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Edition of 120 copies. The missing chapter, at last. Two of the most elusive records in the Alga Marghen catalog - one-sided LPs pressed in editions of 80 and 29 copies, available only inside long since vanished boxsets - are finally united on a single LP. Oeuvres sonores completes the series of records issued in relation to alga marghen's presentation of the work of Charlotte Moorman at the Centre Pompidou between 2008 and 2013, and appears in a final edition of 120 copies only. Moorman remains…
Last copies! ** Edition of 250 copies in incredible diorama-style hand-made sleeve. **One more top mysterious trace from the Little Skull legacy: Dean Brown's album Ubique (i.e. "everywhere" in Latin) marks the passing of time and people. This sense of loss is very present though the whole record; not getting around to saying the things we meant to say and making sense of the leftovers. Screaming calmly, Dean Brown's Little Skull has shrunk, even more, until his head is almost just sore meat - t…
A shimmering exploration of processed guitar and electronics, Kristallisationen by Klaus Roeder (Kraftwerk) channels the avant-garde spirit of Stockhausen and the sonic curiosity of Cluster.
Originally released in 2001. In the fall of 1966 a group of composers that included Frederic Rzewski, Alvin Curran, Allen Bryant, Jon Phetteplace, Giuseppe Chiari and Richard Teitelbaum organized "Avanguardia Musicale I," a festival of several consecutive nights at the Accademia Filarmonica Romana. The program included tape music, Fluxus performance art pieces, and live electronic works. It was also the beginning of the group MEV.
One year later, the group was in Rome, Italy, but also involved i…
Beautiful edition! Takis was born in 1925 in Athens. Preferring, as a matter of principle, to teach himself rather study in a institution, he left Greece in 1954 and lived as a citizen of the world, traveling through Europe and the USA. Some of his earliest manifestations in the 1940s consisted of explosions carried out in open places. His first Signals date from 1954: they were rods consisting of piano wires which created musical vibrations as they stuck against each other in the wind. In fact …
Alga Marghen presents Éphémère I & II (for tape, or to be played with various instruments) -- two previously-unpublished masterpieces which represent for several reasons a very specific moment in the creative life and catalog of Luc Ferrari. Even if Ferrari's perfect skill in creating some of the most beautiful sonic works ever is now well known to the large audience appreciating his music, the undetermined character marking the two works presented here is quite surprising. Luc Ferrari was tempt…
Re-emerging from deep Fluxus celebrations in this 2012 summer, alga marghen realized that Philip Corner “Coldwater Basin” LP was instantly sold out. Could there be a better decision than issuing an alternative version of this masterpieces from the glorious 60s, by master of ecstatic music Philip Corner? If you fluctuated over sonic landscapes with the first version, then “Coldwater Basin No.2” will knock your socks off! More intense that Whitehouse, more liquid than your wildest dreams. “Rememb…
**Edition of 200, very last copies available** Maurizio Bianchi - aka M.B. - began composing in 1979, working in the lineage of Pierre Schaeffer's musique concrète: a practice rooted in the concrete manipulation of recorded sound rather than traditional notation. His stated aim was "to produce technological sounds and in such a way to work on complete realising of the modern decadence". From his early tape works as Sacher-Pelz to the LPs issued between 1981 and 1984, M.B. developed a singular co…
When glancing over the history of indigenous French free improvised music, there tends to be two observable categories of musicians - those who worked and collaborated with their counterparts from abroad, and those who worked independently. The former is generally more celebrated, and among those the drummer Jacques Thollot, who worked with Don Cherry, Steve Lacy, Sonny Sharrock, Sam Rivers, Joachim Kühn, and numerous others, as well as with French pioneers like Barney Wilen and Jef Gilson, rank…
**Edition of 431 copies** Alga Marghen in collaboration with Expanded Media Editions is proud to present the final issue of “Soft Need”, a publication centered on the work of William Burroughs and expanding its deep influences into contemporary consciousness.
Founded in 1973 as a reaction to the aftermath of a three weeks’ stay across Xmas and New Year’s with Brion Gysin and Burroughs by their confidant Udo Breger, “Soft Need“ had its roots in the underground press of the previous two decades a…
Edition of 300. Comes with a 8-page booklet. In 1969, while American minimalism was consolidating into its most recognizable forms, Charlemagne Palestine was conducting solitary experiments with oscillators and sine waves that only now reveal their visionary scope. This was the New York of lofts and abandoned industrial spaces, of artists pushing sound toward its physical limits - a city where the boundaries between music, performance art, and bodily endurance were dissolving. Battling the Invis…
Paysages Planétaires on Alga Marghen may be the great unrecognized masterpiece of ethno-electroacoustic music, a 3CD box that arrived in 2004 with almost no fanfare and has waited two decades for ears ready to hear it. Henri Pousseur and Michel Butor, collaborators across forty years and more than twenty works, here achieve something that resonates uncannily with Jon Hassell and Brian Eno's "Fourth World" concept. Yet Pousseur, the serialist pioneer who worked alongside Karlheinz Stockhausen and…
2017 release ** Issued by the Dutch "Nea Mousa Promotion Centre for Contemporary Music", the initial 1976 issue of this music documents the 8th meeting of "The Oeldorf Group" of Composer-Performers Pëter Eótvös (whose "Cricket Music" graces Creelpolation 1), Joachim Krist, Dietrich Frische, Gabriele Schumacher, and Mesias Maiguashca, who met annually at the barn pictured on the cover to workshop & perform each other's pieces from 1971 on. The two-part "Oeldorf 8" suite, composed in 1975, is a th…
2006 release ** Mattin: gnu-linux computer feedback. Radu Malfatti: trombone. Recorded in 2005. Going fragile is the latest collaboration between Radu Malfatti and Mattin, following 2004's critically lauded "Whitenoise". This album sees them refining their approach; they string incidents of sound along a long axis of time, creating distinct events against a stark backdrop. The cumulative effect is the creation of an enormous scale, small moments building to coherent wholes. This album is a vibra…
Althoff, the master of kinetic sound sculpture, returns to machines for a new offering of textured compositions. Knowing that I used these items for music-making, a friend recently gave me a large old aluminium pot lid with a beautifully flanged edge, just begging for some marbles to roll around in it. Attaching the lid to the platter of a slanted record player meant the marbles would gather at the lowest point, and roll when the lid rotated. Fixing a ‘bump-post’ in the path of the marbles push…
2006 release (storage wear) ** Oversize booklet cover. The history of our music is arguably defined by a tendency to push things to the extreme—by the ability to transform what might once have been dismissed as mere flaws into genuine new qualities. These are the very qualities that a whole host of copycats usually latch onto, often to the point of suffocation. Let me reassure you right away: Monno are not among the copycats. Their music is saturated—in the truest "noise" sense of the word. Nois…