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Fundacja Sluchaj! presents a new recording by Gerard Lebik (tenor sax), John Edwards (doubke bass) and Paul Lovens (Drums), performed live on 23 of April 2015 at Lublin Jazz Festival
"They are sameïliar which means each one resembles the one before as well as the consecutive one as if they were the same. Perhaps they were all the same in a utopian past, or there was even only one of them – which must have been, then, identical. The sameïliarity they show holds that the same is always different. …
Luis Vicente, one of the most demanding trumpet players from Lisbon with the companion of the excellent pianist Seppe Gebruers and magnificent drummer Onno Govaert. Three young faces in an improvised world in their second trio recording. Unedited improvisations in the order as played, are composed by an interaction between the musicians, instruments, a nameless room, audience, microphones and you.
First time ever on CD, never before published Cecil Taylor Quintet feat. Harri Sjostrom - sax, Tristan Honsinger - cello, Teppo Hauta-aho - bass, and Paul Lovens - drums. The legendary band recorded live at Tampere Jazz Happening 1998. Recorded October 30.1998 at Tampere Jazz Happening by the Finnish Broadcasting Company YLE at Tampere Jazz Happening. Originally produced for YLE by Veli- Pekka Heinonen. Final mix by Patrick Römer and Harri Sjöström + Paul Lovens. Mastering by Patrick Römer of Un…
* 500 copies, numbered edition. Remastered edition, Red vinyl *. Napoli Centrale were formed in Naples in 1974 on the initiative of James Senese (sax, vocals) and Franco Del Prete (drums) after their experience in another band called the Showmen 2. They joined forces with American keyboardist Mark Harris and British bassist Tony Walmsley and in 1975 released an eponymous debut album blending in an original way Mediterranean roots and jazz rock. James Senese’s father was an American soldier who h…
*66 copies limited edition* 'Portraying the sensation of being possessed by a demon, Zepar to be exact, Deforms the Unborn was a live-performance by Xiu Xiu at the Guggenheim museum. After researching multiple first hand accounts of demonic possession, the material that came out of all of that is basically an auditory version of a Lovecraft story. You are never quite sure what is real and what isn't, there is this constant abrasive feeling of paranoia and dread lingering in the background, stran…
2019 small reppress. Originally released in Turkey 1973, Mustafa Özkent's masterpiece (creation) of an all instrumental Turkish Psychedelic Funk album, filled with classic beats and breaks still inspires long time fans and first time listeners. The funky rhythms, hypnotic percussions, and heavy break beats makes this a holy grail amongst DJ's and music fans alike. Only a handful of copies from the original pressing are known to still exist making this reissue a welcome addition to any record col…
** 2021 Stock ** At the core of 'Everyone is here' lies Kajsa Lindgren's usual process, defined by one simple question: “How can you make something of your own by manipulating time and space?” The Swedish composer joins Warm Winters Ltd. after recent releases with Hyperdelia (WOMB, 2018) and Longform Editions (Undercurrents, 2019). This album's 20 tracks are based around archival recordings that Kajsa stumbled upon in her parents' old basement and around memories of places or sounds from her chi…
*Limited edition of 150 copies.* The new record by Tropa Macaca brings together two pieces, Animais Sintéticos and Aerossol, which were previously presented in an exhibition context, at gnration in Braga and at PADA in Barreiro, in the years 2022 and 2020, respectively. Both exhibitions, which took the title of the pieces, presented themselves as immersive installations that allied music to Joana da Conceição's paintings and videos. These two exhibitions are different pacts between the audible a…
This seminal, eponymous post-punk album by Japanese group Aunt Sally, fronted by experimental singer Phew, was first released by the iconic Vanity Records label in 1979. Over the past forty-plus years, Phew has forged a singular path through a wide range of styles - from free improvisation to pop - and has collaborated with the likes of Ryuichi Sakamoto, members of Can, DAF, Einstürzende Neubauten, The Raincoats and more. But Aunt Sally is where she got her start and, despite the members’ young…
*2022 stock* Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of arti…
*2022 stock* Six conversations recorded in Berlin between the artist Heimo Lattner and colleagues, focusing on the artist's research and practice, especially around the recurring theme of the voice, which Lattner's work queries as fundamental to issues concerning the formation of social and cultural identity. Would it be a mistake to think that the concern to raise the voice has to do with a capacity that certain individuals have? Would it be a mistake to think that the inclination to speak up c…
*2022 stock* In the last 10 years we have experienced a seismic shift in media culture, as the social media revolution of the noughties has brought vastly expanded networking, mobility and connection. This shift has significantly altered the making of art as well as the ways that audiences engage with art. Unsitely Aesthetics seeks to describe and understand these changes in art production and its accompanying new aesthetics, coining the term “unsitely” to point to the dispersed way that many ar…
*2022 stock* Radio makes an impression, casting songs far and wide to end up on innumerable receivers, within countless ears. This instant of reception inserts a soundtrack to physical location and the encounters happening, intensifying music's ability to give emotional charge: a sound in the distance, playing on a stranger's ghetto blaster, or traveling from an open window, across a city street, to arrive at the moment to become forever associated with a certain happening, where song and event …
*2022 stock* 'I left Chile five years ago to try my luck in a Europe which was beginning to smell disaster. Cuts to civil rights at the same time that the process of privatizations, all shielded by a smoke screen erected by the "European crisis", seemed to me a sadly familiar scenario. I felt myself not only as someone coming from the end of the world, but also as someone coming from the future. In Chile the neoliberal model made its first roots over 25 years ago, leaving deep scars in a society…
*2022 stock* Essay, sentimental diary, and critical pamphlet, Techno Casa binds together the textual production originally composed for a series of eleven video works presented during 2013 through site-specific installations. Through an all-encompassing stream of consciousness, Riccardo Benassi delivers a critical reflection on the impact of technology in our daily relation to space, and how technological devices have radically altered the structures for living and organizing the real, from arch…
*2022 stock* Christof Migone's Sound Voice Perform documents the performance, sound, and video works of the Canadian artist. Working since the mid-80s, Migone weaves together a multitude of media, from radio to telephones to digital objects, to form a stunning and highly dynamic practice. Combining an acute sonic sensibility with performative usages of the body, video, and the voice, his work engages corporeal presence with a subtle invasion, unsettling speech and gesture through investigative a…
With its new project focusing on the songs of fishermen in Portugal, the FLEE platform attempts to combine in-depth anthropological research with a hybrid contemporary and artistic reflection on an important facet of Portuguese social and cultural history.
Through working songs from the 1940s, 60s and 80s recorded in the Algarve region, the project attempts to document the history of these fishermen, the nature of their hardships and often exploitative conditions, as well as their gradual encoun…