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2005 release **
“select a sound of one or three tones within the range of an octavedistribute the pitches between the keyboards (use each pitch only once)select 3 – 31 stops from principals, flutes and reeds and distribute them evenly between the keyboards (do not use mixtures)play the pitches and hold the keys down (e.g. with lead weights)push the stop very slowly until you hear a change – then stop the movement, listen for a while and pull another register in the same way for a long time, on…
2010 release **
"Arrayed neatly, but in dislocated sequence, across clean white pages using a standard music notation software, the material of Tim Parkinson's piano pieces suggests anonymity. Traces of other musics may be suggested by some of the material, though the focus for the performer is on projecting the sounds without the clutter of imposed interpretative rhetoric. In so doing both composer and performer declare themselves and this beautiful music is revealed."
2009 release **
"Two sets of pieces written for the duo Contour (Stephen Altoff-trumpet, Lee Forrest Ferguson-percussion), a potentially unwieldy combination. Frey's "22 sächelchen" (small things) is rather just that, 22 miniatures lasting 32 1/2 minutes that vary from quiet reductionism to outright fanfares. I guess some of the latter sort are a bit...shocking, at least in a Wandelweiser context. But there are also oblique references to jazz (the mute in #11), processional music (the tympani in…
2007 release **
Fold in; fold out: the breathing of the accordion. On this CD the accordion unfolds in a very special way, unusually close to the instrument. Four works, four worlds that seem to know each other; refer to each other like a greeting from far away.Hearing John Cage's ,,Cheap Imitation" played on accordion gives you the impression of folk music from an unknown, probably non-existent country. This music comes from nowhere, goes nowhere, is forever on its way.....Like ,,Sam Lazaro Bro…
2009 release **
The score of "Stones" consists of just a few lines of text:Make sounds with stones, draw sounds out of stones, using a number of sizes and kinds (and colours); for the most part discretely; sometimes in rapid sequences. For the most part striking stones wfth stones, but also stones on other surfaces (inside the open head of a drum, for instance) or other than struck (bowed, for instance, or amplified). Do not break anything. Christian Wolff, STONES, (from: Prose Collection, 1968…
2009 release **
"The first Stockhausen I ever heard, back in college, was Microphonie and I've always remained partial to the general family of sounds elicited therein. So it's not surprising, all else aside, that I'm drawn to the music here, derived from the excitation, via bows and strokes of a 60" tam-tam much like that used by Stockhausen, sensitively played by Greg Stuart. The added flavor, as is Pisaro's wont, is the integration of sine tones pitched very close to the range of the tam-tam …
2013 release **
"what do you do, if you work with just intonation and wish to write a piece for organ? you have to deal with the relation between equally tempered and over- or undertonal (just) intonation. 2001 i had several opportunities to make a study of some wonderful instruments. this eventually put me on the path towards this composition.in this piece only those frequencies of the organ sound that have close to whole-numbered ratios (+/- 6 cents) to a fundamental (in this case C’ at about …
*2023 stock* "Probably there is only one group that started as a cassette only band, who will successfully release their entire back-catalogue on real CDs (not CDRs) and that is Maeror Tri. They started out in the late eighties as a three piece ambient industrial group, and released a whole bunch of cassettes and subsequently also 7"s and CDs. In the late nineties one of the three band-members left and the name was changed to Troum. Their 7"s are now collected on this CD, for the first time and …
2009 release ** Limited to 432 hand-numbered copies, each copy has unique multi-colored manual printing, a banderole & a metallic paper clip. "From 1988 to 1996, Maeror Tri were a German trio that used only electric guitars and tons of processing devices to create their floating and static droning soundscapes. This is mainly a collection of long deleted compilation tracks by M.T. that appeared on various MC- & CD-compilations, along with some previously unreleased material, sorted chronologicall…
2007 release ** Packed in round metalbox and limited to 333 copies. "By the look on compilation someone will maybe say that here is again senseless, thrown group of artists, that has by chance find themselves and they are presenting their multiple sounds and noises. The truth is totally opposite. After successful reviews and reactions of project SIGNS /what contributes that this project has been sold out/ Aliens production has followed development of the projects, that generates in positive dire…
1993 release ** "In October 1987, keyboardist/computer wiz Richard Teitelbaum and violinist Carlos Zingaro performed at the Festival International de Musique Actuelle de Victoriaville. The next year the label Disques Victo released The Sea Between, comprised of three improvisations from that show. For the CD reissue in 1993, the label added 18 minutes of material in the form of three excerpts from a performance in Lisbon during November 1992. Playing with electronics -- especially with computers…
A beautiful sound art compilation featuring works by Ellen Fullman, Horatio Vaggione, Fast Forward, Takehisa Kosugi, Mario Verandi, Olga Neuwirth, celebrating the 35 years of the Berliner Künstlerprogramm. Comes with 32-page booklet.
Ellen Fullman: Transmission Particle 1 for Long String Instrument and Oboe (2001; 9:00 min)[Ellen Fullman, long string instrument; Eliza Slavet, oboe]Horatio Vaggione: Scir for contrabass flute and tape (1988; 11:37 min)Beate-Gabriela Schmitt, contrabass fluteFast F…
(Halb) Schwarz is the first CD to collect a wide range of Rolf Julius' diverse compositions from several years. The Berlin-based sound, installation, action, and sound artist began experimenting with various forms of contemporary music in the 1970s. (Halb) Schwarz deals with the world of "small sounds," a term coined by John Cage to designate sounds so subtle that they are usually barely discernible.
Documentation '20 Years Inventionen', CD III. The string quartet 'sei-jaku' by German composer Klaus Lang, documented on this CD, was performed on 6/30/2002 in the Großer Sendesaal of the SFB Berlin by the Arditti String Quartet during the festival Inventionen 2002.
Sound installations and audiovisual material: This CD-Rom provides the programme notes accompanied by audiovisual material in the form of short QuickTime movies, photographs and mp3-files. It may be viewed with any current web browser on a variety of platforms.David Behrman: Pen LightDavid Behrman: View FinderGordon Monahan: When It RainsGordon Monahan: Etheric Theremin HarmonicTerry Fox: Litanies of InterferenceTerry Fox: bad installationRobin Minard: SoundBits 01Hannah Leonie Prinzler: _['dΛzn…
A vital artefact in the recorded history of the Blue Notes, being a live recording (Durban, 1964) of one the the group's last performances in their homeland prior to flying to France to appear by invitation at the Juan-Les-Pins Jazz Festival and then on to expatriation in England. The album was first released by Ogun in 1995 and then featured as part of the "Blue Notes - The Ogun Collection" box set in 2008, itself now long out of print. At long last this exceptional document is available again
Recorded live at the 100 Club, London, on 16 April 1977, by Ron Barron. Some of this music was originally available on LP as OG 220 (Ogun, 1978). This expanded CD edition - previously only available as part of the long out of print "Blue Notes - The Ogun Collection" box set - now receives a first release as a stand alone title.
A duo recording from October 2004, produced by Evan Parker, which marked the first time that Louis Moholo-Moholo and Stan Tracey had worked together for thirty years and the first time ever as a duo. The pair entered Gateway Studios in Kingston, London with no prior discussion on what form the music should take, choosing instead to let the music take them. This glorious album is the result.
"During 2019 Keith, Julie and myself had discussed the idea of a new Couple In Spirit album for Discus Music. Rather than choosing one of the many possible live recordings of the duo, Keith and Julie were keen to make a new multi tracked studio recording, something they had not done for 30 years since their EG release. The studio was booked for spring 2020, and the project was opened for advance subscriptions. The New Year arrived, lockdown kicked in, Keith’s already fragile health deteriorat…