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* 2020 Stock * One can be a discontent – that is, an insurgent or a revolutionary – but there is also that more literal, personal meaning of the word which may be in most cases equally applicable to those to which we refer here and, in either case, there is a sort of disruption implicit, as in a hypnopompic state.» A non–linear mix by Michael Anderson / Drekka, with portrait interludes by Mark Trecka. Performed and mixed live 21 October 2015 at The Artifex Guild, Bloomington, Indiana by Michael …
* 2020 Stock * For over twenty years, Mkl Anderson has curated a vast archive of recorded material for his cinematic ambient industrial soundscapes. Working for as many years under the name Drekka, he has sculpted these soundscapes using self-made field recordings of everything from insects in the mountains outside Kathmandu to a washing machine in Reykjavik, from countless sketches and abandoned projects donated by friends, from hundreds of hours of multi-track live recordings of Drekka capture…
* 2020 Stock * 'There is no silence left' is a collection of remixes and reworkings by Mkl Anderson of Drekka, released under various monikers between 1996 and 2012. Contains 13 previously unreleased or rarely heard tracks, including mixes for Aube, lovesliescrushing, Racebannon, Soul-Junk, and many more.
"Beings of ImberIndus" was commissioned as a hexaphonic sound installation to accompany the "Beings of ImberIndus" solo soft sculpture show by Carrie Weaver; presented at the I Fell Gallery, Bloomington, IN throughout December 2018 and culminating in a winter solstice ritual of cleansing. The piece began an intensive six month period of heavy deep listening and drone work for Mkl Anderson's ritual ambient industrial project, Drekka (Dais Records, Auris Apothecary, Bluesanct).
The initial session…
English edition ** 63 pages, B&W, soft cover, square format. Includes complimentary A3 poster ** An Anthology of chance operations, concept art, anti art, indeterminacy, plans of action, diagrams, music, dance constructions, improvization, meaningless work, natural disasters, compositions, mathematics, essays, poetry. LaMonte Young and Jackson Mac Low.Edited by La Monte Young in 1961, designed by George Maciunas and originally published in 1963, An Anthology.... contains productions by more than…
Spanishedition. Perfect bound. 190 pages. Cornelius Cardew's Stockhausen serves imperailism, originally published in 1974 is translated to spanish for the fist time. Seminal text for those who are interested in the intersection between experimental music and politics during the 70's.
Spanish/English edition. 85 pages, edition of 50 copies. A compilation of seminal texts for the young electronic musician. Perfect bound / ByW /
R. Schumann - Consejos para Jóvenes Músicos
Balilla Pratella - Manifesto para Músicos Futuristas
Luigi Russolo - El Arte del Ruido
Edgard Varese - La Liberación del Sonido
* Edition with 68-page (!) booklet * Electrip was released in 1969, the same year as the Amon Düül II's Phallus Dei and CAN's Monster Movie, which makes Electrip one of the very first albums to fall within the genre of Krautrock. The band successfully draw from an incredibly diverse list of contemporaries to create their astonishing sound. Album opener "Electric Fun Fair" and it's successor "Pop Games" are heavily jazz inspired, and bring to mind some not so subtle Miles Davis influences as well…
*180 gram audiophile vinyl. Gatefold sleeve* The Soft Machine plunged deeper into jazz and contemporary electronic music on this pivotal release, which incited the Village Voice to call it a milestone achievement when it was released. It's a double album of stunning music, with each side devoted to one composition -- two by Mike Ratledge and one each by Hopper and Wyatt with substantial help from a number of backup musicians, including Canterbury mainstays Elton Dean and Jimmy Hastings The Ratle…
Limited edition of 500 numbered copies. The LP was mastered from the 96khz/24-bit files. Lacquers were cut by vinyl veteran Scott Hull at Masterdisk in New York. The LP is pressed by RTI in California, one of the most highly regarded pressing plants in the USA. All of this to insure the best sounding, highest quality LP. After all, why make an LP if it doesn’t sound great and have something special to offer ?
It is packaged with a 4-page insert of liner notes by the late Bob Gilmore and a score …
"It's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.…
Killer! Reissue, originally released in 1969. An iconic French free jazz record recorded at Pathé Marconi Studios. On June 27th, 1969, Michel Portal pushed the door of the Pathé Marconi studios. With him were drummers Jacques Thollot and Aldo Romano, bassist Jean-François Jenny-Clark, and pianist Joachim Kühn. They hadn't rehearsed anything, as if entering the studio to record an album without any plan was something normal. The musicians were obviously very used to playing with each other, as th…
*In process of stocking. Limited edition of 300 copies.* Pinkcourtesyphone is the pseudonym for the Los Angeles based minimalist Richard Chartier. Under this moniker, Chartier indulges in an emotional torpor through his hauntological compositions for forgotten dreams with an opiated grandeur and subtle application of certain nostalgic camp. Shouting At Nuance glances back to Chartier’s earliest works that were recorded onto tape, with allusions to decay as an unrecognizable reconstruction of pas…
Liam O'Gallagher's audio work, People's Opera aka Aerosol/or the Computer That Couldn’t Hear: An Inter-Media Opera, features nine transistor radios (four tuned to FM stations and five to AM stations), a telephone system, and soloists on tambourine, flute, oboe, and French horn. Here are the notes on the presentation, by O'Gallagher's himself: “The ‘conductor’ signals the operators of the radios to approach the microphones or recede from them. Soloists play according to any predetermined plan. Tw…
Recorded in 1975 and released on the legendary library music label Montparnasse 2000, Soul Impressions condenses the entire mastery and inspiration of the brilliant Franco-Yugoslav composer Janko Nilovic into 12 generous tracks. A total adept when it comes to bubbling studio sessions and gleaming arrangements, our man incessantly works furiously and devotedly on his music, throwing himself body and soul into the creation of one of the 70s most individual and coherent musical works. A chameleon o…
First issue since 1969 of the Malombo Jazz Maker’s unknown third album, fully licensed from Julian Bahula, with liner notes featuring interviews with Julian Bahula and Lucky Ranku. ‘Malombo music is an indigenous kind of music,’ says Lucky Ranku. ‘If you listen to it, you can feel that it can heal you, if you’ve got something wrong. It’s healing music.’Lucky was one of the greatest African guitarists of his generation. The deep and hypnotic Down Lucky’s Way was the Jazz Makers’ third album. Reco…
The LP contains studio recordings of the legendary psych-folk band, most of which were previously unreleased on vinyl. The eight-page LP-sized insert contains a long band history in German and English, a detailed discography with all cover and label reproductions as well as many photographs. Langsyne from Barmen (Bergisches Land region) played a subtle kind of psych-folk with a wide range of partly unusual, ex…
** High Quality reissue. Remastered using pure analogue components only, from the master tapes through to the cutting head ** On The Blue Yusef Lateef (1968), listeners get an amazing chapter from the late '60s, an amazing period when everything in the world of Jazz was changing. Yuseef Lateef was big on concept recordings. This album examines all the different ranges of emotion contained within the blues genre. With a band that included Detroit Jazz gods Roy Brooks on drums and Kenny Burrell on…