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Mitsuko & Svetlana Records present the first reissue of Bells Of Kyoto's self-titled album, originally released in 1984. Archival reissue of rare 1984 jazz-funk fusion diamond in the rough by German-Australian-British madcap ensemble Bells Of Kyoto, produced by Ollie Marland of De-Lite and Jah Wobble's Invaders Of The Heart fame. Fusions grooves with Orient-funk detours and looking out the window of a Swissair aircraft moments of cool mid 1980s contemplation. Highly recommended to porthole dream…

Very Last Copies. Collector Edition. Silver Procédé Héliophore sleeve, made with the original Prospective 21e Siècle covers (the legendary series devoted to electroacoustic and avant-garde music curated by François Bayle and Pierre Henry begun in 1967). Limited to 100 copies. Previously unavailable and mind-blowing film scores by the late French composer and electronic music pioneer Bernard Parmegiani. Both drawn up for motion pictures by director Pierre Kast, 1965’s La Brûlure De Mille Soleils …

We Release Jazz present the official reissue of Eric Demarsan's original soundtrack of Jean-Pierre Melville's 1970 film noir classic Le Cercle Rouge. The film stars Alain Delon, Bourvil, Gian Maria Volontè, and Yves Montand. This reissue includes four bonus tracks, not available on previous pressings of the album, Eric Demarsan's compositions for Le Cercle Rouge draw from the orchestral spirit of the Modern Jazz Quartet (as requested by Melville who loved John Lewis's work), abstraction, and min…

Restocked, reduced price. We Release Whatever The Fuck We Want Records present a reissue of the highly sought-after electronic/sci-fi disco/proto-techno/ambient masterpiece Voice Of Taurus by Swiss music pioneer and synth super wizard Bruno Spoerri, available on vinyl for the first time since its original release in 1978. Surrounded with a formidable family of legendary synthesizers, primitive modulators, and audio gear -- transformed and customized à la Spoerri --, armed with an extraordinary t…

LP version; in heavy 350 gram sleeve. WRWTFWW Records present the official reissue of cult album Lingua Franca-1 (originally released in 1983) by groundbreaking Kyoto band EP-4. Straight from the delirious minds of unconventional geniuses Kaoru Sato (who had previously released an album as R.N.A. Organism on legendary Osaka label Vanity Records) and Yuji "Banana" Kawashima, Lingua Franca-1 is a seamless voyage of spellbinding mutant funk grooves, joyful post-punk explorations, synth fantasies, s…

Restocked, reduced price. WRWTFWW Records present an expanded reissue of one of the most fascinating Japanese ambient / environmental albums ever made, Nova by Yutaka Hirose, originally released in 1986. The expanded reissue includes the album known as Soundscape 2: Nova, sourced from its original masters, as well as four never-released-before recordings over 50 minutes. Initially released in 1986 as part of the Soundscape series. Commissioned by Misawa Home Corporation for use in their prefabri…

Collector Edition. Silver Procédé Héliophore sleeve, made with the original Prospective 21e Siècle covers (the legendary series devoted to electroacoustic and avant-garde music curated by François Bayle and Pierre Henry begun in 1967). Limited to 100 copies. Previously unavailable and mind-blowing film scores by the late French composer and electronic music pioneer Bernard Parmegiani. Both drawn up for motion pictures by director Pierre Kast, 1972’s Les Soleils de L’île de Pâques were far ahead …

**180 gram vinyl** Following the sad passing of Mark Hollis earlier this year we all collectively turned back towards the impressive career arc of his band Talk Talk. Lesser referenced was his self-titled solo album released in 1998, which is now available again on vinyl.Despite being released as a solo album by Hollis, it was originally intended to be credited to Talk Talk, under the name Mountains of the Moon. A beautiful and haunting work, this album picks up where he left off with Talk Talk'…

Death Waltz Recording Company is proud to bring soundtrack fans a huge classic of Italian horror. With music by one of cinema’s greatest composers, Ennio Morricone, Paolo Cavara’s The Black Belly Of The Tarantula is considered one of the best gialli ever made. Starring celebrated genre actor Giancarlo Giannini, the terrifying film is about a homicide detective hunting down a psychotic killer who has been paralysing and slaughtering women just as the deadly Pepsis grossa – the Tarantula Hawk wasp…

Death Waltz Recording Company is proud to exhume another classic soundtrack from the world of horror cinema with Bruno Nicolai’s incredible score to the 1981 Emilio Miraglia giallo The Night Evelyn Came Out Of The Grave (aka La Notte Che Evelyn Usci Dalla Tomba). The film is as mad as its title; Evelyn is dead before it starts and her previously institutionalized husband Alan, who has begun to murder strippers as a form of therapy, is duped by his cousin who wants to rid of his heir. Oh, and the…

Death Waltz Recording Company is proud to present Wild Beasts this marks the first time that Daniele Patucchi's score has ever been released on vinyl. A bona fide Italian horror masterpiece. Directed by Franco Prosperi (Momdo Cane). Released in 1984 the story sees a batch of PCP leaked into a zoo’s water supply infecting the animals who band together and rise up to destroy their captors. It’s one of the greatest nature run amok films ever made and is in turn thrilling, revolting, scary and hilar…

Werewolf Woman (original title La Lupa Mannara) is a 1976 Italian exploitation sleaze fest with the emphasis on sex and violence. Wild synths bubbling over skittering jazz drums is thrilling enough but composer Coriolano Gori intersperses some beautiful mellow themes throughout to temper the madness. 500 copies pressed on 180g colour in colour vinyl housed inside a 425gsm gloss varnish gatefold jacket.

Limited edition of 300 copies. Fans of space-age pop, exotica, and bizarre and strange music in general have a reason to celebrate, as Jimmie Haskell's Count Down! LP, one of the masterpieces of the genre originally released in 1959, is now reissued on vinyl. This galactic wonder, written and directed by soundtrack composer Jimmie Haskell, features 12 rocket-like tracks in which rhythms and styles popular at the time, such as surf, twist, and cha-cha-cha, are arranged with robotic precision usin…

Death Waltz Recording Company in conjunction with PentaMusic is proud to unleash another cult classic from the video nasty era (and their first in an ongoing series from the legendary CAM Records in Italy) with Carlo Maria Cordio’s musical score to Joe D’Amato’s notorious Absurd (aka Rosso Sangue). A pseudo-sequel to Antropophagus, the film reunited D’Amato with George Eastman, star of the previous film, and brought the action from Greece to America where the near-invincible Mikos escapes …

Like Abel Ferrara, Death Waltz Recording Company are not prone to shying away from the more extreme corners of culture, and are delighted to be presenting a true underground classic for the first time ever. Ferrara’s pictures often tread the line between grindhouse trash and art-films with insightful social commentary – and unflinching realism – and MS. 45 is his most notorious film, with much of its power coming from Joe Delia’s grimy yet haunting music. A sparse piano motif initially creates a…

Known by a select few as one of Canada's most intriguing cult artists, Bruce Haack always strived for mainstream acceptance. But Haack's true ambition may have been fully realized when it was discovered that he left behind a whopping 213 reels of recordings after his death in 1988. Preservation Tapes confusingly collects just ten of these tracks, with the majority coming from a session recorded for American Christian label, Sparrow Records, during his creative peak in the early '70s. In 2016, af…

Death Waltz Recording Company is proud to exhume another classic from their catalogue in lieu of demand from the dead and the living. From the twisted mind of Lucio Fulci comes ZOMBI 2 aka ZOMBIE FLESH EATERS. A notorious gore classic and the poster child for the video nasty generation, the film gently transports the viewer from the concrete jungle of New York City to the mysterious Caribbean island of Matool, with some shark versus zombie shenanigans along the way. Our musical guide for th…

Politico dub-collage practitioners Guerilla Welfare came from Edmonton, Alberta, coincidentally the birthplace of prophetic media sage Marshall McLuhan. Armed with vanguard ideas taken from Steve Reich, Fela Kuti, Robert Fripp and Material, the duo of Curtis Ruptash and Brian Schultze adopted the “studio as instrument” mindset of Brian Eno and King Tubby creating complex textural and polyrhythmic sonic insurgencies. They overdubbed drum computers, guitar, bass, noise-makers, mallet percussion, s…

Unavailable since the film’s release in 1982, Susan Justin’s music for Forbidden World – produced by the legendary Roger Corman – mixes the electronic influences of the time with splashes of new wave, creating a score that fuses the eerie tonalities and avant-garde sensibility of Alien with the straight-up funk of ASSAULT ON PRECINCT 13. Birthed from this is a cult classic score that deserves to be held up alongside the works of Richard Band and Alan Howarth. What immediately stands out from the…

A lost paradise, a lost innocence, and a lost culture; these are the dominant themes presented in Nicolas Roeg’s 1971 masterpiece Walkabout, a survival story of two children lost in the scorched Australian wilderness. Together with other seminal Australian surrealistic outback films, (e.g. Wake In Fright) Walkabout was a film that reshaped the Australian film industry and defined the country’s New Wave. On the cusp of the film’s 45th anniversary it is pertinent to observe that the film’s origina…

**Incredible pioneering recording of extended synthesiser and percussion technique from the Australian experimental underground. Edition of 500** Welcome to the strange musical world of Tolley & Dara, an experimental duo whose incredible music held a marginal yet vital position on the fringe of the Australian music industry during the late 1970s and early 1980s. Consisting of jazz bassist and synthesist David Tolley and percussionist Dure Dara, their union was a relationship of romance and inten…

Regarded as the link between Italian acid folk, Library music and Krautrock, Living Music was a collective of Italian Musicians, artists and poets active in the counterculture and student movement of Rome in the late 1960s and early 1970s. Taking their name and concept from the New York experimental theatre group ‘Living Theatre’ husband and wife duo Umberto Santucci (jazz critic, graphic designer (Brainticket) and photographer, library composer) and Gianfranca Montedoro (Jazz and rock singer, m…

***180 gram orange vinyl, 2019 stock*** Phoenix Records present a reissue of Flower Travellin' Band's Anywhere - originally released in 1970 - the debut album from the legendary Japanese rockers fronted by Yuya Uchida. Although consisting mainly of cover versions, Anywhere still exhibited many of the musical traits that were to come to the fore on the band's next release, the classic Satori, an album of original material delivered with panache by the increasingly confident Uchida in 1971. Anywhe…

Enigmatic UK-based singer and pianist Bill Fay's dark and haunting work gained him a strong cult following in the late 60s and early 70s. He released two albums on the Deram label in the early 70s and promptly disappeared into relative obscurity for 30+ years. In the last 10 years or so those albums have finally begun to get the recognition they deserve, and 4 Men With Beards is proud to be able to bring them back into circulation on 180g vinyl. First up is his self-titled 13-track debut from 19…

Selva Discos returns to the LP reissue game with a bang – by giving a new life to the stunning and very sought-after Memória das Águas album by Fernando Falcão. Originally recorded in 1979 in Paris but only released independently in Brazil in 1981, the album comes complete with genre-hopping explorations that swirl around ambient soundscapes, lively jazz, experimental-leanings, Afro-rhythms and a unique blend of Latin grooves and French pop with a Brazilian accent, but it also comes with a story…

First 200 on Red Transparent Viny. LP Gatefold 180 Gram + Poster. 500 hand numbered copies. The original soundtrack of the 1976 cult movie 'Napoli Violenta', composed by Maestro Franco Micalizzi, sees a deserved reissue. A classic 70s Italian crime soundtrack – presented here in full format for the first time ever, and filled with wonderful tunes in a variety of styles! There's a quality to the music that really matches the badass image on the front – a bold, forceful approach that has th…

LP Gatefold 180 Gram + Poster | 33 RPM500 Hand-Numbered. A driving Italian soundtrack from the height of the cop/crime years – done with really full arrangements by Franco Micalizzi, in a way that easily rivals some of the best American work of the genre in the 70s! This score from 1976 (here reissued on wax) features an amazing band, spacey grooves, some jazz atmospheres, timeless brass-crescendos, the charm of '70s funk and the untameable talent of the maestro! Most of the orchestrat…

LP 180 Gram. Black vinyl edition. Easily comparable to the vaste number of movies from the erotic-dramatic genre popular between sixties and seventies, Alessandro Fallay’s Le Altre – a pretty much unknown director of Iranian origins – boasts an amazing soundtrack from the unforgettable Piero Piccioni, one of the acclaimed masters of the genre. The album moves between easy listening atmospheres to jazz and lounge, among Roma and Cinecittà’s summers parfumes. Everything topped off with woods, Hamm…

Continuing the twisted pop explorations of Here Come the Warm Jets, Brian Eno's sophomore album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album -- often inscrutable, but still playful -- about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random conne…

First 200 on Orange Marbled Vinyl. 180 gram audiophile vinyl LP; Gatefold sleeve + movie poster.  Second release from the vaults of Spettro and another classic Italian gem of the late Sixties, a wonderful score from the genius of Bruno Nicolai, renowned for his long collaboration with Ennio Morricone and for countless and beautiful works for tv and cinema. Femmine insaziabili – also known as Carnal Circuit – is a 1969 Alberto De Martino giallo flick (with a young Romina Power) whose best part is…

First 200 on Transparent/Pink Vinyl. Rome was, of course, the pulsating heart of Italian library music – it is the place where tv and movies are made, so editors and musicians tend to gather there. But we must not forget what was happening, at the same time, in Milan – where there was a very active music industry, but leaning more on the pop and jazz side. The Roman style was more connected to the classic and orchestral tradition, but the musicians in Milan adopted …

Fabio Borgazzi – aka Fabio Fabor – played literally every known style of music, from baroque to “satanic” electronic, in his library music albums released during his career which lasted almost seven decades.Born in Milan in 1920, Fabor was one of the great artisans of post-war Italian popular music. Author, arranger and conductor with a classical background, he started writing songs (in the 1950’s and 1960’s) for popstars such as Nilla Pizzi, Johnny Dorelli and Milva; he then turned to music for…

First 200 on Yellow Vinyl. More than to reward the artistic ambitions of the artist, the majority of Library records were generally functional to sonorizations and conceived for a commercial use. So the main difficulty for the artist was to demonstrate his compositional versatility that allowed the use of his songs in different contests : documentaries, spaghetti western movies, television programs and dramas, news reports. “Clouds”, fourth chapter of this new and exciting Spettro series, is a c…

First 200 on Green Marbles Vinyl. The early Eighties marked a transition in popular music, especially for a generation of musicians (still heavily influenced by the previous decade) trying to assimilate the changes in aesthetics and technology which were occurring. Disco music is dead, so is prog, synths are still too expensive and unreliable, jazz is lost somewhere and the term “fusion” has become really popular. This the environment in which this album …

Rome was, of course, the pulsing heart of Italian library music – it is the place where tv and movies are made, so editors and musicians tend to gather there. But we must not forget what was happening in the library music world, at the same time, in Milan – where there was a very active music industry, but leaning more on the pop and jazz side. The Roman style was more connected to the classic and orchestral tradition, but t…

Ruscigan is Guido Baggiani, neapolitan composer and trumpet player, ex Karlheinz Stockhausen’s student. Ruscigan is Piero Umiliani, one of the most important Masters in Italian music, author of dozens of soundtracks and library recordings. “Disagio Sociale” was always considered as Umiliani’s solo work, even though it’s not part of his detailed and official discography as, i.e., “Viaggio nel domani”. Despite all the mystery and the discomfort of not knowing, the re-release of “Disagio sociale” i…

First 200 on Pink Vinyl. Masterpiece!!! If we talk about ideas, we surely talk about “Idee 1”, one of the best collaborations between Massimo Catalano and Remigio Ducros – together with “La fatica”, that will be reprinted in a while – with contributions from the amazing Daniela Casa. Daniela is one of the few women in the “Italian libraries” scene, but she’s more talented than some of her better known male colleagues. If Daniela, and so her husband Ducros, are names linked to a tiny niche of sou…

**Royal blue vinyl edition** Ken Elliott was the keyboard player for Second Hand and Seventh Wave, two obscure and elusive bands from the Seventies British underground scene, and this is the first ever reissue of his ultra rare gem released in the UK in 1979. After fourty years Body Music still sounds as a highly eclectic album. This is groove oriented music based on a series of both motoric and infectious Electro Funk rhythms and Synth Pop Disco elements. In other words this is great fuel for d…

First issue of this previously unreleased Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. Nuits De Printemps is the third part of Abdou El Omari's Nuits-trilogy. This album contains dazzling instrumentals, spiced up here-and-there with some traditional vocals. While playing his fine melodies, Abdou switches swiftly from his Farfisa Professional mothership to an analog ARP synthesizer. This new sound and some funky wah guitar …

1983, in the history of synths, is a key year. During the January edition of Namn(the most important music fair in the US), indeed, Miid – the standard protocol for electronic instruments interaction – was introduced to the world. Until then, programming and making synths work together was something practiced by a restricted elite of “wizards”, explorers armed with cables and analog patches, who could create new sonic worlds –…