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fLuXkit Vancouver (i​̶​t​̶​s suite but sacred)
Tip! A radiant manifesto of artistic freedom, fLuXkit Vancouver (i̶t̶s suite but sacred) brings together a composition in four movements written and performed by Jones on alto saxophone, long-time collaborator Gerald Cleaver on drums, and four Vancouver-based string musicians: violinists Jesse Zubot and Josh Zubot, cellist Peggy Lee and bassist James Meger; with original artwork by Stan Douglas and liner notes by poet Harmony Holiday. Commissioned by Western Front, an artist-run center for multi…
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Plastic Sun
*2022 stock* 'From the early years of Norwegian jazz, few albums have stood the test of time as well as the venturesome and subtly psychedelic Plastic Sun. It was the Svein Finnerud's second disc, and was released on Sonet in 1970. Inexplicably for an album of such beauty, it has been a hard-to-find collector's item for decades, having only been reissued once before, in 1998, as a CD on the Norwegian Jazz Federation's Odin label. In April 2018, Odin have reissued it again, this time on CD and in…
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Testament
* Black Vinyl edition * Fire! have always been about finding the essence by getting to the core of the music. Their 8th album sees the trio - for the first time on record - stripped down to the bare-bones essentials; with no flutes, no electronics, no guests and no extras, recorded live in the studio to analogue tape - the Steve Albini way - with the master himself at the controls in Electrical Audio in Chicago. Thus, this album stands as a true testament to the group´s expressive power and glow…
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Requies
A monstrous blast of jazz noise energy by the combustible trio with Sunn 0)))’s Stephen O’Malley and David Sandström of hardcore punks, Refused, on the mighty Rune Grammofon.
Actions
LP version. Original score by Krzysztof Penderecki. New reading and conduction by Mats Gustafsson. The first (and until now only?) recorded interpretation of Krzysztof Penderecki's Actions For Free Jazz Orchestra took place in 1971 at Donaueschingen and featured the New Eternal Rhythm Orchestra, assembled by Don Cherry for the occasion and conducted by the great Polish composer. That orchestra also consisted of 14 musicians, including international jazz heavyweights such as Kenny Wheeler, Peter …
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Sushi. Roti. Reibekuchen
The collaboration between Brian Eno, one of the main figure in ambient music, Holger Czukay, a pioneer of krautrock from the band Can, and J. Peter Schwalm, a German composer, resulted in the creation of a musical project called Sushi. Roti. Reibeckuchen - a unique live collaboration. The impromptu performance was documented in 1998 in Bonn, Germany, but it has recently been released to the global audience.
Skala
*2024 stock* Mathias Eick’s intensely melodic trumpet occupies the centre-stage in this album of self-penned tunes which will appeal to an audience beyond “jazz”. Against the powerful backdrops offered by his sleek, modern band, driven by two drummers, he delivers richly lyrical soliloquies.
Midwest
Mathias Eick reflects on distances travelled in this intensely melodic set of original compositions, which makes an imaginative journey from Hem, the tiny Norwegian village where the trumpeter grew up, to the vast plains of Dakota in the American Midwest. It was to the Midwest that hundreds of thousands of Norwegians travelled by sea in the 19th and early 20th  centuries – and naturally they took their music with them. In similar spirit Eick, a Norwegian improviser-composer strongly influenced b…
Friday Night
Livy Ekemezie’s Friday Night is widely recognised by DJs and afro-funk aficionados as a UFO (Unidentified Flying Object) grail record. It is one of those rare dance music albums that sounds like a record of its’ time but also has a timeless quality that makes each listen an immensely rewarding experience. Fueled by teen spirit, every track slaps leaving little or no opportunity to skip. The song concepts circle around sweaty, afropolitan nightly excursions into the nightclubs of Aba, Port Harcou…
Ghost Notes
1998 release ** "This CD represents the pinnacle of IST's achievements so far. Phil Durrant's Sowari For Ist, concentrates upon texture and timbre as opposed to pitch and rhythm. The resulting music is detailed, fragile, abstract and beautiful, pushing acoustic instruments further into a sound-world more often associated with acousmatic forms. In Mark Wastell's Ritmico the emphasis is upon rhythm and the particular sonorities produced by the percussive possibilities of the wooden parts of each i…
crows of the world vol 1
2007 release ** "First entry in an on-going 'annual report' style compilation, programmed with the same sensibilities as 2005's Invisible Pyramid compilation by label guru Chris Moon. This entries' line-up includes: Keijo's Free Players, Brad Rose's North Sea, Western Automatic, the Ilya Monosov / Preston Swrinoff duo, Andrea Belfi (previously heard on the Invisible Pyramid comp), Paper Wings (Antony Milton + Anthony Guerra), Northern Cross (new Geoff Mullen + Kris Lapke duo), Brasil & the Gallo…
Discotheque Bruitisme
2000 release ** Exclusive tracks by German Electronica acts from Hamburg, Berlin and Cologne incl. Mouse on Mars (Sonig), Christoph de Babalon (Digital Hardcore), Hematic Sunsets (Asmus Tietchens), Groenland Orchester (Staubgold), Wrag Naroda, Ostinato, Stick, The Messenger vs. El Stick, Cybermouse, TBC, Reznicek, Flash Gordon Blues Band, Jetzmann/Liquidski.
Conference of the Birds
**2022 Stock. Originally released in June 1973, audiophile pressing taken from the original analog tapes** It had been preceded by ECM duo albums with Barre Phillips and with Derek Bailey as well as the cooperative band Circle’s great Paris Concert, but Conference of the Birds, recorded in 1972, was Dave Holland’s first album as a full-fledged leader. An album of driving, progressive jazz it is also of historical significance as the only occasion when Sam Rivers and Anthony Braxton, two of the m…
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Entupadas
1988 release ** "Sometimes with a touch of disdain, but it’s merely poetic, political reflection on an incomplete world—the only one we know. Beauty and cruelty, joy and sorrow. The piano, mastering every language, responds to the glowing voice of the singer: Romansh, German, English, French. Sweet, strict, harsh, thrilling, playful."
Winter Canabinol Essence
2009 release ** ""Winter Canabinol Essence" is the debut album to be released by the Moscow based label Nihil Art. The Russian project Obozdur, unknown for us'till this release, offers here six tracks at the cross between "old-school" harsh noise, cut-up noise and experimental music. Using radio-waves transmissions, tapes, rythm'n box, processed vocals or tape-voices, processed guitar or bass, various analog effects, all used in a "non-musical" way, Obozdur creates long tracks of cut-up dada noi…
Morituri Te Salutant
2004 release ** "Mariae Nascenti is the solo-project of Angelo Visone, a native of Milan, Italy. Morituri Te Salutant is his first proper CD release, following a number of self-released CD-Rs. On Morituri Te Salutant he enlists the assistance of Black Sun Productions, Larsen and members of Sadomarta and Gullinkambi. There role here is to provide vocals to his surreal atmo-soundscapes that range from post-industrial greyness to dark ambient. Mariae Nascenti's palette involve electronic drones, an…
The Journey Like Never Before
2008 release ** "The atmosphere ranges from ambient, meditation and transcendence to sound experiments and rhythmic madness. A clash of acoustic explorations by the Hati group with modern, rhythmic electronics by Lal (2nd Hand Beatnix, Wiedźmin). This is one of the most electronic projects ever realized by Hati, which – as a band that performs a lot – uses mainly acoustic instruments."
Girl Talk
Girl Talk completes the "trilogy" of great records that started with Midnight Sugar and Misty, Girl Talk solidified Tsuyoshi Yamamoto's reputation as Japan's premier jazz pianist. Though he would continue to tour and record for Takeshi "Tee" Fujii more than a decade, Girl Talk became the pinnacle of his career. This trio of classic LPs together are a benchmark in Japanese jazz records in particular and recording engineering in general. As usual, master recordist Yoshihiko Kannari worked with Yam…
Orang-Utan
Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.
Music of Georges I. Gurdjieff
*2024 stock. Deluxe packaging* Fascinating and highly attractive project which returns the music of Gurdjieff (c. 1866 – 1949) to its ethnic inspirational sources. To date Gurdjieff’s compositions have largely been studied, in the West, via the piano transcriptions of Thomas de Hartmann. Armenian composer Levon Eskenian now goes beyond the printed notes to look at the musical traditions that Gurdjieff encountered during his travels, and rearranges the compositions from this perspective. Eskenian…
Dolmen Music
Meredith Monk and her vocal troupe cut a line between experimental theatre and music, marking a passage through the Ancient Greek tragedy, the opera, world-music, the archaic ritual and the mystical chant. It started with "Gotham Lullaby", presenting a contralto over a desolate and stark piano sonata. Then "Travelling" set a feverish gypsy dance, a wild ritual stirring the primeval forces at play. The sonata returned in "The Tale", as the backbone to an offbeat pantomime/ theatrical performance.…
Nouvelle Vague
This is the complete soundtrack – music, dialogue, sounds – of Jean-Luc Godard’s Nouvelle Vague, premiered at the Cannes Film Festival in 1990. "In making this film," Godard said at a press conference later that year, "I heard a great deal of music; music produced by Manfred Eicher. I can well imagine how musicians are inspired and influenced by these sounds. And I too have immersed myself in this music, and I have felt,in my work, like a musician." Interviewed at the Toronto Film Festival of 19…
Live In Munich
This concert recording from Munich’s Schwere Reiter performance space features improvisation with an expanded palette of possibilities. “To work with these colours is a great challenge and joy!” says bassist Barry Guy of the glowing and ever-changing tints, timbres and tones radiating from Jordina Millà’s freely associative piano.  Like Guy, Millà is both a player of prodigious technical capacity and a fearless improvisational explorer, and her highly creative use of the piano interior opens up …
There’s nothing better than producing sounds
2011 release ** "This album is Gianluca Codeghini's return to his origins, and the 14 tracks were recorded after long improvisation sessions which inspired each musician with unpredictable scores, visual stimuli and stories. The starting point is "Coffee-table book" (2011), a collection of quatrains by Alessandro Broggi published by Transeuropa edizioni, and the poet actively collaborated in the composition of a few tracks and in the production phase. The sequence of the tracks lines up the rhyt…
Discordes
2017 release ** "This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music. "
Mar
1999 release **
Endspace
Duo improvisations recorded at Goldsmiths College, London, July 2007. Angharad Davies (violin) and Tisha Mukarji (inside piano) - two of the most distinctive young improvisers on the UK scene - unite for their first recording as a duo. An entirely acoustic affair impossible to ignore the heritage that goes before such a recording of piano and violin: the slow pace of Feldman and the New York School, the grey austerity of the Wandelweiser collective echo through these five improvisations. Davies …
McDonald And Giles
Following the meltdown of the original King Crimson lineup, Ian McDonald and Michael Giles brought brother Peter Giles back, which helps to account, in some ways, for the resemblance of this album to the 1968 Giles, Giles & Fripp recordings -- though the songs here tend to go on at some length, combining prog rock's traits of length and multiple sections with some of the lighter feel of the GG&F days. The 20-minute "Birdman" tends toward self-indulgence, while "Tomorrow's People - The Children o…
Zamat
Adrián Demoč writes "gentle and soft, non-violent music." The Slovak composer, based in Spain, reduces chamber music down to near-monody—single melodic lines articulated through subtle timbral shifts and microtonal deviations. Zamat, his fourth Another Timbre release, presents three chamber works where Apartment House navigates music that moves "back and forth on the spot between a handful of notes." The title track—zamat means "velvet" in Slovak—deploys clarinet, bass clarinet, viola, and cello…
Translucent Harmonies
New York-based duo andPlay – violinist Maya Bennardo and violist Hannah Levinson – present two extended works exploring the sonic possibilities of just intonation tuning systems. Both pieces were commissioned for andPlay's concert series Translucent Harmonies and premiered in 2018. Catherine Lamb's Prisma Interius VIII (Melodic Duo) (22 minutes) strips her Prisma Interius series down to its bare essence, removing the electronic spectral resonance of earlier versions. Here, violin and viola plot …
A History of Musical Pitch
This album contains three works by Seamus Cater, including his creative response to the work of Alexander John Ellis (1814-1890), who presented a paper 'The History of Musical Pitch' to the Royal Society in 1880. Ellis was a mathematician, collector, philologist and musical enthusiast, who spent a lot of time measuring the exact frequencies of contemporary and ancient musical instruments, and so is remembered as one of the founders of comparative musicology. Two of the pieces on the disc are 're…
Fragments of Reincarnation
A 45-minute single movement piece for shō, Hammond organ and cello, exploring ways of combining the differing tuning systems inherent in the instruments.
A Coiled Form
'A Coiled Form' by UK-based composer Bryn Harrison. The piece was originally composed as a shorter solo in 2020, and then revised and expanded in collaboration with violinist Sarah Saviet, who gives an astonishing virtuosic performance, to become a 50-minute solo work. It was released on CD by Another Timbre in November 2022.
Codex Vivere
A 75-minute piece for septet in nine movements by the young Texas-based composer.
Hope Lies Fallow
Six pieces developed by Johnny and Keir from music by Hildegard van Bingen and Orlando de Lassus. Three violin duets, + three tracks for violins and the voice of Celeste Oram.
Together on the Way
A concert-length work for pipe organ, piano and percussion, created by the composer and the GBSR Duo (Siwan Rhys and George Barton) at the recent Huddersfield Contemporary Music Festival. Wonderfully brooding music, beautifully played.
Verses
Another Timbre presents Verses, five chamber and solo works by the Canadian composer Barbara Monk Feldman. "I have been thinking about what is inside and what is outside. The everyday life and tragedy of what goes on around you, and the fact that to accomplish anything you need the isolation in the studio - I think about this moral issue. And then on another level, I think about an inside and an outside for art itself, and how ephemeral that is.... What I am looking for is a way to notate the mo…
All English Music is Greensleeves
Five pieces by the radical young Belgian composer, Maya Verlaak, impeccably performed by Apartment House, and the soloists Sarah Saviet (violin) and Mark Knoop (piano)"Subversion has destructive connotations. However, subversion can also mean reversing a current standard: being subversive can be anything that challenges an existing system. My approach to subversion doesn’t destroy current standards, but it uses the standards to create, while developing solutions to its own characteristics and p…
Unbalanced In (Unbalanced Out)
Unbalanced Out (Unbalanced In)'. A powerful, challenging 50-minute collaborative piece constructed over a year through file-sharing by a sextet of leading musicians across the world, with Barry Chabala (USA, guitar), Bonnie Jones (USA/Korea, electronics), Louisa Martin (UK, laptop), Tisha Mukarji (Germany, piano), Toshi Nakamura (Japan, no-input mixing board) and Gabriel Paiuk (Argentina, piano)