on the different activities of a great open-minded composer from Hamburg. All these tracks have been composed and recorded by Felix Kubin unless otherwise stated. They have appeared on rare or badly distributed releases. This CD brings back to live these amazing tracks. The power of this release is to build bridges in between composition…
This is probably one of the most clinical releases of Maurizio Bianchi's current discography. Together with Siegmar Fricke from Germany four very complex soundscapes have been produced that on the one hand show similarities and relations in sound to Maurizio’s early releases and on the other hand enter new territorities of clinical sound-excursions. The four long tracks contain metallurgic ambiences, painful postoperative distortions, quiet endoscopic sections and pulsating, radiant elect…
The great creator of musical novelties hardly ever departed from the melodic harmonious basis, though: his major achievements included not least the development of new techniques for piano playing, which he also integrated in his book New Musical Resources. His Concerto for Piano and Orchestra (1928) appears to put the spotlight on the technical and musical-historical findings, whereas in pieces such as Irish Jig and Four Irish Tales he openly and merrily inquires into his Irish background, with…
“It seems most important to me not to stop being a connoisseur; I freely confess that I would rather be considered a hedonist than an analyst.” This statement by Luis de Pablo is reflected in his music; not in violent yet superficial currents of sound but in finely differentiated sound as de Pablo’s Las Orillas (1990) demonstrates: “The composition is very linear, particularly in the slower parts. The orchestration has therefore been planned especially thoroughly such that each voice has a meani…
Orignal master series reissue: a real masterpiece...after a car accident put Brian Eno in the hospital in 1975, he came out with the idea of creating Ambient music, or music that was essentially to be used as atmosphere. Discreet Music was the first of his ambient experiments and is therefore a landmark recording in addition to being a beautiful combination of tape-delay and composition.
Composed in 1979 and edited on LP in 1984 by Amaryllis. Reissue on cd by Oral, 2008. Contrary to an electronic music delighting itself in soaring above reality in self abstraction, the concrete music of Bernard Bonnier has a down on earth hearing, and a dancing too, altough now and then out of beat. Bernard Bonnier has defined chameleon-music as: '...a mime* trying to beat its parth through the puzzle (casse-tête: literally 'head-breaker') of soliciting madness, sundowns, violence, science, love…
the long awaited SIGILLUM S 20th anniversary album: this is the digipack CD and a limited edition gatefold double vinyl , with different track lists and sequences for each format (some tracks are on both formats, while others can only be found either on CD or vinyl).
VHF is releasing a bunch of solo guitar dudes over the next few weeks. Here's one of 'em! It's an album from New York's Alexander Turnquist called Hallway of Mirrors. It says that above so it's kinda pointless me saying that. Having said that the New York thing was a new bit of info so it's not all filler! I've not heard this chap before but I was rather taken with him on first listen. It's not a million miles away from the likes of James Blackshaw.... ie extreme 12 string fingerpluckery which i…
And then, the man remained alone with more doubts than ever before. Music had flown through the years, the tapes definitively gone. IV draws the final line in this groundbreaking 'disintegration' cycle and it does it with a high grade of acute intensity and a totally developed loop aesthetic...moreover, the final track is sort of a reprise of the first segment in I, like putting an end to a whole giant texture. Basinski's repetitions are truly addictive; I could listen for days, each repe…
Sound-track to the prize-winning movie. The Necks break with convention here and put several shorter pieces on one CD. All gems and all pared back to the reiterative imperfection that is the Necks' unique and glorious signature. This a band that seems to be coming into its golden age. Prodigious music and highly recommended.
Originally released in 1975 as an LP on Iskra Records (ISKRA-001). 'First session 1: Gradually Projection'. 'First session 2: Gradually Projection'. 'Second session: Mass Projection'. New Direction Unit are Masayuki Takayanagi: electric guitar. Kenji Mori: alto saxophone, flute, recorder. Nobuyoshi Ino: bass. Hiroshi Yamazaki: drums, percussion. Recorded by Mikio Aoki in Tokyo, March 14, 1975. Includes liner notes in English by Alan Cummings.
The sonata originated in the Baroque as a small, one-movement form, which nevertheless already contained the core of the sonata to be later developed and composed in elaborate detail by the Viennese Classics. In his Sonatas and Interludes John Cage stuck to the concise, one-movement form, thus establishing a link to Scarlatti and Bach's preludes as well as to Chopin's Préludes and Satie's piano pieces. Other than many of his later, freer works, these small but complex gems are fixed and noted do…
At 7pm on a cold Tokyo evening in January 2002, Taku Sugimoto met Mark Wastell at the exit to Yoyogi underground station. Taku had with him his acoustic guitar and a cello that Mark was to use for that evenings concert. They walked the short distance to Offsite, more or less just around the corner. Once inside, Mark began to change the cello strings and Taku started to arrange the recording equipment. Tetuzi Akiyama and Toshimaru Nakumara arrived shortly after and busily set about install…
JanuarY 2004. Two years after the highly acclaimed album “Rose-garden", the portables come up with their second full length. “Girls Beware!" starts where their previous album ended. De Portables developed a cult reputation during the years, mainly because of their many intense and always different performances. Against all recent trends, standards and expectations they do their thing; they play because they like playing. The quartet twists themselves during 11 songs a way between pop, post-rock …
"Re-mastered at Piethopraxis in Köln, July 2007. "Hotel Paral.lel", originally released in September 1997 by Mego, was Christian Fennesz's debut solo album. Following up from the EP "Instrument", it was an investigation into the sonic possibilties residing in guitar based digital music, recorded just before mobile computing devices became the norm. A far more darker and experimental work than what was to follow. Freeform noise, sliced techno beats and subtle ambient textures create a time…
Includes liner notes by Jacqueline Grandchamp-Thiam, Rikki Stein and Mabinuori Kayode Idowu. Digitally remastered by Pompon (Translab Paris, Paris, France). With the inclusion of Nigerian master musician Fela Anikulapo Kuti's incendiary 1977 single, "Zombie," "Mr. Follow Follow," a typical anti-authoritarian exhortation, and a couple of hitherto-unreleased live cuts from the 1978 Berlin Jazz festival, ZOMBIE finds the iconoclastic singer and bandleader at his electrifying best. The title track, …
Hirschfeld deliberately distinguished solitude, or loneliness, from a state that leads to depression or despair. For him, the contemplation of one’s self leads to the “dialogue with one self and with nature”, as is the case, e.g., in his Chant of the Night, which is based on poems by Walt Whitman. Hirschfeld chose Whitman’s Leaves of Grass with its portrayal of human solitude in the plains as a starting point in order to develop the music from a simple melodic cell, “which, like human consciousn…
'The fusion of metal, noise rock, free jazz, industrial, and harsh electronics that makes up The certainty of swarms is the rare kind of heterogeneous concoction that is carefully matured, but never lost in pedestrian calculation. A blistering onslaught of metallic-fused noise-murk, swarms is considered by the band to be one of their most complete statements to date, an aptly blindsiding and developed work drawing from all quarters of their craft.'
Fela Anikulapo Kuti, inventor of Afrobeat, is one of the greatest musicians ever to have lived. He was an innovator, musically gifted, and more important, he was the people's musician.