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Allen Ginsberg's The Fall Of America II
Various artists musically interpret poems from The Fall of America: Poems of these States 1965-1971 on this second volume tribute to Allen Ginsberg’ s The Fall of America, which benefits Pen America. Musical interpretations of Ginberg's poems are performed by Ai Weiwei, Philip Glass, Thurston Moore With Saul Williams, Downtown NYC poet Anne Waldman, Miho Hatori (Cibo Matto), Jack Dangers (MBM), Kai Campos & Cj Mirra, and more.
Fall of America Poems, published by City Lights Books in San Francis…
Children of the Forest
Black Editions Archive is ecstatic to announce the next chapter in the Milford Graves Archive series, the double LP Children of the Forest, previously unreleased 1976 sessions with Hugh Glover and Arthur Doyle that re-write the book on Milford Graves' ensemble music of the 1970s. Graves recorded these sessions himself in his legendary Queens basement laboratory and workshop in the months immediately leading up to the March 1976 session that produced what many consider his most iconic album, Bäbi…
Being Near
Had the titular contest in guy maddin's "the saddest music in the world" not been rigged from the onset, turkey could have delivered an impeccable contestant in ekin fil. for many years now, her spectral dream-pop deconstructions hold a thousand-yard stare of an unconsolable melancholy; and she's drawn the highly favorable comparisons to grouper and lovesliecrushing thanks to her understated yet beloved catalogue of releases on root strata, students of decay, no kings, and sacred phrases. helen …
Historic Music Past Tense Future
Black Editions presents “Historic Music Past Tense Future”, the first ever album to feature the meeting of Peter Brötzmann, Milford Graves and William Parker. Three of the towering figures in the history of Free Jazz forge an incredibly vital free music born from lifetimes of uncompromising, ceaseless artistry. “Historic Music Past Tense Future” is the inaugural release by Black Editions Archive and the first in a series of records that will present previously unreleased works featuring Milford …
Body/Dilloway/Head LP
This record is a head-on excavation of temporal fallibility, a collaboration between Kim Gordon(Sonic Youth, Body/Head, Free Kitten et al. and Bill Nace with Aaron Dilloway former member of Wolf Eyes or in innumerable other contexts.
Sidewalks in Motion
Rashied Ali stood as a magnetic force for the musical environment around him. In his last decades he sponsored rehearsal opportunities for young musicians, tightened up neighborhood street-corner drum circles he happened to pass, and for years would pull promising young talents into his orbit. One unique group that Ali led at the 2002 Vision Festival in NYC, along with with Frank Lowe, he also took into the studio—and the moment you hear on Sidewalks in Motion features Ali and Lowe along with yo…
47 Gates
The first collaborative work by Ernst Karel and Bhob Rainey. Four tracks. 6-Panel Digipak with one CD.
ErstLive 008
Keith Rowe's concluding set, with longtime partner Toshimaru Nakamura, at the AMPLIFY 2008: Light festival, recorded on September 21, 2008 by Taku Unami. AMPLIFY 2008: Light was an intense and deeply immersive experience for all who were lucky enough to be present, and quite a bit of that was attributable to Rowe's four sets, which are now available for all to hear.
Keith Rowe
ErstLive 007 is a solo set from Keith Rowe, and took place on the second night of the Amplify 2008: light festival in Tokyo in September 2008. This was Rowe's first ever solo set in Tokyo in his 40+ year career. Keith Rowe: guitar, electronics.
do
A groundbreaking release from two youngish Japanese improvisers. Sachiko M plays sample-less sampler, and Nakamura uses the no-input mixing board--both instruments which conceptually produce no sound, yet these two conjure it out, somehow."Do" was recorded live in Europe and Tokyo last summer, and features three improvisations varying in length from just over two minutes to slightly under 40. While the shorter tracks are worthwhile and hold moments of greatness, it is the first, very long track …
Ftarri
Sploosh Records presents Ftarri by Riuichi Daijo, Martín Escalante and Yuma Takeshita. Recorded live at Ftarri on 06/08/19. Special thanks to Toshimaru Nakamura. Art and design by Everardo Felipe. Mastered by Skaset.
Riuichi Daijo: guitarYuma Takeshita: electro-bassMartín Escalante: sax
2 seconds / b minor / wave
Michael Pisaro and Taku Sugimoto are not generally closely associated, but have quite a bit in common. Both are composers whose primary instrument is the guitar, both have close ties to the Wandelweiser collective (Pisaro is a longtime member), and both have pursued their unique paths without much concern as to how the rest of the world will perceive them. 2 seconds/b minor/wave marks their first collaboration, but these aesthetic overlaps allow their independently conceived recorded parts to fi…
Phi
First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation. Keith Rowe and Radu Malfatti are two of the most influential experimental musicians in recent decades, each with extensive bodies of highly distinctive work and a combined 80+ years at the forefront of their respective areas of exploration. On Φ, their first meeting ever is documented via…
Maruto
Using his no-input mixing board Toshimaru Nakamura, perhaps the ultimate Onkyo artist, spent two years creating this work, which is also the second release in the Erstsolo series. Nakamura constructs this 46 minute piece from recordings of his mixer, which generates a combination of hum, glitch, buzz and subliminally disruptive sound. He develops the results into gentle and non-violent textural and impressionistic music that unfolds in a meditative and absorbing manner. That Nakamura c…
Cloud
restocked: The four gentlemen of the guitar are: Keith Rowe guitar, electronics. Oren Ambarchi guitar, electronics. Christian Fennesz guitar, computer. Toshimaru Nakamura no-input mixing board. 'Keith Rowe, Oren Ambarchi, Christian Fennesz and Toshimaru Nakamura are four of the most prominent and influential musicians in experimental music today, each with extensive discographies and distinctive styles. In mid-2004, they formed the Four Gentlemen of the Guitar (4g), and played a series of shows …
Face off
Erstwhile's debut of percussionist, microphone and electronic artist Will Guthrie in a duo with tape machine Revox and electronic artist Jerome Noetinger ("Hands of Caravaggio") in an interactive "face off" between the two. "november 2011 release ; ... whenever i get bummed out about music in general (usually :: fearing the seemingly consistent march towards rural / “beguiling” simplifications of electronic music, various “returns” to “form”, etc ...) there almost always seems to be an erstwhile…
Crosshatches
Crosshatches was composed, recorded and assembled by Tsunoda and Pisaro over a period of 14 months, as a single 85 minute work in eight sections.
Dystonia Duos
2013 release ** "Contrary to the effects of the titular condition, which I'm given to understand afflicts both musicians, and as also implied in the images of distorted and pained hands adorning the cover, there's some seriously steady and decisive music contained herein. It's understandable, for a moment, that the innocent listener might have an idea that this is more Panzner's affair than Stuart's if, like yours truly, one's knowledge of the latter's work is pretty much covered by his adventur…
Detour
A stunning construction and a fantastic recording, seemingly endless layers of depth and ways to listen. A composition using field recordings by Toshiya Tsunoda and Manfred Werder, recorded in Japan in 2013. A bit past the 40-minute mark, there's a clear fade-out of the activity above and a shift into a different zone--perhaps it's simply going from the Miura Peninsula into Tokyo (the detour?). A strong, somewhat harsh electrical buzz is the main element, sounding like an exposed wire-box on…
The Abyss
The Abyss is an epic, dynamic statement that shows the wide range of sound these two esteemed artists are capable of creating. The lengthy list of instruments used, plus the year it took to assemble, gives an indication that there is a grander modus operandi at play here than the linear works that Kevin Drumm and Jason Lescalleet are known for. CD-1 is made up of seven pieces that run the gamut, with electronic crackle, digital shards of noise, piano mangle, and even dissonant brass clust…