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** 2021 Stock ** Though the title indicates an “incomplete” piece, this pamphlet presents the complete poem originally performed by Al Hansen in New York in 1958, at the intersection of the “backwash from the San Francisco Poetry Revolution” and the dawn of Happenings. Hansen read the poem aloud while a hand-spliced assemblage of W.C. Fields’ films was projected onto his chest. The pamphlet’s introduction, written by Hansen in 1966, consists of recollections of the New York art and poetry scenes…
** 2021 Stock ** This collection of event scores and descriptions adapted from a range of ethnographic sources also implicitly functions as an examination of the Happenings movement in an expanded historical and anthropological context. Rothenberg’s translations, along with the restriction of information on his sources in the table of contents, leave ample room for cultural and historical ambiguity, giving each event a strong foothold in the here and now. Ritual stands as a direct predecessor to…
** 2021 Stock ** This pamphlet is comprised of a pair of structurally identical plays, each composed by means of chance operations around the time of the editing and publication of An Anthology of Chance Operations by Mac Low with La Monte Young. Each play is made up of five partially improvised conversations in which the dialogue is derived from a highly restricted lexicon: the first uses words made from the letters that spell out the word “Port-au-Prince” to construct nonsensical “pseudo-sente…
** 2021 Stock ** This pamphlet records Vostell’s two titular large-scale performance pieces “Berlin” and “Phenomena,” both carried out in mid-60s Berlin alongside a host of accomplices. “Berlin” consisted of 100 timed events—performed in both public and private—over a seven hour period, with equal weight given to utterly mundane actions like “looking for a parking place,” and more spectacular actions like “following the second hand of a watch with a welding torch.” “Phenomena” was a Happening se…
** 2021 Stock ** This first section of Higgins’ major work, A Book About Love & War & Death, a sprawling prose poem meant to be read aloud. The text evolves modally, cycling through language games and experiments, oblique autobiography, and vocabulary drawn from an Indonesian dictionary, with a use of a chance method that is both elaborate and informal. The guiding principle of the work is, above all, what Higgins saw as a density of conceptual imagery—a density to be unraveled somewhat in what …
The Destructive Character by the Dutch composer, multimedia artist and theorist Dick Raaijmakers (1930) treats of a subject which, when considered from the aspect of the constant media coverage on destruction -- whether ecological, military, or economical -- should still be our very present and pressing concern. The Destructive Character is a commentary on an essay form 1931 by Walter Benjamin bearing the same title and included in this publication. In his reaction, Raaijmakers focuses on the fa…
A new revised version of the notebook of the legendary American dancer, artist and choreographer Simone Forti in which she shares her poetry as well as her thoughts on dance, the body, writing, the state of the world. A collection of experimental texts, imagined dialogues, news animations and poetic thoughts on life and politics. The book contains an afterword by Fred Dewey and a postscript by poet and Fluxus artist Jackson MacLow. American dancer and choreographer Simone Forti (born 1935 in Flo…
**Edition of 200 copies, 4-page insert of photos** Alex Twomey’s Days Off, the second full length album under his own name, pronounces his evolving compositional approach. Following The Entertainer (Recital, 2019), this new album features a more intimate ensemble of piano, strings, bass, and guitar. Written between 2019 and 2021, the arrangements resemble pop-structured songs within the margins of sedate orchestral music. Twomey’s use of electric guitar is also unique; more as a blurred harmoni…
A biographical essay which explores the origins and influences of Charlemagne Palestine, as well as themes related to his life and artistic practice—spirituality, music, performance, avant-gardism—together with an acute analysis of his main works. The study is followed by an interview with the artist, which provides a clever balance between personal anecdotes and reflection.Born Chaïm Moshe Palestine in Brooklyn, 1947, Charlemagne Palestine joined as a child the Stanley Sapir Jewish choir to low…
Edition of 250 copies, historical recordings from 1975 and 1980. Giuseppe Chiari was one of the leading names associated first with Fluxus (being the only Italian member of the interdisciplinary art group since 1962) and later with Conceptual and Performance Art as well as Sound art. Coming from a background of different disciplines, he established new theoretical and practical standpoints in relation to music and art: his approach was always irreverent, walking the tightrope between to do or no…
"When it became known that the Queen had given birth to a frog, there was consternation at court; the ladies of the palace remained mute, and only sewn mouths and heartbroken looks were exchanged in the high halls... If the tale does not give much for our frog, the queen will not be able to mourn him, which will lead her to imagine and then live terrible experiences.
The only disciple of Barbey d'Aurevilly wrote Rémy de Gourmont by Jean Lorrain (1855-1906). A decadent dandy, an ardent erotomania…
Gender, voice, language, and identity in musical composition and experimental sound practices.How do we get to imagine the music we make? Where and how is it grounded? What is the relationship between the art and its maker, and what and who does music represent?Gender, voice, language, and identity are four important notions for musical creation, for the shaping of a canon, and for the interactions in the field. All four notions are strongly contextual and carry an inherent sense of paradigm and…
First published in 1971 and long out of print, 'Sonic Meditations' is now reprinted by Pauline Oliveros Publications & Ministry of Maåt Publications. 25 meditations for musicians of all ages and skill levels, to help them learn how to focus on, listen to, and produce sound naturally. An important work in the development of Oliveros' Deep Listening. A "must" for any music library!
"One of the most seminal works in late 20th century avant-garde musical thought, Sonic Meditations not only departs …
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Highly electrified guitar, anamorphosed, perforated, and tainted by all sorts of effects, implodes its rage and its urgency in the magnetic nets of a tape recorder as cannibal as it is destructive. From various recordings Lionel Fernandez & Jérôme Noetinger have created and produced these ten pieces: big, biting, dangerous and acerbic – like the intoxicated meeting of a chainsaw and a microphone. Real garage music: grease, gutted car bodies and outdated alternators, like a soundtrack ripped from…
Live / Shapeshifter is the exemplary new double-album from one of master bassist - composer - improviser William Parker's eternal flagship groups, recorded live and presenting all-new compositions, including the extended suite Eternal Is the Voice of Love, along with a new iteration of the band's theme. Featuring pianist Cooper-Moore, alto saxophonist Rob Brown and (since 2012) drummer Hamid Drake, In Order To Survive is one of the great jazz groups of the past quarter century. Launched in 1993,…
* Numbered + handmade in an edition of 66 copies only; bound papers 466pp+ w/audio cassette tape * How biographies could be collected and transmitted: Equinox... is a tribute; a binder-curio covering Kenneth Anger’s life and work, decade by decade, through newspaper + magazine clippings, interview extracts, legal documents, and other ecstatic truths and profound undoings. The narrative is in your hands. (Also includes audio cassette tape of two hours duration)
Etude IV: points-lines-landscapes' (1979). This work is designed as an all-electronic piece without considering any configuration with soloist parts for later use (unlike the two following pieces featured on this CD).It was realized by Jean-Claude Eloy in 1979 on the CEMAMu's UPIC upon Iannis Xenakis's invitation to whom this work is dedicated as a friend. The UPIC (Unité Polyagogique Informatique du CEMAMu) is an electronic tool invented by Iannis Xenakis in the 1970s. It is a graphic interfac…