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Sinfonía n° 1 \'Canarias\' / Tocata vieja en tono nuevo / Los e
The Sinfonia n° 1 "Canarias" is dedicated to the composer's father, an old Canary Islander aged 94 at the time it was written. He was the reason why Cruz de Castro decided to focus the composition's middle movement wholly on the Canarian Folía. This special, important form of Canarian folk music appears both in its original form and in variations: "That's the way it should be: from the simple to the complex, from the melody line to the concentration: a harmonious whole." (Cruz de Castro) The Toc…
Pencil Music
Originally released under the title "Bleistiftmusik" as a C30 cassette in a signed and numbered edition of 80 copies by Edition Hundertmark as 74. Karton.  "I was surprised that it was possible to read the acoustic event from the object drawn, and some insecurity about the association of visual signs and sound phenomena (caused by the directional openness of the reading process) appears to increase even more the attraction of seeing them combined.  The pencil-sound piece did not always remain th…
Dying sun
The third album by the established and highly respected Greek/Swedish/Norwegian trio Looper: Nikos Veliotis (cello), Martin Küchen (saxophone) and Ingar Zach (percussion). Recorded at GMEA auditorium in Albi, France, by Benjamin Maumus, January 2010. Music by Looper. Edited, mixed by Nikos Veliotis. Mastered by Coti K. Co-release Cathnor recordings.
Salvaged Violets
Comes in Stoughton mini-LP gatefold sleeve with 6 double-sided cardstock prints.
s/t
Françoise Barrière was born on june 12th, 1944. classical training: piano at the conservatoire de versailles; harmony and counterpoint at the conservatoire national supérieur de musique, paris. less classical training: service de la recherche, ortf; ethnomusicology at the ecole pratique de hautes etudes. in 1970, she founded in collaboration with christian clozier, the groupe de musique expérimentale de bourges (now called the international institute of electroacoustic music of bourges) that the…
Set
This music was inspired by Lynn Margulis’ serial endosymbiosis theory (SET), and is dedicated to her and her amazing insights into the mechanisms of biological evolution.In inviting Paul Lytton, Barry Guy, Walter Prati, Marco Vecchi, Lawrence Casserley and FURT, I was trading on the pre-existing musical structures that these musicians brought with them: the solo works of Guy, Lytton , Casserley and myself; the duos with Lytton, Guy, Prati and Casserley, the trio with Guy and Lytton, the trio wit…
Oboe Concertos
The oboe more than suited Maderna's partiality for clear structures and sensual-concrete sounds. It was not without good reason that at a time when the supply of music dedicated to the oboe was anything but plenty, Maderna wrote, not one, not two, but three concertos (besides several other works for oboe) for this "nasal" sounding member of the woodwind family. The first oboe concerto (1963) seems almost classical in its character, in the interplay of oboe and orchestra, or involving other instr…
Fever
Each composition of this CD is dedicated to a person, or to the work of a person: Malcolm Goldstein, Amadeu Antonio Kiowa, Ingeborg Bachmann, Elvis Presley and Yoko Tawada. Throughout these five sound portraits, Kaul displays a fertile imagination and a penchant für exotic instrumentation, which includes a hurdy-gurdy, Korean gongs Japanese and Tibetan temple bells, kalimba, Tanzanian lute, bowed gopichand from India, glass harp, kanjira, tabla and frame drum, and Western percussion instruments.…
Fama
Site-specific FAMA, “audio theatre piece for large ensemble, eight voices, actress, and sound structure,” requires the best performers for execution. Luckily, Furrer draws upon the talented Neue Vocalsolisten Stuttgart and Klangforum Wien. Also credited are the architect, acoustician, technical and lighting engineer, costumer and stage direction. Texts are by Ovid and Arthur Schnitzler. The focus on space and solo instruments (contrabass flute and two bass clarinets) suggest Nono’s late aestheti…
Action Mécanique
“Michel Doneda soprano and soprano saxophones. Jonas Kocher accordion, objects. Recorded live on 27th november 2009 at Red House, Sofia, Bulgaria. Mastering by Christian Weber. Design: Fabienne Bartel. Limited edition of 160 numeroted copies. Screenprint on sandpaper. The duo explores and questions the sound, listening and space with sound actions simple, minimal and acoustic. Entirely improvised, the duo's approach is in place and time of the concert, thus inviting a real experience of listenin…
New Music
Henry Cowell ha inventato e perfezionato la gran parte delle speciali tecniche per suonare il pianoforte utilizzate negli ultimi 70 anni; nel corso della sua vita (1897-1965) ha composto un impressionante numero di musiche sinfoniche, vocali e da camera ed ha pubblicato il pionieristico libro "New Music Resources". Il suo contributo che più ha influenzato la scena contemporanea è però la sua opera per pianoforte, considerata di fondamentale importanza per la musica del XX secolo. "New Music" pro…
Untitled #188
Back in stock! 'Mutated, composed, recorded and mastered by Francisco López at Mobile Messor (Madrid, Bucharest, Montreal), spring-summer 2006. Original source environmental recordings done in Montreal: between 2000 and 2006 by Francisco López, and in April 2006 by Hélène Prévost, Steve Heimbecker, Louis Dufour, Tomas Phillips, Chantal Dumas, Aimé Dontigny and Mathieu Levesque, within the project 'Montreal Sound Matter'; conceived and directed by Francisco López; commissioned and organized…
Zombie Fela Kuti And Afrika 70
Includes liner notes by Jacqueline Grandchamp-Thiam, Rikki Stein and Mabinuori Kayode Idowu. Digitally remastered by Pompon (Translab Paris, Paris, France). With the inclusion of Nigerian master musician Fela Anikulapo Kuti's incendiary 1977 single, "Zombie," "Mr. Follow Follow," a typical anti-authoritarian exhortation, and a couple of hitherto-unreleased live cuts from the 1978 Berlin Jazz festival, ZOMBIE finds the iconoclastic singer and bandleader at his electrifying best. The title track, …
Concerto for Prepared Piano and Chamber Orchestra / Sixty-Eight
For each of his compositions for prepared piano Cage created a specific piano preparation chart, setting out in meticulous detail the strings to be prepared, and the materials and manipulations to be used for preparing them. For the Concerto for Prepared Piano and Chamber Orchestra (1951), 53 tones of the keyboard must be prepared; and in this case Cage himself was astonished at the complexity of these preparations. The range of sounds is further expanded by an extra bridge installed in the pian…
Musica Viva 02
Musica Viva 02: Space and sound, modernism and pluralism, "perfect harmony" and, finally, the fascination of collectively organized fireflies.
Casse-tete
Composed in 1979 and edited on LP in 1984 by Amaryllis. Reissue on cd by Oral, 2008. Contrary to an electronic music delighting itself in soaring above reality in self abstraction, the concrete music of Bernard Bonnier has a down on earth hearing, and a dancing too, altough now and then out of beat. Bernard Bonnier has defined chameleon-music as: '...a mime* trying to beat its parth through the puzzle (casse-tête: literally 'head-breaker') of soliciting madness, sundowns, violence, science, love…
O True Believers
Like most of his previous work, O True Believers may be born of a finite moment of hope in a sea of infinite sadness, a fleeting moment of fragile beauty that extends beyond it's physicality. Unlike past albums, the listener's feeling upon conclusion is more ambiguous: there is no happy and immediate resolution, as if ghosts of the past will find themselves resurfacing time and time again in the future, an idea which is reflected in several reoccurring themes within the songs themselves. Colourf…
Jaal Ab Dullah
Muslimgauze are getting more bizarre with each release. This one is an intricately complicated ode to hip-hop music, but of course it's all done in that strange way that makes this band so unique. You can almost dance to this one
Genologic Technocide
Aided by musician M.D.T. (aka the Museum of Torture), this time leaving Bianchi concessions acoustic Antarctic Mosaic and MI Nheem Alysm (where an upright piano hammers for 10 minutes a tether claustrophobic) to resume the speech sound historical works as Symphony For A Genocide (grazed in the title) and Regel. If the departure (Departure) aligns with the hordes of former electronics student Merzbow, in pieces like Return or Arrival distortion is channeled into a world of skinny senryu metal and…