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Gottfried Michael Koenig
Restocked, reduced price: beautifully prepared overview of Gottfried Michael Koenig's work (including early 60s WDR electronic classics), produced in conjunction by the Instituut of Sonologie and NEAR/Donemus w/ Edition RZ. During the early '60s, Koenig began writing a program -- named simply 'Project 1,' or PR1 -- designed to compose and generate music via the computer; when in 1964 he accepted the position of creative director with the Institute for Sonology in Utrecht, Holland, he took the so…
1967-1975
Led by pianist Franco Evangelisti, Gruppo di Improvvisazione Nuova Consonanza performed as a collective from 65 -71. The focus was to expand both the sonic capabilities of their instruments, but also the sensitivity of each performer within the context of the improvisation. The result(s) remain some of the purist and elevated abstract explorations put to tape retaining both warmth and intelligence. Piano, percussion, double bass, trombone, cello, trumpet, etc are the tools for unparalleled types…
Michael von Biel
An astonishing CD with the usual RZ deluxe touch by the well-known fluxus related cellist. Michael von Biel (born 30 June 1939 in Hamburg) a German composer, cellist, and graphic artist. Von Biel studied piano, theory, and composition in Toronto (1956–57), Vienna (1958–60), New York (1960, with Morton Feldman, amongst others), London (1960, with Cornelius Cardew), and Cologne (with Karlheinz Stockhausen). From 1961 to 1963 he attended the Darmstadt Vacation Courses for New Music. In 1964 he rec…
The Winds Rise in The North
Composer Harley Gaber wrote this piece for strings as an emotional examination of the questions posed by Taoist philosopher Chuang Tzu, here performed by a quintet including violinist Malcolm Goldstein
Works for Instruments
Edition RZ presents John McGuire's Works For Instruments. Performers: Ensemble Modern -- Julia Rempe (soprano); Pellegrini-Quartett: Antonio Pellegrini, Thomas Hofer (violin); Fabio Marano (viola); Helmut Menzler (violoncello); musikFabrik: Hermann Kretzschmar, Paulo Alvarez, Irmela Roelcke, Eun-Ju Kim, Ulrich Löffler, Jürgen Kruse (piano), Christine Chapman, Jodie Lawson, Charles Putnam, Rohan Richards (horns), Dirk Rothbrust, Carlos Tarcha (percussion). Each of the compositions of post-minimal…
Inventionen 98
A documentary of pieces performed at the Inventionen Festival in Berlin, 1998. Features: Unsuk Chin, Patrick Kosk, Werner Cee, Francois Donato, Robin Minard, Wolfgang Mitterer, Francis Dhomont, Erik Mikael Karlsson, Trevor Wishart. "Not as much as a bringer-up to speed (or yet another history lesson at that) as a fine cache of current keepers of the crop. New ('93-98), complete pieces from Trevor Wishart (northern-UK composer/programmer known and loved these days for his mid-70's works such as M…
A Failed Entertainment: Works 2009-2014
Works from Italian composer Clara Iannotta recorded from 2012 - 2014, including a work for string quartet composed for the DAAD artist-in-Berlin program
Die Natur der Klange: Neue Musik fur Harfe
Gabriele Emde-Hauffe was born in 1953 in Darmstadt, Germany. She received a humanistic education at a local grammar school in Darmstadt and started studying the harp after her A-levels, first in Darmstadt and finishing in Cologne. Conducted by Péter Eötvös, she worked out modern chamber music and modern improvisation by J. G. Fritsch and Vinko Globokar. Passing her exams in 1980 and 1981, she continued her studies of musical science at Cologne University, based on her thesis, "The Harp bet…
Prends le temps d'écouter: Tape Music, Sound Experiments and Free Folk Songs from Freinet Classes 1962-1982
Big Tip! LP version. Includes 20-page booklet. France, early sixties: the Mouvement de l'École moderne is in full bloom. Relying on the experiments and writings of its founder, the educationist Célestin Freinet, this consortium of teachers is about to give empirical evidence proving that another approach to music in school can be fruitful. With its pragmatic, anti-authoritarian tack, the method that Freinet was already developing in the 1920s held children in respect, giving them confidence and …
Longing For The Shadow: Ryūkōka Recordings, 1921-1939
*In process of stocking* Emerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues & jazz elements into traditional and classical Japanese music.This collection of 1920s & 30s ryūkōka recordings follows on from the Kouta Katsutaro tape we put out a couple of years back, and further captures the hauntingly unique sound of a cultural merging that was starting to reflect itself via popular song, ahead of the widespread influence of weste…
Highlights of Vortex
The brainchild of visual artist Jordan Belson and electronics polymath Henry Jacobs, the Vortex Experiments ran from 1957 to 1960, first at San Francisco’s Morrison Planetarium and later at the SF Museum of Art. The very name of these events announced their aim: a swirling totality of sensory experience. Around Belson’s richly-colored visuals – making use of the planetarium’s entire dome and featuring luminous, sharply geometric imagery projected through an array of devices – Jacobs ringed a sy…
Poesia Sonora
Sound Poetry is discipline which developed over the course of the 20th century. Firmly located between the worlds of fine-art and music, it places its emphasis on the sound and structure of words - the phonetic aspects of human speech, over explicit meaning. Of all the avant-garde and experimental creatives practices, it is unquestionably the most neglected. Its efforts remain almost entirely unknown beyond circles of devoted fans. Despite this, its has been remarkably influential. The Beat poet…
In Fractured SIlence
Tip! Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last… but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just …
Afro-Jazz-Folk Collection Vol.1
* 2021 Stock * The Super Biton has existed since the 60s, like Ségou, its orchestra, the Super Biton has always remained behind what was done in Bamako and in the big cities of Africa. The Ségou orchestra developed and incorporated amplified instruments that mingle with brass, in particular electric guitars, symbols of modernity at the time. It opens up to Cuban music, and congas and bongos complement the sound of the orchestra.
The group drew a unique sound from it, a perfect balance between t…
Taste Me
“Taste me” is a 1981 obscure instrumental library music album and a weird example of Italo Funk Disco played by professional musicians (most of them under pseudonym) involved also in many different musical projects (from jazz, progressive rock and disco music). The LP includes the killer Disco Funk "Don’t Stop It”.Repressed in limited edition with original artwork for the first time since 1981. Don’t miss it.
Aleksandre Kiladze's Jazz Choral
One of the rarest Georgian [Soviet] releases ever. Previously unreleased song "Borjomi Valley", new Georgian Reissue label TBILISI Records from Vodkast.
Days Falling
** Edition of 100. Heavy weight 180 gram vinyl. Hand-painted covers on thick gray cardboard ** Editions presents Days Falling by Jason Kahn. Recorded April 9, 2020 in Zürich at Kunstraum Walcheturm. Recording, mixing, mastering, liner notes and LP artwork Jason Kahn. Many thanks to Patrick Huber for allowing me to record in Kunstraum Walcheturm. These pieces were recorded during one evening on April 9, 2020 in Zürich, my home for the last twenty-one years. I rode my bike through the rainy night …
Contagion Vapors
Tip! “Contagion Vapors” was recorded between May 2020 and March 2021, in tandem with “Transgressive Transmissions”. Both albums have been released by Castles in Space, however they feature completely different sonic energies. Caught up in the first wave of pandemic doom/gloom which resulted in a bizarre creative bloom for Patrick, both albums have unique sounds anchored in the immense Patrick R Pärk/Kösmonaut discographies. This one is definitely a Kösmonaut record, however. Patrick’s ”Contagion…
Atmosfere N.1/2
Spellbinding Italian Library masterpiece (originally released as two separate LP in 1971), a near mythical recordings with holy grail status made by Riccardo A. Luciani (credited as David Hoyt Kimball due to contractual reasons) with the help of Luigi Malatesta (also known by the pseudonym Peymont). Another two tracks are composed by Serena Marega, an obscure female electronic musician active in the late 60s and early 70s, who played extensively with Teresa Rampazzi, and was a founding member …
The Big Minute
The Invisible Hands: Alan Bishop, Cherif El Masri, Ayawasqa, Adham Zidan. "Years in the making amidst multiple other projects, the third album by The Invisible Hands has finally seen the light of day. In 2014, just after releasing their second album Teslam (ABDT 054CD/LP, 2014), The Invisible Hands met to begin recording their third album. But there was a problem: Alan Bishop had dozens of new songs to record and a slow-motion reality bi-product of this dilemma was that one new album became seve…