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Banquet was the fourth album by the legendary German rock band, fronted by British singer John Lawton. This album featured the band temper their usual hard rock style with a Santana-esque jazz-fusion edge, with help from a full brass section. Rated their most progressive album by fans. Five lengthy band-penned tracks, with standout opening pirate-themed 'Spanish Galleon' and the string-enhanced ballad 'Sorrow'.

2024 Stock. Minor signs of wear from long-time storage. ** "On this set recorded live at the Knitting Factory, George Cartwright (switching between various saxophones) and clarinetist Michael Lytle battle it out on three lengthy free improvisations."

2024 Stock. Minor signs of wear from long-time storage. ** "This quartet date pairing alto saxophonist Rob Brown with guitar madman Joe Morris dates from 1993 with William Parker, the ubiquitous New York bassist in the avant-garde, and the lesser-known, but very able drummer Jackson Krall. Recorded by Tommy Tedesco (not the guitarist), this set has all the elements that many of Morris' other dates are missing: cohesiveness. Here he is merely part of the band. Sure, he solos, but no more or less …

2024 Stock. Minor signs of wear from long-time storage. ** "Alto saxophonist Christopher Cauley's debut recording as a leader carries with it all of the weight of a major talent announcing its "coming out" into a room full of aggressive challengers. To accomplish this, he has enlisted the assistance of a veritable tank of a rhythm section in drummer Gregg Bendian and bassist William Parker, and the occasional help of trombonist Steve Swell. Cauley's approach to improvising has been deeply inspir…

2024 Stock. Minor signs of wear from long-time storage. ** "A White Line is, in many ways, Austrian composer, arranger, flugelhorn player, and bandleader Franz Koglmann's most controversial work because in it, he dares to use race as a compositional element. His is not merely a cultural dissension but a musical one. A White Line is Koglmann's salute to the white lineage in jazz, from Bix Beiderbecke through to Chet Baker, and including perhaps even one of his guests on this recording: pianist an…

2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage. ** The late Japanese free-improvisation master Motoharu Yoshizawa was a bassist of extraordinary caliber and longstanding avatar of the Tokyo avant-garde scene. This album -- one of his many for PSF -- is a series excerpts from recordings made in New York with his avant-garde sympathizers in the land of the free. Elliott Sharp and Butch Morris contribute stunning performances, as does Tokyo ex-pat Ikue Mori, on this collection of highlights…

2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage. ** "Futterman's restless churning lines are countered by the questing trumpet of former Cecil Taylor associate Raphé Malik, who, along with drummer Robert Adkins makes The World Watched and Ask The Price enticing, thought provoking experiences. The collection's closing title, There Is Peace, provides the listener with a intensely swirling, though decidedly less harrowing, aural imagery."

2024 Stock. Minor signs of wear from long-time storage. ** "These "Ends to Slavery" Eugene Chadbourne refers to in his title are just that: the pieces he played to end his own cultural and musical slavery. To this end, in the liner notes, he discusses -- sometimes at length -- what happens in particular works, or, more interestingly, what they're about and who they're for. The opening track, "Amber," is about a family cocker spaniel who had to be gassed because of her age -- and the fact that sh…

2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage. ** "Webster's defines the word canto as "one of the major divisions in a long poem." These four cantos of the Austrian composer and flügelhorn maestro Franz Koglmann are indeed major divisions in a long poem, but that poem happens to be musical. Rather than look at Cantos I-IV as a symphony with four movements, it is better to view them as breaks in the various traditions that Koglmann has been inspired by and participates in: jazz in all i…

2024 Stock. Minor signs of wear from long-time storage. ** "Recorded at the 1993 Vancouver Jazz Festival, these five group improvisations feature sound explorations by pianist Marilyn Crispell, bassist Barry Guy, and drummer Gerry Hemingway. The interplay is quite spontaneous and the continuous music is rather forbidding, atonal, and with an emphasis on sounds rather than notes."

2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage. **

2024 Stock. Minor signs of wear from long-time storage. ** The primary inspirations on the album include the blues, African drumming and the music of Lennie Tristano. The pieces were commissioned by the New York arts organisation Roulette as part of their tenth birthday celebrations. Marilyn Crispell, bassist Mark Dresser and drummer Gerry Hemingway played together many times in the Anthony Braxton quartet, but this was their debut performance as a trio. The title of the composition "What of it …

2024 Stock. Minor signs of wear from long-time storage. ** André Ricros is the founder and director of the Agence des musiques traditionnelle d’Auvergne (the equivalent of our CMTRA); he is a specialist in collecting and also a musician and singer. He plays the cabrette, a kind of Auvergne bagpipe – with a softer sound, however, than that of its Celtic equivalents. It is his contribution that gives the basic colouring to this album recorded in Lyon 23 years ago.But the other musicians come from …

Rare CD 2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage. ** "All previously unreleased recordings by this great Canterbury rock/fusion band. Includes performances by musicians who also performed with National Health, Soft Machine, Hugh Hopper, Mike Oldfield, Stomu Yamash'ta and others. Features a large booklet of previously unseen interviews and photographs."

The third and final installment of AUM Fidelity's collaborative releases with Arts For Art, Inc. presenting specially commissioned works which made their debut at Vision Festival XII in June 2007. And it is William Parker's this time me a tell you IAIAH. An orchestral work featuring immensely gifted individual and collective voices from around the world, meshing as one to manifest a pair of deep bass groove-driven mantras. Featuring both Hamid Drake and Gerald Cleaver on drums (each tremendous m…

2024 Stock. Minor signs of wear from long-time storage. ** "One of the better albums in Rova's confusingly expansive discography, From the Bureau of Both features some of the quartet's most immediately rewarding moments, as well as a few on the opposite end of the spectrum. Rova can be surprisingly accessible when the group's free explorations are tethered to strong frameworks, and that's the case with much of this album. "Swang" became something of a signature piece for the group, featuring a j…

2024 Stock. Minor signs of wear from long-time storage. ** "Many listeners may think of ROVA (comprised of Bruce Ackley on soprano and tenor, Jon Raskin on baritone and alto, Steve Adams on alto and sopranino and Larry Ochs on tenor and sopranino), the most advanced of the saxophone quartets, as playing free jazz, but much of their music on this CD is actually written out, tonal and occasionally rhythmic. The term "avant-garde" does fit as long as one keeps in mind that these very lengthy explor…

2024 Stock. Minor signs of wear from long-time storage. ** "ROVA saxophone quartet provide a tiered, three-dimensional look at the interaction of soprano, alto, tenor, and baritone saxophone. The arrangement of these instruments in the stereo mix -- left to right on all tracks in the sequence soprano, baritone, alto, and then tenor -- offers great contrast in the three-dimensional sound. Even the bright little spark of piccolo or sopranino saxophone involves in these works of sonic texture. Whil…

2024 Stock. Minor signs of wear from long-time storage. ** Recorded during their second tour of the Soviet Union, these six performances by Rova (Larry Ochs on tenor and sopranino, Bruce Ackley on soprano, Steve Adams on alto and sopranino, and baritonist Jon Raskin) are consistently exciting and inventive. In general, the four masterful saxophonists start off with fairly accessible and rhythmic patterns before venturing into loose but controlled freedom. The sound explorations cover a great dea…

2024 Stock. Minor signs of wear from long-time storage. ** The West Coast Rova Saxophone quartet in a 7 track studio album from 1995, from Jon Raskin on alto saxophone, baritone saxophone, sopranino saxophone, Steve Adams on alto saxophone, sopranino saxophone, Bruce Ackley on soprano saxophone, tenor saxophone and Larry Ochs on tenor saxophone, sopranino saxophone.

2024 Stock. Minor signs of wear from long-time storage. ** "Britain's Free Jazz Quartet is comprised of trombonist Paul Rutherford, reed and woodwind man Harrison Smith, cellist Tony Moore, and drummer Eddie Prévost. Recorded in 1989 in Oxford, the offering here, a series of mid-length improv pieces, bears up well under the free jazz moniker and leaves all the "new music" clichés to another day. Here, the dictates of a European free jazz mapped out by Evan Parker, Tony Coe, Lol Coxhill, and othe…

2024 Stock. Minor signs of wear from long-time storage. ** "Recorded in 1994 at a concert in Manchester, England, Band on the Wall -- which is literally where they played -- features the divine dancing of Eddie Prévost's drumming in tandem with the piano of Marilyn Crispell, who was just then emerging out from under the shadows of her two mentors, Cecil Taylor and Anthony Braxton. Since Crispell was used to working with Gerry Hemingway, this set provides an amazing contrast for the pianist, in t…

Rare CD 2024 Stock. Minor signs of wear from long-time storage.

*2024 stock* “An authentic legend in Ethiopia, Mahmoud Ahmed has set the bases of a truly original musical style in that he synthesizes the most diverse influences into a language both typical and universal. With his haunting, husky and velvety voice that rises up in wild spirals, Mahmoud Ahmed has invented a world of uncertain borders, an unlikely mix of East-African rhythmic turns, mysterious melodies with refined ornamentation and surprising Indian inflections, all this streaked with electric…

2002 release ** "The chronicle, divided between neo-dada and "fluxus", of some life-scenes. Luca Miti works for the deconsecration of the artist's role, and guide us thru the "delicate" representation of a domestic and personal art, near both to the artist and the listener. The four (or five) pieces of the title (compositions of two friends Otfried Rautenbach and Matthias Maas and Miti itself), performed by Anna Guidi and Luca Miti (piano, sax and live electronics) are mixed with the joyous "int…

2003 release ** Featuring: Thomas Lehn, Toshimaru Nakamura, Tetuzi Akiyama, Günter Müller, Christof Kurzmann, Taku Sugimoto, Keith Rowe, Marcus Schmickler, Otomo Yoshihide, Burkhard Stangl, Sachiko M, Cosmos. "A document of the 2002 Amplify festival in Tokyo curated by Erstwhile's Jon Abbey. Disc 1 and 7 are smaller club shows that took place outside the Festival proper, disc 2 is a studio session that took place around the time of the festival and discs 3-6 feature eight of the twelve sets that…

New Forces is proud to present Richard Ramirez Volume 1, a 5-CD boxset compiling some of the best work by noise legend Richard Ramirez.

The place could be an empty room; a quiet street corner; a fountain or waterfall; a huge echoey space. The sounds: reverberant cracks, lush organ drone, quiet whoosh of distant traffic, tapping and banging, whistles and squeaks, accordion chords, low, rough gurgling, high-pitched whining, fast chirruping, guitar and clarinet notes, footsteps and voices, ringing like an old telephone, ringing like a fire alarm. The durations: from three seconds to around 12 minutes. The volume: mostly quie…

Nine solos for Hardanger fiddle that trace a fascinating journey between tradition and experimentation, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway. With Echo Stane, Summers employs the Hardanger fiddle – the national instrument of her adopted country – as a bridge across the North Sea, connecting the musical heritage of the Scottish Highlands with Norwegian folk traditions while pushing both toward the avant-garde. Summers grew up in rural Inverne…

365 scores for listening in celebration of the legacy of groundbreaking composer Pauline Oliveros. A Year of Deep Listening is a publication of 365 scores for listening gathered by the Center for Deep Listening in celebration of the legacy of groundbreaking composer Pauline Oliveros. Originally begun online, in honor of what would have been Oliveros' 90th birthday (May 30, 2022), the project shared one score per day across social media for 365 days. The book version of A Year of Deep Listening b…