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Electronic Virtuosity
Long in the works, here’s a replica of Oskar Sala’s 1970 “Debut” album (actually ; he did make his recorded debut on the 1961 “Electronics • Five Improvisations on Magnetic Tape” LP alongside Remi Gassmann’s score to a George Balanchine ballet production, but this the first full-length recording of his work) - a Selected Sound Library showcasing (showboating?) his “Electronic Virtuosity,” intended for “Radio Television Film Advertising Backgrounds.”In some ways the early-electronic equivalent of…
Mental Sailing
After a short break - during which we all celebrated Creel Pone's 10th year of existence in style & the PTB worked quite hard at keeping the program's core largely available for a stretch - here's a reproduction of an unheard-of 1981 set of Electronic Music by the Chicagoland Composer Beverly De Fries D'Albert privately issued via the Columbus, OH pressing-plant / private imprint Coronet. Subtitled "Electronic Music Album Number 1," the album is split between three shorter pieces recorded at the…
Oeldorf 8
Issued by the Dutch "Nea Mousa Promotion Centre for Contemporary Music", the initial 1976 issue of this music documents the 8th meeting of "The Oeldorf Group" of Composer-Performers Pëter Eótvös (whose "Cricket Music" graces Creelpolation 1), Joachim Krist, Dietrich Frische, Gabriele Schumacher, and Mesias Maiguashca, who met annually at the barn pictured on the cover to workshop & perform each other's pieces from 1971 on. The two-part "Oeldorf 8" suite, composed in 1975, is a thing of wonder; f…
Musical Electro-Alchemy
The only solo outing by "Works of Electronic Music" alumnus Iván Patatich, a collection of six late-70s Electronic works realized at the Institute of Sonology in Utrecht & "H'EAR" - the Electronic Music Studio of the Hungarian Radio, including "Antiphons (Antifonák)" (1977), "Calling sounds (Hivó jelek)" (1977), "Ballade" (1976), "Ludus syntheticus" (1977), "Chinese temple with echo (Kínai templom visszhanggal)" (1979), & "Hommage à l'électronique" (1978). Much like the László Dubrovay "Live Ele…
Electronic Tricks
L’Illustration Musicale - more commonly known as simply “IM” - was a Parisian production library active during the early to mid 70s, during which they issued a couple-dozen titles by the cream of the crop: Eddie Warner, Johnny Hawksworth, Bernard “Black Devil” Fevre, Jacky Giordano, and the two guilty parties concerned here - Peter Bonello - aka Georges Teperino, aka Nino Nardini - & Roger Roger - his actual, real name, aka Cecil Leuter, Eric Swan, aka Archie Gun. An honest-to-goodness “Split;”…
Aguas Territoriales, Caballos
First Creel Pone double-artist twofer - odd, considering how many opportunities to handle things this way have arisen over the years - topically linked by the label that initially released them, Empresa Grabaciones R E M, or EGREM's Areito, and the topic & time-period in question; Electro-Acoustic Music in Cuba, early 80s edition.
First up is Carlos Fariñas' "Aguas Territoriales" - two side-length pieces for errant electronics & Concrète sounds. While the A-side's minimal, misted "Madrigal" cove…
Osterreichische Musik Der Gegenwart, Elektronische Musik 1-3
Reproducing a trio of mid-late 80s LP titles on the Amadeo label; "30 Jahre Elektroakustik," "Tonband Und...," & "Tape Music," this double-disc set offers an incredibly wide breadth of work either by composers of Austrian origin - or by those closely aligned with the Austrian Electro-Acoustic community - over a 30-year timeframe. The first set includes early work by Roman Haubenstock-Ramati (whose "L'Amen De Verre," composed at the GRM in 1957, opens the set), Max Brand (a 1962 piece, "Die Astro…
People The Sky
Nicely timed replication of this 1969 Vanguard “Cardinal” series LP, offering a pair of side-length “Automatic” Buchla pieces by Composer / Producer Michael Czajkowski - then and now known mostly in music circles for his odd, post-production contributions to Buffy Saint-Marie’s “Illuminations” LP.Recorded at NYU’s famed Intermedia Center - see Charlemagne Palestine’s 60s Electronic Music, Morton Subotnick’s “Silver Apples” - this one falls squarely into the “hands-off” master-patch canon o…
Espaces Sonores Nº 1
Long one of my all-time Holy Grail cannot-find-a-copy titles is the LP in question here; the 1969 EMI-label Arlette Sibon-Simonovitch recital / vehicle “Espaces Sonores Nº 1”, offering a side of specially-commissioned pieces each by spanish composer Josep(h)-Maria Mestres-Quadreny & INA-GRM heavy Bernard Parmegiani.Just the idea that Parmegiani had composed a tape piece using only Sibon-Simonovitch’s virtuoso Ondes Martenot playing was enough to make me sweat; that it ended up being one of his f…
Electronic Music for Dance
Here’s a fine set of pieces, each showcasing the Buchla electric music box. Daria Semegen’s harmonic-series-rich “Arc” - composed at SUNY Stonybrook’s electronic music studio, established by mr. Arel in 1971 - at times recalls other era electronic “Spectralists” like Daniel Arfib, yet works across a more spare iterative space, often recycling short micro-melodies cut with the unmistakable thwack of the Buchla’s vactrol-based gates. It’s an incredible, patient piece of music that begs the questio…
Turn On Arabic American Radio
Gatefold sleeve, edition of 1000 copies , incl. download The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sou…
Kashmiri Queens
»Kashmiri Queens« – previously released as a limited CD – presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. This 12inch stands out for its authenticity, allowing the sounds of tablas, sitars, and various ethnic wind instruments to flourish openly without being interrupted. There's a notable departure from the usual …
Fmp 0130
* Very last copies * Pressed on 180-gram vinyl; presented in gatefold sleeve. Cien Fuegos presents a reissue of an untitled LP by Peter Brötzmann, Fred van Hove, and Han Bennink, originally released on FMP in 1973. Peter Brötzmann: clarinet; alto, tenor, baritone, bass saxophones. Fred van Hove: celesta, piano. Han Bennink: drums, khene, rhythm-box, selfmade clarinet, gachi, oe-oe, voice, tins, homemade junk, elong, dhung, kaffir piano, dhung-dkar. Recorded by Dietram Köster on February 25, 1973…
Outspan No 1 + 2
Tip! The two recent Outspan 1 & 2 in a (slightly discounted) bundle. Joining their longstanding dedication to the back catalog of the legendary German imprint, FMP, Cien Fuegos returns with the first ever reissues of two towering artefacts of European free jazz / improvisation from the 1970s, the quartet of Peter Brötzmann, Han Bennink, Albert Mangelsdorff, and Fred Van Hove’s Outspan No 1, and the trio of Peter Brötzmann, Han Bennink, and Fred Van Hove’s Outspan No 2. Both recorded live in 1974…
14 Love Poems
A monument of post-free solo reeds playing and a stunning album in Peter Brötzmann's discography
Die Like a Dog (Fragments of Music, Life and Death of Albert Ayler)
Comes in a heavy gatedold sleeve and with printed innersleeves. Peter Brotzmann reflected: "The idea of expressing my love of and admiration for Albert Ayler - both man and music - in a musical statement is not new. We both tried to do similar or almost identical things at the same point in time, each independently and without knowing anything about each other - each of us within his own culture." This album was recorded in August 1993 during the Free Concerts series at Townhall Charlottenburg i…
Story Of Wind Behind Left
** Black Vinyl edition ** Recorded in September 1975 at Columbia Studio, “Story Of Wind Behind Left” is a symphonic poem in the shape of a suite. On the album, Masahiko Togashi uses music to communicate the same feelings evoked by nature. The drummer demonstrates unique composition and performance skills in the way he imitates the sounds of nature or takes inspiration from nature itself to make music. With “Story Of Wind Behind Left” Masahiko Togashi revolutionized the Japanese free jazz scene,…
Independence
**Black Vinyl edition ** The quintessential album by Takayanagi Masayuki. Considered the 'Lochness monster' of Japanese free jazz records due to its incredible rarity, this album was the debut recording of Takayanagi Masayuki as leader with The New Directions, a trio consisting out of bassist Yoshizawa and drummer Toyozumi "Sabu" Yoshisaburo. Recorded at the Teichiku Kaikan studios on 18 September 1969 (released in 1970), "Independence – Tread on Sure Ground," is largely regarded as the first tr…
A Day Of The Sun
** Black Vinyl edition ** A spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles. In addition to being skilled performers they demonstrate extraordinary compositional talent that transcends their sensibilities and wisdom of more conventional jazz.
They are together a wonderful combination of techniques, but without …
Psicoerotica
Remember that period at the turn of the century when people were talking about Lounge, Exotica and Easy Listening? It was the so-called Cocktail Generation phenomenon, of which VIP 200, a quartet formed in Italy in 1999, was the ultimate expression as a band. The most important input came from the reissues and compilations of Italian soundtracks that debuted with great success at the time, and VIP 200's interpretations of them were genuine, rustic and rich in atmospheres that led back precisely …