Back in stock
Collapsing Tape: Experiments in Rupture and Repair
"Collapsing Drums tells the stories that matter in a post-pandemic world" - The Wire Collapsing Tape is a sprawling 23 track compilation which celebrates 5 years of the Collapsing Drums label via a diverse pool of artists working across experimental music. It’s really hard to condense the amount of sounds going on in the 90 minutes — but here’s a brief attempt: there’s abstract vocal play (Elaine Mitchener), warm squishy electronics (Luke Sanger), frenetic turntablism (Mariam Rezaei and Dali de …
Soil Leaf Root
"As a concoction of whirring, electronics-strewn field recordings, this over fifty minute piece is intoxicating in its intimacy, like drifting half asleep through various conversations, rituals, prayers. As a piece which considers the “complex entanglements of migrant stories, memory, identity, otherness”, it feels urgently, cacophonously important, a sonic insight into our shared humanity" — Spenser Tomson In this project, Paul and Masimba capture almost five years of conversation as they stood…
Aboyer au mauvais arbre
ARBORE is the collaborative project of French-born, Berlin-based artists Diane Barbé and Laure Boer, navigating the wide spectrum of electroacoustics, instrument building and radical improvisation. "Genuinely loose-limbed and exquisitely zonked, Diane Barbé and Laure Boer's ARBORE debut marries electroacoustic sound design to basement psych-folk, where homemade Vietnamese zither, flutes and whistles float around gloopy analog synths like some lost Nate Young plays Folkways record, or the deepest…
New Assumptions...
Ex Agent’s debut EP New Assumptions… is a collision of no-wave beauty, improv-adjacent disorder, and spoken-word poetics that teeter on the edge of collapse. Within this exquisitely precise disarray lie carefully constructed moments of fragility, repeatedly unsettled by bursts of sudden, free-jazz chaos. Across five tracks, the Bristol-based five-piece explore queer and neurodivergent identity through sonic themes of refuge, instability, and resistance.
Formed in late 2021 in Bristol, the group …
A Grammar for Listening
2008. Paris and Glasgow. Eric La Casa recording sounds for Luke Fowler's 16mm triptych. Not compositions but investigations into the infra-ordinary - that space-time at low intensity where background noise meets the inaudible. How to create a meaningful dialogue between looking and listening? This question drove Fowler's film cycle. La Casa's answer: find a listening point in relation to everything taking place. The microphones amplify all living substances in motion - from the interior of the b…
Percussioni In Crescendo
Killer. Edition of 300 copies, black vinyl 180gr. At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficul…
L'Uomo dagli Occhiali a Specchio
Sandro Brugnolini's soundtrack to “L'Uomo dagli Occhiali a Specchio” is an unbeatable mix of dark psychedelic themes with heavy jazz drums, exotic percussions, obsessive piano bits, creepy harpsichord, free jazz to wah-drenched psychedelia, stiff funk, and abstract avant-gardism with atonal sounds and tonal passages. Originally issued in 1975, it has long remained one of the most coveted and sought after artifacts of the fertile soil surrounding the 1970’s Italian library and soundtracks. For ma…
Ciels
It is our honor to present the seventh album by French composer Jean-Baptiste Favory, whose work we first encountered while reissuing a record with the Mexican art collective, Los Lichis. J-B made an annual trip to Mexico to participate in Los Lichis’s musical and visual anarchy (Dog 2LP FTR229, Savage Lichis Religion : El Ultimo Grito LP FTR354), and was considered a full member of this estimable outfit.
We soon discovered he was also the France’s long-running experimental radio show Epsilonia…
Flutterings
Jeffrey Alexander is one of those guys whose brain and hands are constantly in motion whether working with bands, doing solo stuff, installations, paintings, label shit…whatever. Anyway, he’s always a pleasure to work with, and we have done so on many occasions. That said, I sorta feel as though this new CD might be closer to taking a walk through Jeffrey’s head than anything else I’ve heard.
Flutterings was done using guitars, keys, percussion, electronics and gimcracks of all descriptions. The…
Twenty20
It has been a couple of years (that felt like a lifetime) since we released lloyd Thayer’s last album, Duets, which he recorded with the drummer Jerome Deupree. The intervening time has been weird as hell, but Thayer (master of every string that’s ever been strung) has made the decision to create a fantastic, sprawling solo suite for himself. And now it is time to share the beauty with you.
Unlike the music on Duets, the piece here was played entirely on double-necked Weissenborn guitar, althou…
The Storyteller - A Musical Tribute to Yusef Lateef
With 20 years passing since his first foray into recorded jazz, Nat Birchall now ranks as one of the premier saxophonists of his generation. With several highly acclaimed albums in the locker, he now returns with his most ambitious project yet: a tribute to the legend that is Yusef Lateef titled, The Storyteller - A Musical Tribute to Yusef Lateef.
Nat Birchall on the project: "When Jazzman Gerald first mentioned to me the idea of doing an album as a tribute to the jazz giant Dr Yusef A. Lateef,…
Good Night
On January 11, 2010, I received a message from a woman who introduced herself as a friend of my good buddy Aki Onda. She was going to be part of a music night at a space in Williamsburg, Brooklyn, called Death by Audio. She asked if I’d be willing to do a solo set there as well. That’s how I came to be leaning against a doorframe, after having played my own set, listening to Margarida Garcia on her electric double bass. Her music was original, soulful, thoughtful, and laden with mystery. Upon …
That's Understanding
Having listened to this disk 20 or so times over the past week, I have been struck time and again by the gently naif quality of Dan Beckman-Moon's songwriting. I keep thinking of Neil Young's earliest solo tunes, particularly 'Sugar Mountain,' as a sort of spiritual touchstone, although truthfully the music doesn't really sound anything like that. Still, the emotional core of the material has a similar sweetness and simplicity, while managing to steer clear of mawkishness with a nimble delicacy …
Forest Lifes: "New" Dream World
The mixtape has long been a central facet of Seth Price’s practice, from his compilations of New Jack Swing, industrial, and early video game music contextualized with essays as part of his Title Variable project to his soundtracks for fashion shows. Assembled in the spirit of the eclectic mixes he regularly posts on his SoundCloud page, Casual Holiday is a genre-trotting bricolage of music by Amancio D’Silva, Roy Montgomery, Nancy Dupree with a group of Rochester, NY youngsters, and more. Price…
Ne Lépj a Virágra
A year and a half has passed since Slovak-Hungarian artist Adela Mede self-released her debut album 'Szabadság'. Its liner notes described it as "a navigation", a search through "the personal, familial, cultural, folkloric and geographic of her past and present." Her second album, 'Ne Lépj a Virágra' no longer searches; here, she puts down roots and delves deeper into the earthy reality of her home, Central Europe. Mede sings in three languages with newfound conviction and grace – this is an alb…
Inoue
Patrick Shiroishi returns to his brutal prog roots for an album of 60 saxophone exercises, equally punishing and rewarding. Executed during the plague years and delivered in two halves, one featuring pieces composed strictly with programmed drum accompaniment, the second with additional metal/wood sound sources, Inoue truly stands out in an extensive and captivating discography.
Poor_in_Spirit | the (Re)constructed Pipe Organ
Australian, Copenhagen-based composer Calum Builder delves into a sonic journey inside the body of his dismantled pipe organ.
Rules
Tip! 2025 Stock. In the early 1960s, while Robert Moog was still perfecting his voltage-controlled synthesizers in upstate New York, a young Finnish physicist named Erkki Kurenniemi was building an entirely different future in a basement studio at the University of Helsinki. Working with digital control technology years before the rest of the world caught on, Kurenniemi created instruments that seemed to arrive from a parallel timeline - synthesizers played with electronic pens, machines that tr…
Barbare Electrique
The trip of Steel Mammoth has truly been long and strange. On this album they've finally come to an end, sort of. This is true post-post-apocalyptic electro-acoustic noise, culled from metal percussion, gongs and electronics by Jussi Lehtisalo (Circle, Pharaoh Overlord), Ilkka Vekka (Gatha, Haare etc.) and Ville Pirinen (Seremonia, VPCS). Imagine a lost INA-GRM session, dug up from radioactive black sand in the year 3019. Circuit funeral march, ritual music for androids. A joint release between …
Musiikki 2
*2025 stock* Mahti are a Finnish four-piece group presenting a unique mixture of ambient-rock, electronic music and traditional Finnish-Karelian music.
Lengthy semi-improvisational pieces are built on top of complex, hypnotic grooves which are layered with opaque guitars and strangely soothing noise elements. In the heart of it all there's kantele, an ancient Finnish string instrument played by Hannu Saha, who has studied Finnish folk music in theory and practice for nearly five decades.
The oth…