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Exposure
**Double 200gm vinyl LP pressing.**After an absence of over 40 years, the first edition of Exposure - Robert Fripp’s startling 1979 solo debut - is available on vinyl again. The term ‘Classic album’ has been devalued somewhat through overuse, but if ever an album has proved worthy of the term it’s Exposure. An invitation from David Bowie and Brian Eno in July 1977 resulted in his appearance as lead guitarist on Heroes, David Bowie’s 2nd 1977 album from his own golden year and marked Fripp’s ret…
Salad Days Vol. 2
*2023 stock* "Motorpsycho's Salad Days vol. 2 includes the following titles, with all artwork recreated by from the very best available original sources and the music remastered from the original tapes where these were available: Mountain EP; Another Ugly EP; Live at Blitz '93 (LP); Demon Box (2LP)."
Electronic Meditation
**Orange Coloured Vinyl 180gr HQ, Gatefold, 45rpm audiophile. Edition of 500** In autumn/winter of 1969 Edgar Froese, founder of Tangerine Dream, met Klaus Schulze and Conrad Schnitzler. This trio formed the line-up of Tangerine Dream to record the debut album Electronic Meditation. The band was supported by two other musicians: Jimmy Jackson (organ) and Thomas Keyserling (flute), but both were mysteriously left out of the credits of the original album. Edgar Froese: "In 1969, I met Klaus in Ber…
Rushin'
"An album that puts jazz at the center. Emanuele Cisi records his first release for Mono Jazz (Right Tempo) returning to those elements from which everything begins and in which everything is fulfilled. With melody and swing, a deep sense of blues—not just as a style but as a fundamental state of music—and spirituality, the improvisation here becomes a space where the pieces reveal themselves as springboards for self-expression.
Rushin’ is not merely a collection of references and tributes, alth…
"Mu" First Part
** Deluxe 180gr. Black vinyl edition. Comes in a deluxe matte laminate gatefold sleeve. Original 1969 BYG album. Mastered to vinyl from BYG tapes by Nick Robbins. Exclusive liner notes by author John Masouri ** Don Cherry and Ed Blackwell, graduates of the revolutionary Ornette Coleman quartet, are in perfect accord on this seminal free jazz set, recorded in Paris during the late sixties. The emphasis, as on all Don Cherry releases, is on the life-giving, often magical qualities of pure sound, c…
Eternal Now
Something of a sequel to Eternal Rhythm, his classic meeting of free jazz and world music from five years prior, Eternal Now found Don Cherry entering the studio for the tiny Sonet label, once again with members of the European avant-garde scene (this time from Sweden).
This time around, though, the focus swings decidedly to the world-folk end of things: The only standard Western instrument is the piano, featured on only two of the five pieces (one of which is a non-traditional, African-styled r…
Art Deco
Temporary Offer. Verve by Request Manufactured at Third Man Pressing in Detroit MI 180g Audiophile Quality Vinyl. As one of the last albums Don Cherry recorded before he passed away in 1995, “Art Deco” could be considered something of a return home – or at least a glance back over the shoulder. By 1988, the non-conformist trumpeter had been travelling the planet for about three decades, absorbing folk music of all styles, which led to collaborations with a wide variety of musicians. From South A…
Hear And Now
Hear and Now's cover depicts a smiling Cherry posing like Buddha, and holding a trumpet with a bent mouthpiece -- an indication of some meditative sounds, but it's really a mishmash of styles with a leaning toward African rhythms. An underlying social message runs through the album of Cherry compositions (except one) produced by Narada Michael Walden. Cherry plays very little trumpet on "Universal Mother"; the African-based excursion is carried by Neil Jason's bass, Sammy Figueroa's congas, and …
Song Of Soil
2024 Repress. Masahiko Togashi was a pivotal figure in the development of the Japanese free jazz scene in late 60s. Percussionist and composer, he lost the use of the legs in an accident which nevertheless didn’t not prevent him from continuing an astonishing career that includes long and established collaborations with figures of the likes of Steve Lacy, Charlie Haden, Mal Waldron and Paul Bley. This session, recorded in Paris at the Ramèse Studio Du Village in 1979, sees an explosive collabor…
The Disintegration Loops
Since the turn of this century, perhaps no other modern composition has had a more resonant healing effect than The Disintegration Loops. Composer William Basinski’s deteriorating analog tape loops evolved from melodic symphonies to melancholic silence over a span of time that uncannily turned passing minutes into pensive lifetimes. In her foreword for the new box set reissue of The Disintegration Loops, the pioneering multimedia storyteller, Laurie Anderson, describes the impact of this transfo…
Lizard
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
Intercommunal Dialogue 1&2
Between 1969 and 1971, Francois Tusques and Sunny Murray were often accomplices in rebellious music. After other recordings, their collaboration culminated in an album that became mythical, Intercommunal Music, the site of a joust within the orchestra. The ephemeral and demanding label Shandar had invited François Tusques to lead a recording session on his own suggestion. Sunny Murray, one of his guests, arrived at the studio at the eleventh hour with a group of musicians ready to stage a ʹcoup …
Tea Time
"If you think that the constellation of Nicholas Bussmann, Sven-Åke Johansson and Yan Jun is a sort of dream lineup, you are not far off the mark. The joint improvisations that you hear on tea time capture a sound that once came to Bussmann in a dream and that he made a reality with the help of his fellow musicians. The trio recorded the five pieces across two days at Johansson’s SÅJ studio with engineer Andrew Levine, working with Bussmann’s curious piano robot while Johansson was on percussion…
Discipline
**Recent repress, classic prog-rock masterpiece gets the reissue on 200 gram vinyl** Discipline was King Crimson’s eighth album. It was originally released in 1981 following a baron seven year stretch from the band. Guitar noodler extraordinaire, Robert Fripp was the only original member left by this point, however, former Yes drummer, Bill Bruford remained from previous recordings. Tony Levin played his weird bass, and one time Frank Zappa and David Bowie collaborator, Adrian Belew took on guit…
Starless and Bible Black
"Starless and Bible Black is the eighth in a series of audiophile King Crimson vinyl reissues and completes the availability of the band's studio output from 1969/74 on 200g vinyl editions. Newly cut from masters approved by Robert Fripp, this super-heavyweight vinyl re-issue is housed in a reprint of the original gatefold sleeve. Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring…
In The Wake Of Poseidon
**classic prog-rock masterpiece gets the reissue on 200 gram vinyl** King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album -- largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") -- is actually better produced and better sounding than their first. Surprisingly, Fripp's guitar is n…
I Really Want To Bomb You: 1972 - 1984
The first ever collection of Jill Kroesen's wildly inventive and often dystopian compositions from '72 through '84. Includes her art rock masterpiece Stop Vicious Cycles, her coveted '80 single, an equal amount of unissued treasures, and copious liner notes. Jill Kroesen is probably best known for her 'no wave' compositions throughout the 1970s and early '80s. It's a fascinating and theatrical sound that sort of defies categorization. This compilation should help this music of real historical si…
In the Court of the Crimson King
50th anniversary edition. 200 gram super-heavyweight vinyl reissue, newly cut at Loud Mastering from tapes approved by Robert Fripp. The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good -- it took King Crimson nearly four years to come up with a record as strong or concise. Ian …
Red
*50th anniversary edition of the 1974 classic, featuring a new 2024 mix by Steven Wilson and an album of Elemental mixes by David Singleton - all mixes approved by Robert Fripp. 200-gram super-heavyweight vinyl* Red is the fourth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. One of the most powerful and influential albums in the band's remarkable c…
1 - 7
*150 copies limited edition* Headlights Recordings presents Manuel Mota's new work 1-7. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to him indistinct, and that's w…