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New composition by Berlin-based sound artist Stefan Roigk. "The Rising Of Matteo" is a highly dynamic and eclectic ride between directed feature, audio-art and faked diary. Out of field-recordings made during an artist-residency in Milano (at O') and the audio material of his recent installations, Roigk molds spatially complex and overlapping plattforms for tedious noises playing sonic protagonists in an exclusively acoustic audible theatre piece. The hypnotic swarms of organic chants, cascades …
New electro-acoustic text-sound composition by Berlin based fine artist Stefan Roigk. The radio play like combination of poetic lectures, vocals treatments, concrete sounds and deep vocal drones is based on several live recordings an performances made between 2012 and 2015.
*100 copies limited edition. In process of stocking* 'Trumpet, piri, and Vocalnori (amplified gongs via the voice) unfold a splattering of sounds, gurgling textures, gestural outbursts, and fragmented melodic runs. With their uncanny doublings and waves of resonance, these sounds accumulate and disperse in a confounding of the senses, increasingly attuned to the interstices of its sonic reflections and refractions.' – Adam Zuckerman
*100 copies limited edition.* A pulsating onslaught of layered harsh noise by Merzbow on Dinzu Artefacts. Second press. Recorded & Mixed at Munemihouse, Tokyo February 2021.
Svart Mondo presents Jappa: The Complete Jazz at the Polytechnicum Recordings 1967-1968 by Eero Koivistoinen with friends. By early 1960’s, jazz in its mainstream form had become the standard dance music for the student parties in high schools and several student union clubrooms in Helsinki. The Polytech union even organized matinée dances for high school students on Sundays. The change in the musical preference of young people’s dance music occurred with the arrival of British rock in the mid-s…
deluxe digipack cd with booklet (english and french) : lecture in Houston, Texas - April 1957 some texts from à l'infinitif (1912-1920) ; lecture in New York, shortly before his death musical erratum (la mariée mise à nu par ses célibataires, même) ; long before John Cage, the first aleotory composition ; an interview by George Heard Hamilton recorded in New York (1959) ; an interview by Richard Hamilton recorded in London (1959) ; musical erratum (a score for 3 voices) only score written by du…
** 18x18cm box-set, 300 copies. ** Suezan presents the CD version of the latest recordings by Die Tödliche Doris after a silent period of decades. Die Tödliche Doris are back, no kiddin': in the sound spectrum of 31 contemporary dildos and vibrators, we are residing in 2019 with a resurrection of The Deadly Doris. She now appears to us as a performer, musician and instrument in one. Doris has never been that close to us. Tabea Blumenschein, a band member of the first hour, made illustrations of …
Quartet Records presents a 50th-anniversary remastered edition of the innovative, cult-classic score by Ennio Morricone, a key work which launched one of the composer’s best known themes. Directed by Jerzy Kawalerowicz in 1971, Maddalena is a one-off venture of the Polish director into the territory of Italian cinema. Starring Lisa Gastoni as the title character and Eric Woofe as the priest whose faith she tests, the movie is an erotic drama focused on poetic sex scenes, psychedelic flashbacks …
*100 copies limited edition* Jem Finer is an artist, musician and composer. Since studying computer science in the 1970s, he has worked in a variety of fields, including photography, film, experimental and popular music and installation. His 1000 year long musical composition, Longplayer, represents a convergence of many of his concerns, particularly those relating to systems, sustainability, long-durational processes and extremes of scale in both time and space. Recent music includes the relea…
A sweeping composition for instruments, field recordings, and electronics that seems to gather and reflect the forces and creative impulses of the world. Originally realized as a quadraphonic piece, it has been reworked for stereo as a 24-minute study for a piece conceived to be without end. For water, granite, limestone, calcareous soil, tenor saxophone, violin, feedback, decay, distortion.
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
** Limited edition of 50. Comes with a nice insert * An excellent live set by Lady June in Deya, Mallorca 18/10/92. With Morton on casio and guitar & Ronnie Wathen on pipes. A Canterbury scene pivotal figure, performance poet, painter, and experimental musician June Campbell Cramer, better known as Lady June
** Limited edition of 60. Comes with a nice insert * The legendary poet/singer Lady June, hear her Linguistic Leprosy album, in an extended interview that covers her whole career augmented by a few poems and demos. With special guest Alain Neffe
*Limited edition of 200 copies.* Robert Desnos dreamed: I saw Davey Williams and Johnny Shines playing dice with Fred Lane; Isaiah Owens and Andrei Tarkovsky witnessing to a UAB anthropology graduate student; at one point Diogenes the Cynic leaned his head in the door, then moved on. Fred Shuttlesworth, trumpet in hand, kept shouting, “Where’s the one? Where’s the one” Thomas Blanton, Robert Chambliss, and Bobby Cherry, dressed in immaculate white Sufi gowns, whirling and whirling and whirling. …
* Edition of 60 * Born out of an unconditional love for the sound of the organ, sound artist Druuna Jaguar pieced together his recent endeavor, Eterno Retorno, through an obsessive urge to capture the structural depth of the historic Hammond organ. Treating the organ more like a synthesizer, while pushing the instrument to its tonal limits, Druuna Jaguar gracefully extracts hidden resonances and subtle nuances from the constant flux buried within these long sustained tones, penetrating deep with…
Tip! Back in 1979, Italian director Piero Vivarelli made Nella misura in cui, a delicious erotic- exotic flick about a middle-aged, leftwing filmmaker who, being also an inveterate playboy, steals his son’s girlfriend and takes her on a holiday in the Caribbean where, a few years earlier, he shot his breakthrough feature. In real life, Vivarelli’s breakthrough feature was Il Dio Serpente (1970), a film whose sexy scenes have glued generations of viewers to the screen (actress Nadia Cassini has a…
'Tema di Susie' is one of the main themes from the soundtrack composed by Alessandro Alessandroni for the 1976 Italian noir Sangue di sbirro, known in English as Blood and Bullets, as well as Knell, Bloody Avenger (the Susie in the original title refers to the female love interest of the film's hero, who is on a mission to seek revenge for the gangland murder of his policeman father). At once sweet and sentimental, haunting and melancholic, 'Tema di Susie' stands out from the other tracks in the…
Four Flies is proud to present the first Italian 7-inch release of Non si deve profanare il sonno dei morti (also known as The Living Dead at the Manchester Morgue and Let Sleeping Corpses Lie), the soundtrack that gave Giuliano Sorgini eternal and worldwide fame as an occult composer, one who, being perfectly at ease with a certain type of Italian horror cult films, has gradually come to represent the quintessence of frightening Italian film music.
Side A features the soundtrack’s main theme, …
A welcome addition to Four Flies 45s series, this is the first 7-inch release ever of one of the very few soundtracks written by Paolo Ormi, who is better known as a music producer of Italian funk, disco and library music, not only for big stars such as Raffaella Carrà but also underground projects geared to the disco industry. “Provaci anche tu Lionel” is out on 7” on June 2nd. The 7” contains three uber-funky instrumentals, two of which previously included in Four Flies’ now almost impossible-…
We’ve rarely listened to anything funkier by Alessandro Alessandroni. Walkingthe line between disco and jazz-funk, our beloved Maestro penned the twoirresistibly groovy gems in this release slightly before his blaxploitation-inspiredsoundtrack to Sangue di sbirro, and there are indeed similarities here–the hornand rhythm sections, as well as pianist Enrico Pieranunzi’s jazz phrasing. Taken from the soundtrack to an obscure 1975 Italian film, Elio Bartolini’s L’Altro Dio, these two instrumentals …