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The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
This French group started out under the spelling of Maajun and their debut album from 1971 is supposed to be a bit of a classic in a mixture of early underground styles. It's not on CD however. They changed the spelling of the name and a released a couple of albums for Saravah in '73/'74 and then this last album in 1977 (on Gratte Ciel). There's a post-Zappa influence involved and they supposedly "melded Arab, Free, and folk influences, doling out derision through satirical lyrics and music whic…
Chicago drummer and composer Jeremy Cunningham wrote The Weather Up There in response to the loss of his brother Andrew, who died in a home invasion robbery in 2008. Co-produced by Jeff Parker and Paul Bryan, and engineered by Paul Bryan and John McEntire, this new work confronts the tragedy of violence and examines the acute ripple effect on several people's lives through the lens of memory, response, and collage. Further deepening the textural and emotive impact, Cunningham formed a “drum choi…
A native of Poznan, the multi-instrumentalist composer / producer Waclaw Zimpel has steadily been gaining recognition as one of the most singular and original talents to have emerged from Poland in contemporary times. His second solo album Massive Oscillations is his first for the Amsterdam-based label Ongehoord. At various points Waclaw deploys bass clarinet, alto clarinet, electronics, prepared upright piano and Yuri Landman guitar object. Wojciech Traczyk adds double bass and Holly Hock provi…
**very last copies** Première release. Two astonishing archival works by Mary Jane Leach are now available on vinyl for the first time, bringing to life a wondrous iteration of the highly fertile 1970s New York minimalist scene. Mary Jane Leach is a definitive model of the American avant-garde and experimental composer - creatively brilliant, tragically underrecognized, yet always there, rigorously plumbing the depths, issuing challenges, venturing toward the unknown. Having moved to New York du…
**180 gram vinyl with printed innersleeve** Born in Maracaibo, Venezuela, Alexander Molero is no stranger to the exotic idealism that westerners have towards South America. A move to Barcelona a few years ago gave him new notions of how the Amazon was imagined by the west. The inspiration for this record came from the book by Anton Goering "Vom tropischen Tieflande bis zum ewigen Schnee" and was also influenced by the writings of Victor Segalen and the visions of Werner Herzog in “Fitzcarraldo” …
**350 copies** "NoBusiness presents the latest trio recordings by Thomas Borgmann, Jan Roder and Willi Kellers. The album includes the following tracks: The Other Morning in the Park by Thomas Borgmann, Broadway Birdy by Willi Kellers and Chatham Bellbird by Jan Roder.Recorded on 16th May, 2017 at SAE Studios, Berlin by Robert Oeser.Mixed by Olaf Rupp and mastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras Anosovas.Thomas Borgmann - tenor & soprano saxophone, toy-melodicaJan Roder - double …
Recorded 3rd June, 1971 at the Jazz Workshop, Boston. Sam Rivers - tenor and soprano saxophones, flute, piano, Cecil McBee - bass and Norman Connors - drums. "Musician discographies are like icebergs. Commercially released recordings often only represent a surface-visible and procurable fraction of actual output; a reflection of those comparatively few instances when resources, fortitude, and good fortune aligned to yield salable product. Samuel Carthorne Rivers situation was no different. Despi…
“Mine is the Heron” is the new Tom James Scott record, the first document of his solo work since 2017. Over the past decade, the UK-based composer has released a diverse body of recordings via labels such as Bo’Weavil, Carnivals, Where To Now?, and his own impeccably curated Skire imprint.
**120 copies** It features four heavyweight tracks by Stefan Schneider, ghanaian drummer Nicholas Addo Nettey and percussionist Sven Kacirek (Hamburg). Nicholas Addo-Nettey was a former percussionist with Fela Kuti and his famous Africa 70 band during the most legendary years of his career. He has left band in 1979 in Berlin where he has been living ever since. His early solo album Pax Nicholas from 1971 has gained fame through a reissue in 2009. It is interesting to note that Drumira was firs…
In collaboration with Markus Acher’s Alien Transistor label, Morr Music presents a collection of hard-to-find Japanese independent music, compiled by Saya, who plays with Ueno Takashi in the iconic duo Tenniscoats. They are part of a current music scene, which is little known outside of Japan. "Minna Miteru"“ focuses on that very scene: the featured bands and musicians share a certain idea of DIY, and are also connected through frequent collaborations and mutual appreciation.
Powerful saxophone textures from the sax player of the mighty ZU. On this debut album Luca T. Mai is placing his probing and powerful saxophone artistry from energetic sound scapes to celestial layered drones. A stunning solo piece of work, immersive and deep.Luca T. Mai: baritone saxophone. Recorded in September at ZK Squatt Riot Studio. Mixed and mastered by Lorenzo Stecconi.
For many, the first traces of the Raudive Tapes were in William Burroughs's fictions and articles. The fact is, these mysterious magnetic tapes, which capture the voices of the dead, and were recorded by the Baltic scientist Konstantin Raudive, are not a fiction but a reality (in this case, not judging their scientific objectivity). These tapes, as rare as H.P. Lovecraft's Necronomicon, are now in Sub Rosa's archives.What you'll find in this record: 1. Two introductions by Konstantin Raudive and…
**Third pressing on black vinyl.** Edited and mixed between Montreal and Paris, From Somewhere Invisible summons the fever of experimentation and the powerful sound of the game coming together in the service of a luxuriant and psychedelic drift. Synthetic brass meets hammered rhythms, string electrics with cracked electronics, saxophone cries and laughter at a pulsing and seminal bass. Created in 2012 by multi-instrumentalists Frédéric D. Oberland and Stéphane Pigneul, Oiseaux-Tempëte (Storm Pet…
**Orange vinyl, includes poster** Tlamess (Sortilège) is Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian director Ala Eddine Slim (Festival de Cannes' 51st Quinzaine des Réalisateurs, BFI London, ADF Argentina, Geneva GIFF, Rome Medfilm Festival, Marrakech International Film Festival). Combining hypnotic feedbacks and synthesizer orchestral work, drifting ambient with shamanic beats, the Tlamess (Sortilège) original soundtrack was…
Rare Brazilian spiritual jazz reissued for the first time worldwide from the original master tapes. Legendary sessions produced by Amado Maita, deluxe numbered limited edition with OBI and thick cover. Recorded live at São Paulo in 1982, the album was originally issued on Amado Maita’s small indie label called Poitou in the '80s, and features one of the best Brazilian sax players, the legendary Nestico and his sister composer, piano player Lilu. Nestico joined several Jazz ensembles in São Paulo…
The existence of a free-improvising organ trio, though uncommon even in 2010, shouldn't be all that surprising and, indeed, you might be prompted to ask what took so long. Certainly, figures like Larry Young and Big John Patton stretched the boundaries of organ-jazz in the late 1960s and early 1970s, and composer / pianist / polymath Sun Ra employed the Hammond organ in some of his ensembles (though perhaps those were among his most 'inside' recordings). But for the past few decades, most or…
End of the Night was conceived based around a simple, yet extremely emotionally resonant concept. Late one evening the musician and myself were listening to records at home. After many hours it got to the point where everything became completely still, the silence permeating the walls, reverberating. We agreed to listen to one more record, but what would it be? What music could answer that existential quandary of the perfect last record of the night at home? I instantly asked him to make me the …