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2025 stock "Hypersona" is the debut album from UK ambient producer 36 (Dennis Huddleston), initially released in 2009 and later reissued by Past Inside The Present in a special vinyl edition. Crafted between 2005 and 2012, the album showcases 36's unique approach to ambient music, blending nostalgic melodies with lush, dreamy synth-pad textures that evoke powerful emotions and a deep sense of introspection.

* 2020 repress * Velly Joonas is a mysterious singer, who once wanted to become a soul singer, but later choose folk music instead. Frotee has released two recordings of cover versions from Estonian Radio archives, both tracks have Estonian lyrics written by herself. In 1983, she recorded an incredible version of "I See Red" (Stopp, Seisku Aeg). Few years earlier she recorded lovely version of classic "Feel Like Makin' Love" (Käes On Aeg). Both previously unreleased, now available on 7" single!

Originally released in 1968, Caetano Veloso's debut album did for Brazilian music what the Beatles' Sgt. Peppers did for rock & roll, giving birth to the soon-to-be Tropicalia movement, which fused Brazilian music with pop, psychedelia and social awareness (and Veloso's leftist politics actually earned him a stint in jail in 1968 for 'anti-government activity'). Veloso, nonetheless went on to become one of the most popular and influential Brazilian musicians of all time. Includes the genre-defin…

Drop a needle on Psyché's debut double-sider and you'll see visions, or rather Mediterranean visions, be they of waves of heat shimmering above dunes of sand, or of women dancing around a bonfire on a rocky plain, or of bushy cliffs overlooking emerald-green and turquoise sea. The name Psyché is of course ancient Greek for 'soul' or 'mind', signifying the band's love of psychedelic funk, but also the wide range of Mediterranean influences – from Southern Europe to the Balkan Peninsula, and from …

Imagine a nocturnal rendezvous between the lyrical playfulness of Serge Gainsbourg and the infectious yet smooth danceability of Daft Punk. Tormento is a sexy soft disco odyssey that weaves a contemporary fantasy where dilemmas and desires—torments of the heart and flesh—are bathed in the sultry glow of classic erotic cinema. Recorded in Los Angeles and Paris, the song is a collaborative effort between composer and multi-instrumentalist Louis Fontaine, DJ and music supervisor Alix Brown, and lyr…

For the first time on 7-inch vinyl, Daniele Patucchi's killer Dusty Fingers tune, "La Dimostrazione", taken from the soundtrack for the Spanish movie, "Metralleta Stein". A moody, dark-funk midtempo track, fueled with solid drum breaks and heavy basslines. A real classic for any beatmaker, this track has been sampled and compiled a dozen times.  On the flip side, you will find the more dynamic “Elikiller”, another smashing jazz-funk tune with great rhythmical and menacing tension. Limited Editio…

The latest installment in the Reloved series brings together producer extraordinaire Clap! Clap! (Cristiano Crisci) and the rich catalog of library music from Four Flies Records. A lifelong enthusiast of Italian soundtracks and library music, the acclaimed Florence-born producer continues to refine his unique vision, this time delving into original tracks by Giuliano Sorgini, Oscar Rocchi, Fabio Fabor, and Enzo Minuti. By engaging in a creative dialogue with these masters, he expands his composi…

One of the most politically charged terms of the 20th century, the Iron Curtain was a metaphor for political and cultural division. In a post-war telegram Winston Churchill referred to the fault line that ran through Europe between East and West as "an Iron Curtain is drawn down upon their front. We do not know what is going on behind". In this two-part album, as far as jazz is concerned, we will showcase, describe and celebrate exactly what was 'going on behind'. We see that music is the power …

2024 stock. Valuable of 1975 reissue of Finnish Jazz. Day is Over, an album often credited to Esko Linnavalli Quintet but without any mention of performing group on the cover, was born during a series of Finnish Jazz Music Workshop events, led by Heikki Sarmanto and Esko Linnavalli, out which the New Music Orchestra UMO was born. A UMO-anticipating 14-headed workshop band gathered to rehearse at the rock club Tavastia in 1974. Out of that group emerged a quintet, who took a trip to Stockholm to …

*2024 stock* A compilation of contemporary electronic sounds by parallel thinking agents from Europe and US.

2024 Stock. Atto is one of Vladimir Tarasov's long evolving experimental music projects. Tarasov's percussion merges with the hypnotically repetitive synth sequence into one long piece. All instruments are played by Tarasov himself. Originally dispensed by state label Мелодия (Melodya) in 1989, the 4th ‘Atto’ volume features Vladimir effortless rolling out on a 35 minute piece in two parts built from pranging percussion, hunting horns and electronics. It’s a hypnotic study in sublime tension and…

*2025 stock* Music written and performed by William Yates in Bristol 2019-2022. Drums on New Peace by Luke Typesun.

*2024 stock* Written and produced by Stephen Bishop. Recorded in Her Presence, Newcastle upon Tyne. Mastered and cut by Helmut Erler at D&M

*2024 stock* Special catalogue release for the Nordic Pavillion exhibition "The North Is Protected" at the 49th Venice Biennale in 2001 including a 10" record and a 110-page photography book. Track 3 is an unknown Norwegian recording taken from a found cassette tape. Track 4 is compiled from various sources.

"Although alto saxophonist Noah Howard never quite managed to garner the reputation that several of his more well-known playing partners did, to those 'in the know', he was every bit as essential and extraordinary as Archie Shepp and Albert Ayler. A player and composer of direct and emotionally charged music, Howard's career saw him bear witness to some of the most tumultuous periods in jazz, giving voice to the cry for freedom – both musical and political – that characterised the late 1960s and…

"The beauty and power of Meshes of the Evening doesn’t come from isolated passages or specific exchanges, no matter how exciting and satisfying they may be. What has riveted me each time I’ve listened to the music is how Davies and Beins occupy a single space together, totally aligned and in a zone that makes time irrelevant. It would be wrong to say they’re in a shared trance because music that’s so detailed and subject to constant transformation requires a heightened awareness. Yet Davies and …

Comes in a CD sized papersleeve album replica (gatefold), with Obi-strip and insert of notes mostly in Japanese. Recording in a good studio in 1972 with an accomplished engineer/musician such as Dieter Dierks (Ash Ra Tempel, Cosmic Jokers, Tangerine Dream, and yes, the Scorpions), certainly enabled Emtidi to expand their musical style on “Saat.” The end result was a shimmering, lush cosmic folk trip, with multi-tracked and treated acoustic guitars plus electric piano, fragile angelic femme vocal…

CD digipack ed. Sara Dale's Sensual Massage was a delightful erotic video with a mystic soundtrack by Coil. Quite unusual for the band dreamy ambient, almost spa-relaxed soft harmonies, bland tribal rhythms, chimes, and birdsong but still with dark mysterious and inimitable Coil musick's charm. However, the second part of the album explores more rhythmic structures that remind 'Gay Man's Guide...' soundtrack.  Besides the OST recordings, the edition includes bonus tracks from the "Basilisk prod.…

"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album tha…

**2CD in a 6-panel Digipak, second pressing in white color** 150 minutes of previously unreleased material from Coil, strewn with parts that would eventually metastasise into Backwards, and ultimately Black Light District and Musick To Play In the Dark.We hardly need to stress that Swanyard is a bounty for Coil nuts out there, but equally a fascinating listen for anyone attempting to get to grips with their unfathomable catalogue - especially DJs and listeners currently digging into the underbel…

The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…

Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftness akin to the way a Shao-Lin monk wields weapons. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia on the odd track as they were made roughly the same time, only Lazhareem is arranged differently and with more unique elements to form a …

This is a mostly beat-driven album with little background noise, ambient space, or reverb. There is also no big emphasis on Middle Eastern sounds, which (and you should be figuring this out by now) is a frequently occurring theme in Bryn Jones' politically-driven music. Occasionally, there is some melodic material, or a touch of the Middle East sprinkled in, but it's played down in favor of beats that could best be described as very raw and closer to early Autechre minimalism than something from…

Edition of 500. Izlamaphobia starts with an aggressive blast, "Hudood ordinance." With a rhythm track consisting of extremely tweaked and processed electronic beats and bleeps and only the gentlest of Arabic string instruments deep in the mix to relate things to a more familiar Muslimgauze sound, the song sets the general mood for the rest of Izlamaphobia. This said, Bryn Jones's specific talent was such that even without that, this would still sound like him, his trademark care and obses…

Originally released in 1993. The reissue contains remixed material from »Shekel Of Israeli Occupation«, which did never appear. Also on there are two remixes from tracks on »Vote Hezbollah«. From the original press release: »For over ten years this solitary voice from Manchester has created a unique sound drawn from a melange of Arabic and European instrumental music. From the very beginning the music has been based on drums and other percussion instruments. Recent advances have been attained th…

Another Muslimgauze discovery in Staalplaat's reissue series, with eight rare tracks from the mind of Bryn Jones. Hefty slabs of beefy beats are seasoned with spicy South Asian melodies while mouth numbingly hot bass lines are smothered in distortion chutney; Souk Bou Saada was broiled in Machester's finest tandoor and is now served by Staalplaat. If you love East Indian flavors with a neo-bhangra beat, this disc will not disappoint, equally at home on the dancefloors of Bradistan, UK or Mumbai,…

"Kashmiri Queens" presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. All the standard Muslimgauze elements present here, but this release sees a more steady approach to his sound. Far less of the abrupt cutting in and out he had favoured for a good while, and more of a concentrated approach to the music. He lets the …

Part of Staalplaat’s ongoing Muslimgauze archive series, Sycophant of Purdah was submitted in 1994 then “replaced” by another master Bryn Jones felt more fit for release. Sycophant then languished in the vaults until present, nearly a decade after Jones’ passing. It is no secret that Jones was a prolific artist and that numerous labels combined could not keep up with his output and will take several more years more for them to do so. Sycophant opens with a radio broadcast on the on-going Palesti…

"Was it yesterday or tomorrow?" That release is a tape that Atom Heart did for the first edition of the Ambient City radio at the Museum of Contemporary Art in Helsinki 1994.

22/12/2017 Guilin Synthetic Daydream is a perceptual trap. Inspired by an experience of intense perceptive disorientation while crossing a market in China, Eve Aboulkheir reinstantiates, in the field of sounds, the swirling and anamorphic universe of thwarted perceptions, surrounding multitudes and shifted sensations. She thus constructs a dreamlike and artificial universe, suspended and hyperactive, which is both an electronic vortex sucking us in and a mechanical ballet developing its arabesqu…

Tip! “I first composed this music for myself as an adjunct to meditation, Tai Chi, and bodywork, and as music to play in the background of life, to replace the everyday cacophony with new and ordered sounds of an unpredictable nature. New sounds freed from preconception. …over time, friends who heard the music asked if I could make them copies. I then wrote two more pieces with the same intent: to relax the body, mind, and spirit and facilitate meditation.” - Lou Reed Lou Reed’s final solo album…

*100 copies limited edition* Forbidden Questions in Space is a haunting, koan-inspired journey of ambient, vocal, and drone improvisations. Born from Zen riddles and cosmic wonder, Angela Winter transforms existential dread into spacious, contemplative soundscapes. It asks: How do we meet the world as it is? The result is meditative and stirring, an invitation to let go of certainty and awaken to beauty in the unknown.  "Forbidden Questions in Space emerged in 2021 when I was mixing my album lig…

London’s The Lo Yo Yo was conceptualized by John “Alig” Pearce in 1984 after his primary group, the deservedly legendary Family Fodder, went dormant. Soon enough a few others were enlisted to round out the quartet, including Mick Hobbs of The Work and Officer! fame, alongside friends Joey Stack and Carrie Brooks. The Lo Yo Yo took elements from their other groups and, in the tradition of somewhat like-minded acts like The Raincoats, Naffi and Amos & Sara, added a strong dub/reggae element. Short…

These duets exemplify a compelling musical interplay, characterized by symmetrical encounters and an organic, intuitive dialogue that seamlessly weaves together elements of core improvisation, contemporary classical influences, and jazzy choruses, resulting in a rich tapestry of sound that is captivating in its spontaneity and depth.Alexandra Grimal: tenor and soprano saxophonesGiovanni Di Domenico: acoustic grand pianos, celesta, pipe organ

"Rags, Ballads & Harmonium Songs. Chanteys, Come-All-Ye's, Aborigine Song Sticks. Gospel, Improvisations, Renaissance Lyrics, Blake Hymns, Bluegrass, Hillbilly Riffs, Country & Western, 50's R&B, Dirty Dozens & New Wave" Allen Ginsberg's recorded opus gets its first ever full vinyl reissue on a gatefold double vinyl LP replete with photography by Robert Frank. Containing studio-recorded performances that he wrote, performed and taped in sessions taking place between 1971 and 1981 - featuring Bob…

Swims presents the disruptive dream-team of Kit Records founder Richard Greenan, Buenos Aires based cello experimentalist Violeta Garcia, and South African violinist and composer Galina Juritz. "Esperando a Florian" is the result of Violeta's London residency in 2022. Recorded in one take, and with a simple setup of violin, cello, electric bass, and analogue synths; the music is a tender conversation between three voices, pushing and pulling at the edge of dialogue, hesitance and reflection. Rec…

Fistful of Ivy is the debut LP by a loosely floating aggregation of individuals, brought together by musician/producer Kevin S. McMahon, at whose New Paltz NY studio it was recorded. The concept for Pelican Movement arose a quarter century ago, but the only previous graspable evidence of its existence is half of an obscure 7" from 2015. Fistful of Ivy will be most listeners' introduction to Pelican Movement's sound/image, and the LP is as fine an intro to anything as could be imagined. The album…

"From the sui generis pop songwriting mind of Ryan Power comes World of Wonder, his first album since 2020's Mind the Neighbors. Following a string of influential releases on the Vermont label NNA tapes, World of Wonder is Power’s second release on Massachusetts imprint Feeding Tube Records. While its predecessor presented Power in a largely stripped down, acoustic setting with lush horn and string arrangements, World of Wonder has Power return to his characteristic hyper-produced, high-fidelity…

While we wait for Aaron Rosenblum to finish up his album of field recordings, we sometimes ask him about various tapes he has recorded of other artists. These, he tends to provide more quickly. Thus, here is the first of what we hope to be a series of live shows by various artists, documented by Mr. Aaron. The artist in Pat Gubler, aka PG Six. The venue is The Tavern at Hampshire College. The date is March 30, 2001. This was still an early point in Pat's solo journey, but the aesthetic documente…

Herewith is an extraordinary 45 RPM album of solo electronic music by NZ's great contrarian, Bruce Russell. The pieces were all created using machines built by Clinton Williams, whose musical work under the OMIT moniker has long been championed by Bruce. Unlike many of Williams's own recordings, which contain kosmiche extensions recalling the '70s work of Klaus Schulze, the 15 improvised Sonatas presented here mix a few of those sorts of sonorities with a variety of more harshly-edged tones. The…