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Mc Gub Gub, Ode to Skt. John, Pladepip
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert. * John Tchicai (1936 – 2012) was one of the most important free improvising saxophonists of the 20th Century: an artist of rare vision and aptitude whose lines soared and stood out even in the most hallowed company, and whose body of work as a leader / composer is among the most singular and distinct within the entire canon of that music. But Tchicai’s importance doesn’t end there. Born in…
Love
Last copies, sold out at source * Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert. * Founded in 1969 by the pianist Ole Mathiessen, the bassist Henrik Hove, the saxophonist Jesper Nehammer, and drummer Jon Finsen, Tordenskjolds Soldater was one of the great - albeit short-lived - projects in Copenhagen’s thriving scene of free improvisation and jazz of the late 1960s and early 1970s. Across the proceeding decade or so, Denmark had provided…
Action A b C E
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert. * Founded initially as the The Beckerlee Quartet sometime towards the late 1950s and early '60s, a time during which time they went through various lineup changes before morphing into The Contemporary Jazz Quartet, in 1962 they began playing the Vingaarden club in central Copenhagen as one of the earliest European adopters of the emerging movement of free jazz. It was there that they came …
Art on Saturn: The Album Cover Art of Sun Ra's Saturn Label (Book)
Drawn from private collections around the world, this is the first comprehensive collection of the Saturn label’s printed record covers, along with hundreds of the best hand-designed, one-of-a-kind sleeves and disc labels decorated by Sun Ra and members of his Arkestra.
The Evening Sun Turns Crimson
2026 stock A live musical performance to Derek Jarman’s In The Shadow of the Sun. Recorded live at Cafe OTO, London, England — May 23,2017. Derek Jarman’s In The Shadow of the Sun forms part of a series of films, shot and edited on s8mm, grouped under thecollective title The Art of Mirrors. In The Shadow of the Sun is the longest of these running at 54 minutes. Filming took place between 1972-74 and the film was completed in 1974. When Derek showed the film he would play Verdi’s requiem as anacc…
Garden Of The Mutilated Paratroopers
2026 stock Limited 2x FAN CD EP of Airborne Electronics for the 75th anniversary of Screaming Eagles Radio and 82nd Neptune Death Row. Adrenaline drones, memorial distortion, windy feedback, loud speaker vocals with a heavy influence from the naked and neither fact-nor-fiction black humor drama forgotten style of Aquifer Sodality and Slaughter Productions.
Soundscapes Of The Inner Eye
Soundscapes of the Inner Eye is the debut by Belgian experimental collective Noise-Maker's Fifes, released in 1995 on NMT Productions (NMT CD-01).
Formed in 1990 by Geert Feytons and Timo van Luijk, the project blends improvised music from self-made instruments, electronics, effects, and environmental recordings to craft atmospheric soundscapes. Tracks were recorded and mixed on 4-track in Amsterdam during 1992-1993, capturing their early ambient/industrial style.
Noise-Maker's Fifes evolved int…
Freedom Tour Live In South Afrika 1993
2026 stock Louis Moholo-Moholo returned to South Africa to a rapturous reception in 1993 with his band Viva-La-Black. They embarked upon a series of concerts and workshops, performing in Capetown, Port Elizabeth, Durban and Johannesburg. This album affords a glimpse into the exhilarating experience, one which Claude Deppa describes as "musically speaking, it was the tour of a lifetime."
John Surman ★ How Many Clouds Can You See? ★ Tales Of The Algonquin
English jazz musician John Surman’s three albums for Deram, dating from 1969, 1970 and 1971. A talented saxophonist, clarinet and synthesizer player, Surman made his name playing and recording with the likes of Mike Westbrook, Graham Collier and before being signed to Deram. Recording for a variety of labels, Surman signed for ECM in 1979 and is still with them to this day. Digitally remastered and slipcased. Extensive new notes by Charles Waring.
Kakuan Suite
CD version. "Every now and then I meet a bull who announces itself with its horns ('Le Corna'). But it doesn't scare me, it moves and dances, it runs away. Archery ('Tiro') is its favourite ('Rito') hobby, and my bull likes tea. It always eats round roti ('Chapati') together with its bull ('tori') friends who all have bristling hair like hedgehogs and succulent plants. My bull keeps different things in the vegetable gardens ('Orti') and in the wineskins ('Otri'). Then there is the tail ('la coda…
Bar & Dem &
On Bar & Dem &, Vincent Barras and Jacques Demierre extend their BarDem duo outward: multilingual, spatialized voice pieces refracted through choirs, composers, poets and sound artists who treat language itself as malleable, resonant matter.
Resta Chi Va
Antonio Borghini and Banquet of Consequences continue on their path of jazz, freedom, and rigor, in which writing, improvisation, tradition, and chaos coexist in a vital and surprising mixture. Well-organized music that uses disorder to its enrichment and is a harbinger of melodic flourishes and references many different kinds of music.
Condor, Autumn Wind
2026 stock Condor, Autumn Wind is a live album released in 1998 by American jazz trumpeter Wadada Leo Smith in collaboration with his wife, poet Harumi Makino Smith. Recorded in Durham, it showcases Smith's avant-garde improvisation style through mostly solo trumpet performances enriched by mbira, percussion, wood flute, siren, and vocals.
The album blends Smith's episodic trumpet solos—boldly shaped phrases that evolve piece by piece—with Harumi Makino Smith's evocative poetry recited in Engli…
Cassette Culture - Homemade Music and the Creative Spirit in the Pre-Internet-Age (Book, Expanded Edition)
The definitive chronicle of the global hometaper movement. Jerry Kranitz traces the underground network of cassette traders, bedroom labels, and mail-art collaborators that flourished from the late 1970s through the early 1990s. Expanded second edition with new interviews and comprehensive index.
Eavesdrop, 2024
Benefit compilation with exclusive tracks from live performances & installations at eavesdrop festival 2024. All revenues go to charities providing medical aid and food sovereignty in Gaza.
Keep Your Soul Together / Polar AC / Skagly
Two 1970s’ CTI albums and 1980’s ‘Skagly’ make up this triumvirate from trumpeter Freddie Hubbard. Amongst those sidesmen featured on these albums are Billy Cobham, George Duke, George Benson, Hubert Law and Jeff Baxter. ‘Keep Your Soul Together’ and ‘Polar AC” both made the US Top 200.
Digitally remastered and slipcased with extensive new notes.
Give the Vibes Some
Philadelphia vibraphonist Khan Jamal's 1974 Palm masterpiece receives its first proper reissue. Recorded during Parisian exile, this exploratory album showcases revolutionary vibraphone techniques across four essential tracks - a crucial document of jazz's global underground network.
Diriaou
Diriaou (“Thursday” in Breton) captures the singular collaboration between Kristen Noguès-pioneering Celtic harpist and explorer of Breton tradition-and legendary British saxophonist John Surman, renowned for his atmospheric jazz on ECM. Recorded live in 1998 at the Dre Ar Wenojenn festival, this album presents the duo weaving together original compositions and traditional melodies into a tapestry of free folk, modal improvisation, and ambient soundscapes.
Noguès, deeply rooted in Breton music y…
Electroacoustic Works for Halldorophone
For her new and most radical album "Electroacoustic Works for Halldorophone", Martina Bertoni used the electronic instrument at EMS Stockholm to create four pieces that are massive in scale and incredibly intimate, sonically restrained and emotionally overwhelming—almost ambient and always demanding your full attention.
Rituals of The Last dawn
On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.