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2001 release. Chris Mann, an Australian poet, writer, performer and composer relocated to New York City, brings a recording of his signature works to Lovely Music. With the participation of Christine Bard, Anthony Coleman, Christian Marclay, Jim Pugliese, Mark Stewart, and David Watson. Chris Mann's works for voice are based on complex texts, freely composed to allow a play of wit and humor. He explores the textures and gestures of Australian speech, with its rhythms and qualities of color, pitc…
1990 release. Some of "Blue" Gene Tyranny's greatest keyboard works/performances can be found here on Free Delivery. The Nocturne With and Without Memory was commissioned by Lois Svard and has also been recorded by her for Lovely Music (LCD 3051CD, 1994). Sunrise or Sunset in Texas is from Philip Makanna's film The Crack of Dawn (1983). Personnel: "Blue" Gene Tyranny - acoustic and electronic keyboards; Timothy Buckley - accordion; Joel Ryan - computer analysis.
A collection of six compositions made in electronic music studios from 1959 to 1984. All were composed for concert hall or theater performance with choreography, as well as for distribution on recordings. Music from the Venezia Space Theatre, The Dresden Interleaf, and Echo-D were composed for quadraphonic theater systems, and were later spatially remodeled for release on stereophonic recordings. A collection of six compositions made in electronic music studios from 1959 to 1984. All were compos…
Pioneering extended vocal techniques from the 1970s: sensory deprivation experiments, multiphonic investigations, circular breathing adaptations. La Barbara liberates her classically trained voice to discover untapped sonic material, building orchestras from layered vocalisations. Essential document of radical vocal experimentation.
Monumental reissue of Lucier's four-part investigation into acoustic interference. Musicians sustain tones against fixed sine waves, creating audible beat patterns that reveal the hidden architecture of sound itself
Three works investigating interference between instruments and oscillators. When closely tuned tones sound together, their oscillations create audible beats that spin through space. Lucier reveals acoustic phenomena through minimal means
** 2021 Stock ** The Alabama born saxophonist/clarinetist Marzette Watts had a short lived career as a member of the sixties avant-garde, but achieved legendary status for the company he kept in his Cooper Square loft where the likes of Ornette Coleman, Cecil Taylor, Don Cherry, Archie Shepp, and Pharoah Sanders often congregated. This debut date is best known for the presence of players, who like Watts, were to become renowned for the rareness of their recorded output, including Sonny Sharrock,…
First release of this 1966 recording from the ESP-Disk vaults; featuring: Don Cherry (trumpet); Gato Barbieri (tenor saxophone); Bo Stief (bass); Karl Berger (vibraphone); Aldo Romano (drums). Live performance from the legendary Café Montmartre in Copenhagen, Denmark, recorded in 1966. Digitally remastered. Also included: the ESP DVD-audio sampler, featuring selections of almost every ESP artist. Over 12 hours of music! Digitally remastered. "Don Cherry, more than any other artist in the jazz of…
Recorded on December 22, 1973 in New York City at the famous Town Hall, this eclectic ESPDisk-sponsored celebration of the Comet Kohoutek featured a fire eater, talking drums, and dancers in platform shoes, in addition to Sun Ra's Arkestra. After taking the stage ninety minutes late, the band expertly navigates its way through cosmic free playing, big-band romps, and didactic vocal numbers. Compared to the original pressing, this re-issue is digitally remastered by Joe Phillips and includes brie…
Live At Café Montmartre Volume Three features more great music from the Don Cherry Quintet. Recorded in March 1966, Don Cherry joins forces with Gato Barbieri, Karl Berger, Bo Stief and Aldo Romano for two exciting, extended performances of "Complete Communion" and "Remembrance". A recording that will surely be known as classic, Volume Three is essential music for all fans of improvised music.
"In 1966, the late Steve Lacy visited the new ESP-DISK office at 156 Fifth Avenue with a master tape of his concert in Buenos Aires with his quartet... He offered to sell the master for what I thought was an exorbitant price. I bought it. ... In 1992, the master tape was brought to engineer Ken Robertson at the Sony Studio, who observed that it had been recorded out of phase, and he corrected the phasing." - Bernard Stollman
"Soprano saxophonist Steve Lacy's impressive career was filled with man…
2025 stock Coming from the same Lower East Side scene that had already delivered the Fugs to ESP-Disk’, when the Godz went into the studio in 1966, there was no precedent for what they did. The first albums of the Velvet Underground and the Stooges lay in the future. The title Contact High with the Godz might suggest psychedelia, but even that freewheeling style, still yet to blossom, would come nowhere near the freedom and sheer avant-gardeness of the Godz' first LP. They were not afraid to sou…
The noted west coast composer makes his ESP debut accompanied by his then wife, Barbara Donald, on trumpet, Teddy Smith on bass, John Hicks on piano and Marvin Pattillo on percussion. Recorded August 1966, Staying on the Watch is an important infusion of straight-ahead and avant jazz. Barbara Donald is a superb trumpeter who has made a stern contribution to the legacy of women performers and has been widely written about. Also, pianist John Hicks, who makes his New York debut on the record, went…
2013 reissue; originally released in 1966. The first North American CD release of the "electric newspaper," an archetypal '60s counterculture "happening" from August 6, 1966, this is also the first edition anywhere since the original vinyl to include the lengthy closing track, "Interview with Hairy." A legendary all-star cast of performers got together to make an anti-war collage of words and sounds that defies mere track listings -- one of the elements is "Silence" by Andy Warhol, which, contr…
Two years following his work 'Monumento Fiume', Giovanni Lami returns to Kohlhaas with a new release, once again investigating the intricate relationships between memory, the sonic medium, and decay. 'Eikon' originates from a series of acoustic cello recordings, subsequently disassembled and transformed by Lami, resulting in a unique deconstructed and layered object, lying somewhere at the intersection of soundtrack, decomposed ambient and video game music, shaped through the use of samplers, a …
Throughout their legendary, decade-long run, The Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning this year with the firs…
2025 stock Signed to Atlantic Records in the hubbub after Nirvana's Nevermind (1991) exploded, the Melvins' fifth album Houdini was a conscious attempt by the band to make a record that wouldn't alienate their fans but that the band members themselves would also enjoy. Their best-selling release by a country-mile, this album crested at number 29 on the Billboard Heatseekers chart. Houdini would be most folks introduction to the band and songs like 'Honeybucket' received MTV airplay. First time o…
"In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked — or, as Orcutt puts it, "a bridge pickup rather than a neck pickup record" — it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the se…
Sound artist and filmmaker Joshua Bonnetta wants to know what happens when a human listener exits a landscape. How might the soundscape differ? How is our presence affecting the recording? His ambitious long-form work The Pines I-IV, released [in 2025] via Shelter Press and The Dim Coast, looks to interrogate some of these questions, capturing the sonic life of a single pine tree in upstate New York over the course of a year via remote recordings, edited into four hours of audio which will be re…
*50 copies limited edition* Pacific Walker finds the Odawas duo, Michael Tapscott and Isaac Edwards, once again weaving their mysteries into an esoteric tapestry of mycelial folk borne under cosmic whispers. Joining forces with percussionist and classical guitarist Raphi Gottesman, the trio embark on their first journey, an initiation stretching from the furthest outer reaches of Creation to the innermost Temple of the Eye Am. Channeling scorched church spaghetti westerns, warped tapes transmitt…