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Limited edition of 300 copies, vinyl only. Dan Lander (Oshawa, Ontario, 1953) studied art at the Nova Scotia College of Art and Design in Halifax (Nova Scotia) with a focus on performance, video and sound. After leaving school he set up a modest recording studio in his apartment and developed a method of composition which sprang from his interest in phonography and the referential in recorded sound. This interest also led to his involvement as an editor of two anthologies: Sound by Artists (1990…
This 10" is the most condensed kind of a summary of the sound of [multer] in its whole variety from 1997 to 2003. From abstract soundscapes with added field-recordings to hypnotically looping song-derivates or even shorter running proto-tech. ………and everything fits.The three-piece out of Dortmund, Germany produces timeless music, that may appeal to fans of Labradford, with its swirling, timestretched guitar-chords. But, also connoisseurs of home electronica and avantgarde music may like to give …
Michel Doneda, soprano and sopranino saxophones. Mathias Pontevia, horizontal drums. Ian Saboya, electric guitar. Recorded in 2014 at Novo Lokal in Bordeaux, France. 300 copies.
10 inch transparent vinyl in a booklet (30 pages or so)/cover/sculpture of seemingly pure bronze. The booklet’s (2) feature either photo’s of the work or texts concerning the work. Sound artist Gert-Jan Prins (1961) deals with the frequencies of our electronic age. Between feedback and composition, between the free will of human improvisation and the determinism of electronic laws (and digital algorithms), Prins operates as a sculptor and an experimenting scientist.
Cavity: the Capacitive versi…
Here's a rose plucked from the magnetic garden. Rick Reed's solo project from 1985. Entitled "Music For The Rothko Chapel" . Reed has long had a fascination for the chapel, located in Houston, Texas, which contains some of the last large scale paintings by the late abstract expressionist painter Mark Rothko. Almost completely monochromatic, in deep shades of purple and near black, the paintings seem to want to pull the viewer into it's mysterious world of the void. Reed wanted to create not so m…
**Edition of 475 hand-numbered copies.* Split 10" with Stalnoy Pakt* Rasthof Dachau was an Austrian power-electronics/industrial band consisting of Max Presch & M. Sägmüller, and one of Steinklang Industries premiere bands. Their first release “Schmerztherapie ‘93,” a split VHS of the legendary performance in Salzburg with Genocide Organ. Rasthof Dachau’s part included sound material exclusively generated from human breathing and electricity without use of any instruments or synthetic sound sour…
**Limited and hand-numbered to 300 copies ** Four tracks on a 10”, one track each side at 33rpm and two others in a different groove at 45rpm. Bolzplatz – a green field, a place somewhere behind an old industrial building, beside an acher, in the backyard of an agglo. No-man’s-land for kids skipping school, to kick, move, run, play and foul. Near darkness for dealers, bored teenagers, village-youth with their mopeds. Everything is in its own rhythm – in the grass, the puddles, on broken asphalt,…
2 x 10“ Vinyl (incl. poster-booklet + risograph prints) 191 locked grooves* and 4 special tracks. Sonic and visual contributions by: Shabnam Azar, Juan Cano, Ali Chakav, Nicolas Epe, Tobias Grewenig, Pedro Ramirez, Random Supply, Sebastian Thewes, Dora Tomic.
Quietly brooding and enchanting debut from multi-disciplinary artist/researcher/field recordist Remo Seeland, accompanied by Reinier van Houdt (Current 93) and Norm Westberg (Swans) for a nocturnal record channeling experiences from New York City, Reykjavik and Zurich.
Gatefold LP version. Includes download coupon. Sommor Records present a reissue of Rupture's Israel Suite / Dominante En Bleu, originally released in 1973. Rupture was born when famous French songwriter Boris Bergman (France Gall, Dalida, etc.) decided to record a conceptual album about the history of Israel. He approached ace drummer and singer Sylvain Krief (Airto Fogo, Michel Fugain, Aznavour, Clark Terry, Bud Powell, etc.) and soon, other musicians joined: Jean-François Jenny-Clark (Don Cher…
Ttripped-out rarities from the European scene at the end of the 60s! Most of the artists here show an influence from the headier rock of the times -- but also often a good bit of jazz, and soundtrack-styled instrumentation ! Includes tracks by Pawnshop (UK/Italy), Roundhouse (UK/Italy), Kati Kovacs & Juventus (Hungary), The Ghost (UK), Manolo Y Ramon (Spain), Tony Ritchie (UK), Spencer Mac (UK), Birth Control (Germany), Tony Hendrik (Germany), Nuova Idea (Italy), Black Velvet (UK), Dani Martin (…
A compilation of field recordings made in the 1960s and 70s. These musical traditions are the result of many centuries, but the tracks sound so modern - revitalising, relaxing, healing This is some of the best traditional African music ever recorded. The music is the star -- of course -- then comes the wonderful musicians who performed it, but it was the recordists who make it possible for us to listen to the genius in African music captured on these magnificent tracks. After having released the…
**2009 release** This double vinyl is the most welcome album of the series, with Ken Vandermark playing duets with Tim Daisy on drums on the first disk. The performance was recorded exactly two years ago in Poznań, Poland. The album starts with "Autostrada", slowly picking up speed with Vandermark on clarinet, then Daisy pushes up a kind of tribal rhythm, bringing the clarinet to full intensity, then slowing down for a nice melodious moment. "The Empty Chair" is the ideal Vandermark + percussion…
First released on Vertigo in April 1972, this is the first LP by Miki Curtis (Samurai front man) following the break-up of the band. It's a fantastically otherworldly psychedelic LP and a totally different sound than Samurai. The First Ear finds Eastern-tinged psych of the highest echelon! Strange harmony vocals, a spacy guitar solo, queerly sawing synths, everything's efficient and even compelling! "Forty days on a stoned-out camel" moans Miki (yes, he knows some English, too) and that is just …
**original 1979 copy, still sealed** E. Jedidiah Denman, bass; Phil Harmonic, piano, accordion and harmonica; Anne Klingensmith, cello; George Lewis, trombone and bowed trombone; Frankie Mann, electric bass and flute; Maggi Payne, flute and psalter; David Rosenboom, violin and viola; Joel Ryan, stereo rotation; John Sackett, clarinets; Mimi Shevitz, voice; Tony Truhang, piano; "Blue" Gene Tyranny, piano
A collection of eleven charming vignettes, portraits in sound of Bekaert's friends. It is a g…
Long out of print, few copies spotted of this late 70's dreamy folk album...Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. England may have its Jacqui McShee (Pentangle), but France and Italy have its Veronique Chalot. For the past three decades Veronique has dedicated herself to playing, recording and researching…
Lost jazz files: Recently discovered treasures from the world renowned "German ambassador of jazz", trombonist Albert Mangelsdorff from Frankfurt/ Main. Unique modern jazz and hard bop recorded in the late 1950s and early 60s - sadly forgotten or previously unreleased, featuring Joki Freund, Hans Koller, Peter Trunk, Heinz Sauer, Günter Lenz and many more big names from the German scene. Collection of nine lost tunes including original material and arrangements like "Improvisation zu einem Klang…
Remastered (from original tapes) reissue of The Cabs' 7th studio album, originally released in 1985. "Cabaret Voltaire, alongside Human League, Throbbing Gristle, Fad Gadget and The Normal, were at the forefront of the UK electronic movement of the late 70s. Way ahead of their time, Cabaret Voltaire’s blend of dance music, techno, dub, house and experimental made them, without a doubt, one of the most influential acts of the last 35 years.
Originally released in collaboration with the historic Italian Records label, this compilation deeply influenced the Italian underground music scene at the time, clearing the road for technological innovations. This pioneering artistic and musical model, cast aside any form of sentimentality, for a more intimate relationship with the electronic universe. In 1981, Absurdo, Eurotunes, Ipnotico Tango, Kerosene and Metal Vox appeared on this compilation by Toni Brillanti, lighting the way for even…
**Edition of 150 on red vinyl** “Cream” by The Black Fire is a nearly impossible to find italian LP from 1973. A library album that mix several themes including psychedelic sexy whispered scat vocals, space synth lounge, lazy bossa with spinetta, fender rhodes and a lot of congas, bongos and insane flutes; it also includes the killer wah-wah funk tune “Alcoholic” used years later as the opening song of the kung fu movie Operation Cobra aka Squadra Omicidi Chiama Cobra. Original colorful artwork …