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Worldfood
Worldfood is a wild, psychedelic warble & drone of looped, overlayed tape pieces produced by 'goosing' an ampex tape player with a computer calibration device. The resulting two pieces -- 'Worldfood vii (To See With my Eyes)' and 'WorldfoodXii' -- both part of a number of variations in a series -- make for gorgeous, careening sungazing music. Leave your glasses behind. Ramon Sender is a legendary figure in the Bay Area scene -- first paving the way for the San Francisco Tape Center with Morton S…
Lady June's Linguistic Leprosy
Conjoining music, poetry with visual art was a logical step in the climate of the time and the early 70’s saw a variety of gigs by Lady June,writer, painter and eccentric, who in her travels around the Mediterranean had met Soft Machine’s Kevin Ayers and Daevid Allen in the burgeoning hippy scene of Mallorca. 1974 saw the first performances of her ‘Uppers and Downers’ show in Amsterdam. The poems from this would form the basis of ‘Linguistic Leprosy’ and eventually be published by Virgin Books i…
Volume 333
Volume 333 is the third album by the Montreal collective L'Infonie, and it is considered by many to be their masterpiece. Released in 1972, this surprising, hard to categorize album is a mix of experimental groove, psychedelic jazz-rock and.... classical music, that will appeal to Zappa fans, but also to chamber music audiophiles. An extraordinary listening adventure and a monument of undeground Kébécois rock! Formed in Montreal in 1967, L'Infonie existed officially until 1974. Seven years of pu…
Brain Damage in Oklahoma City
Previously unreleased material recorded between 1967 and 1970. "Comprised of eight tracks, the acme of this collection is the two large ensemble pieces, "Dreamweapon Benefit for the Oklahoma City Police Dept. parts 1 & 2," featuring Angus Maclise (barrel conga), Hetty MacLise (tampura), the poet Jackson Maclow (recorders and voice), Henry Flynt (song flute and voice) and Tony Conrad (limp string). These tracks, recorded in May of 1968, are the apex of maximalist loft style psychedelic improvisat…
The Naked Truth
Every once in a while, a record presents itself so defiant in its refusal of categorization that it becomes the bane of those poor vinyl archaeologists whose business it is to file and classify. The aptly-named The Naked Truth (1975) is one such artifact; a wayfaring stray of an album that weaves its insouciant magic through the edgelands of sound. The musical provenance is palpable -- an electric blend of spiritual jazz, rhythmic black psychedelia and far-out exotica -- but where it's he…
Merzbild Schwet
**500 copies, blue vinyl. Very few copies available** The long awaited vinyl reissue of NWWs classic third album is finally available. Nurse With Wound began as a trio, but by Merzbild Schwet, its third album, Steve Stapleton's singular vision took over, with no compromises to other band members. As such it can be considered the first fully realized NWW. record and is a far more mature effort than its predecessors. Stapleton's editing techniques come to the fore, with abrupt transitions, quirky …
Myscitismes
Bristling with youthful innovation and rebellion that demands to be lived in and explored, this long awaited, first time stand-alone vinyl reissue of Vox Populi!’s legendary 1983 cult masterpiece, 'Myscitismes', is easily one of the most exciting reissues of the year.
Leave The City
The music we find here is an extremely experimental form of electronic jazz which is not a million miles away from the styles of early German Krautrock bands such as Kraftwerk and Tangerine Dream. Originally issued in 1970. This was the second of 2 MEV albums to released by BYG in 1970, following The Sound Pool (which featured Alvin Curran, Richard Teitelbaum & Frederic Rzewski amongst others). It features floating, droning free music freakouts of the finest cosmic quality and this reissue is a …
Orchestral Works
Diamonds for 1, 2, or 3 orchestras' [for three orchestras] (1999), 'Slices' [for cello and orchestra] (2007), 'Exploration of the house' (2005). Janá ek Philharmonic Orchestra, Christian Arming, Petr Kotik, and Zsolt Nagy, conductors; Charles Curtis, cello solo, with members of the San Diego Symphony. For nearly fifty years the work of Alvin Lucier (b. 1931) has marked off a space unlike any other in American music. By now a hero to three generations of experimentalists, Lucier continues to make…
Death of the moon
This disc is a reissue of lps on Pogus and Radium. Rune Lindblad (1923-1991) was an early pioneer in electronic and concrète music. Lindblad did not see these genres as mutually exclusive. Important and wonderful works by a composer who represented no institutionalized school of thought. At a concert in 1957, the critics called his music "pure torture."
Music for Merce (1952-2009)
The late Merce Cunningham was renowned for his legendary collaborations with the most significant experimental musicians of the late 20th century. Particularly notable is his association with John Cage, who served as the founding musical director of the Merce Cunningham Dance Company until Cage’s death in 1992. Spanning six decades from the early 1950s onward, these recordings capture the breadth of the Cunningham repertory and the rich diversity of Cunningham’s musical collaborations. Composers…
Dregs
* Edition of 150 * Debut LP from Capers. Slow and repetitive tape noise, with emphasis on noise. Sums it up pretty good. For those aquainted with earlier Capers material, those sounds are still present, but as a whole Dregs is a step in a different direction. "Sounds like someone is running a Puch Dakota through a huge wall made out of shit."
Basic Housekeeping - Order
Cortex A9: Basic Housekeeping - Order" is a new noise/electronics-project by Dan Johansson (Neutral, EFFM, Sewer Election etc), Frederikke Hoffmeier (Puce Mary) and Hugo Randulv (Amateur Hour, Makthaverskan, EFFM etc.”
Got To Stop Me / Hot Tarmac
* Edition of 200 * Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 45rpm. Stark electronic abstraction from the London-based duo Komare which consists of Dominic Goodman and Peter Blundell from Mosquitoes. Two tracks of industrial DIY minimalism creating an organic sound world from broken rhythms and extraneous sound generated by modular synthesis with minimal bass figures and voice that is both an instrument and a cloudy narrative. With 'Got To…
Magnet Hill
* Edition of 200 * "Jesse Dewlow from Philadelphia follows up two great albums on Siltbreeze (Tricephalic Head, 2014) and Blackest Ever Black (Gunshots At Crestridge, 2016) with his first vinyl 7". Compared to earlier recordings, Magnet Hill is rather minimal and mainly based on guitar, that "a murky sub-underground feel resembling South Island NZ pop played inside of an armored car" line may still be somewhat on point, but these two downer gems are deeply rooted somewhere else. Both sides ends …
Link
Edition of 500, no repress, no digital. After closing out Smalltown Superjazzz’ run in 2015, Mats Gustafson fires up its new iteration - Actions For Free Jazz - in the lacquer crackling, spittle-riddled investigations of ‘Link’ with avant-turntablist Christian Marclay Both known for charting paths less travelled, here they point to strange, liminal zones of perception on their first collaboration, with Gustafsson’s electronically processed tenor and baritone sax channelling an ecology of wee be…
1.001.006 / 1.001.007
* Edition of 200 * A static, haunting bliss from Michael Morley's Music for The Never Quartet project. The New Zealand-based artist and musician is best known from The Dead C but has also recorded music as Gate, The Fuck Chairs etc, as well as a couple of albums under his own name.
"Music for The Never Quartet seeks to employ the resonating qualities of wooden acoustic guitars placed upon items of wooden furniture to reveal connections between time and space by sonically activating the instrumen…
Kredsbevaegelsen
Kredsbevægelsen was an A/V installation based on a video projection of a feedback generated from a video camera filming it’s own projected output and feeding back the light information of the space in between camera and projection, returning output as input and retransmitting, producing a discontinuance of difference between action and effect.
Frequencies of coloured light are scaled down to audible spectrum and quantised into harmonics. All audio dynamics, variation in amplitude, phase, frequen…
Blunder
The immaculate mess of Blunder originates from a three-piece impro group consisting of Mads Forby (drums), Kristian Poulsen (guitar) and Lars Greve (saxophones and clarinets). Their debut album Blunder presents a music that's hazy and patient, struck by a disarming sense of attentiveness. It's a slow dance around a malformed energetic forcefield, it's the pull of the vortex, sucking the listener into an elastic sound world of repetitive rhythmic structures and shamanistic summoning.
Journey Into Nigritia
Legitimately available again on vinyl for the first time since its original release in 1983, Outernational Sounds proudly presents a major statement from a crucial figure on the Los Angeles jazz underground – pianist Nate Morgan’s spiritualised deep jazz classic, Journey Into Nigritia. How many 16 year olds would have the confidence to walk up to a revered bandleader at a gig, and inform him that one day they’d be playing together? As improbable as it sounds, this is how pianist Nate Morgan intr…