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Much needed re-issue of this fantastic and unfortunately overlooked 1985 tape on "Stichting Stopcontact". Lex Grauwen and Paul Oosterbaan had worked together for about 8 years before they formed Tranquil Eyes in 1982. They decided to turn their back to stage performances and started experimenting with home-taping. Using an array of electronics, Tranquil Eyes recorded a great amount of songs and made a fine selection on Walks. Their first and only release. The wonderful produced tracks sou…
Leon Dufficy is primarily known as guitarist in the hippie-jam outfit, Hush Arbors, but now he steps into his own as the driving force behind Winter Drones. Sounding like the perfect combination of fuzzed-out ambient drift, shoegaze swirl and propulsive pop sensibilities, Winter Drones have slowly gained attention in their native U.K. with a handful of obscure CD-R/cassette releases and compilation appearances. Earlier this year, the band's debut album, Blood In The Coffin, came out as a …
LP-only release. This is the third full-length release by KTL, the formidable collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). Another soul-destroying follow-up to the highly-acclaimed 2, with more accompaniments created for the theatre piece, Kindertotenlieder by Gisele Vienne and Dennis Cooper, which premiered in Brest, France, March 2007. Perhaps the broadest bulletin from the duo thus far, featuring two contrasting tracks. The layered dementia …
Absolutely killer album of frayed and unstable electronic mutations from the Rangers-related KWJAZ project (boomkat) San Franciscan Peter Berend's mystery mixtape unit, KWJAZ, flashed forth this debut self-titled slab of 'post-plastic sublime decomposed luxury grooves' on cassette via his own rarified Brunch Groupe imprint early in 2011 and the 120 listeners lucky enough to grip a copy know who they are. It only took half a listen before we green-lit this tape-degraded gem for vinyl treatme…
Excellent split with Ryan Garbes and Shawn Reed’s Wet Hair delivering one of their most perfectly articulated runs of psychedelic pop narcosis with aspects of late Spacemen 3/Spectrum, Silver Apples, Boston garage, classic Kraut radiophonia and an approach to melodic song styles that has aspects of Woods. Naked On The Vague go back to their original duo line-up for their side, by far their most interesting set-up, with a darker/heavier Industrial aspect than on their recent Siltbreeze LP a…
Limited edition of 320 copies, mastered and cut by LUPO at D&M. Includes free download code for FLAC or MP3 redeemable from the label** John Chantler offers his most substantial solo recordings in over seven years. Housed in lustrous, silk-screened sleeve, 'The Luminous Ground' glows with a deeply instinctive feel for bewildering, alien harmonics and psychoactivated tunings arising from processes of modular synthesis. A pulsing and glimmering collision of oscillated tone, filtered texture…
Dark red vinyl. After releasing two unique LPs back in the '60s for the legendary ESP label with his Ritual All 770 and another one for Riverboat, finally Alan Sondheim is back! This is his 1st LP after nearly 35 years and here he plays guitar, alpine zither, electronics, field recordings... as usual he presents us an eclectic mix of fascinating sounds.
Recorded in ann arbor in 1975, this long lost destroy all monsters gem features the group as a sextet (mike kelley, jim shaw, cary loren, jeff fields, kalle nemvalts, and john reed). missing are the lovely lyrics and goth scrawl of niagara but in her place we see the collective brainstorm through 30 minutes of an underground music/non-music and b-culture genealogy that is unmistakably destroy all monsters. a melted mind, reconstructed with duct-tape, bent circuits, saxophone drips, and fuzz that…
Restocked, few copies left: the privately pressed Cairo Free Jazz Ensemble 1st album had always been considered as a kind of legendary album, difficult to find (Hartmut confirmed to me that it was pressed in Egypt in only 200 copies)... here are available for the 1st time ever the sole other recordings left of this mythical Ensemble ! it all started with Salah Ragab & the Cairo Jazz Band playing jazz standards and new compositions in the end of the 60's... then, with the arrival of Hartmut, they…
Massive new album in an edition of 300 copies from the duo of Karen Constance & Dylan Nyoukis: The Larval Tuning Fork consist of two side-long works judiciously edited and put-together with an easy/impenetrable logic from live shows and performances across the globe. Much of this is on the minimal side as is the contemporary Blood Stereo style, with plundered conversations and small-scale clatter and drone put to the service of long blanks of almost hypnotically monomaniacal accumulations…
Last copies...180 gram orange vinyl with gold mixed in, cover by Mike Rudolph. Recorded on 11/04/04 and 3/13/05 by Mike Johnston & Dennis Gonzales. Dennis Gonzalez (trumpet, percussion); Faruq Z. Bey (tenor, alto sax, gong); Mike Carey (tenor sax, bass clarinet); Skeeter C.R. Shelton (tenor, soprano sax); Mike Gilmore (vibes, marimba, saz, tamboura); Mike Johnston (bass, percussion); Nick Ashton (drums, percussion). 3rd vinyl release on Qbico by this great ensemble. Here, as a septet with specia…
"Probably one of the weirdest discoveries in the field of collectable German albums in recent years, Staff Carpenborg's sole output was first brought to the spotlight by the compilers of the celebrated Kraut! Demons! Kraut! CD series in the mid-'90s. Since then, rumors and interest about the album have risen exponentially since this weird record (and we mean WEIRD) is one of the earliest known examples of Kraut rock. How such a demented collection of tunes found their way on the budget Ma…
Type follow up Mike Shiflet's Sufferers with a further exposition of his individual and far-reaching sound palette. A member of C Spencer Yeh's revolving Burning Star Core unit, and a prolific collaborator with the likes of Daniel Menche, Chris Corsano, Pete Swanson and many others, Shiflet has honed an intensely visceral feel for tone and texture which makes his records so intriguing to lovers of experimental composition and music-making. With some production/audio mastering assists from fe…
Not For Nobody is the third solo album from Chicago's Scott Tuma. Originally released on CD in 2008 by the Digitalis label, Immune is happy to present a first time vinyl edition of this essential work featuring new artwork by Chris Koelle. Not For Nobody was greeted with critical acclaim upon it's release in 2008 and was the much needed follow up to Tuma's solo albums Hard Again (2001, Truckstop) and The River 1 2 3 4 (2003, Truckstop). Since the release of Not For Nobody, Tuma has released t…
Sax player Steve Mackay blow with The Stooges on the legendary Fun House session in 1970 (and rejoined them in 2003 when they played their first show in 29 years at the Coachella Festival, and he has performed with them ever since + rec. two more albums)... nearly 25 years later he got involved w/Radon Ensemble, which includes members from such disparate groups such as Temple of Bon Matin & the Arthur Doyle EAE (Paternostro/Wilcox), Nimrod (Lohman), Koonda Holaa (Kamilsky), ect... the 10 tracks …
Indispensable 180g vinyl pressing of eight super-important compositions by the "Father of Electronic Music" dating back to 1923! Most notably - for us at least - it includes the incredible percussion pieces 'Ionisation' and 'Integrales' played by the Julliard Percussion Ensemble which are worth the admission alone - but then you've also got the three tape pieces 'Interpolations I, II, III' from 'Déserts' circa 1950-54 which seals the deal: ESSENTIAL** "The French-born Edgar Varèse (1853-1…
Ainotamenishis is a loud, heavy guitar group from Tokyo who were birthed from one oviduct marked "Velvet Underground" and a massive salpinx marked "Gaseneta." Their high-energy rock 'n' roll action was first captured on an extremely limited CDR release, now released for the first time on vinyl. Ainotamenishis's brand of controlled panic is sure to spike the tongues of all those who purport to talk about the rock. It is primal, punk, eerie, harsh, and utterly essential.
Surely this can only be the work of the ultra mysterious Sam Meringue (Matrix Metals, Flashback Repository, Explorers) etc. I believe at one point this guy was actually suspected to be James Ferraro which isn't difficult to believe as their work has very similar qualities. Anyway this is apparently an "esoteric glam-damaged concept record about Berlin nightclubs and foxy ladies" and listening to the tracks it makes sense. At times sounding like Ariel Pink being sucked into some phazer vort…