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Released in 1989. A few copies founded in the basement of the label. Michel Doneda (soprano saxophone), Daunik Lazro (alto saxophone), Lê Quan Ninh (percussion). “Here’s an exuberant early Session by three Artists who have become stalwarts of the European Free scene. Michel Doneda is by now almost a household name as a free improvisor considered by some one of the greatest living saxophonists. Lazro and Ninh le Quan , seem almost unjustly neglected by comparison. Le Quan in particular is one of …
* 50th Anniversary edition of 1000 individually numbered copies on orange marbled vinyl * A deluxe edition of the soundtrack composed and directed by Ennio Morricone for the 1971 movie L’Istruttoria E’ Chiusa: Dimentichi (The Case Is Closed, Forget It) directed by Damiano Damiani and starring Franco Nero, Georges Wilson, John Steiner. This is one of the best “experimental” scores composed by the Maestro, with an avantgarde style that reminds his works with Gruppo di Improvvisazione Nuova Consona…
Limited edition of 300. David Toop's environmental beauty Life on the Inside is the audio companion (created and recorded in 2015) to French sculptor Pierre Besson's 2014 exhibition D'objets noires et de Choses carrées (Black Objects and Square Things). This 34-minute ambient track was diffused inside of the sculpture and has never been published before. An excellent addition to the David Toop discography and a must for any wide-ranging ambient fan.
Both a jazz drummer and ethnomusicologist, Jean Schwarz offers a unique vision that expands upon Luc Ferrari’s imagined Presque Rien environments and the tweaked rhythmic workouts of Bernard Parmegiani’s Pop’eclectic series of jazz collages. Throughout, Schwarz incorporates extensive usage of field recording, cyclic minimalist rhythm beds and the slow-moving resonances of electronic tone textures, playing with the sounds of French cafe musette, soulful jazz, and expansive audio vistas of desolat…
Composed in the Celia records studio, December 1993, and January 1994. Commissioned by INA grm. As per Jean Schwarz's own words “At the very beginning, there was rhythm”... Rhythm never stopped to be among the heart of all kinds of musical forms, such as traditional, non-european, jazz, occidental, experimental and electroacoustic styles. Each machine produces its own rhythm. The purpose of the piece is to orchestrate and play with rhythms of different machines as varied as possible in order to …
The general idea of this piece was to imagine a fresco comparable to a Lied, where the soloist's voice is accompanied by electronic sounds combined with concrete and instrumental sounds processed on a computer — sounds from nature and transformed orchestral sounds. Only German corresponded to the conditions I had set for myself — expressionism, distance from the text (which does not really need to be understood), musical language.Goethe's “Four Seasons” was written in the fall of 1797, after the…
Composed in the studios of the INA-GRM and recorded live on stage. Composed 1979, and originally released on LP in 1983. This is a recording of a performance of the piece by the famous trio of electroacoustics. This trio was formed in 1977 with the sole purpose of giving concert performances of electroacoustic music. The members of the TM+ trio are well-known personalities in the electroacoustic community: Laurent Cuniot, Denis Dufour & Yann Geslin). As per Jean Schwarz words:
A chord in E major…
‘Function’ is an aesthetic exploration of digital audio at an elemental level: a sequence of quantized amplitude values. The entire sonic material in this series are generated through a custom-designed program that takes a mathematical function as input, and based on a set of pre-defined criteria, outputs the function as a digital waveform. Accordingly, each track in this series is named after one mathematical function, where the function itself is used as the only sound-generating engine. These…
* 300 copies only * NoBusiness presents Live at Jazz inn Lovely 1990, a new set of recordings by Masayuki JoJo Takayanagi, Nobuyoshi Ino and Masabumi PUU Kikuchi Recorded live by Sony TC-DM at jazz inn Lovely, Nagoya, Japan, October 9th, 1990.
Track 1,4 & 5 improvised and composed by Masayuki JoJo Takayanagi, Nobuyoshi Ino and Masabumi PUU Kikuchi. Track 2 & 3 improvised and composed by Masayuki JoJo Takayanagi and Nobuyoshi Ino. Gigs produced by Katsuhiko Kawai 河合勝彦. Tapes provided by Koujiro T…
Recorded 41 years ago this month, Detail-90 (available as LP or download) presents two side-long improvisations from the seminal free jazz unit: Norwegian alto saxophonist Frode Gjerstad, expat American bassist Kent Carter and British drummer John Stevens (who died in 1994). By this stage the group was eight years old, with the only significant change being the passing of original member South African bassist Johnny Dyani in 1986. However the shift in personnel didn’t alter the trio’s essential …
Tip! ** Limited Edition of 300 Copies ** Gurun Gurun is made up of Tarnovski, Tomás Knoflíček, Federsel, and Ondřej Jezek who took their name from the fictional planet in the old school Slovak children's TV show She Came Out of the Blue Sky. Since the beginning, it has been clear that apprehending their working and reflecting it would be a tough nut to crack. Is this even a band? Do they play compositions or is it all improvised? On the stage, you see four men hunched over tables overflowing wit…
Deluxe boxed LP set of Graham Lambkin's first four solo records, including an expansive book featuring essays and unseen photos. LPs included are: "Poem (For Voice & Tape)", "Salmon Run", "Softly Softly Copy Copy" and "Amateur Doubles".
*2022 repress* The Wanderer is based on a single modal scale (B C# D D# E F# G#) and rhythmic modes based on a meter consisting of 3/4 and 3/8. Part I, "Song," is intended to explore the unique resonant qualities of accordion reeds through long sounds. Subtle variations come about from differences in tuning and air pressure. Part II, "Dance," demonstrates the sharp accenting power of the accordion bellows in a mixture of cross rhythms characteristic of jigs, reels, batucadas, Bulgars, Klezmer fo…
*In process of stocking. 2023 stock* "As a chamber music ensemble the saxophone quartet has a surprisingly long pedigree. The first work for it was written in 1857, less than twenty years after Adolphe Sax invented it, a Saxophone Quartette Club was founded in New York in 1879, and by 1896 a California Saxophone Quartet was on tour. While the modern saxophone quartet is now most likely to be associated with the jazz tradition, the standard ensemble of soprano, alto, tenor and baritone saxophones…
*In process of stocking. 2023 stock* "No matter how weird, how outrageous, how experimental or how avant garde musicians and composers try to be, it’s a pretty good chance dear Great-Grandfather John Cage did it first. And it’s a pretty good guess that even the most willing listeners and seasoned DJ’s may get pushed to the edge listening to some of his compositions. This makes me smile. I’ve been pushed and came back and forced myself to go farther and farther. Growth is hard. Endurance and stam…
In Flower, In Song is the debut album from Trio Xolo, an improvising group composed of Mexican-American bassist Zachary Swanson, Baltimore-based saxophonist Derrick Michaels, and Lithuanian percussionist Dalius Naujo. With a telepathic ear toward musical interplay, Trio Xolo performs free-flowing stream of consciousness improvisations. The result is true, in the moment composition. The trio moves together dynamically as their voices simultaneously overlap and converge into one. In Flower, In Son…
Invoking imagery of a narrow, perhaps perilous passage, or its dual meaning, the back of the throat, musicians Amanda Irarrázabal and Miriam Ben Boer Salmón named their collaborative 10-track album, Fauces. In this recording, the duo plays with both concepts in a process of improvisation, creating fiercely lush landscapes, layered with texture, ragged hazy wood against strings. The soundscapes are sometimes imperceptible, shadowy horizons emerging from dim light, and rising, something threatenin…
If 577 Records had a house-band, this would be it—a group of longtime friends, collaborators and established jazz musicians who are mainstays of the 577 Records’ catalog, here playing together. The Telepathic Band named themselves after the sort of improvisational style that can only be accomplished with a decade or two of collaboration, playing a signature, boundary-pushing music between friends. Now, with their fifth album, Daniel Carter (Saxophone, Clarinet, Trumpet), Patrick Holmes (Clarinet…
*200 copies limited edition, CDr format* As an artist and a thinker, Massimo Magee has been consistently drawn towards patterns: traditions, lines of influence, schools and the unexpected intersections of each. This album, Toneflower, presents a solo programme, meditating on many of those concepts. As an entirely improvised set of pieces, it is also inspired by Anthony Braxton’s solo alto tradition and the larger solo saxophone canon. Similarly, it draws from Magee’s prior percussive experimenta…
'The Uproar in Bursts of Sound and Silence is a sort of emergent collage that came together over four years of composition, improvisation, and production. The foundations for this album were initially recorded in 2018 by producer/engineer Jack Endino (Nirvana, Soundgarden, Mudhoney, Skinyard) at Soundhouse in Seattle, WA with myself (Evan Strauss, electric bass and upright bass), 5-Track (Guitar) and Sheridan Riley (Drums). The initial foundations of this music consisted of my long-form graphica…