We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
From deep within the Soleilmoon warehouse, and just in time for its 10 year anniversary, come the leftover/extra copies of the LPs from the “Merzbient” LP box sets, originally released in 2012.
Montréal based artist and maker of concrète electronic tape music, Jeremy Young will release Cablcar, an experimental suite of electronic sketches for magnetic tape and analog oscillators, on Toronto’s boundary pushing label, Halocline Trance. A member of poetry_sound duo Cloud Circuit, electroacoustic modern classical trio Sontag Shogun, and library music waveriders Associated Sine Tone Services, Young’s long-evolving solo practice makes use of a sine and square wave oscillator system, 1/4″ mag…
Temporary Super Offer! Allow me to expand on a much restated quote from Albert Ayler: "Coltrane was The Father, Pharoah was The Son, and I was...The Holy Ghost.” If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or the Apostle Peter whom Jesus called the rock upon which he built his church. Christened by his tenure in the early 1960s with Cecil Taylor, Shepp was baptized into what we now call a modernist approach. In meeting Coltrane, a man always searching for a…
Temporary Super Offer! 'Cecil Taylor’s whole career was a wave-front of exploration. The analogy with light is apposite enough. He evolved so fast most of us never quite caught up and relied instead on a few safe generalisations that momentarily applied around 1962 and only occasionally thereafter. Taylor rarely referenced the space programme, and admitted towards the end of his life that he had found the moon landings “banal”. Like Sun Ra, he was a cosmonaut of sound, breaking free of gravity a…
Temporary Super Offer! "Extended II seems to me to illustrate the same point as its predecessor. These are men at work. The work is sound, as projected in three dimensions and across time. The composition is the realization of that process of work. Old philosophers used to refer to reality – the solid bricks-and-mortar and fellow-beings that surrounded us – as “the extended world” or as “extensions”, and that applies to the music you are holding. It extends because it exists in space and time, a…
Temporary Super Offer! "This Revisited disc chronicles the trio in transition. Formed in autumn 1959, the group recorded its debut album in December. Following a coast-to-coast tour, it opened at Birdland in March 1960, when the first five tracks here were recorded on two separate dates. Already cooking, by the time of the April and May recordings the trio was touching on the interactive magic heard on ezz-thetics’ At The Village." – Chis May
Temporary Super Offer! “Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way – through the senses, theoretically, technically. I would talk to Monk about musical problems and he would sit at the piano and show me the answers just by playing them.“ – John Coltrane
Reflecting both early experiences and recent developments with jazz’s avant-garde, these two albums are the most adventurous, and Let Freedom Ring quite possibly the
most personal, music Jackie McLean ever recorded. – Art Lange
Temporary Super Offer! "For the followers of Ornette Coleman’s music, 1963 and 1964 were the lost years. His final session for Atlantic Records, Ornette on Tenor, was in March 1961, and though he played sporadic club dates in ’62, his self-produced Town Hall concert in December was to be his last significant appearance until he accepted a Village Vanguard gig in January 1965. The reasons for this hiatus, apparently, were personal, economic, philosophical, pragmatic, and artistic, all at the same…
Temporary Super Offer! "One Step Beyond is rightly seen as a pivot point in Jackie McLean’s evolution, but its adventurousness was not without precedent. As A.B. Spellman noted in Four Lives in the Bebop Business, “Quadrangle” – the opening track for 1959’s Jackie’s Bag; it was first recorded as “Inding” for Lights Out!, a 1956 Prestige date – “involved an elaborate group construction that [McLean] was afraid was too far-out,” so he used “I Got Rhythm” changes to mainstream it, which he later re…
Temporary Super Offer! Summertime from the LP My Name Is Albert Ayler made me discover Albert Ayler. His unique interpretation of Summertime motivated me to go to Lörrach crossing the border from Switzerland to Germany to listen to the concert of the Albert Ayler Quintet in Lörrach on November 7, 1966. This experience has indoctrinated me forever for the music of Albert Ayler. In 1975 I created the label Hat Hut Records and in 1978 I had the chance, thanks to the support of Joachim Ernst Berendt…
Temporary Super Offer! Johnny Griffin came to Thelonius Monk with a reputation as a speed demon – double-timing the tempo was his default mechanism, elaborating melodies with a mixture of mellow swing and complex bop phrasing. Their contrasting nature – Griffin’s fluid extravagance and Monk’s percussive dissections – intensified by Roy Haynes’ forceful divisions of the beat, generate a tension unlike any of Monk’s subsequent groups' – Art Lange
Temporary Super Offer! "Rare performances and concerts. The Sound of the Munich Filmprodction and the concert of Helsinki are first releases. The Rotterdam concert was available in the Holy Ghost bootleg box." – Werner X. Uehlinger. "Albert Ayler’s late 1966 tour of northern Europe was, happily, well documented in one way or another, though not always with the best sound quality, something this reissue series is attempting to address (and doing very well). The recording at hand includes 3 tracks…
Point of Departure was an inflection point in Hill’s output for Blue Note, his penchant for formal complexity and compacted materials – which he revisited beginning in 1969 with a nonet date, tracks with a string quartet-augmented ensemble, and an album with voices – giving way to what proved to be a short-lived foray into the minimally scored pieces that distinguished Compulsion!!!!!. The two recording sessions were separated by only eighteen months, but they were among the most convulsive in j…
Recorded live 1958 in Stuttgaert. First time on CD. Performed by: Eddie Williams, Art Hoyle, Eddie Mullens, Dave Gonzales, Macky Kasper trumpets; Louis Blackburn, Wade Marcus, Larry Wilson, trombones; Leon Zachary, Bobby Plater, alto saxophones; Andy McGhee, Gerald Weinkopf, tenor saxophones; Lonnie Shaw, Werner Baumgart, baritone saxophones; Lionel Hampton, vibraphone & piano; Oscar Dennard, piano; Billy Mackel, guitar; Julius Browne, fender bass; Wilbert Hogan drums; Cornelius "Pinocchio" Jame…
2007 release ** "Vinc Project is primarily the work of Vincent Zermatten (Vinc for short) of Switzerland. His regular job is guitarist in the band Ever Since, who apparently are one of the three million metal bands in Europe. But My Story has very little to do with metal. Vinc plays just about everything here: keys, acoustic & electric guitars, bass, drums and vocals, and is assisted by a violinist, a cellist, and two singers. The music is melancholy, full-sounding symphonic rock that sounds ver…
2007 release ** "Founded by Village Voice icon Greg Tate and co-led with Dayton Ohio monster bassist Jared Michael Nickerson since 1999, Burnt Sugar the Arkestra Chamber is a sprawling band of musicians whose prodigious personnel allows them to freely juggle a wide swath of the experimental soul-jazz-hip hop spectrum. Burnt Sugar was originally conceived as a forum for the New York area improvisational musician to compose, record and perform material which reflects the breadth and depth of Ameri…
Organum Electronics ‘Noughwhere’ is the third OE album for Die Stadt, and could almost be seen as a culmination of all previous OE albums in terms of denseness and intensity. Like with all these works it’s a return to the electronic sounds David Jackman already created at the very beginning of his Organum project about 40 years ago. Similar sets of particular sound sources, arranged in a variety of permutations and combinations, and a variety of structures, to create a range of variations. They …
Organum Electronics ‘Quietude’ is another intense aural experience. A dense work, consisting of buzzing washes of electronic sounds, reminiscent of the very first Organum recordings. In common with other recent works, the piece uses a carefully chosen set of sound sources, overlaid and structured to form a tapestry of shifting textures. Recorded in 2021 and edited by Alan Jones at RMS Studios South London, the CD comes in a 4-panel Digisleeve with graphic artwork by Jonathan Coleclough. UK-based…
Organum Electronics ‘Darcknes’ is the sibling album of ‘Quietude’ (DS128). It is a similarly dense work, consisting of buzzing washes of electronic sounds, reminiscent of the very first Organum recordings. In common with other recent works, the piece uses a carefully chosen set of sound sources, overlaid and structured to form a tapestry of shifting textures. Recorded in 2021 and edited by Alan Jones at RMS Studios South London, the CD comes in a 4-panel Digisleeve with graphic artwork by Jonath…