"Their differences intensify the soundscape. Francesca Gemmo provides a sensitive, contemplative, but deceptive lyricism, with memories of the wistful antique modes of Satie or Debussy’s impressionist palette twisted into shadowy subterranean echoes and knotted note clusters. Magda Mayas imaginatively extends Henry Cowell’s innovations of touch and timbre, alternately coaxing and attacking, releasing previously concealed phantom textures, percussive episodes, near-electronic hues, and micro-alte…
Though they may not have recorded together until 1953, when Rollins was 23 years old, Sonny was introduced to Monk while a senior in high school, already part of a cadre of young neighborhood jazz neophytes. Monk became a mentor to them, offering home-based instruction on the new possibilities restructuring bop harmonies and rhythms, or as Rollins later put it, “the geometry of musical time and space.” - Art Lange
Elisabeth Flunger - bass drum Dominic Lash - double bass Kathryn Williams - bass flute "Recording the Dissenting Voices confirmed the extent of their divergence from The Future That Never Was. Music always has something to do with the sonic architecture of instruments, but it is also about the fantasy with which musicians like Dominic, Elisabeth and Kathryn choose to play." - Christopher Fox
When does new hope arise from the ruins of yesterday, and when does hope for the future fall apart into ruins? When does that moment come? Can we catch it, tune into it, hear it? Adam Badí Donoval is no stranger to these stark and abandoned landscapes. Some of them were already captured on his debut album Sometimes Life Is Hard And So We Should Help Each Other (2022, The Trilogy Tapes). His approach hasn’t changed — he remains a master of sculpting frozen time, of capturing those moments when th…
Under the right conditions, half-remembered dreams can meld seamlessly into hazy present moments. Time spent alone can be an emotional blank canvas, and an opportunity to deconstruct sense and feeling; a patchwork of snippets both rooted in memory and abstracted from reality. The title of ‘quilted lament’ perfectly captures the way Gretchen Korsmo and claire rousay’s overlapping missions come together to do just this. Worn polaroid melodies and snatched everyday noises seem overheard through win…
LSD046 is a compilation released on the renowned Light Sounds Dark label, known for its mysterious and evocative approach to experimental music. This single-disc album delivers around 40 minutes of captivating soundscapes, focusing on gothic, archaic atmospheres and indescribable late-night moods—from the shadowy edges of electronic music to haunting drone, alien-like chatter, and unsettling anti-gravity textures. The album eschews traditional track listings, instead inviting the listener into a…
Ecstatic presents I Can Hear The Grass Grow, the transportive new album from Mancunian duo Celestial. Expanding on the bucolic dreamstates of their previous work, this latest release unfurls like dawn mist over dewy fields, steeped in fragile fingerpicking guitar aching with hushed intimacy.
Where Listen to the Sky traced the heavens, I Can Hear The Grass Grow sinks into the earth—its organic, fungal textures blossoming in layers of acoustic and electric guitar, droning harmoniums, and shimmerin…
Tip! The Doubling Riders were born in the middle of the ’80s from the ashes of the great experimental / minimal wave project A.T.R.O.X. around the trio of Francesco Paladino, Pier Luigi Andreoni, and Riccardo Sinigaglia (Professor of Electronic composition at Milan’s Conservatory) . Starting from an electronic music approach and working freely with ethno, folk and wave elements, the sound of the Doubling Riders was extremely original and hard to classify.
Mostly quiet meditative stuff, with folk…
500 copies. Folk unit originated in the Swedish underground Enhet för Fri Musik - featuring members of Sewer Election, Ättestupa, Neutral, Makthaverskan, and Blod - continually re-invent what music is about through free improvisation and lengthy folk meanderings. Embedded in the ever exciting Swedish underground scene, Enhet För Fri Musik continue the quest for innovation numerous legendary Swedish bands started during the '70s - such as, Pärson Sound, Trad Gras Och Stenar, and Arbete Och Fritid…
** Limited Edition in Gatefold cover with 12-page LP-size booklet ** Poems: Written, Drawn, Selected and Read by Jimmie Durham is the first vinyl record published in the LP series of the Neuer Berliner Kunstverein (n.b.k.) founded by Marius Babias and Sergio Edelsztein (Ediciones Inauditas). The recording took place in Berlin in April 2021. Jimmie Durham reads from his books Columbus Day (1983), Poems That Do Not Go Together (2012), and Particle / Word Theory (2020), as well as other, unpublishe…
Though packaged together, Joshua and Same Day Walking chart distinct worlds. Recorded in northern California and produced by Robby Moncrieff (Dirty Projectors, Zach Hill), Joshua is woolier and warmer, evoking haze, humidity, and overgrown Spanish moss. Meanwhile, Same Day Walking — recorded in Iceland and produced by Moncrieff alongside two-time GRAMMY-winning composer / sound designer Sam Slater (Joker, Chernobyl) — is, appropriate for its icier climes, windswept and beholden to the vast empti…
2024 Stock. Ravi Shankar's son, Brij Narayan, learned to play the sarod, an Indian plucked guitar with a softer sound than its sister, the sitar. He trained with both his father and Ustad Ali Akbar Khan.
The eerie Lalit and the peaceful Bairagi Bhairav are played here in the early morning. Lalit is given a 25-minute alap that is played slowly and without accompaniment, and the great Zakir Hussain plays the two pieces for 25 minutes. The shorter Bairagi Bhairav is a treat, full of memorable, beau…
**Limited to 240 hand-numbered copies** "Fantoom is a quartet that feature Dirk Serries, his wife, autodidact double bass player Martina Verhoeven (who is also a gifted photographer), drummer René Aquarius, and sax player Otto Kokke, both from the Dutch group Dead Neanderthals, with whom Serries played in their Endless Voids project on the 2014 edition of the Incubate festival in Tilburg, Netherlands. The quartet debut album, is a free-improvisation affair that was recorded in studio in Decembe…
2024 Stock. The most famous exponent of Hindustani flute music is off course the great Hariprasad Chaurasia playing the bansuri (the bamboo flute) and to a lesser extent Ronu Majumdar. In the West, North Indian music has always overshadowed South Indian (Carnatic) music, which is a pity as the latter is as profound and beautiful as the former. North Indian music has changed through the Middle Ages by the Arabian, Turkic and Persian influences the Mogol Invaders brought with them. It had become m…
2024 Stock. Global violin icon Dr. L. Subramaniam, is the world’s leading authority of South Indian classical music and violin, having performed for more than 65 years now. Constantly propelled from Singapore to Paris, from Delhi to Los Angeles, he has conquered every audience with the elegance and virtuosity of his style. He performed his first concert when he was 6 years old and received the best violinist prize from the President of India H.E. Dr. S. Radhakrishnan for winning the All-India R…
2024 Stock. Sensitive sitar from one of the instrument's leading younger exponents, specializing in the vocal-derived gayaki style. Pandit Budhaditya Mukherjee is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), recognizable by his intricate vocalic playing complemented by spectacular high speed playing. He holds a unique distinction of being the ever first artist (not just musician) in history to perform in the House of Commons, London. Famously proclaimed the …
*2024 stock* "Pandit Hariprasad Chaurasia has excelled himself in the rendition of raga Patdip in this album. His melodious alaap and creative phrases as only he can, take the listener to the lush meadows of ancient India."
2024 Stock. Ustad Imrat Khan hails from a great tradition of musicians called the Imdadkhani Gharana, named after his grandfather. It has produced great masters of the sitar such as Ustad Vilayat Khan and his son Shujaat Khan, Shahid Parvez and Budhaditya Mukherjee. This renowned gharana specializes in gayaki; the vocal style of sitar playing, which is obvious when listening to this recording, as I can't help singing along with the Ustad's beautiful lyrical playing. Imrat Khan is the master of t…
2024 Stock. The Sarangi remains not only the authentic and original Indian bowed instrument but the one which most poignantly, and in the hands of Ram Narayan, most revealingly expresses the very soul of Indian feeling and thought. I cannot separate the Sarangi from Ram Narayan, so thoroughly fused are they, not only in my memory but in the fact of this sublime dedication of the great musician to an instrument which is no longer archaic because of the matchless way he has made it speak
*2024 stock* Zia Mohiuddin Dagar was the pre-eminent master of the Rudra Vina, and his profound artistry and understanding of Raga -- and the states of consciousness embodied in them -- is evident on this album. If you appreciate North Indian music, you will probably already know of Dagar Sahib's work. If you are new to the genre, this album may seem abstract if you don't have the knack of going below the usual mind-stuff (with which most of us are preoccupied) to the deep meditative state which…
2024 Stock. The album presents a deeply meditative world, resonating with the mysteries of India. When it comes to sarangi - a forgotten Indian instrument that has been overshadowed by the violin in terms of popularity and accessibility - nobody can compare to Ram Narayan. Both Ram's growth and the ragas performed on this CD are deeply emotional. Additionally, the tabla playing is both powerful and precise. To experience the ethereal sarangi sound, this is a must-have.
Ram Narayan (1927-) is a…
Lucy Duncombe and Feronia Wennborg compose a modern symphony for virtual choir on 'Joy, Oh I Missed You', muddling sound poetry with Nuno Canavarro and ‘Systemische'-style machine-damaged surrealism. It's mindbogglingly good, like a mashup of Lee Gamble's 'Models', Akira Rabelais' 'Spellewauerynsherde' and Robert Ashley's timeless 'Automatic Writing’ screwed to perfection in a mode that will also appeal if you’re into work by Kara-Lis Coverdale, Nozomu Matsumoto, Theo Burt, Olli Aarni, Sydney Sp…
VERY last copies!!! - The first 500 mail-order copies version that includes the playable full-color picture-postcard reproducing David Tibet's painting of the track Like Swallowing SunBeams, inserted in risograph-printed CandyBag. The box set essentially represents a dark ambient/industrial re-imagination of Current 93's early apocalyptic works, where Andrew Liles has extracted and amplified the most disturbing and ritualistic elements, creating soundscapes that function as sonic invocations rat…
** 2021 Stock. High quality vinyl, with original insert and new liner notes on printed innersleeve ** More than 40 years after its original release, the recording of the Marc Levin Ensemble’s Songs Dances and Prayers will be reissued, both on vinyl and digitally. Until now it has only existed in the original vinyl form, making it difficult to obtain, which is why we decided to make this magnificent recording easily available again. Though Marc Levin is often characterized as a Free Jazz musician…
** 2021 Stock ** ** 2021 Stock ** This is an official reissue of a rare and unknown Danish EP issued on CSA records in 1967. CSA's focus was mainly on traditional jazz, and this gem is a one-of-a-kind from the Danish jazz scene at that time.This is a vinyl only reissue. No downloads.
*2025 stock* In 1972, Barry Dransfield recorded his debut solo album. Just called “Barry Dransfield”, the album is a real delight from start to finish. It features an array of traditional songs arranged by Barry, some original ones and some fantastic covers from people like Michael Hurley (“The werewolf”) and David Ackles (“Be my friend”). Sadly, the album was deleted just after nine months from his initial release, because it was released on Folk Mill, a Polydor sublabel created to enter the fo…
The album "The New Street In Old City" by December Thirty Jazz Trio, released in 1993, is recognized as an important jazz work. The trio consists of pianist Giorgio Occhipinti, bassist Giuseppe Guarrella, and drummer Francesco Branciamore. This album showcases their development of a unique sound and artistic expression in jazz, blending melody with freedom of improvisation. The music combines inventive concepts with intense yet clean melodic lines, making it compelling and a significant part of …
Ten original pieces by Harald Weiss, the German composer and percussionist, "for percussion instruments, voices and original sounds". Each takes its title from an old form or dance (Reigen, Country-Song, Nocturno, Marsch, Ländler, Ostinato, Blues, Tango, Rondo, Polonaise) and turns it into something else.
The pieces are honed down to the details, in a highly intelligent and ironically witty style that makes it possible to hear patterns of behaviour, of language and of thought. Weiss speaks, sing…
Banquet was the fourth album by the legendary German rock band, fronted by British singer John Lawton. This album featured the band temper their usual hard rock style with a Santana-esque jazz-fusion edge, with help from a full brass section. Rated their most progressive album by fans. Five lengthy band-penned tracks, with standout opening pirate-themed 'Spanish Galleon' and the string-enhanced ballad 'Sorrow'.
2024 Stock. Minor signs of wear from long-time storage. ** "On this set recorded live at the Knitting Factory, George Cartwright (switching between various saxophones) and clarinetist Michael Lytle battle it out on three lengthy free improvisations."
2024 Stock. Minor signs of wear from long-time storage. ** "This quartet date pairing alto saxophonist Rob Brown with guitar madman Joe Morris dates from 1993 with William Parker, the ubiquitous New York bassist in the avant-garde, and the lesser-known, but very able drummer Jackson Krall. Recorded by Tommy Tedesco (not the guitarist), this set has all the elements that many of Morris' other dates are missing: cohesiveness. Here he is merely part of the band. Sure, he solos, but no more or less …
2024 Stock. Minor signs of wear from long-time storage. ** "Alto saxophonist Christopher Cauley's debut recording as a leader carries with it all of the weight of a major talent announcing its "coming out" into a room full of aggressive challengers. To accomplish this, he has enlisted the assistance of a veritable tank of a rhythm section in drummer Gregg Bendian and bassist William Parker, and the occasional help of trombonist Steve Swell. Cauley's approach to improvising has been deeply inspir…
2024 Stock. Minor signs of wear from long-time storage. ** "A White Line is, in many ways, Austrian composer, arranger, flugelhorn player, and bandleader Franz Koglmann's most controversial work because in it, he dares to use race as a compositional element. His is not merely a cultural dissension but a musical one. A White Line is Koglmann's salute to the white lineage in jazz, from Bix Beiderbecke through to Chet Baker, and including perhaps even one of his guests on this recording: pianist an…
2024 Stock. Minor signs of wear from long-time storage. ** The late Japanese free-improvisation master Motoharu Yoshizawa was a bassist of extraordinary caliber and longstanding avatar of the Tokyo avant-garde scene. This album -- one of his many for PSF -- is a series excerpts from recordings made in New York with his avant-garde sympathizers in the land of the free. Elliott Sharp and Butch Morris contribute stunning performances, as does Tokyo ex-pat Ikue Mori, on this collection of highlights…
2024 Stock. Minor signs of wear from long-time storage. ** "Futterman's restless churning lines are countered by the questing trumpet of former Cecil Taylor associate Raphé Malik, who, along with drummer Robert Adkins makes The World Watched and Ask The Price enticing, thought provoking experiences. The collection's closing title, There Is Peace, provides the listener with a intensely swirling, though decidedly less harrowing, aural imagery."