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A Moment's Liberty
*2025 stock* Free jazz trio made up of leading improvisers pianist Agusti Fernandez, bassist Barry Guy and drummer/percussionist Ramon Lopez, recorded live in Cologne in 2013. Agusti Fernandez gives some insight into the music, “I believe that the essential thing for us is our shared desire to create an extraordinary, unexpected and unusual moment through music. A moment that cannot, perhaps, be described in words, but which can be perceived perfectly, as one of those fantastic occasions when mu…
Schweben – Ay, But Can Ye?
*2025 stock* Important for this composition commissioned by the Glasgow Improvisers Orchestra from Barry Guy, is the unity of composed and improvised passages, the concern for the capabilities and strengths of individual players, the way in which small groups are part of the larger structures. Based on “Ay, but can ye?” a Russian poem translated into Scots by Edwin Morgan and using images of Wassily Kandinsky, this mostly graphically notated score is a musical adventure for the players as well a…
Fox Fire
*2025 stock* "There was a sense of excitement as the trio opened their first set in Birmingham of a mostly north England tour. Adjectives such as spiritual, energized, even devotional all come to mind. The meeting with Ken Vandermark in a classic trio formation of Saxophone (doubling clarinet), bass and percussion was suggested by Mark Sanders reacting to a tour proposal by the indefatigable organizer of Jazz events in the U. K. Tony Dudley-Evans. The music was like an initiation, a very special…
Topos
*2025 stock* When Evan Parker, Barry Guy and percussionist Paul Lytton renewed their association at l’Auditori in Barcelona in March 2006, they chose to call the resulting CD ZAFIRO, or “Sapphire”. The following day, the trio was joined by Catalan pianist Agustí Fernández at the same venue to record the Topos album. The chemistry changes to an almost microscopic world of shifting colours and densities prompted by Fernández’s mercurial articulations of the piano keys and the strings inside the in…
Aurora
*2025 stock* "In this provocative journey towards lost innocence, the pianist imposes restraint in the use of instrument not only upon himself, but also asks his colleagues Barry Guy and Ramón López, to simplify their interventions in a similar way. Who would have thought it of these three indomitable, red-hot hyper-virtuosos? However, this three-way understanding goes back a long way, for they have been generating high-voltage spontaneous combustion together in different formats for years, and …
Tides In The Mirror
"Their differences intensify the soundscape. Francesca Gemmo provides a sensitive, contemplative, but deceptive lyricism, with memories of the wistful antique modes of Satie or Debussy’s impressionist palette twisted into shadowy subterranean echoes and knotted note clusters. Magda Mayas imaginatively extends Henry Cowell’s innovations of touch and timbre, alternately coaxing and attacking, releasing previously concealed phantom textures, percussive episodes, near-electronic hues, and micro-alte…
Thelonious Monk With Sonny Rollins 1953 To 1957 (Revisited)
Though they may not have recorded together until 1953, when Rollins was 23 years old, Sonny was introduced to Monk while a senior in high school, already part of a cadre of young neighborhood jazz neophytes. Monk became a mentor to them, offering home-based instruction on the new possibilities restructuring bop harmonies and rhythms, or as Rollins later put it, “the geometry of musical time and space.” - Art Lange
Dissenting Voices with Elisabeth Flunger, Dominic Lash, Kathryn Williams
Elisabeth Flunger - bass drum Dominic Lash - double bass Kathryn Williams - bass flute "Recording the Dissenting Voices confirmed the extent of their divergence from The Future That Never Was. Music always has something to do with the sonic architecture of instruments, but it is also about the fantasy with which musicians like Dominic, Elisabeth and Kathryn choose to play." - Christopher Fox
A mirror where the image and the mirror wholly coincided
When does new hope arise from the ruins of yesterday, and when does hope for the future fall apart into ruins? When does that moment come? Can we catch it, tune into it, hear it? Adam Badí Donoval is no stranger to these stark and abandoned landscapes. Some of them were already captured on his debut album Sometimes Life Is Hard And So We Should Help Each Other (2022, The Trilogy Tapes). His approach hasn’t changed — he remains a master of sculpting frozen time, of capturing those moments when th…
Quilted lament
Under the right conditions, half-remembered dreams can meld seamlessly into hazy present moments. Time spent alone can be an emotional blank canvas, and an opportunity to deconstruct sense and feeling; a patchwork of snippets both rooted in memory and abstracted from reality. The title of ‘quilted lament’ perfectly captures the way Gretchen Korsmo and claire rousay’s overlapping missions come together to do just this. Worn polaroid melodies and snatched everyday noises seem overheard through win…
LSD046
LSD046 is a compilation released on the renowned Light Sounds Dark label, known for its mysterious and evocative approach to experimental music. This single-disc album delivers around 40 minutes of captivating soundscapes, focusing on gothic, archaic atmospheres and indescribable late-night moods—from the shadowy edges of electronic music to haunting drone, alien-like chatter, and unsettling anti-gravity textures. The album eschews traditional track listings, instead inviting the listener into a…
I Can Hear The Grass Grow
Ecstatic presents I Can Hear The Grass Grow, the transportive new album from Mancunian duo Celestial. Expanding on the bucolic dreamstates of their previous work, this latest release unfurls like dawn mist over dewy fields, steeped in fragile fingerpicking guitar aching with hushed intimacy.
Where Listen to the Sky traced the heavens, I Can Hear The Grass Grow sinks into the earth—its organic, fungal textures blossoming in layers of acoustic and electric guitar, droning harmoniums, and shimmerin…
Volume I (LP)
Tip! The Doubling Riders were born in the middle of the ’80s from the ashes of the great experimental / minimal wave project A.T.R.O.X. around the trio of Francesco Paladino, Pier Luigi Andreoni, and Riccardo Sinigaglia (Professor of Electronic composition at Milan’s Conservatory) . Starting from an electronic music approach and working freely with ethno, folk and wave elements, the sound of the Doubling Riders was extremely original and hard to classify.
Mostly quiet meditative stuff, with folk…
Inom Dig, Inom Mig
500 copies. Folk unit originated in the Swedish underground Enhet för Fri Musik - featuring members of Sewer Election, Ättestupa, Neutral, Makthaverskan, and Blod - continually re-invent what music is about through free improvisation and lengthy folk meanderings. Embedded in the ever exciting Swedish underground scene, Enhet För Fri Musik continue the quest for innovation numerous legendary Swedish bands started during the '70s - such as, Pärson Sound, Trad Gras Och Stenar, and Arbete Och Fritid…
Poems: Written, Drawn, Selected And Read By Jimmie Durham
** Limited Edition in Gatefold cover with 12-page LP-size booklet ** Poems: Written, Drawn, Selected and Read by Jimmie Durham is the first vinyl record published in the LP series of the Neuer Berliner Kunstverein (n.b.k.) founded by Marius Babias and Sergio Edelsztein (Ediciones Inauditas). The recording took place in Berlin in April 2021. Jimmie Durham reads from his books Columbus Day (1983), Poems That Do Not Go Together (2012), and Particle / Word Theory (2020), as well as other, unpublishe…
Tutti Frutti
The Belgian electroacoustic pioneer unveils a career-spanning collection that chronicles her unwavering commitment to the "hidden and discreet, but poetic, paths of acousmatics" across analog and digital eras
Errant Ear, Tutti Frutti (2CD Bundle)
Two masterful explorations of electroacoustic practice that showcase the profound possibilities of the medium - from Ferrari's intimate sonic memoir to Vande Gorne's four-decade spanning artistic statement. Essential listening for anyone interested in the cutting edge of contemporary experimental music.
Brunhild Ferrari - Errant Ear
A stunning new long-form electroacoustic work by the German composer Brunhild Ferrari. Drawing upon sound sources recorded between the 1970s and 2024, with sonic con…
Mondays at the Enfield Tennis Academy
Mondays at Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet is at last here. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depthful & exploratory music making. Gleaned for the stoniest side-length cuts fro…
Joshua / Same Day Walking
Though packaged together, Joshua and Same Day Walking chart distinct worlds. Recorded in northern California and produced by Robby Moncrieff (Dirty Projectors, Zach Hill), Joshua is woolier and warmer, evoking haze, humidity, and overgrown Spanish moss. Meanwhile, Same Day Walking — recorded in Iceland and produced by Moncrieff alongside two-time GRAMMY-winning composer / sound designer Sam Slater (Joker, Chernobyl) — is, appropriate for its icier climes, windswept and beholden to the vast empti…
Raga Lalit / Raga Bairagi Bhairav
2024 Stock. Ravi Shankar's son, Brij Narayan, learned to play the sarod, an Indian plucked guitar with a softer sound than its sister, the sitar. He trained with both his father and Ustad Ali Akbar Khan.
The eerie Lalit and the peaceful Bairagi Bhairav are played here in the early morning. Lalit is given a 25-minute alap that is played slowly and without accompaniment, and the great Zakir Hussain plays the two pieces for 25 minutes. The shorter Bairagi Bhairav is a treat, full of memorable, beau…