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Textural Studies
*100 copies limited edition* British saxophonist Colin Webster has always had a mono-thematic approach when it comes to making solo albums. From ‘Antennae’ (Gaffer Records, 2013) which dealt purely with micro-sounds and minimal dynamics, to ‘vs. Amp’ (Raw Tonk Records, 2021) which focussed on the sonic capabilities of a baritone saxophone played through a guitar amplifier. Textural Studies – as the title suggests – is no different in approach. Each piece is a deep exploration and thorough interr…
Earnest Rubbish
After a solo on Kye, the Australian writer Matthew Revert comes back with the American sound artist Vanessa Rossetto. Together they mostly work with field recordings, editing and mixing them in a narrative form, adding some texts and voices. Whereby two of the cutest cabbages in the cot create a soup unlike any other.
Schwarze Riesenfalter
An evocation of “Nacht,” Graham Lambkin and Michael Pisaro’s chilling, malefic collaboration directly references Giraud’s collection of poems, Pierrot Lunaire, and Arnold Schoenberg’s melodrama of the same name. Despite the continental subject matter, Schwarze Riesenfalter isn’t an academic act of re-rendering a historical text. Their use of verse comes across as the result of warped poetic fascination and fixation, where a text crawls underneath skin, finding ways to subtly influence the mundan…
Continuité, fragilité, résonance
'Continuité, fragilité, résonance' is a 51-minute piece written by Jürg Frey in 2020-2021 for octet: string and saxophone quartets. The Montréal-based Quatuor Bozzini and the Bern-based Konus Quartett premiered the piece in September 2021, and later recorded it for this album with the presence of the composer, during a three-day recording session in August 2022 at the Auditorium of Zentrum Paul Klee in Bern, Switzerland. Both quartets have premiered other works of Frey's in the past and have a d…
The Separatist Party
Long before the pandemic, Reed had been thinking about isolation, haunted by a 2015 story in The New York Times about the death of a resident named George Bell, a hoarder who passed away at home, his body undiscovered for nearly a week. In January 2022, Reed gathered a group of some of the most creative figures in Chicago’s experimental and improvised music community to put sound to those thoughts of forced seclusion: cornetist Ben LaMar Gay, poet and spoken word artist Marvin Tate, and members …
Dulce
Pushing past the submissive qualities of her debut, Silva captures a deep and deliberate pop-forward poignancy in her sophomore “Dulce”. Written in the wake of her relocation to Chicago, Silva contemplates new love, a listless fate, sobriety, and maternity all the while retaining the patience of her previous release, “Eros”. Temperate motifs aside, a freer, wilder intensity permeates “Dulce”. Silva shows her roots in both rock n’ roll and the romantic. The fabric of the album gives palpable hint…
Harvesters
This new album was recorded in March of this year, as The Rempis Percussion Quartet made their debut in France after 15 years of touring almost everywhere else across Europe. At the generous invitation of programmer Antoine de la Ronciere at Le Petit Faucheux in Tours, the band was the test pilot for a collaborative project amongst five venerable venues for improvised music in France. In a tightly packed week-long schedule, the band performed in Tours, Poitiers, Brest, Nantes, and Lyon, while a…
Smash And Grab
When Ballister hit the stage at the Catalytic Sound Festival in Chicago in December 2022, no one in the band was quite sure what to expect. Although they’d done a two-week tour of the US in April of that year, their first reunion following an almost three-year break due to the pandemic, you never know what might happen after several months apart. Sometimes that first gig is magic. And sometimes it swims around searching for a center. That’s just a danger of the art form.
But drummer Paal Nilssen…
GNASH
"This overdue duo record by longtime colleagues Tashi Dorji (guitar) and Dave Rempis (saxophones) is a monument to the endless musical curiosity that links them. These two come at it from remarkably different backgrounds – Dorji combining his Bhutanese ethnicity with a love for metal, punk, American blues and folk, and anarchist political theory, with Rempis riding the outer edges of the jazz world throughout his career, while also inspired by his Greek ethnicity and a longstanding interest in f…
Welcome Adventure! Vol. 2
*In process of stocking* How do you welcome adventure? Longtime comrades, legendary Daniel Carter, Matthew Shipp, William Parker and Gerald Cleaver investigated this in their first album, Welcome Adventure, Vol. 1, resulting in 577 Records’ best-selling release in the 20 years we’ve been operating. Now, the group is trying the question again with their second astonishing volume, taken from the same historical recording session. Daniel Carter (Saxophone, Clarinet) has been collaborating with Will…
Immediate Music III
Olavi Louhivuori Presents "Immediate Music III" - A Boundary-Pushing Musical Triumph with drummers Glenn Kotche and Tony Buck
Solos (2LP)
On February 19, 1972, a crew of mostly Louisiana-raised musicians came together at the Leo Castelli Gallery on West Broadway in Soho to perform a wholly improvised concert. This ensemble’s solos spring from collective improvisations and a tumultuous backbeat, loosely inspired by the creations of Coltrane, Coleman, Albert Ayler, and their brethren. The de facto leader was Richard “Dickie” Landry, a saxophonist and keyboardist who joined composer Philip Glass’s group in 1969. Landry had become a f…
Solos / 4 Cuts / Having Been ... (4LP in Bundle)
This bundle includes three LP (one of them is a double set), namely "Solos" "4 Cuts Placed In "A First Quarter"" and "Having Been Built On Sand"
June 22
"There is an underground stream that starts from Don Cherry Organic Music and the Art Ensemble of Chicago and meanders through improvised music, finally reaching our days; a flux particularly vital in the works of the Natural Information Society and the Drazek - Fuscaldo extended duo. It has to do with rhythm and use of words and voices and instruments, it creates an experience that focuses the listeners and the musicians on something basic, elementary and yet complex, organic indeed.
Przemyslaw…
Photographs
Graham Lambkin and Jason Lescalleet stand side by side in the vanguard of contemporary sound exploration. Since the initiation of their collaborative endeavors in 2006, the duo have crafted a nice combination of audio vérité and musique concrète, together building a highly personal body of work. 2008's critically acclaimed The Breadwinner illuminated the artistic potential found in mundane and commonplace circumstances. 2010's Air Supply showcased a darker side, nudging the civilian themes of it…
Black Sarabande
Black Sarabande expands upon pianist-composer Robert Haigh’s beguiling debut for Unseen Worlds with a collection of intimate and evocative piano-led compositions. Haigh was born and raised in the ‘pit village’ of Worsbrough in South Yorkshire, England. His father, as most of his friends’ fathers, was a miner, who worked at the local colliery. Etched into Haigh’s work are formative memories of the early morning sounds of coal wagons being shunted on the tracks, distant trains passing, and walking…
Electronic Music from the Eighties and Nineties
Unsung West Coast maverick Carl Stone is subject of a necessary 2nd retrospective on Unseen Worlds following their Laurie Spiegel and Jacqueline Humbert & David Rosenboom releases. As revelatory as the first volume Electronic Music From the Seventies and Eighties, the temporal shift into the ’80s/‘90s in this 2nd collection opens four hallucinatory new planes of ambient enquiry yielding some of the most beautiful electronic music we’ve never heard before. Progressing farther along Stone’s timeli…
Himalaya
Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone quickly follows-up Baroo with a double-LP album of recent works, including the final section of Fujiken, his epic journey through southeast Asian field recordings and street cassette culture.On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, …
Alkaline River
Composer and synth fantasist Ori Barel attempts to bash '90s electronica against dadist Krautrock and avant classical music on the ambitious 'Alkaline River'. Think Plaid jamming with Art Bears and Faust and you'll have a good line into this one. There's an admirable level of mayhem to 'Alkaline River' that we can't help but admire. Barel clearly has a lot of love for his influences, and his willingness to take music that's at polar ends of the genre spectrum and find its harmonies is already wo…
10. Hose Horn
Schulz's first LP, 10. Hose Horn, was introduced alongside other debut LPs from Jim O'Rourke and Frank Dommert on Dommert's Entenpfuhl label in 1991. Combining the cathartic sounds of industrial, early techno, and innovative pop with inspiration from acousmatic, New Music, and Dada, Schulz's music is a prime example of the Cologne experimental music scene of the time. Rhythmic delights, outlandish juxtapositions and a sustained, unresolved, aurally-fascinating tension evoke dramatic, film-like m…