We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Bhoot Ghar: Sounds of the Kathmandu Horror House by Aaron Dilloway is a raw suite of field recordings captured inside a decaying Nepali fun‑park attraction. Blown speakers, mechanical screams, and ambient chaos fuse into a hallucinatory documentary of sound—half ethnography, half haunted collage.
Black vinyl. Edition of 700. The first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination. Blue Veil arises out of, is…
Collective interplay is essentially about listening and giving space. If ever there was a credo for this ensemble recording, this would be it. Sometimes the soloist or a small group steps forward, other times they play as a large unit. This collective of musicians are connected through old and new friendships, a set of relations that has been formed through two decades of co-creation on stage and in the studio, and their new recording is a reaffirmation of that with an A-side of free improvisati…
Longtime collaborators Mark Turner and Jakob Bro play central roles in the feature-length documentary film “Music for Black Pigeons”, which premiered at the 79th Venice Biennale, played across film festivals worldwide and portrays the unique artistic processes of Paul Motian, Lee Konitz, Bill Frisell, Craig Taborn, Andrew Cyrille, Manfred Eicher and many others. Mark Turner is heard on three albums with Jakob Bro, all from Avatar Studios in New York, and enters the film in a session from Copenha…
**CD version** "Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters.Suoni Immaginari, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines hi…
Of all the artists to fall under the sweeping banner of Kosmische / Krautrock - a movement which has benefited from continuous attention from the reissue market since the 1980’s, Georg Deuter remains among the most unacknowledged and under-appreciated. The reasons remain slightly behind reach - the likely consequence of his association with the New Age movement across the 1970’s and 80’s, the lingering effects of stigmas which were later applied that movement’s efforts, and the reissue ma…
2022 REPRINT. This is the first issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Inside, you'll find great new stories about music including the cover piece on Alice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more. This is a magazine but together by a quality cas…
Thirteenth issue of We Jazz Magazine, "Zoning". 128 pages, 170 x 240 mm in size and printed on 140g Edition paper with laminated 300g Invercote covers.All articles presented in English. Includes Mary Lou Williams by Anton Spice, Tomeka Reid by Michael Mikesell, Horace Silver by Seymour Wright, Wind Up & Julius Eastman by Marc Medwin, Esmond Edwars at Prestige by Francis Gooding, Contemporary Ethio-Jazz by Nathan Hamelberg, Ivo Perelman & Matthew Shipp by Phil Freeman, Arooj Aftab by Rob Garratt,…
Electronic Sound closes 2025 with an essential cover story celebrating the 50th anniversary of Kraftwerk's Radio-Activity – the Düsseldorf pioneers' first fully electronic album and arguably the darkest, most complex work in their legendary 1974-1981 run.
This in-depth feature draws on exclusive interviews with former members Karl Bartos and Wolfgang Flür, alongside Emil Schult, co-writer of seven tracks on the album. Rare radio archive material featuring both Ralf Hütter and Florian Schneider c…
Electronic Sound magazine presents its most ambitious cover story of the year, featuring Brian Eno and Beatie Wolfe as they prepare to release their third collaborative album in 2025. The issue comes bundled with an exclusive lush purple vinyl seven-inch featuring tracks from their ongoing creative partnership. The creative alliance between ambient pioneer Brian Eno and composer/conceptual artist Beatie Wolfe—whom Vice called "a musical weirdo and visionary"—has already produced two acclaimed al…
Ahead of a brilliant new album landing in September, we have the fabulous Faithless on the cover of the latest Electronic Sound, and we're combining the issue with an exclusive red vinyl seven-inch featuring two almighty groovy tracks remixed by the band's co-founder Sister Bliss. We think this is one of the most uplifting records we've ever released.
Electronic Sound Issue 125 spotlights the highly anticipated collaboration between Mark Pritchard and Thom Yorke, coinciding with the release of their album Tall Tales. This issue features an in-depth interview with Pritchard and Yorke, exploring the album’s creation, their thoughts on technology, identity, and artificial intelligence. Tall Tales is described as a cryptic, genre-blurring journey-echoing the golden era of Warp Records and the digital unease of ‘OK Computer’, likened to a haunted …
This month's Electronic Sound cover stars are the fabled White Noise – Delia Derbyshire, Brian Hodgson and David Vorhaus – and we're bundling the magazine with a fantastic seven-inch featuring previously unreleased Radiophonic Workshop remixes of two killer tracks by the pioneering electronic supergroup.
Radiophonic Workshop mainstays Derbyshire and Hodgson formed White Noise with offbeat American musician Vorhaus in 1968. We've interviewed the band's two surviving members for our cover feature…
We have British Electric Foundation on the front of this month's Electronic Sound and an exclusive blue vinyl seven-inch boasting two previously unreleased Martyn Ware tracks to accompany the issue.
A band? An art project? A shadowy cabal of political provocateurs? We are lifting the lid on Laibach for this month's cover feature – and we have a fantastic transparent red vinyl seven-inch featuring two tracks by the idiosyncratic Slovenian collective to accompany the issue as well. Click here to order your magazine and vinyl bundle now Formed at the start of the 1980s in a mining town in what was then Yugoslavia, Laibach's interest in the culture and national identity of Slovenia frequently u…
Special edition of Goblin’s masterpiece, here released on blue iris coloured vinyl with 30x30cm insert and new liner notes. After the incredible debut of “Profondo Rosso” (Deep Red), the soundtrack of the eponymous 1975 film directed by Dario Argento, no one could ever imagine that shortly afterwards Goblin would be able not only to reach its heights but even further refine what the band already delivered in their first record. While “Profondo Rosso” had been partly composed by Giorgio Gaslini,…
Huge Tip! Originally released in 2013 for the 40th anniversary of the cult 70’s horror film, only 500 copies of The Wicker Man 40th Anniversary Edition were pressed on black vinyl which have become highly sought after. One of the maddest soundtracks you'll ever buy – a strange mix of folksy tunes, sound effects, and odd noisy bits – recorded for the equally odd film of the same name!
The record is impossible to describe accurately, but it's a really dark one – strangely fragile at some moments,…
Tip! *200 copies limited edition* This project, entitled Transmissions From The Radio Midnight, started around 2006, when I acquired a Sony TCM F59 — an AM/FM radio and cassette recorder combined in a slim, handheld body. Since then, whenever I went on a trip, I would throw it into my suitcase and take it around with me. No matter which country I was in, upon returning to the hotel room I made a habit of listening to the radio into the late hours of the night. As soon as I would snuggle into bed…
The Return Of The Durutti Column is an iconic debut, pairing Vini Reilly’s introspective guitar sketches with Martin Hannett’s atmospheric production. Hailed as a bridge between post-punk, ambient, and classical motifs, the album stands out for its refined vulnerability and timeless melodic experimentation.