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This release brings all of Morton Subotnick’s piano music together on one album for the first time, along with four first recordings, all supervised by the composer.Liquid Strata is an important work in Subotnick’s oeuvre. Here the electronic component is what he calls “ghost electronics,” and this is the first of 11 Ghost Pieces. In these works, Subotnick sought to address technology in a way that highlights rather than compromises the inherent features and strengths of acoustical instruments. …
"The Solo for Piano is part of the legendary Concert for Piano and Orchestra. It is an indeterminate work, consisting of 63 pages made of 84 different types of composition, each appearing as its own type of notation. The performer creates his own performance by choosing which pages to play and in which order; pages can also be omitted. John Cage began by choosing, using chance operations, a way of composing based on either his Music for Piano series – single notes, or on Winter Music – chords, o…
"This historic release couples George Crumb’s earliest work for piano, the Five Pieces for Piano (1962) with his most recent piano cycle, Metamorphoses (2017). Margaret Leng Tan has long been a champion of Crumb’s music, and he composed Metamorphoses (Book 1) for her. This recording is of the German premiere at the legendary Donaueschingen Festival in 2017.Crumb’s Metamorphoses is a natural descendent of his monumental Makrokosmos I & II piano cycle of the early 1970s. With a nod to Mussorgsky’s…
"The performers in Kurzwellen react to the completely unforeseeable events which they receive on short-wave radios while performing on their instruments. But this is not improvisation. Stockhausen’s score instructs them how to transform what they hear: how they imitate and modulate it, make it longer or shorter, how to rhythmically articulate it, higher or lower, louder or softer, darker or more playful. Whether they should play and as solo, duo, trio or quartet, etc.Though not so familiar now, …
“Dream” is a musical journey through the sound of the electric guitar in American concert music, based on sonic research and on the simplicity and beauty of the electric guitar timbre and colors.Sorrentino’s transcription of Dream by John Cage opens the program. This version demonstrates the pure beauty of the electric guitar’s clean sound with only the addition of light reverb. This is the first CD release for the lost electric guitar composition by Morton Feldman, The Possibility of a New Work…
**CD Edition** Metastaseis A (first recording), Orchestra Sinfonica RAI; Terretektorh for 88 musicians dispersed among the public; Nomos Gamma for 98 musicians dispersed among the public — Residentie Orkest The Hague, Arturo Tamayo, conductor.
**Milestone recordings. Joan La Barbara's controlled experiments into the limits of the human voice took her beyond music** Joan La Barbara is one of great figures in the history of the American musical avant-garde – holding equal standing as an innovator, composer, and performer. She has defined the field of extended vocal technique for the better part of half a century, pushing our understanding of the sonic possibility of the human voice – drawing on its primal root, and thrusting it into the…
Señales —Señales, “Homenaje a Jonathan Harvey” for violin & ensemble (Irvine Arditti, violin. Ensemble Signal/Brad Lubman); Páramo de voces for piano & tape (Alberto Rosado, piano); Intermezzo malinconico for bass clarinet solo (Adrián Sandi); Homenaje a Remedios Vario; Recuerdos del Porvenir (ensemble recherche)
The first volume in a projected series combining Radulescu’s complete Piano Sonatas and String Quartets — there are six of each — on Mode performed by the superb JACK Quartet and Stephen Clarke (piano). In the 1970s, Horatiu Radulescu (1942 - 2008) began exploring and composing begun composing what he called “plasmatic music,” in which sound was conceived as an “endless ocean of vibrations,” as opposed to the traditional way in which music treats sound as a fabric of discrete scale steps. His mu…
"The main focus of Gerald Eckert’s music is frequently not placed on a centrally triggered event or center of action, but on what has been triggered by this event and how the consequences are subsequently developed. In other words, he focuses his sights on what an impulse is followed by. For Außen, von tief innen (Outside, from Deep Within), the consistent subtle and quiet tonal structure of the work is the fine delineation of multiphonics in bass flute and double bass clarinet alongside the ton…
Two films, part of a series made for French television in the mid 1960s, of concert rehearsals. In the earlier film it’s Stockhausen’s Momente that’s being rehearsed (with long sections of performance) interspersed with KS speaking about himself and his work and the thinking behind his work. Just buy it. It’s completely exceptional, in every way. Stockhausen himself is both eloquent and profound, and speaks as he composes, with thought behind every word. His intensity at work, which is gripping,…
Stockhausen’s early percussion music is among the most visionary of the percussion repertoire. This unique collection features some works which are almost impossible to find elsewhere. Zyklus was not only a novel composition in terms of its treatment of time and structure, it was also the first percussion solo ever performed. Kontakte, a masterpiece for piano and percussion with 4-channel tape, challenges to performers to play together and to make the maximum number of “contacts” with the …
Brazil 84 is from Phil Niblock’s series “The Movement of People Working.” 16mm, unedited long shots, carefully framed to compress single movements, shot in rural and urban settings, capturing people in their working environments, men and women using their hands and body to an eternal working choreography that seems tuned to the microtonal universe of Niblock’s music. All these images are timeless, they could have been shot today, in the ‘60s or even earlier in the century. All these images…
John Cage’s vision of the future of music was first shaped by an intense creative period from 1935-1942, when he wrote many of the seminal works of percussion chamber music featured here. When he composed these works, the young Cage was basically the same age as the members of Third Coast Percussion. This release includes all three of the groundbreaking Constructions. First Construction (in Metal) utilizes dozens of metal instruments which are beaten, scraped and shaken, creating an other w…
'Gran Torso' (1972), 'Reigen seliger Geister' (1989), 'Grido' (2000-01). For the JACK Quartet. 'With a little help from my friends'. Once they called me their 'father.' But when with them I feel fifty years younger, and they are my admired brothers. Each work - not only mine - when performed by the JACK, be it Beethoven or Feldman, becomes an incredible adventure of perception, a festival of intensity, touching our emotions and touching our intellect, making us remember that as human creatures w…
'Palimpsest' (1979) for piano & ensemble. Cory Smythe, piano. 'Echange' (1989) for bass-clarinet & ensemble. Joshua Rubin, bass-clarinet. 'Akanthos' (1977) for soprano & ensemble. Tony Arnold, soprano. 'Thalleïn' (1984) for 16 instruments. 'O-Mega' (1997) for percussion & ensemble. Steven Schick, percussion & conductor. Steven Schick, conductor. 'Zythos' (1996) for trombone & 6 marimbas. Benny Sluchin, trombone.
An exhilarating Xenakis progran, built around works for soloist and ensemble. Most…
In honor of the 40th anniversary of great composer/ conductor Bruno Maderna’s (1920-73) death, Mode is pleased to release the first complete CD of Maderna’s music for flute. The flute played an important part in Maderna’s oeuvre due to his friendship with the exceptional flutist Severino Gazzelloni, who had premiered almost all of the flute compositions. Musica su due dimensioni is among the earliest examples to make live music interact with electro-acoustic sounds recorded on tape. There …
'Haiku' (1950-51), 'Sixteen Dances' (1950-51), 'Alternate versions for piano & percussion'. Jovita Zhl, piano. Thomas Meixner, percussion.'It is rare to discover a previously unknown work by John Cage today. So, what are the chances to discover two major piano pieces from the same period of 1950-51? Thanks to the dedicated work of Don Gillespie (who was Cage's contact at his publisher, C. F. Peters Corp.) and composer Walter Zimmermann, we have the two works recorded here. Both works were disco…
This is the first complete recording of Giacinto Scelsi's works for solo violin. They span from the earlier 'Divertimenti' in his more traditional virtuoso style, to the two later works which find Scelsi exploring the sound 'inside of the note'. 'Divertimento No. 2' receives its first recording here ('Divertimento No. 1' has never been found).Taiwanese born violinst Weiping Lin is Assistant Concertmaster of the Austrian Broadcasting Corporation Radio Symphony Orchestra Vienna (RSO-Wien) …
Violin and viola players whisper over their instruments. A guitarist waits with the closest attention for the moment to make a gesture we might easily have missed. The tuba player rises to go over to the open piano, there to send sounds echoing into its interior. Two cellists, bowing with heavy pressure down near the tailpiece, produce an urgent rasping. From the timpanist comes the sudden fortissimo that seems to shock the music to a standstill… Renowned German composer Helmut Lachenmann’s mus…