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Secrets
180 gram audiophile. Secrets is a jazz-funk album by keyboard player Herbie Hancock. It is also Hancock's seventeenth album overall. Participating musicians include saxophonist Bennie Maupin and guitarist Wah Wah Watson.
The album clearly followed from its predecessor Man-Child. As ever, Paul Jackson's basslines were critical, and the other regular member Bennie Maupin continued to provide most of the solos alongside Hancock. Man-Child had seen the addition of electric guitar to Hancock's sound,…
Thrust
* 180 gram vinyl * The cover of Thrust reveals a lot of the album. Herbie's sitting comfortably his spaceship controlled by a synth froman alien world, reachingto the clouds and beyond. Well, that's what his stature was in 1974 - one of the seminal renewers of Jazz by incorporating new electric instruments like theARP synthesizer.
Thrust is the follow up to Head Hunters using the same band except for drummer HarveyMason, who is replaced by Mike Clark, a Jazz great in his own right.
Again, only f…
Mwandishi
The 1971 entry point into Herbie Hancock's celebrated Mwandishi trilogy, returning here on vinyl. Mwandishi opens what would become the most adventurous and freely exploratory chapter of Hancock's discography, the first record to officially document the sextet that the pianist would shape into one of the great working bands of early seventies jazz.
Recorded at Wally Heider Studios in San Francisco on New Year's Eve 1970 and released in March 1971 on Warner Bros, the album marked Hancock's decisi…
First Utterance
Official 180g reissue, from the original master tapes no less, of one of the most insane (and influential) experimental folk records of all time. This was Comus. Super dark themes and nightmarish visions abound in this total one-off of a record. First Utterance was, and still is, “difficult”. Fortunately today an appreciative audience exists for “difficult” stuff like this.Kent-based art students Roger Wootton and Glenn Goring had played acoustic covers of Velvet Underground numbers in London fo…
Caravan
Caravan's groundbreaking debut album from 1968 captures the freakish and exploratory moods of the times
Safe as Milk - 50th Anniversary Edition
Captain Beefheart's debut album, originally released in 1967, is the most accessible and pop-inflected from his entire catalogue. Still, "Safe as Milk" is a very strong and heavily blues-influenced work but it also hints on many of the features that would later become the trademarks of Captain Beefheart.
A Night In Tunisia
Remastered, Mono, 180 gram. Released in the late fifties, A Night In Tunisia is a Jazz milestone and prime example of Blakey's exceptional rhythmic prowess. This album is not all about drumming though; it leaves much space for great melodical interplay by fellow musicians Sam Dockery on piano, John Griffin and Ferris Benda on saxophone, Bill Hardman on trumpet and Jimmy De Brest on double bass.
Art Blakey is one of the inventors of the modern bebop style of drumming. Known as a powerful musician…
Black Antlers
Dais reissues Coil's seminal Black Antlers, the group's final studio masterpiece completed by Peter "Sleazy" Christopherson after Jhonn Balance's passing. A vital document of the group's final creative surge - where live energy, poetic mysticism and digital experimentation reached their apex.
What Color Is Love
The 1972 masterpiece by Chicago singer-songwriter and guitarist Terry Callier, returning here in the Music On Vinyl 180g audiophile edition. Cut at the heart of Callier's tenure on Cadet, the jazz imprint of Chess Records, What Color Is Love stands as the artistic peak of his collaboration with arranger and producer Charles Stepney, captured across three Cadet albums, Occasional Rain (1972), What Color Is Love and I Just Can't Help Myself (1974), plus a fourth project that was cut short by Stepn…
Sacrificed Phloem (Zannec Line)
*2023 stock. 250 copies limited edition* For the first time both long active artists from the experimental / post industrial / field recording scene have collaborated, creating a mesmerizing one-tracker (56+ min.) with many breathtaking moments and passages from the very beginning... an incredible intense new sonic reality arises, full of surrealistic (almost psychoactive) drones capturing your whole body, taking you on a journey to the microworlds of the "more than human" lifeforms... a "Phloem…
Dante Trilogy: Tremor. Spore. Legacy
An almost his 25 year existency as Vidna Ombana (Dirk Serries) never shied away from challenges, sometimes to the regret of many of his fans, but it’s when he was offered a record deal with the renowned metal label Relapse Records/Release Entertainment Vidna Obmana took his boldest step ever. With his Dante Trilogy he created his most ambitious, daring and unique set of albums which, for good, made him to be one of the most unique voices in the ambient and experimental scene.
Not only brought …
Twilight Of Perception Redux - Volume Two 1995-2002 - Zoharum Edition
A 3CD collection of unreleased Vidna Obmana tracks (1995–2002), showcasing deep ambient textures, tribal rhythms, processed acoustic sounds, and rare vocal elements. These 16 pieces, mostly unheard until now, reveal the depth of Dirk Serries’ archive and his fully formed sonic vision.
The Rotters' Club
* 50th Anniversary Expanded Edition 2LP, 180g audiophile vinyl * The Canterbury scene produced some of British progressive rock's most distinctive and enduring music - a sound that owed as much to jazz and the European avant-garde as to rock, delivered with a peculiarly English wit and warmth. At the heart of this movement stood Hatfield and the North, a band whose brief existence between 1972 and 1975 yielded two albums that remain touchstones for adventurous listeners five decades later.
The R…
In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
Gérard Grisey. Vortex Temporum
The first-ever vinyl release of Gérard Grisey’s Vortex Temporum (to our knowledge). Movements I and II appear as a single track to preserve their spectral continuity. The LP features cover art by Dariia Kuzmych and comes with a zine of her ballpoint drawings, merging time and human tissue.
Ukho Ensemble Kyiv:::Dina Pysarenko, pianoInna Vorobets, flutesDmytro Pashynskyi, clarinetsRachel Koblyakov, violinAndriy Savych, violaRaphaël Ginzburg, cello
Conducted by Luigi Gaggero
Glühlampenmusik
Michael Vorfeld marks 20 years of Glühlampenmusik—his electro-acoustic, audio-visual work using light bulbs to generate sound. Blending experimental music, sound art, and media installation, this Berlin-based artist creates a vivid microcosm where flickering light becomes a rich sonic experience.
Rituals of The Last dawn
On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.
Scattered Memories
*2026 repress* On his debut album “Scattered Memories”, the composer, musician and true master on the Iranian spike fiddle kamancheh Saba Alizadeh blends his instrumental virtuosity with spherical electronics, samples of Persian music instruments and field recordings from his hometown Tehran.
Born in Tehran in 1983 as son of the world renowned Tar and Setar virtuoso Hossein Alizadeh, Saba Alizadeh studied the Iranian spike fiddle with Saeed Farajpoury and Keyhan Kalhor plus photography and later…
Awakened To Never Sleep Again (CDr)
2001 release ** TCOB continue to create some great, minimal and intriguing music. Stripped bare, with very little going on, this is nevertheless a mighty work. ERIC KESNER, the guy behind TCOB, goes to great lengths to let people know that this is purely a guitar album with just one sample appearing on the last track. You may not think this worth mentioning, but when you hear this music you'll realise why. Mutated beyond nearly anything else you'll ever hear on this instrument, it's impossible…