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"Cool crap" is an impressive, highly infectious, catchy and totally twisted electroclash debut album from Judah: cold and analogue minimal electronics plus really toxic and vicious vocal parts!!! An incredible collision between the savage electronic world of early Suicide and obscure industrial music à la NOVEMBER NOVELET...!!! Exciting, savage, wild... With a disturbing werewolf artcover.
Composed for a "urban-dance" performance in occasion of the "Venezia Suona 2002" festival in Venice (Italy), with the choreography by Alessia Garbo, Onde is music for one electric guitar, effected and computer-manipulated, a sound trip wrapped into noise and psychedelia.
Entity formed by musicians strongly professing their psychedelic faith , sons of post-modern breaking-up, incapable of choosing between jazz noise and Italian tunes of Japanese manga, ill at ease in paying our respects both to Pink Floyd and to the most tremendous metal .After ten years, conflagration leaves room to the need of building up a more constant and meditative way, creating EX-P.Improvisation and an estranged kind of sound are still the main features, searched inside the huge territori…
2008 release ** "Second full-lenght album from Italy's Painting Petals On Planet Ghost, aka brothers Maurizio & Roberto Opalio (My Cat Is An Alien) and vocalist Ramona Ponzini (also involved in the duo Praxinoscope, as well as a new project with Z'EV). 'Fallen Camellias' is a tribute to one of the greatest poetess ever, Japanese Yosano Akiko, whose work in literature in the early 1900's is considered as manifesto of the Japanese Romanticism. Imagine a Vashti Bunyan or a early Marianne Faithful s…
Echran is a duo: Davide Del Col playing synth - he also released several records with the name Ornament (music located in the territories of obscure ambient) - and Fabio Volpi (programming and voice) playing also in the musical-visual arts collective Otolab. Echran’s music is a form of post-industrial ambient mixed with analogical echoes of the 70’s and the 80’s, all combined with cold digital sequences and an obsessive metronomic minimalism. A lot of tension and hypno runs through the rhythms o…
Ten years after his death, some first live perfomances by the italian (born in Padua) composer and organist Wolfango Dalla Vecchia, pupil of Goffredo Petrassi and for a long time collaborator at the Padua University Sonology Center (Centro di Sonologia dell'Università di Padova). This compact disc presents the major organ works (Gaudeamuscorale, Adagiosissimo, Seven corali in honour of J.S.Bach) and, in its absolute first execution, Media Vita for organ and magnetic tape, all performed in the ei…
2006 release ** "On their second album, the Italian duo formed by Enrico Marani (Le Forbici di Manitù) and Fabrizio Tavernelli (ex Afa) – dedicated to an avant-garde electronics that is not sung, but rather recited – continues to explore new languages suited to enhancing interpersonal communication and the representation of reality in all its modern complexity, without simplifications or trivializations. The album features a long list of guests, who contribute in varying degrees: there is Mass…
The second full-length from Judah who have been described as the Italian Suicide. Indeed, cold and analogue minimal electronics with really toxic and vicious vocal parts. An incredible collision between the rock'n'roll mood of the sixties and the savage punk electronic world of early Suicide.
Chaos is an open project for improvisation. Open to such an extent to take the liberty, as in this event, to have, as guests, musicians met the very same evening. Quattordicidodicizerodue distils - in a unique uninterrupted set - sound alchemies created with electric guitars, computer, synths and electric/acoustic percussions.
In this double live album, the CHAOS project appears as a trio (the original elements), floating through noise and electronica, ethnics and ambient, showing off ethnic instruments, manipulated trumpets, real time sequencering, visionary guitars, creating a continuum rich in tensions and relaxations, and all rigorously as improvisation! The CD contains also a multimedia track featuring a couple of video extracts from the live.
Composed by Chaos for the installation "Di acqua e di respiro" by Elisa Nogarin at the Studio Menguante, Filanda Motta di Campocroce, Mogliano V.to (TV), on the occasion of "Open Studio", october 21st 2006.
A record for double-bass (adding here and there a cello and some recorded voices). Felice Del Gaudio mixes multiple tracks with his instrument and creates atmospheres keeping alwais a convinced attachment to his land (Basilicata, his native soil) and the popular roots, even if he uses a very free and creative language, peculiar to jazz, and also, as a learned composer, doesn't disdain atmospheres typical for chamber music. In short, a record following the path traced by artists like Renaud Gacia…
This Die Form side-project was recorded in a few days in 1984 and remains the only trace of their material recorded under the name Hurt, initially released on the Bain Total label during the same period as Some Experiences With Shock. This release brings together all the tracks from the cassette, as well as other titles from Die Form from this period. It is a kind of snapshot, close to the tear and chaos, where the machines and the out-of-control guitars are used as a support for the cry to fina…
This release is the unique and complete full album from one of the Die Form side projects, named "Fine AutomatiC & Die Form" (from the "Endless" short tapes serie). This one is released in double albums as two separate vinyl LPs in the context of the Archives of Industrial Music from France (offering inside this collection : identical covers, excepting specific typography of the artist or of the band and personalized logotypes) in order to point out its radical aesthetic un…
This release is the unique and complete full album from one of the Die Form side projects, named "Fine AutomatiC & Die Form" (from the "Endless" short tapes serie). This one is released in double albums as two separate vinyl LPs in the context of the Archives of Industrial Music from France (offering inside this collection : identical covers, excepting specific typography of the artist or of the band and personalized logotypes) in order to point out its radical aesthetic un…
2017 repress. This release is the unique and complete full album from one of the Die Form side projects, named "Fine AutomatiC & Die Form" (from the "Endless" short tapes serie). This one is released in double albums as two separate vinyl LPs in the context of the Archives of Industrial Music from France (offering inside this collection : identical covers, excepting specific typography of the artist or of the band and personalized logotypes) in order to point out its radical aesthetic unity and …
Reissue of a cassette released in 1991 by La Légende des voix. A sound self-portrait harsh and tortured also using some texts.Brume (Christian Renou) is a prolific French musique concrete composer/sound sculptor who has won himself a place of his own with his crossover between sound collages, electro-acoustics and noise. His compositions rely on dense, rapid-fire montage and wed cacophony and dynamics, emphasizing both the elements of discontinuity and continuity. Why the nickname « Brume »?: he…
Still living in the mythical landscapes SAND not only created Golem who was a being of the earth. Something else pulsated with a different energy of oscillation. The invisible beings of the air performed their dances. The Golem was large, mighty and of compact matter. He needed an external spirit to be navigated. Sylph creatures moved with the clouds and the wind – from gentle breezes to violent storms, always sensitive to the chimes of the motions. The sylphs are the children of the moonlight a…
Over 5 Decades Sand is a timeless narrative machine full of pictures and scenarios, each title a unique piece that stands alone. The vibrating cloud floats powerfully across the vast expanses of sand, telling stories of confusion and aberration, rape of the planet, of the tenderness, hidden power and fragility of existence, the voracious digital demons, the loss of innocence in a surreal drama we call: World.
For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and socia…