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Strung-out yet precise. Introverted but with something to say. Industrial Relations is a further unraveling of the stories untold left lingering around the Piedmont capital. Cloistered away behind one of Turin’s many crumbling doorways, a basic studio set-up alongside a scattering of found photos and a type-writer forms the backbone of this bureau.   Noticeably more barbed than its predecessor Chamber Music, drums are frayed and left to splutter. Grungy guitar chords come in at angles, occasiona…

*300 copies limited edition* New from Ulla’s 28912 label comes a gorgeous bouquet of lowercase wonders from Justin Cantrell aka J and the Woolen Stars, part of Picnic, and the brains behind the excellent Daisart and se Dessaisir Publishing labels. »Puff« is a glistening pool of lush refractions and music-box lullabies, featuring an array of acoustic instruments and fragile foley sounds that are gently peeled away until all we’re left with are the faded outlines of half-remembered songs. A sound …

Latest release by Joachim Nordwall on Stellage.

Originally released in 1971, "Satori" is Flower Travellin’ Band’s groundbreaking masterpiece and one of the most visionary albums of the early heavy rock era. It fused hard rock, psychedelia, progressive music and traditional Eastern influences into a sound unlike anything heard before. Unlike many rock albums of the era, “Satori” is structured as a continuous musical journey, with its five tracks presented as interconnected movements rather than conventional songs. The band’s powerful rhythm se…

** 180-gram pressing with a Japanese OBI and a new translation of Haruomi Hosono's original 1975 liner notes. Blue Ocean Vinyl. ** Fifty years after its original release, Haruomi Hosono's Tropical Dandy finally receives its first-ever international reissue through Stones Throw Records, marking a momentous celebration of one of Japanese music's most influential yet overlooked masterpieces. Originally released in 1975, this cult classic marked Hosono's pivotal shift toward genre-blending fusion, c…

»Ampersand Curve« initiates a brilliant new phase of work by North Manchester’s most elusive artist, best known as Michael J. Blood. His string of ruffkut club bangers, as well as jams with Rat Heart & Samizdat over the past seven years, have made his records a true cult property, and now find him signed to one of the UK’s most foundational techno imprints – more of which later this year. But under the Sees aegis, he swims in very different waters, following his instincts to use the studio-as-in…

“between soil and signal” is a three-part audiovisual performance featuring live electronics and Cretan bulgari. It reimagines the atmosphere of long-duration poetry singing and oral traditions from Balkan, mainland Greek, and Cretan communities. Expanding poetry beyond language through an interplay of immersive sound and dynamic moving images, the performance crafts a world that is at once synthetic and organic, fragile and intimate, inspired by cosmogonic myths, magic spells, and folk songs. T…

*2026 stock. 10 copies limited edition* Although Jackson and McLean spent many of their formative years playing in an array of dubious named and increasingly outsider rock groups, ‘Big Gamble’ is the first time they have ever made music purely as a duo. In the intervening years since their last band activities together. Jackson founded Thraa and began to focus on prepared guitar experiments in a series of aurally challenging and investigative solo records issued on his own Fr33zehead imprint. Mc…

*2026 stock. 25 copies limited edition. The cassette features interchangeable artwork* Featuring amplified sonic drones, atmospheric qualities and scraping textures. The theme of this record is centred around 'Abrading' - to scrape or wear away by friction or erosion, using the headstock of an amplified guitar to create sounds by using the walls and floor of the rehearsal room. 'Internal Waves' and 'Above The Fog' are home recordings made up from two layered amplified guitars played with a bow. …

Wistful meta-folk from the American Midwest, self-published by US musician and occasional ANF customer Erik Kramer - totally floored by this.

Mysterious, primitive lo-fi ‘pop’ from Swedish enigma Mind Control Hands - was anyone ever meant to hear this? Something of a needle in a haystack.  The depths of the internet are flooded with snippets of information about enigmatic CDrs, often no more than a crusty JPG and a bit of text, if you’re really lucky a single track to listen to.  The vast majority are of no interest, but perseverance pays off.  Mind Control Hands, originally birthed in the endless sprawl of CD-baby era early 00s micro…

*300 copies limited edition* Good Morning Tapes are back with a new album of lushest New Age sound-bathing x emotionally gooey trip hop from Andro Gogibedashvili aka Saphileaum. Saphileaum has spent the past decade in passage between notable houses of atmospheric sorcery - Mule Musiq, Not Not Fun, Slow Life, Constellation Tatsu - and of course Good Morning Tapes, who now host their 3rd meeting, »Heavenly Hills«. A definitive chapter in his ten year saga, it is flush with symphonic strings and sk…

"Veteran Spanish label, Margen/áMARXE, returns after its outstanding releases of recent years with the first album by an incredible French duo called Fulguromatic. Deeply fascinating, creating unique spaces between the sounds of Canterbury, jazz-rock and incorporating a light, playful and somewhat mischievous touch from the planet Zeuhl that is tremendously addictive. Absolutely captivating, both musically and timbrally, thanks to the use of invented instruments that give it a French flavor "naï…

‘La Balsa’ was the first Argentine massive rock hit. In 1967 Los Gatos became the most famous local rock band with this song. At the front, as composer and singer, was Litto Nebbia. Although this milestone has remained eternally linked to Nebbia's name, almost eclipsing the rest of his work, it is really his solo career that unveils the artist's overwhelming talent and his determination to create music freely, regardless ofcommercial considerations. “Fuera del cielo” (1975) is an art rock/space …

The final collaboration between Eliane Radigue and Important Records is this LP edition of Triptych. Eliane insisted that her music be released on vinyl only if the pieces would fit without being edited or cut.

The experimental project Pissoff was founded in the late 60s by multimedia-artist Eberhard Kranemann and some friends who studied together at the Düsseldorf Academy Of Fine Arts. The chaotic, loud and soundwise undisciplined band took part in various events at this location and other places. Due to the intense fluctuation of band-members the performances by Pissoff were characterized by continously changing participants and variations of the involved equipment: cello, violin, clarinet, tenor sax…

**150 copies, clear vinyl** Rotorelief presents a reissue of Alésia Cosmos' Aéroproducts, originally released in 1985, with bonus material. In the '80s, Alésia Cosmos was one of those pioneering groups that invented a handful of things: uprooted electro, pop-shifted funk. With some synths, rhythm boxes, magnetic tapes, crazy guitars and hallucinated voices, they rocked the underground for four years, with two albums, playing live in France and Europe. The dazzling epic of the magic combo has bec…

Camizole's first unreleased album "Erahtic", recorded in 1972, released 50 years later on vinyl by Rotorelief. Limited to 450 numbered copies on black vinyl. These are the very first recordings of Camizole made in 1972 with a cassette recorder. The main instrument used is a self-built zither, a primitive lutherie supplemented from time to time by an alto violin and a flute. "The goal was to obtain new, dissonant, noisy sounds. The following year, when I bought my first synthesizer, I considered …

Limited and numbered edition of 100 copies on clear vinyl. From 1983. Neuronal radioactivity, supported by ancestral sounds that emanate from atomic testing flows that absorb a loss of fallen energy. The mutant nucleus emits subtle scents of chemical processes for synthesizing the listener decay. Considered a high-water mark of early industrial, Maurizio Bianchi Aktivitat went against the grain prevalent at the time; rather than pushing the boundaries of volume and pummeling rhythm (f…

“Kontraktion” and “Extruder” are the results of various tape-sessions by Conrad Schnitzler and Siegmar Fricke in Con’s former studio Leberstrasse in Berlin.The soundscapes on both records (produced in November 1986 and July 1987 with EMS-Synthi A, Korg MS 10 + MS 20 + delays) contain all the machinistic energy and infernal industrial sound-eruptions similar to Conrad’s first three albums “Schwarz”, “Rot” and “Blau” and to the rumbling train wheel rhythms of “Zug” (from the “Red Cassette” 1974). …

*  Art Book CD – Silver Collection – augmented album Deluxe Art Book cd of 24 pages sewn – All artworks by Babs Santini * This 1983 period in which Gyllensköld was recorded was a fantastic time for the evolution of Steven Stapleton’s audio art. His collaborations with Diana Rogerson, Robert Haigh (Sema), David Tibet, and Thirlwell around this time elicited some of the most exciting work Nurse With Wound had yet recorded. Listen to this material and compare it to Chance Meeting and it becomes cle…

** 2026 Stock ** Rotorelief inaugurates its Silver Collection with this deluxe expanded reissue of Nurse With Wound's 1986 masterpiece Spiral Insana. Two-CD version includes 30-page metallic hardcover book (15 x 20 x 2 cm) containing color and black-and-white art by Babs Santini (Steven Stapleton). One of Nurse With Wound's most deep and mysterious recordings, Spiral Insana is more ambient and user-friendly than many other NWW outings, without losing any of its surreal edge. Stapleton and guests…

2026 Stock 700 copies in black vinyl. The enigmatic sound architects of Nurse With Wound return with Backside, a haunting new studio album that bridges four decades of underground sonic archaeology. Released through Rotorelief in an exquisite limited edition pressing, this latest opus represents Steven Stapleton and Andrew Liles at their most revelatory, breathing new life into fragments of the long-lost Bladder Flask sessions from circa 1980. The paths of Nurse With Wound and Richard Rupenus's…

Score to The Runner, the short horror film written and directed by Boy Harsher: eerie instrumentals, drones and piano sketches born in lockdown, with dark pop in fragments and two guest songs (Mariana Saldaña of BOAN, Lucy).

Second volume in the Keyboard Suite series by MARV, the duo of Geoff Schilling and Nathan Taylor: six pieces where dulcet keyboard melodies are saturated by tape, broken by bursts of electronics and set against field recordings, with Dan Partridge's bowed saw on one track. Co-released by enmossed and Softer Recordings on coloured vinyl, with a text by Marta Nunez Pouzols; all proceeds to the Carolina Abortion Fund.

Five works for six or four percussionists in surround sound: Xenakis's Persephassa, Mâche's Aera, Zihua Tan's Sorites and two pieces by Alcides Lanza, played by the Music in Motion Ensemble directed by Aiyun Huang.

Overview of Lou Harrison's work from 1939 to 2000, with first recordings including the original septet version of Marriage at the Eiffel Tower, Mass to St. Anthony, Easter Cantata, arias from Young Caesar and Music for Remy.

The complete Imaginary Landscapes 1-5 and Credo in US by John Cage, with radios, phonograph records and percussion, played by Percussion Group Cincinnati in the first volume of the Mode Cage percussion works.

Italian Surf Academy, led by guitarist Marco Cappelli, reworks the 1968 film soundtrack of Barbarella by Bob Crewe and Charles Fox, recorded in Paris in 2013, post-produced by JD Foster and mastered by Brian Brandt and Paul Howells.

The singular Norwegian percussionist Ingar Zach, a long-time member of paradigm-shifting experimental ensembles like Huntsville and Dans les arbes, delivers his eighth solo recording, and his first on the superb Belgian imprint Aspen Edities. The percussionist digs even deeper into his sonic research, transforming a massive bass drum used in orchestral music, as a resonant surface for otherworldly, texture-rich excursions that mix-and-match rhythm and color in ever-shifting combinations.

Neuma presents Drumming in the Dark by Steven Schick. Engineer, Josef Kucera. Production assistance: Roger Reynolds and Terry Longshore. "In 1938 when John Cage formulated his famous dictum, "Percussion is revolution," I doubt that he had my mother in mind..." - Steven Schick

a Snare is a Bell is a solo piece for snare drum, voice and the room in which it is played.Inspired by some close encounters I had with African shamanic/trance musicians and my personal experiences with meditation and music, it also relates to a known-to-many-of-us acoustical wonder of sitting on the toilet and picking up the tone of that little room (often by accident while coughing or talking out loud to oneself) and enjoying to sing that tone and let the toilet become filled with an eno…

Recognized as a skilled and sought after collaborator, Ted Byrnes solo albums cast a wide net that capture Byrnes' adventurous and omnivorous approach to solo percussion. An alumnus of Berklee College of Music in Boston, MA, Byrnes has made his home in the center of a Venn diagram that includes free improvisation, studied electro-acoustic work, fearless new music and harsh noise. Recognizing the porous borders between these modes, Byrnes' work on Moving My Body Through Space is a flailing medita…

Berlin trio improvisation recorded in June 2015 by Liz Allbee on trumpet and seashell, Annette Krebs on electric guitar and electronics and Sven-Åke Johansson on percussion, with notes by Thomas Millroth.

Alexander von Schlippenbach on piano and Sven-Åke Johansson on voice, accordion and drums, live at Onkel Pö in Hamburg in March 1978: a free improvised take on the German Lied, recorded by NDR.

Percussionists Burkhard Beins and Sven-Åke Johansson with harpist Rhodri Davies, recorded at Sowieso in Berlin in 2013 and 2015: acoustic sounds that come close to electronics, plus a harp solo by Davies.

Available for distribution for the first time! The new album by drummer producer Teppo "Teddy Rok" Mäkynen continues where his trio 3TM was last spotted: "Atonal Drums", out on Helsinki's We Jazz Records, lives someplace in & around the new spots where acoustic jazz and electronic music spill into each other in ways previosuly unheard.

*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.

Guitarist Marc Ducret reworks Tim Berne's compositions, recorded mostly at home in 2021 with horns, flute, cello and a wide range of guitars, basses, daxophone and percussion, favouring colour and texture over soloing.

On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.