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Composed between 1968 and 1970 and originally issued by Deutsche Grammophon in 1972, there are arguably few works within the canon of 20th Century experimental music as beloved and sought after as the Argentine composer Mauricio Kagel’s Acustica. Created for “experimental sound-producers and loudspeakers”, comprising electroacoustic material assembled on 4-track tape in 1969 at Westdeutscher Rundfunk (WDR) in Cologne, and acoustic material for 2 to 5 musicians, scored over roughly 200 filing-ca…
*2022 stock* The Dromopoda Transmissions must be considered one of the most complex and strange recordings in Sweden´s most prolific experimental artist Henrik Nordvargr Björkk´s career. The recordings are made up of field recordings (amplified sounds from insects and nature), radio transmissions and improvised electronic soundscapes that all come together to create a suffocating wall of sounds you have never heard before. Cold and desolate sonic landscapes that lets your imagination paint pictu…
Dawn presents Mike Osborne in both his earliest surviving recording, as a co-leader with John Surman of a quartet from 1966, and in 1970 with the first known recordings of his mighty trio with the transplanted South African rhythm team of Harry Miller and Louis Moholo. These unearthed recordings not only fill in important gaps in Osborne's own discography but in the history of British jazz as a whole. The first six tracks, recorded in 1970, are by his trio, his main vehicle as a leader and…
Picchio dal Pozzo are considered to be one of the very few 'Canterbury' inspired bands that emerged from Italy's fertile 1970's progressive rock musical scene. They released two highly regarded -- and highly sought after -- albums during their lifetime. The exciting release of Camere Zimmer Rooms, a previously unknown studio recording of all unreleased compositions, extends their legacy greatly! The band formed in Genoa in 1972. They released their first, self-titled album in 1975. The band reco…
Matching Mole was the band that drummer/vocalist Robert Wyatt formed after he left the pioneering UK outfit Soft Machine in July, 1971. Over the course of its brief, one-year existence, Matching Mole would develop a characteristic sound, a unique take on fusion, with interesting structures that encouraged individualistic expression through solos. When one of the members came across a forgotten live show on tape -- identified simply as 'March, 1972', they immediately contacted us, and this album …
Noisette is the third in Soft Machine series, recorded January 4th, 1970 at the same concert as "Facelift" on Third, by the short-lived quintet formation of the group: Elton Dean & Lyn Dobson-reeds, Hugh Hopper-bass, Mike Ratledge-keyboards & Robert Wyatt-drums & vocals. Noisette features the rest of the concert, & showcases a band in transition from their earlier psychedelic/ progressive sound towards the jazz rock sound of Third & Fourth. It features the quintet performing versions of material…
Working in a melodic vein, The Nuclear Observatory Of Mr. Nanof veers from ethereal solo keyboard electronics to scores for lyricon and small chamber ensemble. Lovely, yet also rich musically.
Piero Milesi (Milan, 1953; Levanto, 2011) was an Italian musician, composer, andmusic arrangerer. Milesi began his career by studying cello, composition, and experimental electronic music. He joined the International Folk Group of Moni Ovadia in 1977 as a performer and composer. The composition Modi was cr…
Recently celebrating his 80th birthday and one of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). For nearly 60 years, he has been a major force, producing a prodigious and creative body of work that expands beyond jazz. Surman’s extensive discography as a leader and a side man numbers more than 100 recordings to date and has featured dozens of prominent artists w…
For over 45 years, Robert Wyatt has been a major, creative force in music, having had a major impact on the beginnings of both psychedelic rock and jazz/rock in the UK with Soft Machine, to his eventual long solo career as a unique singer/songwriter. In September, 1968, the Soft Machine had just finished their second, exhaustive tour of the USA supporting the Jimi Hendrix Experience. At the conclusion of the tour, vocalist/drummer/multi-instrumentalist Robert stayed, working on recordings in Ho…
*2022 stock. Limited edition of 300 copies.* September 30 2016 will be an historical date for lovers of true Industrial muzak! In fact this will be the date in which one of the fathers of Industrial, none less that Mr. Maurizio Bianchi / M.B. will play live for the very first time in his long career coadiuvated in this special set by Giovanni Mori (LCB / Le Cose Bianche) and this will be also the first and last live appearance by Maurizio Bianchi. For this occasion maurizio and Giovanni was work…
*300 copies limited edition* Masonna is one of the early peeoners of Japanoise. This CD is the combined re-release of two classic first-era Masonna albums: Masonna Vs. Bananamara - very first vinyl release originally produced by Vanilla Records / Japan in 1989 and Shinsen Na Clitoris = 新鮮なクリトリス - very first CD release originally produced by Vanilla Records / Japan in 1990
Masonna sound is true harsh Japanoise but always inspired by Psychedelic-Music and mainly perfomred using distorted vocals, a…
*2022 stock.* Re-edition of this historical cult album first out in 1991.Autopsia is a legendary band, they are among the pioneers of "Industrial". This re-edition was completely remasterd using the modern sound standards and is coming with 4 additional bonus, rare and unreleased tracks.
"Music of Autopsia oscillates from romanticism to avantgarde, from bizarre to sublime simplicity, from coldness to warmth, from exclusiveness to popularity. Songs of Autopsia are wanderer songs. Palladium leads …
*2022 stock* John Zewizz releases hiz first solo CD stepping out ov the Sleepchamber shadows after almost 30 years! Thru the eras ov Sexmagick, Fetish, Electronic Goth, The Barbitchuettes, Women Of The SS, and at least 6 other stages ov his own unique esoteric styles ov musick : “2012” starts out at the title track. A dance kick poly rhythm styled piece that abstractly question us if 2021 will be the end ov daze. Strangely, you will find the chorus hauntingly hard to evict.
*2022 stock. Limited edition of 300 copies.* After one year from the first chapter, Uncodified (feat. Corrado Altieri of Candor Chasma, Monosonik, etc.) and Wertham (feat. Marco Deplano of Caligula031 and Foresta di Ferro) return with the second chapter of the “Vindicta” trilogy , once again focusing on Sardinian criminal history and culture.
The sound slightly turned into more constructed high voltage power electronics, with stronger industrial structures and pulsating bass frequencies that do…
A negative and oppressive album characterized by dark, obsessive and morbid atmospheres. Handle with care the stream of orgon energy spawned by Uncodified & Satanismo Calibro 9 during this typhonian Adamant Ritual. Darkness !
*In process of stocking* On October 31 2015 "MZ.412" and "Trepaneringsritualen" performed two memorable "Rituals" at OEC's label festival the "X Congresso Post Industriale" at Club Kindergarten in Bologna - Italy. Those sounds were fixed into solid and heavy vinyl. Finally here comes the double CD re-edition in 6 panels digipak.
*2025 stock* The celebrated pianist Aki Takahashi presents an essential interpretation of Morton Feldman’s monumental work "Triadic Memories", a cornerstone of late 20th-century piano music. Known for its meditative expansiveness and delicate shifts in color, this composition stretches the boundaries of time, inviting listeners into Feldman’s unique sound world where silence and resonance carry as much weight as the notes themselves.
Recorded with Takahashi’s characteristic sensitivity and tec…
On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.
Magick Knives channel desert night into sound: cinematic post‑punk steeped in gothic rock, darkwave and shimmered synths, where hypnotic bass, spectral guitars and whispered occult glamour coil into slow‑burn rituals.