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We can safely say that some of the past Italian library music masterpieces will hardly reach the export levels of mainstream Italian pop music. However, there is no doubt that the recent rediscovery operation led by some record labels such as Schema, Sonor, Four Flies, Intervallo and many others, has helped to create a lively and passionate record collectors’ market where names such as Umiliani, Brugnolini, Torossi, Tommasi, Braen, Iacoucci, Alessandroni are the watchwords for entering a wonderf…
About "Unidentified Again" : "I first met Jim O'Rourke in 1989. We corresponded by mail and would talk on the phone frequently. Jim was in college at that time and he was very excited about music. He sent me mixtapes, we would talk about his love of Van Dyke Parks, his work with KK Null or Henry Kaiser. I also remember he sent me Godflesh' "Streetcleaner" album which he likened to King Crimson's "Red". Jim's soundwork was always special and I released one of his compositions on my Assembla…
Masahiko Satoh’s fourth album is a duet with German pianist and composer Wolfgang Dauner. Dauner is one of very early European avant-garde jazz pianists, and he recorded the first free jazz album in Germany back in 1964. Dauner played with Eberhard Weber and Jean-Luc Ponty, and in the late 60s, he experimented with choral music. Being a passionate innovator and experimenter, in 1970 he discovered electronic devices and started using them in his music. He experimented with ring-modulated Hohner c…
Following the already classic Wamono A to Z trilogy, 180g presents an exceptional collection of jazz funk / rare groove tunes recorded in the mid-seventies at the Nippon Columbia studios by three giants of Japanese music: arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakuhachi master Kifu Mitsuhashi.Born in 1932 in Tokyo, Kiyoshi Yamaya started his musical career in 1953 when he played in various jazz bands in town. In 1957, Yamaya joined Nobuo Hara’s famous jazz big band Sharps & F…
To mark its 50th anniversary, Farfalla Records is proud to announce the reissue of the highly sought after German library gem "Wonderland of Sound". Originally released in 1974, the album was produced by Brillant-Musik's founder Werner Tautz and recorded in Zurich. Wonderland of Sound is the epitome of the classic 70s library sound. A jazzy bliss orchestrated by the hottest European session players making up the Big Band "Rainbow-Orchestra".
A Splendidly funky and stunning set of compositions an…
As listeners to the experimental, improvised, Jazz, Ethiopian and style-free music communities in Sydney will testify, Peter Farrar has been doing astonishing solos the last few years. He’s been honing techniques that use various extensions on his alto sax, (mainly plastic bags and bottles as mutes). Instead of an instrumental line, he produces startling layers of distorted tones and overtones with pervasive, insistent, generative rhythms. This is pioneering research — he has re-imagined the ins…
2014 Edition. 150 copies. The Forest Organ is a digital sound sculpture created in a interdisciplinary collaboration between artist Birgitte Kristensen and composer Søren Knudsen Lyngsø to a specific site for the exhibition Sculpture by the Sea 2013. The work is at the same time a computer controlled instrument integrated into the landscape and a dynamic sculpture consisting of sound. The Forest Organ will be situated in a clearing in the forest where it engages in a dialogue with the site’s ele…
*300 copies limited edition* The open spaces in East Berlin that emerged for a handful of years in the 1990s, after the fall of the Berlin wall, have shown to be a fertile ground for musical and artistic experimentators to develop their play and showcase their findings, and to work together in ways that would have been impossible anywhere else. In retrospect, the reductionist brand of improvisation that has become known as Echtzeitmusik (real-time music) seems to overshadow other achievements, t…
In Myotis, Anthony Laguerre goes beyond rhythm using improvisation and a free approach as main technical support of invention. In a research based on rhythm and sound material around drums, he expresses sensitivity, softness and power thanks to expert skills and sound recording techniques. The union of these materials create songs made of multiple tones combined with percussions and occasionally harmonica. Laguerre is a versatile musician, composer, improviser and sound engineer. Growing up list…
300 copies. Recorded on 11th April, 2007 at Park West Studio by Jim Clouse. The Ullmann/Swell Quartet is the latest format of Gebhard Ullmann and Steve Swell with bassist Hill Greene and legendary drummer Barry Altschul. This emotional and intense quartet was founded in 2004 and toured in the U.S. and Canada in the same year. in October and November of 2006 the Ullmann/Swell 4 performed in Europe for the first time and got raving reviews. More tours in the U.S. and Canada followed 2007 and 2008.…
2023 repress. 180-gram black vinyl. Volume two of Sun Ra's classic Heliocentric recordings from the 1960s. The astonishing sessions that went light years beyond "free jazz" improvisation to create a music of deeply-felt, explosive and gentle gesture made from sound itself without reference to previous notions of melody or harmony are now reissued on 180 gram vinyl with Sun Ra's original, self-created cover art. Recorded by Richard Alderson on April 20, 1965, this set of tunes finds Sun Ra breaki…
Outre-nuit as Outre-noir by Pierre Soulages, the greatest nuances on subtle variations. The programme can be listened to in one go between Clara's two compositions, it's Xnoybis, an extraordinary performance by the great Giacinto Scelsi - a piece that makes you feel like you're listening for the first time - Giacinto Scelsi's Xnoybis (1964) is a journey amongst the reliefs contained within one single pitch. Written in three parts, the piece is an instinctive approach to the sound spectrum (the t…
Epic box set containing 16 CDs, presenting more than 40 works and 18 hours of listening, including never released before music by Denis Dufour and texts in a detailed booklet
“After a first album as a duo released on Okraina Records: "Le Corps défendant", Delphine Dora and Mocke invite us to join them again in listening to a new album. We slip into it as if in a dream, the music carries us away with its floating images. Heard before on a handful of disturbingly beautiful solo albums and in collaborations such as Midget!, Arlt, Chevalrex, Mohamed Lamouri, Mocke (Dominique Dépret's nom de plume) is a subtle and inventive guitarist, who draws melancholic arpeggios, with…
**Deluxe gatefold sleeve with varnish effect including an 8 pages photo booklet.** "Pak Yan Lau, one of the most original pianists of the new European creative scene, has the ability to build complex formal architectures starting from minimal materials – insistent rhythms, barely hinted melodies, electronic effects as evocative as they are mysterious. Darin Gray uses his long experience as the backbone of many improvisational groups with a painstaking work on timbre and a deep and multiform soun…
The stars aligned and in October 2014 Neil Hagerty (Royal Trux, Pussy Galore, The Howling Hex) and James "Wooden Wand" Toth went into a Denver studio with the crack rhythm section of Darin Gray (Tweedy, William Tyler, Wooden Wand) and Eric Van Leuven (The Howling Hex). The full length "Qalgebra" was the result of those sessions. Hagerty and Toth share songwriting and vocal duty with both of their unique voices and styles equally shining through. Shifted out of time, the Hagerty-Toth Band would h…
It was Ludwig Wittgenstein, another Austrian, who already in his debut work identified the borders: in his opinion, he wrote in the preface to his Tractatus logico-philosophicus, he had “essentially resolved” those problems accessible to rational thought, and precisely that would demonstrate “how little is achieved that these problems are resolved.” Even greater emphasis is lent to this insight in the famous sentence with which Wittgenstein closes his Tractatus not even a hundred pages later: „W…
Yamaon (1954-1958) for bass, alto saxophone, tenor saxophone, contra bassoon, percussion and doublebass is one of the wildest and most direct works of Scelsis. Just as the composition I presagi completed in the same year, the title warns of the destruction of a Mayan city. As Varèse in Ecuatorial and Nocturnal, Scelsi in Yamaon works with a differentiated repertoire of vowels, consonants, and syllables. These have no linguistic semantic meaning, but convey heterogeneous values of expression. “Wh…