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1998 release ** "This CD represents the pinnacle of IST's achievements so far. Phil Durrant's Sowari For Ist, concentrates upon texture and timbre as opposed to pitch and rhythm. The resulting music is detailed, fragile, abstract and beautiful, pushing acoustic instruments further into a sound-world more often associated with acousmatic forms. In Mark Wastell's Ritmico the emphasis is upon rhythm and the particular sonorities produced by the percussive possibilities of the wooden parts of each i…
2007 release ** "First entry in an on-going 'annual report' style compilation, programmed with the same sensibilities as 2005's Invisible Pyramid compilation by label guru Chris Moon. This entries' line-up includes: Keijo's Free Players, Brad Rose's North Sea, Western Automatic, the Ilya Monosov / Preston Swrinoff duo, Andrea Belfi (previously heard on the Invisible Pyramid comp), Paper Wings (Antony Milton + Anthony Guerra), Northern Cross (new Geoff Mullen + Kris Lapke duo), Brasil & the Gallo…
As well as being the great vibraphone innovator of the era, Gary Burton is known for his unparalleled intuition as a talent scout. In 1973, The New Quartet introduced Abraham Laboriel: this was the first recording of the bassist who would soon become one of the most in-demand session players across all genres. “It must be emphasised that Laboriel sounds like a major artist in the making with his astonishing bass work,” wrote Melody Maker. Guitarist Mick Goodrick also emerged as a player to watc…
2000 release ** Exclusive tracks by German Electronica acts from Hamburg, Berlin and Cologne incl. Mouse on Mars (Sonig), Christoph de Babalon (Digital Hardcore), Hematic Sunsets (Asmus Tietchens), Groenland Orchester (Staubgold), Wrag Naroda, Ostinato, Stick, The Messenger vs. El Stick, Cybermouse, TBC, Reznicek, Flash Gordon Blues Band, Jetzmann/Liquidski.
*2024 stock* A striking album of new music from pianist/composer Carla Bley, whose trio with Andy Sheppard and Steve Swallow is now in its 25th year. Individual associations among the players go back much further: bassist Swallow first recorded music by Carla in 1961. So when Bley says “Life Goes On”, a lot of life is alluded to. The album, realized in the Auditorio Stelio Molo Studio in Lugano in May 2019, with Manfred Eicher producing, takes the form of three suites. The title piece begins as …
*2024 stock* Andando el Tiempo features new music of wide emotional compass by Carla Bley, and underlines her originality and resourcefulness as a jazz composer. “Saints Alive!” sets up animated conversations between the three musical participants with striking statements from Steve Swallow’s bass guitar and Andy Sheppard’s soprano sax. The stately “Naked Bridges/Diving Brides” draws inspiration from Mendelssohn and the poetry of Paul Haines. And the powerful three part title composition – wh…
**2022 Stock. Originally released in June 1973, audiophile pressing taken from the original analog tapes** It had been preceded by ECM duo albums with Barre Phillips and with Derek Bailey as well as the cooperative band Circle’s great Paris Concert, but Conference of the Birds, recorded in 1972, was Dave Holland’s first album as a full-fledged leader. An album of driving, progressive jazz it is also of historical significance as the only occasion when Sam Rivers and Anthony Braxton, two of the m…
Original 1991 LP edition Stepping into the territory of Gavin Bryars is like coming home, so familiar are the morphemes with which he composes his musical language. One of the most significant recordings in the Bryars catalogue, this disc offers a fine condensation of his spirited and nostalgic sensibilities.
After the Requiem dates from 1990 and follows his Cadman Requiem of the previous year. After completing the latter, which was written for the Hilliard Ensemble in memory of Bryars’s friend…
Circle was a band on fire with creativity. Chick Corea and Dave Holland had just left Miles Davis’s band, keen to explore all parameters of new music in an improvised context. Anthony Braxton, equally inspired by Stockhausen and Coltrane, brought in new directions from the AACM. Barry Altschul’s resumé included extensive work with Paul Bley. Together they were, for a while, matchless. Corea called the Paris Concert (recorded 1971) the realization of a dream. Melody Maker: “Paris Concert is evide…
*2024 stock* A group of musicians invited by Devin Brahja Waldman and Ziad Qoulaii for a recording session in Montreal, QC. This music speaks about freedom and evolution of consciousness. The album could be categorized as improvised Gnawa Jazz Krautrock: a combination of sounds we are able to discover for the first time thanks to the artists involved.
1988 release ** "Sometimes with a touch of disdain, but it’s merely poetic, political reflection on an incomplete world—the only one we know. Beauty and cruelty, joy and sorrow. The piano, mastering every language, responds to the glowing voice of the singer: Romansh, German, English, French. Sweet, strict, harsh, thrilling, playful."
Ralph Alessi’s fourth appearance as a leader for the label follows a singular album run that’s been met with nothing but praise from The New York Times to The Guardian. The latter lauded Ralph’s previous recording Imaginary Friends (2019) for its “elegant balance of poignant, playful original compositions and gracefully probing improv” and declared it “his best album yet”. It’s Always Now however brims with arguments that there is a new contender for that title. On his new album, Alessi’s unique…
*2024 stock* "An evocative, lyrical recording.... The two draw heavily on Slavic folk influences, even as they mine the kind of airy, contemplative jazz harmonies associated with the ECM school." - David R. Adler, AllMusicWave of Sorrow is an album by Soviet-Norwegian jazz pianist Mikhail Alperin and Russian brass player Arkady Shilkloper recorded in July 1989 and released on ECM the following year.
*2024 stock* John Abercrombie’s ECM debut Timeless (recorded 1974) has proven to be exactly that. This fiery session with Jack DeJohnette and Jan Hammer still sounds as fresh as the year it was released. “Timeless comes as a major surprise in terms of its depth, scope and inventiveness,” wrote Tim Buckley’s guitarist Lee Underwood in the L.A. Free Press. "[It] indicates that John Abercrombie is a major musical voice of tomorrow.”
2009 release ** ""Winter Canabinol Essence" is the debut album to be released by the Moscow based label Nihil Art. The Russian project Obozdur, unknown for us'till this release, offers here six tracks at the cross between "old-school" harsh noise, cut-up noise and experimental music. Using radio-waves transmissions, tapes, rythm'n box, processed vocals or tape-voices, processed guitar or bass, various analog effects, all used in a "non-musical" way, Obozdur creates long tracks of cut-up dada noi…
*2024 stock* Guitarist John Abercrombie – who has recorded as a leader for ECM since 1974 – returns with a second album by his quartet featuring Marc Copland on piano, along with longtime rhythm partners Drew Gress and Joey Baron. Extolling 39 Steps, the group’s 2013 album, the Financial Times said: “The emphasis is on subtle intrigue, flowing lyricism and the interplay between the leader’s warm, cleanly articulated guitar and Copland’s piano… with bassist Gress and drummer Baron equally supple …
2004 release ** "Mariae Nascenti is the solo-project of Angelo Visone, a native of Milan, Italy. Morituri Te Salutant is his first proper CD release, following a number of self-released CD-Rs. On Morituri Te Salutant he enlists the assistance of Black Sun Productions, Larsen and members of Sadomarta and Gullinkambi. There role here is to provide vocals to his surreal atmo-soundscapes that range from post-industrial greyness to dark ambient. Mariae Nascenti's palette involve electronic drones, an…
2008 release ** "The atmosphere ranges from ambient, meditation and transcendence to sound experiments and rhythmic madness. A clash of acoustic explorations by the Hati group with modern, rhythmic electronics by Lal (2nd Hand Beatnix, Wiedźmin). This is one of the most electronic projects ever realized by Hati, which – as a band that performs a lot – uses mainly acoustic instruments."
Girl Talk completes the "trilogy" of great records that started with Midnight Sugar and Misty, Girl Talk solidified Tsuyoshi Yamamoto's reputation as Japan's premier jazz pianist. Though he would continue to tour and record for Takeshi "Tee" Fujii more than a decade, Girl Talk became the pinnacle of his career. This trio of classic LPs together are a benchmark in Japanese jazz records in particular and recording engineering in general. As usual, master recordist Yoshihiko Kannari worked with Yam…