We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Absolutely mindblowing album of layered, distorted and decimated 80's synthpop meets MBV style sonic devastation - one of the albums of the year!* Occasionally artists crop up that manage to extract tangible yet ambiguous feelings of darkness while somehow pushing musical boundaries without pause for breath. Cold Cave is one of those artists. His 'Cremations' album for Dominic Fernow's Hosptial imprint is a collection of two EPs and one LP released over the last 18 months, traversing the …
"Recorded in 1969 , early electronic music pioneer Bruce Haack and child educator Ms. Nelson go bravely and deeply into psychedelic music compositions designed to open the minds and hearts of the young. Truly far out electronic music that evokes a space age alternate universe. Bruce and Ms. Nelson are joined by pianist Praxietellis Pandit and their relaxed sounding friend Chris to bring you songs about everything from ancient folk tales to outerspace to what the world sounds like when y…
The rare original LP released as a hand printed/numbered edition of 1000, designed by Amy Webb."Braxton concentrated heavily on duo performance during this period, and this was one of the happiest of his associations. ...warmly recommended. *** "...these duets are not only stimulating and somewhat challenging, but also surprisingly lyrical and even elegant. The two musicians extract maximum variety from the duo format." --Option Magazine
An absolutely great (silkscreend, tip-on style cover) reissue of Peter Brötzmann's Machine Gun LP. Peter Brötzmann, tenor sax, baritone sax. Willem Breuker, tenor sax, bass clarinet. Evan Parker, tenor sax. Fred Van Hove, piano. Peter Kowald, double bass. Buschi Niebergall, double bass. Han Bennink, drums. Svenke Johansson, drums. Recorded in 1969 the music still sounds armed and dangerous.
it took ernesto gonzalez more than three years to record the follow-up for his 'vallée de dith', but it was definitely worth the waiting! 'el telonero' is a tribute to the art of opening up for other bands. this album was created during a period in which gonzalez got more comfortable on stage, often setting the vibe for the night. concentrating on the ultimate tuning-in quality. the loose kraut-inspired jams of his second record are pretty much absent here. the focus is on analog synths a…
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
Boris's meteoric rise to superstardom doesn't seem to be stopping any time soon, only today I heard that the band had signed their last album (the absolutely stunning 'Rainbow' from a few weeks back) to US mega-label Drag City - what next eh, how long before EMI and Atlantic start getting interested? How about Sunn O))) on Geffen then? It could happen. Still we're back on our ongoing mission to seek out every Boris record we can, and this 2003 release is one of those absolute gems that keep step…
Dag Are Haugan is certainly for most people not the most common name. Being half of the legendary Norvegian outfit Alog made him one of the most original musicians of the last decade. At the start of our label we did carry his debut on Myke Droner stating it as “classic". A couple of years further we received this wonderfull demo. You can call it guitar-glitch if you want... The result comes close to a beatless Gas, a more guitar-driven Novisad, etc... Pressed on vinyl-only, with artwork from Ru…
Burn those guitars kids >>>> Synthesizers are all the rage! Heheh it seems there is a new wave of synthesizer music happening at the moment. I must admit I've not heard of this guy before but looking at his discography he's been busy with a ton of underground releases. Here he is totally in New Age mode, another style that seems to have been rejuvenated. I'm digging the computer graphics retro New Age cosmic cyber imagery on the sleeve and it really suits the music. In many ways it harks …
Suishou no Fune originated in Tokyo's fertile psychedelic scene. After landing a spot on PSF's Tokyo Flashback 5 and releasing Where the Spirits Are in 2006, the group ventured out from Japan and took every opportunity to play across the United States and Europe. During one of these trips in the spring of 2007, the group-- down to the crucial duo of Pirako and Kurenai-- went into a recording studio for a few days and laid down these massive new tracks. Prayer for Chibi might be the ultimate Suis…
We're not complaining. Seems like a week can't go by without some new Not Not Fun opus dribbling out from the west coast label, aimed at bleeding our brains of logical thought processes and launching us into galaxies where laws are read backwards and progress is measured in long, untethering tracks of psychedelia muttered through interstellar Ham radios. This week it comes by way of slow-boiled loops and synth warbling that build towards wordless rantings best quantified as the dark prayers mean…
Last copies...180 gram orange vinyl with gold mixed in, cover by Mike Rudolph. Recorded on 11/04/04 and 3/13/05 by Mike Johnston & Dennis Gonzales. Dennis Gonzalez (trumpet, percussion); Faruq Z. Bey (tenor, alto sax, gong); Mike Carey (tenor sax, bass clarinet); Skeeter C.R. Shelton (tenor, soprano sax); Mike Gilmore (vibes, marimba, saz, tamboura); Mike Johnston (bass, percussion); Nick Ashton (drums, percussion). 3rd vinyl release on Qbico by this great ensemble. Here, as a septet with specia…
Ben Chasny (COMETS ON FIRE) might beat you if you call his solo work folk music. Hypnotic, mesmerizing, full of rough edges & elliptical turns round & round. First studio record from the highly prolific Chasny, joined by free-jazz sensation CHRIS CORSANO on drums & absolutely no computers. Chasny says "I see my music as being much more from the underground class of '92 than this folk scene...it has the same rock to folk quotient as Zep 3...Rock is the new folk & folk fucked rock without the reac…
Chubby Wolf was the title used by the late Dani Baquet-Long of Celer for her most glacially refined recordings. Her work is now carefully and lovingly curated by her husband and partner in Celer, Will Long, who has picked one of her most accessible albums 'Turkey Decoy' for this posthumous release on Digitalis. The phosphorescent cybernetic ambience of opener 'Cantankerous Baby' sets an understated tone which continues through the album, across the glassy pond-like reflections of 'Birthday…
the new record is a full lp (+/-40min) from marcia bassett's solo project zaïmph. marcia is well known for her leading role in freefolk/improv groupssuch as double leopards and ghq, as well as for her groundbreakingwork with free guitar/flesh metal duo hototogisu. with her soloproject zaïmph she starts off from the base these groups laid outand takes things to another level, shredding boundaries betweendark noise, drone and psych music. it's deeply meditative yet darklydisturbing and emotionally…
Very rare Hermann Nitsch Picture LP album, qith the recordings of the 5th day (7th of august 1998) of this 6 day event. Limited to 400 numbered copies with letterpress insert, long out of print
Lard Free is French psychedelic minimalism band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their debut album is perfectly composed angular rhythm structures-based synth/rhythm compositions with free-jazz sax improvs over them. All this mix sounds heavy, spacey, psychedelic, minimalistic - and excellent. I am not sure if this music could be labelled as "krautrock" , or let say - it's a French krautroc…
Much needed re-issue of this fantastic and unfortunately overlooked 1985 tape on "Stichting Stopcontact". Lex Grauwen and Paul Oosterbaan had worked together for about 8 years before they formed Tranquil Eyes in 1982. They decided to turn their back to stage performances and started experimenting with home-taping. Using an array of electronics, Tranquil Eyes recorded a great amount of songs and made a fine selection on Walks. Their first and only release. The wonderful produced tracks sou…