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Alice The Goon
Limited edition of 500 copies, no repress. A new NWW mutation, with some of the most hauntingly evocative pieces in Steven Stapleton's catalogue, as striking and unusual as anything else Nurse With Wound has produced. A coherent sampler of Nurse With Wound’s range of dark and humorous that includes a full side of “Funeral Music For Perez Prado" on vinyl for the first time, the masterpiece "(I Don’t Want to Have ) Easy Listening Nightmares" from "Alice the Goon", and a a remix/rework of this tra…
Memorial
Tip! First time vinyl reissue. As part of the 25th anniversary of Hospital Productions, the second CD from Richard Ramirez appeared in the sacred year of 1997 on the monolithic Praxis Dr. Bearmann imprint from Germany producing classics in a near perfect label discography from Merzbow, Macronympha, Militia, Aube, Taint, and more. In tribute to the late Kevin Ogg who was an early and influential member of Black Leather Jesus, Memorial stands as one of "the ones" that put Mr. Ramirez on the map wi…
Akh
Big tip! *250 copies* Reissue of Amon's seminal 1996 debut album augmented with three tracks from the same sessions. Since the mid '90s Andrea Marutti has been crafting his own blend of mind-expanding soundscapes, creating a strong sense of ancient mysticism and time travel with his Amon project. His mesmerizing recordings of drones and tones, presented as a careful form of resonant minimalism pregnant with cavernous sounds and slow movements, reverberations and drifting elements, have always be…
Tapes (3CD Box)
Angus MacLise, the first drummer for the Velvet Underground, was a poet, composer, and a member of The Theatre of Eternal Music alongside La Monte Young. The "Tapes" 3CD Box is the first-ever reissue of a 3-cassette compilation that Pleasure Editions originally released in 2015, limited to only 100 copies. The 3CD box set comes with a miniature poster and track lists, and each CD has a paper sleeve that reproduces the original cassette card artwork.
This comprehensive 3CD box set is over three …
OG23
Ever unpredictable, Kevin Drumm this time takes the fellow time-traveller through what sounds like an electronic field recording, a journey through an electronic soundscape of luminescent textures that invites immersive listening.
Bill Evans Duos With Jim Hall & Trios ‘64 & ‘65 (Revisited)
"The emerging credo of western society’s post-Beat counterculture was egalitarian and
anti-hierarchical, be the hierarchy social, political or on the bandstand. Evans and Ayler shared
the belief; only their lexicons were different. If hearing Spiritual Unity was akin, as Ted Joans
wrote, to someone shouting “Fuck!” in St. Patrick’s" – Chris May
Let Freedom Ring To Destination...Out! (Revisited)
Reflecting both early experiences and recent developments with jazz’s avant-garde, these two albums are the most adventurous, and Let Freedom Ring quite possibly the
most personal, music Jackie McLean ever recorded. – Art Lange
Charles Mingus Presents Charles Mingus To Pre Bird „Revisited“
"Heard together, Charles Mingus Presents Charles Mingus and Pre Bird suggest the enormity of
Charles Mingus’ artistic vision. No one album encompasses it in its entirety, and perhaps not even
two or three. However, these recordings, made six months apart in 1960, vividly summarized his
work to date, as he headed towards to jazz’s pantheon." – Bill Shoemaker
Elles Sont De Sortie N° 101 A+B+C+D+E My... (5 Books)
Full 5 volume set. One of the most striking ESDS publications, from 2012, composed of five 25x31cm stapled full color books, each one an almost fac-simile of a partly colored second-hand colouring book for children, reworked by Richard with his drawings, with superb, eye-popping results.
Triadic Memories
Perhaps more than any of Feldman other piano music Triadic Memories is about that reality, the acoustic space created bythe piano’s strings and soundboard, and in Judith Wegmann’s recording that space is withina magnificent Bösendorfer 280VC piano
Life Time & Spring (Revisited)
Temporary Super Offer! "Life Time posited a radicalism quite different from the other watershed recordings of 1964. Anthony Williams had an overt, unconventional approach to form, accentuated by the time constraints of a LP side and the various configurations he employed... By the time the 19-year-old Williams returned to Van Gelder Studio to record Spring with Hancock, Peacock, Rivers, and Shorter, the avant-garde was ascending... He retained some of the parameters
of Life Time ..." - Bill Sho…
The Whole Tree Gone
2010 release ** "Firehouse 12 Records welcomes esteemed pianist/composer Myra Melford to its roster with the release of The Whole Tree Gone (FH12-04-01-012), her first recording as a bandleader since 2006. Recorded in the label's own state-of-the-art studio, this is Ms. Melford's second release featuring her eclectic ensemble, Be Bread, a longstanding collection of frequent collaborators that currently performs as an all-acoustic sextet. The Whole Tree Gone documents the latest evolution of eigh…
5 {Zwischenfälle}
2007 release ** "5(zwischenfaelle) is the latest release by dutch electronic musician Roel Meelkop. It is a special release in Meelkop’s catalogue because it is consist of five piece that were originally used in the context of sound installations running over a certain period of time in specific special surroundings. For 5(zwischenfaelle) Meelkop has set himself the task to compress these soundscapes into five dense and still minimal audio pieces that could work outside the context of the origin…
Whispers From The Ashes
2004 release ** "Ideally inspired by the Inquisition era, like some titles of the tracks may suggest, "Whispers from the Ashes" presents Nimh (Giuseppe Verticchio) and Nefelheim joined together for the production of a dark oriented CD that alternates obscure and haunting atmospheres with more gloomy and sometimes dramatic and highly evocative episodes... In a blend of low frequences, metallic sounds, echoes of distant voices and human screams, whispers, concrete noises, ritual processions, sudde…
The Impossible Days
2004 release ** "This album reveals Giuseppe Verticchio’s incredible capacity to introduce us into an unique world of “concrete” sounds that sublimate the common nature. All compositions are means of communication. Concrete noises and electronic fequences are totally intertwined in an homogeneous spectral process. Lost signals features a minimal, obsessional synthesised micro-signal, endlessely repeated. It is progressively covered by moving, spherical electronic sequences, a cascade of natural …
Memories From Before Being Born
1999 release ** "Two empty tape-recorders, one connected to the other, no sound if not the distortion produced by the tape-recorders themselves in play/rec. On this recording of Nothing the modulations of vintage analogic effects: emptied frequencies, prenatal sounds without any sonic grain, audio for a flat electroencephalogram. The selection of the technical set-up through which sounds are produced is part of the N. (Nihilism, No, Not, Never...) aesthetics: THE PROCESS IS THE POETICS in "Memor…
Wüste
2010 release ** "Former Mayhem front man Maniac, whose band Skitliv has proved to be a surprising departure from the Black Metal genre for which he was best known for over 20 years, has formed a side-project with Vivian Slaughter, bass player/vocalist with the Japanese all-girl band Gallhammer, Skitliv's guitarist Ingvar Magnusson and experimentalist Andrew Liles (Nurse With Wound). Unlike Skitliv, which is a noise/doom amalgam, with Maniacs vocals still firmly rooted in Black Metal, Sehnsucht i…
Tinta Invisible
2007 release ** "Nad Spiro (Rosa Arruti), fetish artist on the Spanish experimental music scene, is back with her third solo offering. In Tinta Invisible she goes one step further stretching the sonic reach of her guitar and exploring unfrequented audioZones, using what she calls 'sound camouflage', not shy of employing her voice either. With her we discover new magnetizing horizons in the outer peripheries of electronica pulsing with deeply narcotic cadences. Possibly the least obscure of her t…
Where Is Brooklyn? & Eternal Rhythm
Temporary Super Offer! These sessions were recorded exactly two years apart, in early November 1966 and 1968 (both were released in 1969). While they can’t be called “bookends” by any means, they do bracket a remarkable period in Don Cherry’s musical evolution, on his journey from the more strictly jazz environments, as adventurous as they were, of Ornette Coleman, Albert Ayler and others, to a philosophy that embraced many non-Western traditions. While these included various African forms, espe…