Back in stock
Four Guitars Live
As Bill Orcutt’s most mature and exhilarating LP to date, Music for Four Guitars was a slab of undeniable Apollonian beauty. Its approachability and obvious novelty landed it not only on the year- end lists of every key-pushing codger in the underground in 2022, but also on NPR in the form of the Bill Orcutt Guitar Quartet, an ensemble assembled to perform this music and featuring Wendy Eisenberg, Ava Mendoza, and Shane Parish. But while their Tiny Desk Concert gave a whiff of the quartet’s easy…
Budapest Concert
Bordeaux Concert is a special document from Keith Jarrett’s last European tour. Each of Jarrett’s 2016 solo piano concerts had its own strikingly distinct character, and in Bordeaux the lyrical impulse is to the fore. In the course of this improvised suite, many quiet discoveries are made, and there is a touching freshness to the music as a whole, a feeling of intimate communication. Reviewing the July 2016 performance, the French press spoke of hints of the Köln Concert and Bremen-Lausanne in t…
Extra
Peter Evans makes his We Jazz Records debut with Extra, a new album out 25th October. The band formation includes Evans on trumpet, Petter Eldh (Koma Saxo / Post Koma) on bass and Jim Black on drums. Peter Evans, an acclaimed trumpet player, improvisor, and composer based in New York City presents a gutsy new band that gets right to work with his eight new compositions. Extra was recorded at the iconic Namouche Studio in Lisbon and it has a feeling of a session where all musicians are pushing fo…
Volume 1
Brooklyn-based pianist Eva Novoa delivers a masterfully executed trio album of melodic themes replete with touches of swing, grooves and exquisite electronic landscapes. Novoa’s articulated playing flows with plenty of room gifting the band full freedom of improvisation.
On the track ‘Rocket Man’ you can hear the possibilities of the traditional jazz trio format as it projects into the future, combining the acoustic beauty of the piano with the electronic tapestry of modular synthesizer. The gro…
Babs Robert & The Love Planet
"Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reinhardt, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Bo…
Il Dio Sotto La Pelle
Piero Piccioni's hidden masterpiece finally emerges. His 1974 Il Dio Sotto la Pelle soundtrack fuses jazz, psychedelic orchestration, and world music into transcendent spiritual journey. Ethereal strings, exotic instruments, and contemplative atmospheres mirror the film's exploration of identity and the sacred. Double transparent orange vinyl edition of 500.
Inedit
In the verdant countryside of Seine-et-Marne, within the exposed beams of an 18th-century farmhouse, a collection of unreleased treasures lay dormant for over two decades. Now, Trad Vibe Records presents Inedit, a remarkable testament to the creative freedom and spontaneous brilliance of Cortex, one of France's most influential jazz-funk collectives. This essential reissue illuminates a forgotten chapter in the group's history, revealing the raw genius that would later inspire hip-hop producers …
I've Got a Right
** Original copies of this rarity. Factory sealed. Few copies available ** Lenny Kaye, legendary guitarist for Patti Smith Group and compiler of the influential Nuggets garage-punk compilation, steps into the spotlight with I've Got A Right, part of John Giorno's groundbreaking Giorno Poetry Systems series that merged downtown poetry with punk rock energy.
Released through Giorno's visionary label that documented the intersection of New York's literary and musical underground, this album capture…
Domicile live 7.1.74
** Special Edition of 110 hand-numbered copies ** Avant-garde. Paul and Limpe Fuchs and Friedrich Gulda performed live at the famous Munich jazz club Domicile on July 1, 1974. There are three tracks on side 1 featuring and named for each of the musicians. Side 2 is titled “Ensemble”. The original record was given away for free at concerts and was limited to 80 copies. play loud! re-releases this original EP for the first time ever. 110 7” vinyl copies, hand-numbered. Digital on all known platfor…
Make / Tokyonin
Fratto9 present a special volume of the “seven inch series”, a series of coloured 7 inches in limited and numbered edition of 200, this time covering Veryan Weston and Scanner. "Veryan Weston "Make" Make is a collaborative project which, at the moment involves my partner - Jill Weston and singer Iris Ederer. Language can generate structure as well as meaning. The project uses 52 quotations by women writers and can be used in various ways. These ways will be determined by the situation in wh…
Percussion Loops
"On this record, Mads Emil Nielsen divvies up two sides of 7” with a healthy ratio of two to two drum loops, each offering a smattering of ricocheting, crackling and structureless percussion, occasionally abetted with a bit of the ol’ synth additive.As far as comparative pointers go, what comes to mind first is Nicolas Jaar’s construction site ambient record ‘Pomegranates’, which used drums to punctuate long, meandering trails of drone or textural excess. Here, though, Nielsen’s compositions sta…
For Ake Hodell
Limited edition 330. Total time: aprox. 9 min. Side A. Lasse Marhaug 'So-so Green Tea With Buddha' (for Ake Hodell). Lasse Marhaug: turntable, guitars and location recordings. Side B. Mats Gustafsson: 'Jag Vill Lyda Order' (for Ake Hodell). Mats Gustafsson: slide sax and live electronics. This vinyl only release is inspired by Swedish avant-garde artist Ake Hodell and features the music of two giants of contemporary experimantal music : free-jazz, improv saxophone player Mats Gustafsson and nois…
Nelson's Waltz
Wolf Escher turned to Modern Jazz while studying music in Dortmund. He played in the Peter Heidemann Quintet, and performed with Ingfried Hoffmann's big band at the Kölner Jazz Festival in 1967. In 1969 he recorded his first single with the Wolf Escher Quintet for the legendary JG label. This single is a much coveted collector's item today. He subsequently toured with the Big Bands of Johannes Fehring and Dusko Goykovich. In 1972 he formed the fusion band Time In Space, which was successful in c…
Transition East
"Transition East" features two new pieces of music created by Angel Bat Dawid in response to Emma Warren's 2019 book "Make Some Space" – i.e. the book that chronicles the history of London DIY music institution Total Refreshment Centre. Angel Bat Dawid, who first met Emma Warren at Total Refreshment Centre in 2017, composed & recorded "Transition East" alone in her space on the Southside of Chicago, originally to be accompaniment for the audiobook version of "Make Some Space." Angel conceptualiz…
The Trance of Seven Colors
Big tip! *2024 much needed repress* The Trance of Seven Colors by master Gnawa musician Maleem Mahmoud Ghania and free jazz legend Pharoah Sanders comes in a gatefold sleeve and also include download code. Produced by Bill Laswell and - according to The Attic - "one of the most important albums of Gnawa trance music released in the '90s", The Trance of Seven Colors was originally released in 1994 on Laswell's Axiom imprint and is the magic meeting of two true musical masters. Maleem Mahmoud Ghan…
Electronic Mind Waves
In the summer of 1976, a peculiar album appeared in Italian record shops bearing no artist name - only the cryptic moniker Elektriktus. The music posed a question that wouldn't be answered for decades: who had created this hybrid of jazz sensibility and kosmische synthesis? The answer was hiding in plain sight. Andrea Centazzo - recognized figure in European free improvisation who had shared stages with Steve Lacy, Evan Parker, and Derek Bailey - had been leading a double life between touring wi…
Unhalfbricking
Unhalfbricking is the third album by the British folk rock band Fairport Convention and their second album released in 1969. It is seen as a transitional album in their history and marked a further musical move away from American influences towards more traditional English folk songs that had begun on their previous album, What We Did on Our Holidays and reached its peak on the follow-up, Liege & Lief, released later the same year.
The album features several Bob Dylan songs, which he had not yet…
Music For Bus Stations
*2025 much needed repress!!!* Music For Bus Stations is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and …
20 Jazz Funk Greats
2024 repress: The third studio album of the British industrial-band Throbbing Gristle, was originally released in 1979 and is often referred to as the band's masterpiece. Originally released in 1979, 20 Jazz Funk Greats is Throbbing Gristle's pop-influenced masterwork. It's hard to believe the beautiful, conventionally-attractive Cosey Fanni Tutti on this album's front cover previously gave herself milk and blood enemas in front of a live audience. Additionally, the song "Hot On The Heels Of Lov…
Road To Ruin
**2025 stock. HQ remastering. Presented in the original gatefold sleeve on 180gram vinyl* John and Beverley Martyn’s 2nd album, also released in 1970, was Produced by Joe Boyd and engineered by John Wood at Sound Techniques, the Island Records studio. This album is John and Beverly's follow up to Stormbringer. In much of the same manner as that album, here Martyn recruited Pentangle member Danny Thompson on bass (who would end up playing on most of Martyn's albums over the ensuing years). John w…