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The debut album from the duo of Finnish accordionist Kimmo Pohjonen and Swedish reedist Mats Gustafsson - both musicians have routinely blown past the rules of the traditions from which first emerged—folk and free jazz, respectively—to explore constantly expanding worlds. It was only a matter of time before these iconoclasts collided to create something wonderfully raw and unexpected.
2025 stock If you went looking for a poster-child for Chicago's multidirectional, cross- pollinating, interstylistic music scene, you couldn't find a better one than Jeff Parker. Parker: jazz guitarist with pro credentials, widely travelled and prized by top soul-jazzers and hard-boppers. Parker: inveterate rocker who revitalized Tortoise with his ferocious improvising and tasty licks. Parker: experimentalist willing to try new dub, hip- hop, electronic, collage, free, chamber - anything worthwh…
Go On with the George Otsuka 5 was recorded in 1972 in Japan for the Three Blind Mice label. The album features a quintet led by drummer George Otsuka, a major figure in Japanese jazz in the 1960s and 1970s. The repertoire includes original compositions as well as contemporary hard bop standards.
Moon Ray was recorded on 21 and 22 April 1977 in Japan for the Three Blind Mice label. The album features the quartet led by alto saxophonist Yoshio Otomo, accompanied by Tsuyoshi Yamamoto (piano), Tamiko Kawabata (double bass) and Arihide Kurata (drums). The programme consists of standards from the American jazz repertoire as well as an original composition by Otomo. The production is part of the TBM label's series of acoustic recordings.
This first-time reissue of Quinteplus’ 1971 album revives a key moment in Argentine jazz, featuring crisp trumpet and tenor sax, electric piano-driven funk and modal grooves, and a tight, spacious rhythm section. It showcases prominent figures like Jorge Anders and “Pocho” Lapouble.
Quinteplus was born in Buenos Aires at the end of the 1960s, emerging directly from the ideas and experiments of the legendary Agrupación Nuevo Jazz. Founded in the early ’60s, this collective brought together some o…
** Audiophile reissue from the original masters, 180gm vinyl pressed by Pallas, laminated hand-glued gatefold cover. Limited Edition. ** Katcharpari is the second solo album by Italian jazz trumpeter Enrico Rava, recorded and released in January 1973 and considered a cornerstone of the jazz-rock/fusion genre. Recorded in Milan and released on the German label BASF, Rava himself described it as his "breakthrough album." Thanks to the critical acclaim this work received, Rava caught the attention …
Electric guitarist and composer David Torn announces "now i imagine a place not the same," an expansive new double LP out May 29 via Kou Records. Produced by Randall Dunn (Sunn O))), Thurston Moore), the album revisits the raw electricity of Torn’s early processing language while carrying it forward with the perspective of decades of exploration. Visceral yet weightless, it deepens his long-standing dialogue between alternate tunings, looping systems, and touch-sensitive electronics. Melody, noi…
** Coloured Vinyl edition ** A spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles. In addition to being skilled performers they demonstrate extraordinary compositional talent that transcends their sensibilities and wisdom of more conventional jazz.
They are together a wonderful combination of techniques, but witho…
Absolute killer session recorded at Vanguard Studios, New York, September 24 and 28 in 1984, with an intense line-up of some of our all-time-fav players of free music, including of tenor-saxophonist Frank Lowe, trumpeter Don Cherry, trombonnist Grachan Moncur III, pianist Geri Allen, bassist Charnette Moffett, and drummer Charles Moffett, ensures that this music is worth going for. Phrasing is super articulated and the whole vibe is just contagious. Outstanding interaction. The tandem communicat…
The Return of Sai Yoshiko! At first glance, the partnership between Jojo Hiroshige and Yoshiko Sai seems implausible. After all, what could the King of Noise and the mystical folk singer have in common? Released in 2001, and marking the first musical work from Sai in over two decades, Crimson Voyage is dark swirling ambience, a spirited improvisation between a master of dark noise, and one of Japan’s most underrated singers. Sai’s voice, still as exhilarating as it was during Mangekyo, bursts fo…
A unique Japanese funk masterpiece from 1973, in which Rinsyoe Kida, Tsugaru's shamisen Maestro, and Akira Ishikawa, one of Japan's most loved and celebrated leading drummers, as well as experimenter and brilliant composer, performed together. The ancient sound of the shamisen ride on the finest funk and the intense groove of Ishikawa. An extraordinary audiophile-quality recordings.
Recorded and released in 1969, Herbie Hancock’s last Blue Note album The Prisoner is a powerful but overlooked masterpiece. A moving tribute to Dr. Martin Luther King, this nonet session features some of the most exceptional instrumentalists in jazz including Joe Henderson, Johnny Coles, Hubert Laws, Garnett Brown, Buster Williams, and Albert “Tootie” Heath. Hancock said of The Prisoner: “I've been able to get closer to the real me with this album than on any other previous one.”
Blue Note Tone …
“The album Led Zeppelin would have made, had they formed in Caracas” - Alex Figueira
First time reissue of one of the essential and most sought-after Venezuelan rock albums, originally released in 1970, along the lines of what other artists such as Santana or El Chicano were doing from the United States in those same years. Grupo Pan was led by Carlos “Nené” Quintero, former member of Los Dementes, Ray Pérez's group, and through this record he aims to retain the rhythmic strength and brass arran…
*Warehouse find!* A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. B…
The long-awaited 3rd pressing, with a revamped obi design. The birth of a new classic in contemporary Japanese spiritual jazz and modal jazz. Experience a beautiful soundscape crafted with overflowing emotion and hidden energy.
On Mellow Dream, Ryo Fukui deepens the lyrical sparkle of Scenery into something more sculpted and powerful: bittersweet themes, surging originals and a clearer, three‑dimensional swing that many hear as the true apex of his studio work.
On Live At Vidro ’77, Ryo Fukui Trio explode the cool perfection of Scenery and Mellow Dream into raw stage heat: a newly unearthed club tape where “Mellow Dream” stretches past 16 minutes and standards ignite into hard‑swinging, edge‑of‑the‑seat catharsis.
On Ryo Fukui Trio At The Slowboat 2004, Ryo Fukui turns the ninth anniversary of his Sapporo club into a late‑career summit: Phineas‑ and Flanagan‑inspired fire, Shorter‑charged intensity and Slowboat’s living‑room warmth fused into powerful, precise, deeply fulfilled playing.
*300 copies limited edition* Their previous album Arrival of The New Elders presented a more varied and reflective trio, still as groovy as ever, but more structured and less jam oriented, earning them a 9/10 review in Uncut and a spot in their albums of the year list, noting their telepathic communion and concluding with “this is an Elephant9 you´ll never forget”. Reviews in Jazzwise, Shindig, Prog, Electronic Sound, The Quietus and several others followed in the same fashion. We´re delighted t…