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*2023 stock* "This is a compilation of music performed with some of the groups I was collaborating from the Ictus beginning to the end. Actually here you’ll hear the very first group, a quartet with Evan Parker, Eugenio Colombo and Marting Joseph, recorded in Pistoia in 1977 and the last one the combo with John Fisher, Theo Jorgesmann, Melvin Poore recorded at the Breghenz Jazz Festival in Austria…Evan Parker came for a workshop and some duo concerts and while there, Martin and Eugenio joined i…
This LP and CD recorded in New Zealand in 2004, is the duo recording of New Zealand guitarist Donald McPherson and Japanese guitarist Tetuzi Akiyama. A beautiful meeting of 2 virtuoso acoustic guitarists, both thoroughly schooled in the vast world of improvising. This record finds Tetuzi and Donald playing melodic folk improvisations that grow and morph into compositions that on each listening uncover some new layer of beauty. Both playing on acoustic guitar, they have a level of communication a…
2023 small repress. The year 1965 was a turning point in the life of John Coltrane. It was at this point that he crossed the line into the free jazz arena that he had been approaching since the early '60s. Besides his landmark Ascension, no album better illustrates this than the awe-inspiring Meditations. Coltrane's regular quartet -- McCoy Tyner (piano), Jimmy Garrison (bass), and Elvin Jones (drums) -- is expanded here with second drummer Rashied Ali (who assumed Jones' spot after this album) …
Beyond rare private press album from 1974, a fantastic mix of progressive rock with acid-folk, spaced-out psychedelia and cool conceptual / soundtrack vibe. Pete Fine is a virtuoso acoustic and electric guitarist and also a self-taught composer and orchestrator. After playing with psychedelic hard-rock trio Flow in the early 70s in New York, Pete, influenced by classical composers like Anton Bruckner, started to focus on his 12-string guitar, composing music in a symphonic style.
“On A Day Of Cr…
Tip! The second volume in an archival series of selected electronic and acoustic works by Sarah Davachi. "Featuring (way) back catalogue material from various CDs, cassettes, and EPs; singles and original film scores; as well as miscellaneous live and studio recordings."
Tip! The first volume in an archival series of selected electronic and acoustic works by Sarah Davachi. "Featuring (way) back catalogue material from various CDs, cassettes, and EPs; singles and original film scores; as well as miscellaneous live and studio recordings."
The Flying Luttenbachers’ “Shattered Dimension” is the first offering by the seminal cult band since 2007. The current New York City based version of the group on this recording features stalwart leader and primary composer Weasel Walter on drums, saxophonist Matt Nelson (GRID, Elder Ones), bass guitarist Tim Dahl (Child Abuse, Lydia Lunch) and guitarist Brandon Seabrook.
*100 copies limited edition* Reeds gently pirouetting amidst a fluvial landscape, a field of images that swirl between dream scenarios, second thoughts and reality. This is ‘Goro’, a new body of work by Italian saxophonist, composer and improviser Laura Agnusdei, an evocative journey that meshes noirish ambient, am-radio pop fantasy, lounge fever and organic pulsating proto-techno. Originally commissioned by Maple Death and comic book publishing house Canicola Edizioni, Goro’s music was directly…
A truly stunning piece of work, Aspen Edities’ latest - Eyvind Kang’s “Sonic Gnostic” - radically bridges the worlds of minimal composition, rigorous experimentation, and improvised forms, in ways that locks Kang in the mind as one of America’s most original thinkers in the contemporary landscape of sound.
The singular Norwegian percussionist Ingar Zach, a long-time member of paradigm-shifting experimental ensembles like Huntsville and Dans les arbes, delivers his eighth solo recording, and his first on the superb Belgian imprint Aspen Edities. The percussionist digs even deeper into his sonic research, transforming a massive bass drum used in orchestral music, as a resonant surface for otherworldly, texture-rich excursions that mix-and-match rhythm and color in ever-shifting combinations.
Kɑːmos is the duo of Aino Peltomaa and Nathan Wouters. Aino Peltomaa (FIN) is a vocalist with a radiating sound. She performs widely with medieval, renaissance and contemporary music. In 2018, she directed and performed Ordo Virtutum by Hildegard von Bingen with the Finnish Kaari Ensemble. This medieval, mystic nun keeps on intriguing: her songs are also part of Aino’s project Harmony of the Spheres and her words are sometimes used in the lyrics of Kɑːmos.Nathan Wouters (BE) plays the bass as if…
**Limited edition of 200 copies** In Vivo is a cross-media collaboration between clarinetist and composer Gareth Davis and Slovenian-born photographer Klavdij Sluban, released on IIKKI. It sets Sluban’s images from throughout his career, primarily of jailed teenagers in prisons around the world, to Davis’s contemporary classical music informed by post-rock and noise music.
**200 copies limited edition. In process of stocking** Emil Holmström and Peter Wikström are a duo from north of Sweden. The duo have collaborated with many artists over their almost twenty year long music career such as 4th Disciple, Dwight Trible, Carlos Niño, Fennez, Green-House, Laraaji, Lo-Fang, Masayoshi Fujita, Purl and many more. "The Road Not Taken" is the tenth released studio album from Ecovillage and the first one released on vinyl. The album has a more sacramental and human feel to …
*300 copies limited edition* Blue Lake is the musical moniker of American born, Copenhagen based multidisciplinary artist and musician Jason Dungan, who signs to the Tonal Union imprint for the release of his new longform album ‘Sun Arcs’. It follows 2022’s release ‘Stikling’, earning a nomination for ‘Album of the Year’ at the Danish Music Awards plus warm praise from The Hum blog and musicians and DJs alike including Jack Rollo (Time is Away/NTS) and Carla dal Forno. A self taught player, Dung…
*Limited Edition of 100 hand-numbered copies.* Improvisation is a universal non-verbal language. For many of us it is a practice, not a music genre, one that knows no boundaries. Personally I’m really interested in the locality of an improvisational recording. I find it much more intriguing to listen to someone who improvises and lives outside of the big hubs for free jazz and free improv of the western world. It might seem trivial to many of you, but the fact that the titles and bandcamp notes …
The distinctive sound of Linus is born from a delicate balance between folk, jazz, minimalism, chamber music and free improvisation. Starting as a duo, Ruben Machtelinckx and Thomas Jillings have always tried to infuse their compositions, which tend towards poetry and simplicity, with the ungraspable spirit of true open-minded improvisation. In the search of new stories to tell, it therefore did not come as a surprise that they chose to expand their palette by including both an eclectic mix of i…
**250 copies** Ruben Machtelinckx has a new quartet. It is not a coincidence that the guitar is central, in particular the steel-string with its typical western sound. 2019 was a fruitful year for Ruben Machtelinckx (BE). This project is the last part of a triptych: in the spring Poor Isa, his duo with Frederik Leroux, released its debut album; in the summer he came out with the cassette Sualme with field recordings, improvisations and compositions; the winter appears to be the proper season for…
For almost ten years, Ruben Machtelinckx has followed an extraordinary path in Belgian and European improvised music. As a guitarist, but equally as a composer. It began in 2013, when the quartet Machtelinckx/Badenhorst/Jensson/Wouters released their debut, ‘Faerge’. The album was praised by international press and was listed ‘Best Belgian jazz release’ by Knack magazine. In 2020 he won the Klara Award for Best Belgian Jazz release for his latest record: Porous Structures (Aspen 009). In between…
The first release on the new Belgian label Aspen, mono no aware is clearly the product of a carefully refined aesthetic. From the Cy Twombly-like cover art provided by Ante Timmermans to the peculiar lineup listed on the back — among other instruments listed are baritone guitar, banjo, alto clarinet, hardanger fiddle and euphonium — it is evident before one even hears the album that this is going to be a unique and thoughtful experience. Mono no aware (pronounced: moh-noh noh ah-wah-ray) is a …
A celebration of the visual artistry behind the evolution of sound recording with specially commissioned photography of iconic, rarely-seen artefacts from the collections of the EMI Archive Trust