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A surreal meeting of German avant-garde, Unrein bis zum Abend / Reise ins Diesseits brings together Arnulf Meifert (ex-Faust) and the dadaist duo Kommissar Hjuler und Frau for a journey into absurdist sound poetry and experimental collage.
Wild Protest pairs J-noise legend Junko (Hijokaidan) with French field recordist Thomas Tilly for a radical collision of human scream and natural sound, recalling the spirit of Merzbow and Francisco López.
Composed Nature / Yokomono Pro documents the collaboration between Dutch collective Staalplaat Sound System and Lola Landscape Architects, merging site-specific sound art and environmental composition in the lineage of Christina Kubisch and Bill Fontana.
Pale Dawn Creeps by Kyle Eyre Clyd is a haunting excursion into drone, minimalism, and environmental sound, merging introspective textures with the spectral legacy of the American experimental underground.
New Lost Knowns is a hallucinatory solo statement by Twig Harper (Nautical Almanac), fusing noise, tape collage, and electronic psychedelia in the tradition of Wolf Eyes and Aaron Dilloway.
Spectral Arrows: Sidney presents Marco Fusinato’s durational guitar and electronics performance, channeling the intensity of Sunn O))) and the conceptual rigor of Alvin Lucier.
Bruxelles unites GOL, Mik Quantius (of Embryo), and Dave Nuss (No-Neck Blues Band) for a wild, improvisational journey blending art rock, krautrock, and avant-garde experimentation.
A rare collaboration, Visitation unites French turntablist eRikm and electroacoustic pioneer Luc Ferrari for a masterclass in musique concrète and sonic collage, echoing the legacy of Pierre Schaeffer.
Michel Vogel explores the resonant possibilities of metallic percussion, sculpting shimmering, meditative soundscapes that blur the line between music and pure sound: alpha-wave improvisations for "prepared" gongs and self-built metal instruments
Instant Coffee! is a playful, genre-defying romp through experimental pop, noise, and improvisation, with Instant Coffee channeling the DIY spirit of The Residents and the irreverence of Half Japanese.
A shimmering exploration of processed guitar and electronics, Kristallisationen by Klaus Roeder (Kraftwerk) channels the avant-garde spirit of Stockhausen and the sonic curiosity of Cluster.
Alpes is a visionary collaboration between French ensemble GOL and the legendary Ghedalia Tazartes, merging ritualistic chants, electronics, and improvisation in the spirit of Nurse With Wound and Brigitte Fontaine.
A lo-fi odyssey through fractured pop, noise, and experimental songcraft, Poise Etc by Pumice showcases the singular vision of New Zealand’s Stefan Neville and Sugar Jon Arcus.
Teopatia is a mystical suite for electronic instruments and synthetic voices by Papiro, merging sacred atmospheres and uncanny harmonies in a ritualistic journey reminiscent of Eliane Radigue and Mort Garson.
Spirits Dogroll by Teen-X-Ray is a frenetic outpouring of DIY punk, lo-fi noise, and playful absurdity, capturing the irrepressible energy of New Zealand’s underground.
Homemade noise made by, among others, Philip Corner, Max Neuhaus, Steve Reich, James Tenney, Malcolm Goldstein, Jackson Mac Low, Dick Higgins, Alison Knowles, Carolee Schneemann, Jerome Rothenberg... the Technicians of the Sacred. Gift Event III: A Celebration for poets, musicians, and dancers, based on the orders of the Seneca Indian Eagle Dance and performed at the Judson Dance Theatre, Judson Memorial Church, New York City, March 21 and 22, 1967. A part of the Spring Happenings.
The legandary…
Gil J. Wolman's revolutionary Mégapneumes reveals the radical origins of sound poetry. This essential collection documents the Lettrist pioneer's organic infra-language from 1960s recordings, including material found on his tape recorder after death - anticipating Chopin and Gysin by a decade
Mega Tip! 300 copies only. Alga Marghen proudly presents the previously unreleased “Collage 2” and “Collage 3 (Dies irae)” for magnetic tape, both realised at the Studio di Fonologia Musicale RAI in Milan with the technical collaboration of Marino Zuccheri. These pieces are precious testimonials to Aldo Clementi’s intense and ongoing interest in electronic music in the 1960s. “Collage”, presents some of the most extreme musics ever issued by the label, at the same level as Robert Ashley's “Wolfm…