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**2020 stock** I am not sure whether the French or English translation do credit to Japanese haiku master Bashō's original verse, yet the music on this fantastic album by the French trio Daunik Lazro on baritone saxophone, Benjamin Duboc on bass and Didier Lasserre on snare drums and cymbals manage to evocate the short poem's wonderful power. All three musicians understand the power of restraint, the value of less-is-more to create depth and tension and beauty, and they also manage to play in…
Most of the October nights in 1987 you could find Gerry Vergult (Aroma Di Amore, Fred A., Adult Fantasies) and Gerrit Valckenaers (Adult Fantasies, The Colorist Orchestra) in a desolated top studio in Ghent. At that time and place they sneakily crafted and shaped this Nasca record while they were supposed to finish a new Fred A. record. They created an abstract universe where minimal post-punk basslines blend together with radio sounds in "Nothing Toulouse", tropical tribal vibes oscillates betw…
**300 copies** Razen celebrate their 10th anniversary with Ayîk Adhîsta Adhîsta Ayîk, an album that takes a paragraph from Cael Gustav Jung’s Memories, Dreams, Reflections as a reference point to set off a journey that goes from light to dark, from day to night, from life to death, and back. As much a reflection of primal imagery and rituals of knowledge as a way of coming to terms with anxieties about the chaos of the night, the album concerns itself with the question: who - or what - are we in…
**CD version** Swedish sax player Anna Högberg's all-female sextet Attack's debut album is one of the most expected releases this year. Attack premiered in the 2013 edition of the Stockholm Jazz Festival and since then its performances gained praises all over, including a heartfelt endorsement from Högberg role-model, sax-titan Mats Gustafsson, who promises that Högberg’s Attack will “melt your brain as we know it”.Attack features Högberg (who plays also on Gustafsson’s Fire! Orchestra, guested …
Orpheus Variations is a new composition by Alvin Lucier for solo cello and seven wind instruments. It is based on a particular sonority from the first movement of Igor Stravinsky's ballet score, Orpheus; a sonority that has haunted Lucier for decades. Orpheus Variations is one of eight large-scale compositions made expressly for Charles Curtis by Alvin Lucier in the last 15 years. This performance was conducted by Petr Kotik, with Charles Curtis playing solo cello alongside members of the SEM En…
Shasta Cults is the musical project of Canadian electronics technician Richard Smith. For almost two decades, Smith was the official Buchla & Associates go-to repair person for studios, collectors, and musicians around the world, having worked with artists such as Aphex Twin, Suzanne Ciani, Mort Subotnick, and institutions such as The Library of Congress and Mills College, Smith has had the unique experience of restoring and interacting with nearly every model of Buchla instrument constructed ov…
Mike Cooper's output of the past half century has been described as "post-everything". It's a fitting phrase really when you consider he has been at the beating heart of so many critical musical moments; from the development of the blues touring circuit in the UK, through the growth of the folk scene and into the explosion of free improvisation that came to define a generation of UK musicians. Amidst it all, working at stitching these disparate forms into some kind of de-territorialized z…
"This recording is not a 'best of', it is a reflection of Tori Kudo's evolution as a composer, from playing with seasoned musicians, to playing with people just starting out, from playing with meticulous scores, to playing call & response melodies written down, to the songs here on Je est un Autre: instant improvisations based on keyboard compositions that Tori plays for the group. Yes, that is it. He plays a recording of himself on the keyboard, with singing or humming sometimes and he leaves i…
Beatufil live LP by the French avant-rock band founded in 1973 by actor and saxophonist Chris Chanet. They were one of only four bands invited by Henry Cow to perform at 1978’s Rock In Opposition festival. This, their third album, was recorded live while on tour in the United States. Recorded in public at the Squat Club, New York City, Trinity College, Hartford, Conn. in November 1979, “En public aux états-unis d'amérique” is the perfect introduction to the group’s avant-rock mayhem. Reissued on…
Etron Fou Leloublan were a French avant-rock band founded in 1973 by actor and saxophonist Chris Chanet. They were one of only four bands invited by Henry Cow to perform at 1978’s Rock In Opposition festival. This, their third album, was recorded live while on tour in the United States. Recorded in public at the Squat Club, New York City, Trinity College, Hartford, Conn. in November 1979, “En public aux états-unis d'amérique” is the perfect introduction to the group’s avant-rock mayhem. Reissued…
Ferdinand Richard, strings, vocals. Chris Chanet (alias Eulalie Ruynat), horns, vocals. Guigou 'Samba Scout' Chenevier, percussions, choir. A French avant-rock band founded in 1973 by actor and saxophonist Chris Chanet. They were best known as one of the original Rock in Opposition (RIO) bands. Etron Fou Leloublan's music has been described as a blend of punk rock, jazz, French music hall, comedy satire and 'avant-garde mayhem'. Batelages was recorded in November 1976, and its centered around Gu…
**250 copies** The connection with and love for Radio Centraal runs through Ultra Eczema’s veins. The Antwerp-based station has functioned as a voice for myriad local underground movements for nearly forty years. From its inception, architect and ex-Situationist Rudi Renson and restaurateur Roland Rom were a critical, hilarious, and provocative voice in its repertoire of weirdos, chiefly via the weekly RTVS (Radio & Television Salon) programme.Lots of 'music' was made within this show, largely e…
Texts by Pablo Echaurren, Ugo La Pietra, Gianni-Emilio Simonetti. Yes Yes Yes Revolutionary Press in Italy investigates the Italian scene of Revolutionary Press and editorial “organs” printed as news sheets, newspapers, magazines, mimeographs, pamphlets, some daily papers and magazines, other discontinuous publications including single editions printed while awaiting authorization… Sometimes the journals were a one time only supplement or attachment, ephemeral and volatile. The dynamic printing …
Focusing on Italian contemporary (sound) artist Maurizio Nannucci's practice, this book offers for the first time a comprehensive overview of his extraordinary creativity as publisher and producer of editions and multiples, as well as artists’ books, catalogs, prints, photographs, posters, records, and more. His field of research has expanded since the 1960s, exploring language and the intersection of disciplines such as linguistics, literature, music, sound poetry, philosophy, and archite…
Starting from Dutch Provo publications and their influence in Europe, to the British scene and to the wide American scenario of east and west coast, this vast collection of counterculture press especially focuses on aspects of graphic design of a wide hidden publishing scene which has been mainly analysed, until now, from a political and countercultural point of view.
This research collects important contributions and texts given and written by people who have been directly involved in Alt…
This bundle includes Maggy Payne's Ahh - Ahh (LP) and Arctic Winds (2LP).Ahh - Ahh was originally composed by Maggi Payne between 1984-1987 for the performance group Technological Feets. Formed by video artist Ed Tennenbaum in the San Francisco Bay Area in 1981, the group combines dance, live video processing and music. Ahh-Ahh was first released in 2012 on Root Strata. Composed on an Apple II computer and various early sampling devices, Payne's compositions are a vibrant response to the call fr…
Ko Shin Moon's third LP puts the use of samples on a background layer and asserts his place as an instrumentalist. Leïla Nova presents itself as a nocturnal digression where analogical synthesizer, rhythm box, vocal tinkering, and colorful instrumentation are mixed together. Psychedelia, electronic variations, dance music, synth folk, and filmed approach, blend with traditional Greek, Afghan, Lebanese-Syrian, Turkish, and Indian revisited repertoires. The artwork is designed by Lebanese artist R…
When Alan Parker recorded the killer library soul-funk LP The Voice of Soul with session vocalist Madeline Bell in 1976, some bright spark at Themes decided to also release all of the backing tracks as a separate, and equally innocuously title LP called The Sound of Soul. Thank goodness for bright sparks. Released as a collection of “unobtrusive musical backings in various rhythmic styles”, the LP’s original description dryly explains “these tracks have been issued without melody and are therefo…
Black Truffle present Reservoir 1: Preservation, a gorgeous piece by American composer/percussionist Sarah Hennies. Sarah's work explores a variety of musical, sociopolitical, and psychological issues including queer and trans identity, love, intimacy, psychoacoustics, and percussion. The Reservoirs are a series of three one-hour pieces based on the relationship between the conscious and unconscious human mind. Jung and Freud described the unconscious mind as a reservoir, a repository for memori…
**200 copies, transparent green vinyl** "Slow Machines brings together veteran Stephen Vitiello and 12k newcomer Michael Grigoni, whose debut Mount Carmel (12k1090, 2019) made an impression for its merging of the pedal and lap steel guitars with a hushed, ambient sound. With both calling the southern mid-Atlantic region of the United States home, the two met up and discussed a collaboration in which Grigoni would provide the guitars and Stephen the electronics and processing with a goal of combi…