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The title gives an indication as to what this cycle is about: “Lines” as a catch-all phrase for melodic relationships: differently formed – from a unison melody for two instruments to counterpoints of independent voices; composed in different ways – from “calculated” proportioning to spontaneous writing; expressive in different ways – from lament to competition. If nothing else, these pieces are also a journey through all registers of the clarinet family, from Eb- and Bb clarinet through basset …
The central concept behind Alvin Lucier's Memory Space is the representation of another time and place through the use of a new set of sounds. In his instructions, Lucier asks the performer/s to go to an environment and record by any means (notes on paper, graphics, audio recording or by memory) the sound situations that are present, then, at any later time, in a different space, attempt to recreate that situation. The purpose of the work is to avoid elaboration or embellishment, but given that …
A sensational album by one of the most original composers of our time. Since Regenstucke Vol. 1 deals with rain aesthetic in pure instrumental form, Vol. 2 shows Peter Ablinger´s fascination with techniques of filed recordings, accompanied by different ensembles and orchestra setups. Ablinger has been exploring different sides and features of nature recordings for a very long time, always achieving new territories and pushing boundaries to higher level. This release represents only a minority o…
Woodscratcher (Scratching Wood) is a composition and sound generating machine from Austrian composer, media-artist, sound-sculptor and performer, Winfried Ritsch. Already known as collaborator in different projects with Bernhard Lang (pieces from his series Differenz/Wiederholung, Trike), Peter Ablinger (Klavierautomat), Ritsch created “my own dedication to noise pieces of experimental music from 70s onwards”. This machine cuts a 2-5cm thick disk of a wooden trunk in a circular line along the gr…
Guitarist Lee Underwood’s syncretic blend of jazz, folk, and blues was a tremendous force behind Tim Buckley’s genre-stretching late 60s/early 70s music – but his 1988 acoustic guitar opus California Sigh has remained a unsung footnote to his story. Until now! This first time vinyl-edition reveals Lee’s free-floating acoustic moods, with synths and co-production from ambient avatar Steve Roach, as a soulful work of tranquility and transcendence.
First time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single 'My One And Only Love' and a recorded live session at Lone Mountain College in 1974.The album 'You Loved Me' is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60's and her post 90's releases. The missing link between the radical ingenue of the 1960s a…
Patty Waters is a visionary avant-garde vocalist and composer, best known for her groundbreaking 1960s recordings for the legendary free jazz label ESP-Disk. Captivated by the music of Billie Holiday, she sang with Bill Evans, Charlie Mingus, Chick Corea and Herbie Hancock before coming to the attention of Albert Ayler, who introduced her to ESP-Disk's Bernard Stollman. The rest is history.Recorded with pianist Burton Greene, Waters' haunting 1966 debut Sings juxtaposes a side of hushed self-com…
One of the Italian soul-mod tracks that every DJ has always dreamed of having on 7-inch! Taken from Gli Angeli del 2000 OST by Mario Molino, Ash is an ace uptempo dancefloor burner, provided by a great brass section, and sung by the fabulous Edda Dell’Orso. On the flip-side is Gli Angeli del 2000 - a lysergic Italian version of Pierre Henry’s retro-futuristic "Psyché Rock" anthem, featuring bells, fat bass lines, wah wah guitar, and electronic effects. Limited Edition 300 of copies. Don't sleep!
Four Flies is delighted to present a super juicy treat for all 7-inch vinyl devotees: the first 45 single ever to feature tracks from Giuliano Sorgini’s masterpiece Zoo Folle. To ensure maximum DJing pleasure, we’ve picked two of the grooviest tracks from the original recording session, never before released in this format. The psychedelic funk number “Mad Town”, on Side A, drags you in with its infectious drum breaks and the rapid yet hypnotic flute of Nino Rapicavoli.
“Ultima Caccia”, on Side…
** Collector's edition of 35 copies, each accompanied by a foulard-kite designed by the artist **
Xing presents the new LP I-A-K Interplanetary-Abyssal-Kite by Francesco Cavaliere, fifteenth release of XONG collection - artist records. I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and …
** 30 collector's editions, each of which will be sent directly by the artist, as a work of mail art, in a unique packaging for each copy made specifically for this occasion **Xing presents the LP NEWTON by Cesare Pietroiusti, fourteenth release of the XONG collection - artist records. The release is on white vinyl, in a limited and numbered edition of 150 copies, together with a print run of 30 collector's editions, each of which will be sent directly by the artist, as a work of mail art, in a …
Projectile is an artist’s book by Reto Geiser, David Grubbs, and John Sparagana that spirals outward from a single source image: a news photograph of chair-throwing at the conclusion of a cancelled rock concert in the early 1980s. Visual artist John Sparagana has long produced sliced and mixed collage works in which a source image is enlarged, copies of the image sliced vertically into 1/8” strips and then sequenced horizontally, followed by a second stage in which the stretched image is sliced …
‘If I don't make it, I love u’ is Still House Plants’ third LP and the fullest embodiment of their sound to date. Where ‘Fast Edit’ formed with quick attachment and jump cuts, ‘If I don't make it’ is shaped by persistence - a commitment to the songs that makes the music solid, warmer and accepted. Marking the trio’s decade of friendship, this is the first record written whilst all live in the same city since 2017's ‘Assemblages’. The band rehearsed it relentlessly, playing for nobody except them…
Huuuge Tip! **100 numbered copies in poster cover with printed inner sleeve, 180g audiophile vinyl** Since its launch roughly five years ago, the Rome based imprint, Anomala Soundscapes, has quietly mined Italy’s rich context of experimental electronic and electroacoustic music, focusing their energies toward the densities of meaning and possibility activated by these practices and territories of sound, via releases by artists like Mark Schaub, Daniele Pecorelli, and Rumore Austero. The label’s …
Tip! **100 numbered copies in black 'disco bag' cover with sticker, 180g audiophile vinyl** Active on the scene for more than two decades, Maath is the moniker of Marco Ramassotto, who briefly came to note during the early 2000s as a member of the ritualistic, musical excursions of Biasthon, as well as working under the pseudonym of Mark Schaub. Despite Maath’s many years of activity, Ramassotto has only produced a tiny number of releases under that guise, most notably “No Survivors for the New …
*250 copies limited edition* For the first time on vinyl, the Prurient long form cassette ‘expunged from the record’ final shrine before the closing of the now highly controversial and inimitable brick and mortar basement recordings. Remastered for vinyl for ultra caustic stimulating misery going back to a time in new york that could only be described as ‘unsub’.
"Percussionist Paul Lovens turns in some exemplary work on Carpathes, joined by Michel Pilz (bcl) and Peter Kowald (b). Actually it is mostly Pilz' date as he appears throughout the record either in solo, trio or duo with Kowald. But it is Lovens who most impresses me here as he hammers, rings, jingles the percussion, managing to both give rhythmic freedom and abstraction while implying a more traditional rhythm and he sustains himself very well. Actually the rhythm is constantly outstanding in …
The first transmission from forthcoming Warrington-Runcorn New Town Development Plan's new album, "Your Community Hub"
"A Shared Sense of Purpose" looks at the small community centres that helped Runcorn become a five minute city, long before the current discussion about fifteen minute cities. The idea that the larger town would be divided into smaller centres, each with a set of facilities at the heart, and designed to be within five minutes walk of anyone’s front door. It looks at the faciliti…
In 1994, UK ambient pioneers O Yuki Conjugate recorded their landmark Equator album. To mark the 30th anniversary of this musical milestone, many of the same personnel – Roger Horberry (co-founder of O Yuki Conjugate), Dan Mudford (ex-Sons of Silence and co-creator of the Shaun of the Dead soundtrack), Joe Lamb (ex-Sons of Silence) and Malcolm McGeorge – came together to make New Meridian, reflecting the range of influences they’ve picked up over the intervening years.
Generously described as “a…