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Peter Evans on trumpet and compositions, John Hébert on bass and Kassa Overall on drums. Recorded live at the Zebulon Cafe in March of 2012. Debut album by this rare trumpet - bass- drums trio. A review from Gapplegate Music Review: "Peter Evans was and is a trumpet player who never ceases to surprise me. When I first heard the solo album he did for Evan Parker a number of years ago I thought, "huh?" And it's been that way ever since, whether it's with MOPDTK, with others or on his own. He is a …
The long awaited second release from the Peter Evans Quintet. Four new compositions commissioned by the Jerome Foundation's Emerging Artist Grant and recorded at the Experimental Media and Performing Arts Center in Troy, New York. The album is named after a novel by Frank Herbert concerning a mission into space to create an artificial consciousness, a mission designed to use planned failure as a springboard to new levels of creativity. Destination: Void is an epic, cinematic synthesis of eccentr…
The eponymous debut recording from the quartet Rocket Science, recorded live at the Vortex in London. Rocket Science brings together four virtuosic instrumentalists: Evan Parker (tenor and soprano saxophones), Craig Taborn (piano), Sam Pluta (live electronics) and Peter Evans (trumpet and piccolo trumpet).
Together they perform an hour of highly detailed, dynamic and surprisingly beautiful improvised electro-acoustic chamber music. Each member of the group is widely recognized as having pushed t…
Beautiful free form vibraphone music with articulated drumming, underrated and very little know, highly recommended! In 1971-72, English vibraphonist Robert Wood was a member of French band Lard Free, the band Gilbert Artman led before Urban Sax. Wood later asked Artman to play drums on his own second LP, ‘Sonanbular’, while Artman included vibraphone on the first Lard Free official LP (1973), as well as the Clear Light Symphony LP (1975) and Urban Sax. The ‘Sonanbular’ front cover (the industri…
Performed by: Charles Curtis (cellos), Aleck Karis (piano); recorded 2003. The definitive recording of one of Morton Feldman's most important and challenging pieces, played at the composer's marked tempos, and taking all the notated repeats. Fitting neatly onto one CD, this is Feldman at his most extreme. A dramatic display of virtuosity performed with passion and precision by two of the leading exponents of new music in the world. Out of Feldman's enormous oeuvre, Patterns in a Chromatic Field …
Despite being midway through his seventies, minimalist icon Terry Riley shows no signs of slowing down or satisfying his searching experimental appetite. On Autodreamographical Tales Riley embarks upon a musical dream diary, a project initiated in 1996. The resultant pieces play out chiefly as spoken-word passages given musical accompaniment, with Riley scoring his own strange REM meanderings via an array of MIDI instruments and piano pieces. At various points during the course of the album you …
Nantes-based Australian drummer and percussionist Will Guthrie returns to Black Truffle with Nist-Nah. Like his previous solo record on the label, the abrasive hip-hop concrète of People Pleaser (BT 027LP, 2017), Nist-Nah finds Guthrie branching out in a new direction, this time in a suite of six percussion pieces primarily using the metallaphones, hand drums, and gongs of the Gamelan ensembles of Indonesia. The music presented here is grounded in Guthrie's travels in Indonesia and study of vari…
Black Truffle presents a new issue of Annea Lockwood's classic 1970 tape piece "Tiger Balm", unavailable on vinyl for over thirty years, accompanied by two exquisite unreleased works for percussion and voice. "Created while Lockwood was living in the UK, the side-long 'Tiger Balm' is a singular work within the cannon of tape music. Inspired by research into the ritual function of music, the piece explores the possibility of evoking ancient communal memories through sound. Breaking entirely with …
Black Truffle present Speak To Me, the sixth full-length release from 3/4HadBeenEliminated, the Italian trio of Stefano Pilia, Claudio Rocchetti and Valerio Tricoli. Based on source material recorded in Bologna and Berlin over the course of several years, the album is made up of two side-long pieces meticulously constructed in post-production by Tricoli in his singularly dense and unpredictable style. Although their live performances have always been entirely improvised, in their recorded work t…
The title to this album from Tarab (nee Eamon Sprod) is striking enough in its allusions of damnation, with a watery grave a potential outcome from human activity impacting the earth. So, it may be stating the obvious that the corroded locations where mankind has scarred the surface of the earth feature prominently in the work of this Melbourne based sound artist. The residual elements of these sites become the agents for metaphor and allegory in Tarab's work, documented through field recording …
**Limited edition of 500 copies** The most enigmatic of the Schimpfluch-Gruppe, Marc Zeier is the man behind G*Park; and here, he presents his first major album since the acclaimed 2008 album of cryptic electro-acoustics entitled Reuters. Many years in the making, Sub is a sprawling masterpiece of modern day musique concrete, reflecting the early pioneers' use of razor cut tape with a grandiose revelation of an existential horror. Zeier describes this album as the manifestation of amorphous cond…
Brennivin is an Icelandic liquor vulcanized from the humble potato and flavored with cumin, although you’d be hard pressed to taste much beyond the astringent burn that it leaves in your mouth. Bottled in matte black glass and stamped with ominously simple labels, brennivin appears less like something to imbibe and more like poison; and in that creeping slow death kind of way, it is. For the Icelandic electro-absurdist outfit Stilluppsteypa, brennivin has soaked into every fiber of their being; …
irr. app. (ext.) is the sound-engineering project of Californian M.S. Waldron, whose liminal slippages and detourned croons have been spotted recently on stage in Nurse With Wound. Yet for all of the antics that are required for the NWW spectacle, Mr. Waldron still dedicates himself in the parallel pursuits of irr. app. (ext.) with a discography that reads more like a wunderkammer of uncanny investigations into futility declared as its reverse.
Kreiselwelle is the third and final installment to …
**Edition of 500** RV Paintings were born in California. Humboldt County, to be exact. It is nearly impossible to imagine their origins being elsewhere since the brothers Brian and Jon Pyle, who currently pilot RV Paintings, constantly mine the metaphysical properties of their homeland through a heavy-lidded psychedelia. The redwood trees that majestically rise from the rugged terrain may have been one of the endemic objects that inspired RV Paintings to “jam nature”; but Humboldt County’s other…
With this album, Fossil Aerosol returns to the damaged media and decomposing mediums of the late 20th century. The basic tracks were recorded in 2010, and were remixed and remastered in 2014. The source material for the work consists of dissociated fragments from nearly-lost genre films of the 1970s, filtered by scratched celluloid, bad splices, dropouts, and damaged control tracks.
The Day 1982 Contaminated 1971 was released on vinyl by the Helen Scarsdale Agency in 2015. The first 200 copies o…
Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion. Produced and recorded by Teo Macero, the album's four seemingly unstructured segments emphasize the playing of Davis' sidemen rather than his own tr…
**Edition of 225 copies, includes 20-page color photo of stills documenting the recording process booklet** Saturday Night is the debut LP by old friends and collaborators Alex Twomey, Matthew Sullivan, and Sean McCann. Recorded over numerous evenings at the artists' homes, and completed just before the birth of Matthew's daughter, Flora. The album became an excuse to spend time with one another as well as perform. As the trio ordered take-out, drank scotch, smoked on patios, laughing off the we…
**500 copies** First release from the first time trio of legends Susan Alcorn, Joe McPhee and Ken Vandermark. Invitation to a Dream is not only the first recorded statement, it is also a document of the very first meeting of the trio. Back in 2016 we asked Alcorn and McPhee to play a duo set at our favorite festival Cropped Out in Louisville, KY, and after getting our minds blown we knew we had to get the duo into a studio to record an album. After a few failed attempts due to schedules and bad …
Ass-flatteningly great duo cosmo drone visions from Barbara Kinzle and Birch Cooper of Portland, Oregon that takes dream-pop and devotional choral ascensions to the very edge of euphoric body/gnosis: originally issued as a CD-R in 2010 this beautifully presented vinyl set upgrades the album with two LPs mastered at 45rpm for maximal immersion. Ocean On Ocean feels like the logic of Blinda-era My Bloody Valentine pushed to true post-rock limits, with song-forms exploded in favour of a profound, c…