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* Metallic Gold Wax * In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre–punk, funk–blues fusion that had yet to be normalized in mainstream music — a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic, and in full control, Betty pave…

*Fully licensed, ltd to 500 copies, 180 gr. Comprised  of a precious  inlay card featuring an exclusive essai by Emma Tricca.* “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”. Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following.…

Isle of Jura’s ‘Archipelago’ compiles rare French fusion gems (1978–1988), curated by Arnaud Simetiére (Switch Groove), unearthing cosmic, genre-defying sounds from artists like Francis Bebey and Carla Music Orchestra. The album celebrates offbeat creativity and features also ambient tracks.

May 1961. The Concertgebouw - Amsterdam's cathedral of classical music, where symphonies and string quartets had held court for decades - opens its doors to something entirely different. Thelonious Monk, the high priest of bebop, one of the most important and enigmatic figures in modern jazz, walks onto that hallowed stage with his quartet. The audience is packed, expectant. They have no idea what's about to happen. What happened was magic. Pure, uncut, Monkian magic. This isn't Monk as studio p…

Although his main instruments were the tenor saxophone and the flute, Yusef Lateef was known for his innovative blending of jazz with Asian music. In addition to the oboe and bassoon (which are both unusual in jazz), he played various instruments. Lateef began recording as a leader in 1957 for Savoy Records, a non-exclusive association that continued until 1959. The earliest ofhis albums for the Prestige subsidiary New Jazz overlap his Savoy Recordings. Cry!-Tender was one of these early albums …

*150 copies limited edition* Richard Youngs is neither a stranger to Fourth Dimension Records or creating music from a disparate array of sources that then fall somewhere near that space where immersive drones converge with something altogether more frayed, ravaged or disquiet. 'Zerkelus', named after an imaginary Babylonian king, comprises two lengthy side-long parts, with the first being akin to something of an extended orchestral tune-up utilising voice, oboe and indiscernible sources to crea…

Warrington-Runcorn New Town Development Plan's new album, Your Community Hub, compellingly continues his sonic exploration of the New Towns movement. The issues the councillors, planners, and architects set out to solve still resound and echo throughout society. For the latest instalment in this unique project, Gordon Chapman-Fox turns his laser eye to focus on Community and the Community Centres that populated Warrington and Runcorn in order to provide all the facilities people needed within a …

Andrew Barker - drums, percussion William Parker - bass, b flat pocket tuba, gralla Jon Irabagon - tenor saxophone, sopranino saxophone   Recorded by Andrew Barker January 3rd, 2022 at Phantom Ear Studio, Brooklyn, NY.Mixed by Andrew Barker.Mastered by Steve Silverstein.

500 copies. One of the most original, layered, and innovative krautrock bands, Embryo fuses traditional ethnic music with their own jazzy space-rock style. Over the course of their decades-long existence, the group has traveled the world, played with hundreds of different musicians, and released dozens of records. Almost every album features different lineups and styles. "Rocksession" is another Embryo album with material recorded during the sessions between 1971 and 1972. The band wanted to rel…

One of the great lost albums of British psychedelia, original copies of Arzachel's 1969 self-titled debut fetch huge sums on the collectors' market and it is not difficult to understand why. Originally released in 1969 on the small Evolution label, this album quite simply contains some of the best psych to ever come out of the UK. However, like so many other great albums of the era, it soon dropped entirely from the radar due to bad promotion. In fact, it may not have ever been rediscovered at a…

*Edition of 700 * Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties. Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more information than handwritten track titles on the sleeve of a DAT. Why he would submit multiple copies of the same or similar tracks to those he worked…

*2024 repress* Separated from both its reputation and its sleeve art, the music of Muslimgauze explores the relationship of visual sensations -- space, color, depth, illusion -- to the listening experience. The music on Maroon is dub-like inspired techno music, laidback with voices appearing randomly in the mix. The thick drums and rich found sounds that densely populate the soundscapes on Maroon give materiality to the warm presence of the synth washes. The music is so layered and textured that…

Three improvisers having fun and taking risks. The classic piano-less jazz trio reinvented by mixing melodies, dirty sounds, noises, extended techniques and references to tradition with a quasi-punk approach.

Forever by Alessandro Alessandroni is a posthumous album recorded during the composer’s final months in Namibia, operating as both a celebration of his artistry and a poignant musical testament. Fusing orchestral pop, jazz, and classical elements, the record elegantly reflects Alessandroni's multifaceted talent, closing his storied career with subtlety and grace.​

Autumn 2021 / Autumn 2001 is a split single pairing Los Angeles producer Free the Robots with the late Italian jazz pianist and electronic music pioneer Gianni Safred. The release juxtaposes Safred's original 1978 track, taken from the cult album Futuribile (The Life To Come), with a contemporary reimagining by Free the Robots, weaving retro-futuristic electronics and deep grooves into crisp, beat-heavy reinterpretation.​

*2022 gold vinyl repress with insert. 100 copies limited edition* In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedeli…

R. Seiliog returns with Dispatch All Gods, his fifth full-length release and a compelling evolution of his distinct approach to experimental electronics. Weaving field recordings, granular synthesis, and fractal sound design, the album forges immersive sonic landscapes, extending the post-genre explorations of his previous works while grounding them in the tactile textures of the Welsh countryside.

Bear Creek by Camp of Wolves is a spectral journey into the folds of memory—an electronic album steeped in nostalgia and tinged with a spectral melancholy. Drawing on organic sounds and homespun textures, the record crafts a deeply personal, woodsy soundscape that mirrors the confusion and warmth of childhood revisited in adulthood, embodying both bittersweet reverie and nocturnal introspection.

Mat Handley returns to his South Yorkshire inspired Pulselovers project with a bold new chapter in the acclaimed Northern Minimalism series. What began as a deeply personal tribute to the region’s industrial, post-punk and synth-pop legacies has now evolved into a sprawling, 20-track remix project released via Castles in Space's new CD imprint, Lunar Module. The double CD includes remixes from a stellar cast of electronic artists: Aural Design, Apta, Pefkin, Grey Frequency/Blue Room, Sulk Rooms,…

Newcastle-based electronic artist Bartholomew delivers Subterranea. An album which delves deep into emotional terrain—fusing generative electronics, orchestral flourishes, and raw sonic textures into a poignant meditation on instability and resilience.

2025 stock "Hollow" by 36 is an ambient album released on Past Inside The Present, meticulously crafted by UK artist Dennis Huddleston between 2005 and 2012. The record comprises thirteen tracks inhabited by looped, minimalist melodies, delicate electronic and “string” arrangements, and gentle glitch textures, resulting in a deeply immersive soundscape. "Hollow" takes inspiration from works like William Basinski's "Disintegration Loops," pairing digitally-generated distortion with a haunting, me…

2025 stock "Lithea" by 36, released on Past Inside The Present, is a profound ambient album crafted by UK artist Dennis Huddleston. As the final chapter in a trilogy that includes "Hypersona" and "Hollow," "Lithea" features eighteen seamless tracks that evoke both nostalgia and cinematic darkness through lush atmospheres and subtle textural details. The listener is transported to dreamlike or nightmarish realms, where field recordings, delicate drones, and ethereal choir voices paint contrasting…

2025 stock "Hypersona" is the debut album from UK ambient producer 36 (Dennis Huddleston), initially released in 2009 and later reissued by Past Inside The Present in a special vinyl edition. Crafted between 2005 and 2012, the album showcases 36's unique approach to ambient music, blending nostalgic melodies with lush, dreamy synth-pad textures that evoke powerful emotions and a deep sense of introspection.

* 2020 repress * Velly Joonas is a mysterious singer, who once wanted to become a soul singer, but later choose folk music instead. Frotee has released two recordings of cover versions from Estonian Radio archives, both tracks have Estonian lyrics written by herself. In 1983, she recorded an incredible version of "I See Red" (Stopp, Seisku Aeg). Few years earlier she recorded lovely version of classic "Feel Like Makin' Love" (Käes On Aeg). Both previously unreleased, now available on 7" single!

Originally released in 1968, Caetano Veloso's debut album did for Brazilian music what the Beatles' Sgt. Peppers did for rock & roll, giving birth to the soon-to-be Tropicalia movement, which fused Brazilian music with pop, psychedelia and social awareness (and Veloso's leftist politics actually earned him a stint in jail in 1968 for 'anti-government activity'). Veloso, nonetheless went on to become one of the most popular and influential Brazilian musicians of all time. Includes the genre-defin…

Drop a needle on Psyché's debut double-sider and you'll see visions, or rather Mediterranean visions, be they of waves of heat shimmering above dunes of sand, or of women dancing around a bonfire on a rocky plain, or of bushy cliffs overlooking emerald-green and turquoise sea. The name Psyché is of course ancient Greek for 'soul' or 'mind', signifying the band's love of psychedelic funk, but also the wide range of Mediterranean influences – from Southern Europe to the Balkan Peninsula, and from …

Imagine a nocturnal rendezvous between the lyrical playfulness of Serge Gainsbourg and the infectious yet smooth danceability of Daft Punk. Tormento is a sexy soft disco odyssey that weaves a contemporary fantasy where dilemmas and desires—torments of the heart and flesh—are bathed in the sultry glow of classic erotic cinema. Recorded in Los Angeles and Paris, the song is a collaborative effort between composer and multi-instrumentalist Louis Fontaine, DJ and music supervisor Alix Brown, and lyr…

For the first time on 7-inch vinyl, Daniele Patucchi's killer Dusty Fingers tune, "La Dimostrazione", taken from the soundtrack for the Spanish movie, "Metralleta Stein". A moody, dark-funk midtempo track, fueled with solid drum breaks and heavy basslines. A real classic for any beatmaker, this track has been sampled and compiled a dozen times.  On the flip side, you will find the more dynamic “Elikiller”, another smashing jazz-funk tune with great rhythmical and menacing tension. Limited Editio…

The latest installment in the Reloved series brings together producer extraordinaire Clap! Clap! (Cristiano Crisci) and the rich catalog of library music from Four Flies Records. A lifelong enthusiast of Italian soundtracks and library music, the acclaimed Florence-born producer continues to refine his unique vision, this time delving into original tracks by Giuliano Sorgini, Oscar Rocchi, Fabio Fabor, and Enzo Minuti. By engaging in a creative dialogue with these masters, he expands his composi…

One of the most politically charged terms of the 20th century, the Iron Curtain was a metaphor for political and cultural division. In a post-war telegram Winston Churchill referred to the fault line that ran through Europe between East and West as "an Iron Curtain is drawn down upon their front. We do not know what is going on behind". In this two-part album, as far as jazz is concerned, we will showcase, describe and celebrate exactly what was 'going on behind'. We see that music is the power …

2024 stock. Valuable of 1975 reissue of Finnish Jazz. Day is Over, an album often credited to Esko Linnavalli Quintet but without any mention of performing group on the cover, was born during a series of Finnish Jazz Music Workshop events, led by Heikki Sarmanto and Esko Linnavalli, out which the New Music Orchestra UMO was born. A UMO-anticipating 14-headed workshop band gathered to rehearse at the rock club Tavastia in 1974. Out of that group emerged a quintet, who took a trip to Stockholm to …

*2024 stock* A compilation of contemporary electronic sounds by parallel thinking agents from Europe and US.

2024 Stock. Atto is one of Vladimir Tarasov's long evolving experimental music projects. Tarasov's percussion merges with the hypnotically repetitive synth sequence into one long piece. All instruments are played by Tarasov himself. Originally dispensed by state label Мелодия (Melodya) in 1989, the 4th ‘Atto’ volume features Vladimir effortless rolling out on a 35 minute piece in two parts built from pranging percussion, hunting horns and electronics. It’s a hypnotic study in sublime tension and…

*2025 stock* Music written and performed by William Yates in Bristol 2019-2022. Drums on New Peace by Luke Typesun.

*2024 stock* Written and produced by Stephen Bishop. Recorded in Her Presence, Newcastle upon Tyne. Mastered and cut by Helmut Erler at D&M

*2024 stock* Special catalogue release for the Nordic Pavillion exhibition "The North Is Protected" at the 49th Venice Biennale in 2001 including a 10" record and a 110-page photography book. Track 3 is an unknown Norwegian recording taken from a found cassette tape. Track 4 is compiled from various sources.

"Although alto saxophonist Noah Howard never quite managed to garner the reputation that several of his more well-known playing partners did, to those 'in the know', he was every bit as essential and extraordinary as Archie Shepp and Albert Ayler. A player and composer of direct and emotionally charged music, Howard's career saw him bear witness to some of the most tumultuous periods in jazz, giving voice to the cry for freedom – both musical and political – that characterised the late 1960s and…

"The beauty and power of Meshes of the Evening doesn’t come from isolated passages or specific exchanges, no matter how exciting and satisfying they may be. What has riveted me each time I’ve listened to the music is how Davies and Beins occupy a single space together, totally aligned and in a zone that makes time irrelevant. It would be wrong to say they’re in a shared trance because music that’s so detailed and subject to constant transformation requires a heightened awareness. Yet Davies and …

Comes in a CD sized papersleeve album replica (gatefold), with Obi-strip and insert of notes mostly in Japanese. Recording in a good studio in 1972 with an accomplished engineer/musician such as Dieter Dierks (Ash Ra Tempel, Cosmic Jokers, Tangerine Dream, and yes, the Scorpions), certainly enabled Emtidi to expand their musical style on “Saat.” The end result was a shimmering, lush cosmic folk trip, with multi-tracked and treated acoustic guitars plus electric piano, fragile angelic femme vocal…

CD digipack ed. Sara Dale's Sensual Massage was a delightful erotic video with a mystic soundtrack by Coil. Quite unusual for the band dreamy ambient, almost spa-relaxed soft harmonies, bland tribal rhythms, chimes, and birdsong but still with dark mysterious and inimitable Coil musick's charm. However, the second part of the album explores more rhythmic structures that remind 'Gay Man's Guide...' soundtrack.  Besides the OST recordings, the edition includes bonus tracks from the "Basilisk prod.…