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** 2026 Stock ** BGO presents Shades of Blue and Dusk Fire by The Don Rendell Ian Carr Quintet. CD 1: Shades of Blue: Recorded at London, October 1 & 2, 1964. CD 2: Dusk Fire: Recorded at London, March 16 & 17, 1966. The Don Rendell - Ian Carr quintet, created in 1963, was,a small Brit jazz group that took the country by storm and was well received in Europe and in limited circles in the United States. The band developed a unique sound that came out of hard bop and moved through many different …
English jazz musician John Surman’s three albums for Deram, dating from 1969, 1970 and 1971. A talented saxophonist, clarinet and synthesizer player, Surman made his name playing and recording with the likes of Mike Westbrook, Graham Collier and before being signed to Deram. Recording for a variety of labels, Surman signed for ECM in 1979 and is still with them to this day. Digitally remastered and slipcased. Extensive new notes by Charles Waring.
Michael George Henry (aka Ras Michael and, for this lone release, Dadawah) was born in 1943 in Saint Mary Parish, in northeastern Jamaica. Henry was raised in a Rastafari community when the religious movement was still in its infancy and marginalized within Jamaica. It was there that he began performing Nyahbinghi, the Rastafarian devotional music that combines the influences of African drumming and Black gospel. Henry found himself in Kingston in the late 1950s where he worked for Coxsone Dodd …
2024 repress! Gary Wilson's monumental 1977 LP reissued with the original cover art (care of Owen Maercks's well-loved copy), delicately laid out by Scott Allison. Which makes it, perhaps, the last copy you'll ever need. You Think You Really Know Me (also the title of Michael Wolk's 2005 documentary about Wilson) was Wilson's second LP, but the first he recorded as a vocalist, hewing to his own bizarre vision -- a syncretic collision of romance, new wave cocktail jazz, heartbreak, disco porn-sou…
Hits w/ a shock & never lets up. Composed of what appears to be blown out bass & spastic drum rhythms, these tracks cascade into shimmering loops of distortion, their weight reaching a critical mass that often feels like it's on the verge of ecstatic collapse. Everything is elevated further in & up by that one & only voice, floating over top like a lush wind come down from the mountains.
Tip Tip Tip! XKatedral Anthology Series III is the third installment in the label’s ongoing archival series, and it arrives as both a celebration and a statement of intent. Marking ten years of XKatedral, this double‑vinyl set gathers works composed between 2014 and 2025 by artists who treat harmony and timbre as slow‑moving terrains rather than backdrops. Synthetic and acoustic sources, algorithmic procedures and close‑mic’d performance all serve a common aim: precise, patient work in the realm…
** Temporary reduced price ** Quoting Dusted magazine "This is not a jazz album. This is the music of ritual. Any resemblance it has to jazz is purely coincidental and passing. This is the sound of utopia, of equality, of the universal egalitarian dream, of the earth, the water, and the life force in all its various guises." and "This is an album of education in practice. Don Cherry spent the summer of 1971 teaching at a youth music camp normally devoted to the study of classical music. Somewher…
Limited edition 180g vinyl. Stoughton tip-on gatefold jacket. Restored artwork + previously unseen family photos. In 1993, when Chicago's Adler Planetarium commissioned Kelan Phil Cohran to score their "African Skies" program, they tapped into a mind that moved effortlessly between galaxies and neighborhoods, between ancestral rhythm and modern invention. Three decades later, Listening Position presents the first official reissue of this cosmic masterpiece - a recording that stands as both a spi…
The only 'group' on the Black Jazz roster, The Awakening today should be heralded as one of the great bands in early '70s jazz. That they're not is the result of the Black Jazz label's distribution woes; witness the fact that original copies of both of their records for the imprint command prices in the hundreds of dollars if you can find them at all. Mirage is their second (1973) album, the last one they made together; it boasts the same Chicago-based, AACM-centric line-up as the first, with th…
2025 stock Altoist Marion Brown is perhaps best known for performances on albums by his contemporaries, such as Coltrane's Ascension, but Brown stands on his own as one of the most creative and important forces to come out of the 1960s avant-garde jazz movement. Porto Novo is widely regarded as one of Brown's best recordings, captured during a 1967 session in Holland at the peak of his creative powers, accompanied by bassist Maarten van Regteben Altena and drummer Han Bennink. Previously out of …
Anichy & Lyemn reduce electronic sound to patient, glowing essentials: slow harmonic rhythm, canons, repetitive phrases and gently shifting layers, across two unreleased remix pieces that treat minimalism less as a genre tag than a way of feeling time stretch and fold.
Mega Tip! **Double vinyl with eight electronic music pieces, three of which are now on record for the first time.** Roberta Settels was an American composer and industrial designer. She studied composition at Juliard in New York, and during the 70-ties and 80-ties, composed electronic music in Stockholm at EMS, and in Paris at IRCAM, and studied with the composeres Pierre Boulez and Iannis Xenakis. Later she created her own studio. Isolation from 1985 is her only released recording. It was relea…
On Music for Pulse Meridian Foliation, Joshua Abrams translates Lisa Alvarado’s immersive installation into gently spiralling sound: two violas, harmonium and electronics tracing slow, minimal arcs that feel like geology moving through the body, memory folding and unfolding in real time.
The first release from Gastr del Sol in over 25 years is nigh! Like a bolt echoing back from the blue, We Have Dozens of Titles restrikes the iron of Gastr del Sol, plunging us back into the maelstrom of David Grubbs and Jim O’Rourke’s all too brief (but ultimately, long enough to change everything incisively) run together between 1993–1998. For We Have Dozens of Titles, Jim and David reconnected to assemble nearly an hour of previously unreleased live recordings — including their final performa…
2024 small repress! Recorded in 1995 and 1996, mostly in John Fahey's room at a Salem, Oregon boardinghouse, the performances on Proofs and Refutations prefigure the ornery turn of the page that marked Fahey's final years, drawing another enigmatic rabbit from his seemingly bottomless musical hat. Cloaked in the language of dogma, this is Fahey dancing a jig in the Duchampian gap, jester cap bells a-jingling. Right out of the gate, Fahey re-materializes before us, somewhere between Oracle of Del…
*2023 stock* Riding the rails down to the past and back to the future, Eiko Ishibashi considers the unknown lives that her own family has lived, set to expansive pop travelogues evoking the work of pioneers like Joni and Scott Walker, while pushing further, always further....
The debut album from Whitney Johnson & Lia Kohl has evolved over several years from their initial practice of free improvisation on viola and cello into (for the moment), this: a neophonic orchestral expression. At once stimulating and soothing, For Translucence is a living, breathing meditation in which layers of acoustic strings, synthesizers, field recordings, radio and sine waves illuminate each other as they twine and grow.
Reinvigorated by months of shutdown woodshedding, David Grubbs developed new works for guitar, as well as a piano piece and an exceptionally eerie bit of musique concrète. Inspired by the deep dive into Gastr del Sol’s duo magic that facilitated last year’s compilation box, David opened his deeply personal solo pieces for engaging conversational gambits with modern masters Rhodri Davies, Andrea Belfi, Nikos Veliotis, Nate Wooley, and Cleek Schrey.
Eiko Ishibashi & Jim O'Rourke's fifth collaboration remixes live material from their 2023 European tour. Pareidolia weaves improvised performances from France, Switzerland, Italy & Ireland into a dynamic sound collage, blending computer-generated textures with flute & harmonica. A meditation on perception & randomness.
2024 vinyl reissue. Green color vinyl. "Returned from early '90s Japan are the holy sounds of Ghost. Their collective, clearly inspired by various forms of transcendental music throughout history, created a new syncretic psychedelia with these albums, mixing the texture and vibe of multinational forms of traditional music, with strummed antique stringed instruments and the haunting wail of a recorder on top of their heavy beats and guitars. The considerable depth of this approach was explored th…