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Paloma
*In process of stocking. Limited edition of 500 copies.* Laila Sakini's new album 'Paloma' arrives via Modern Love and is her most striking and ambiguous to date - a pointed and timely meditation on hope and hierarchies that riffs on Zbigniew Preisner's magical "The Double Life of Veronique" score and enduring outsider music tome "The Langley Schools Music Project". Subtly transcendent, fathoms-deep music that's had us in cold sweats for months - highly recommended if you’re into Dominique Lawal…
Figures
Laila Sakini and Lucy Van’s sought after 2017 EP Figures resurfaces on a newly expanded and remastered edition, deploying taut poetry and creeping electro-pulses for an alchemical suite of slowly encroaching trip hop x dub-pop - highly recommended if you’re into CS + Kreme, Laurie Anderson, Leslie Winer, YL Hooi, Bullion, Jonnine, Kallista Kult - all the best stuff basically. Long before releasing her slow-burn classic ‘Vivienne’ and last year’s compelling Princess Diana of Wales album, Laila …
10.11.12
300 copies. All compositions by Howard Riley (PRS / MCPS), except “Lush Life” by Billy Strayhorn. Recorded live at VDU Jazz Festival Kaunas on the 10th November, 2012 by Areas Zujus. "Brilliant work from pianist Howard Riley – the British modernist who's been making amazing music for decades, but often through very obscure records like this! Riley's got this sense of balance, tone, and timing that sits justly in a legacy that starts with Herbie Nichols and runs up through Alexander Von Schlippen…
Symbolic Heads
Even for the standards of NoBusiness, a label that sometimes features artists who haven’t been very well known so far, YAPP is a really young band, all of the band members seem to be around 30. It’s Bryan Rogers on tenor saxophone, Alban Bailly on guitar, Matt Engle on bass and David Flaherty on drums, and they cultivate the field between post rock, modern jazz, minimal and improvised music. I must admit that I was rather skeptical when I realized that Bryan Rogers has played in Melody Gardo…
Melodic Art-Tet
Killer! Limited edition of 400 records. Recorded on 15th October, 1974 at WKCR, from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sough…
Intuitus
Vladimir Tarasov - drums, percussion, cimbalom and hunting horn, Eugenijus Kanevicius – bass and electronics, and Liudas Mockunas - soprano and tenor saxophones, clarinet and bass clarinet. Recorded at Vladimir Tarasov home studio in Vilnius, June 2014. Limited edition of 400 copies.
The Delaware river
400 copies. Cornetist Bobby Bradford and saxophonist Frode Gjerstad have been performing together since they were first introduced in 1986 by drummer John Stevens . Bradford and Gjerstad’s associations date back almost 30 years to their pivotal posts in Detail, Stevens’ short-lived quartet with bassist Johnny Dyani. A bond forged, they reconvened in a variety of contexts over the intervening years. Their most recent collaboration took the form of a quartet with bassist Ingebrigt Haker Flaten and…
A Jones In Time Saves Nine
Edition of 300 copies. Brand new album for the trio comprised of Larry Ochs (tenor and sopranino saxophones), Mark Dresser (bass) and Vladimir Tarasov (drums and percussion)
Oostum
Edition of 300. A really great setting for drummer Gerry Hemmingway – an album that has him improvising live with trombonist Samuel Blaser – a fantastic musician who's one of the freshest trombone talents we've heard in years! In previous comments, we've liked Blaser to a modern day heir to the genius of 60s trombonists like Roswell Rudd and Grachan Moncur – and those words definitely hold true here, as Blaser delivers a wondrous balance between new sounds and tuneful moments, fresh ideas …
Oh My, Those Boys!
Edition of 300. Brilliant work from these two very inventive bassists – the legendary Barre Phillips, working on acoustic bass – and Motoharu Yoshizawa, playing an unusual homemade electric vertical 5-string bass! The combination of instruments is beautiful – and with one electric, and one acoustic, you can really separate the voice of each player – even though both Phillips and Yoshizawa resonate strongly together, and really have a complimentary sense of improvisation – a beautiful combination…
The Major
Nobuyasu Furuya, tenor saxophone, flute, clarinet. Rodrigo Pinheiro, piano. Eduardo Lála, trombone. Hernâni Faustino, contrabass. Gabriel Ferrandini, drums, percussions. Recorded and mixed on 14 and 22 November, 2010 at Namusche Lisbon by Joaquim Monte. All tracks were composed and conducted by Nobuyasu Furuya.
Absolute Horizon
Not enough is heard from Brooklyn-born bassist Adam Lane. He boasts an impressive track record, illuminated by a series of outstanding recordings, mainly on the CIMP label, but culminating in the acclaimed Ashcan Rantings (Clean Feed, 2010). Nothing has surfaced under his own name since, so any new disc grabs attention. That's not to say he has been idle, notching up notable appearances on drummer William Hooker's excellent Bliss Suite (Not Two, 2010) which also featured rising star saxophonist …
Lift Every Voice and Sing
**500 copies, strictly no repress** Smalltown Supersound are going hard on the free jazz this year - so much so that they've set up new sub-label Actions For Free Jazz to accommodate the load. This was the slogan for Smalltown Superjazzz and was borrowed at the time from Don Cherry and Krystzof Penderecki’s The New Eternal Rhythm Orchestra track Actions For Free Jazz Orchestra from the 1971 album Actions. The inspiration for the label is BYG Actuel, Incus, Freedom and ESP-Disk. AFJ's latest fora…
Passed Me By
*2022 re-press* Andy Stott's radical 2011 bonecrusher returns on its first new pressing for almost a decade, still screwing the dance and heads like nothing else with its lo-sprung suspended takes on boogie dub and claggiest rhythmic thumpers.
The sludgy, slow-motion slug of ‘Passed Me By’ marked a pivotal point when Stott swam against the grain of prevailing currents of the post-dubstep era’s turn toward garage-techno and UKF-inspired percussive house. Working loosely adjacent to a then emergen…
L'Escalier des aveugles – Recueil de nouvelles
Bilingual edition (English / French) 27 x 35 cm (spiral bound), 101 pages (ill.) Facsimile scores and documents about the radiophonic work created by Luc Ferrari in 1991. This publication around "L'escalier des aveugles" features never released before contents; including notes from the editor, full transcription of the dialogues (Spanish/French/English), historical documentation about the project, sound map, facsimile manuscript from the composer & afterword.Through these 101 pages, you will ha…
Presque Rien n°1 – Le lever du jour au bord de la mer – 1967-70
** Bilingual edition (English / French) 27 x 35 cm (spiral bound), 37 pages (ill.) ** Historical pictures, texts, indications about project, list of recorded sounds, full edit plan & manuscript facsimile of the piece achieved by the composer at Deutsche Grammophon studios in 1970 in Hannover, from the recordings dated July 1967 in Vela Luka, Croatia. "Following the total disappearance of abstract sounds, this piece could be considered a sonic photographic slide, the outcome of a whole evolution…
Presque Rien n°2 – Ainsi continue la nuit dans ma tête multiple
** Bilingual edition (English / French) 24 x 32 cm (spiral bound), 40 pages (ill.) ** Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris. "Ten years ago, 'Presque Rien n°1' bore the subtitle 'Sunrise at the Seaside'. This piece of magnetic tape was in fact a sort of report on this daily event. Thinking about Presque Rien later on, I wondered what it was about. Looking for almost nothi…
Dedans-Dehors
** Bilingual edition (English / French) 35 x 27 cm (spiral bound), 21 pages (ill.) ** Facsimile scores and documents about the creation premiered on 28 February 1977 at the Palais des Arts, Paris, by Bernard Parmegiani. "After having used different compositional writing styles (letting the notion of sounds' 'nature' appear through sounds originating from all different types of things, especially in 'De Natura Sonorum'), there still remained the ever-abundant world of the noises that result from…
Enfer
** Bilingual edition (English / French) 35 x 27 cm (spiral bound), 29 pages (ill.) ** Edited from the Bernard Parmegiani's archives, historical documentation about the project & genesis of the work inspired by The Divine Comedy by Dante, premiered on 5 February 1973 at Théâtre Récamier, Groupe de Recherches Musicales, Paris."To cross Acheron is to feel, within one's depths and by the slow movement of existence's recoil, a sense of mounting anguish 'that draws nearer and pulls back further every…