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Di Tresette ce n'è uno, tutti gli altri son nessuno
Available for the first time ever on vinyl is the 1974 soundtrack by Alessandro Alessandroni for the Giuliano Carmineo (as Anthony Ascott) directed Di Tresette ce n'è uno, tutti gli altri son nessuno, known in English as The Crazy Bunch. The sequel to Lo chiamavano Tresette... giocava sempre col morto (Man Called Invincible), the film is a goofy, slapstick comedy spaghetti-western, but the Maestro’s soundtrack is anything but goofy. Haunting, sparse, and riveting, the soundtrack is easily t…
Double Face
Finally in stock. Overdrive present a reissue of Moggi's (aka Piero Umiliani) Double Face, a hard-to-find Italian library record, originally released in 1981. The A side is Umiliani's compositions performed by a traditional string orchestra. The tracks have been synthesized for side B, exclusively by electronic instruments. At this point, the music becomes futuristic and brilliant. 180 gram vinyl.
Spectrum Pieces
James Tenney (1934-2006) was one of the most versatile figures in contemporary American music. Apart from creating a large, wide-ranging, and fascinating body of compositions, more than a hundred of them, he was one of the key music theorists of the late twentieth century. This CD set offers complete recordings of one of the most important of Tenney's later sets of pieces-Spectrum Pieces 1-8, the first five of which were written in Toronto in 1995 and the last three in 2001, after he moved to Va…
Hardcore Vol. 1 & 2
**Volumes 1 & 2 of the recently reissued vinyl versions collected together on double CD** San Francisco's cherry-picking reissue label, Superior Viaduct, give new life to these crucial volumes of art-pop and pre-punk prototypes from Akron, Ohio's finest. 'Hardcore' documents the formative years, 1974-1977, of the brothers Mothersbaugh (Mark, Bob, and Jim) and Brothers Casale (Jerry and Bob) and their drummer Alan Myers (recently deceased, RIP), whose concept of DE-eVOlved blues is consi…
Put Me On The Guest List
GLAXO BABIES are the greatest UK post-punk band you've never heard. Formed in Bristol in late 1977 and named after the British pharmaceutical giant who allegedly inoculated thousands with a toxic vaccine, the original lineup included Rob Chapman (vocals), Dan Catsis (guitar), Tom Nichols (bass), and Geoff Alsopp (drums). The band's pioneering mix of metallic guitar, dubbed-out rhythms and shamanistic chants found its way into the bloodlines of generations on both sides of the pond. Naturally, GL…
Scream With a View
Founded by Steven Brown and Blaine Reininger in San Francisco, Tuxedomoon are a futuristic alternate reality of delirium and existential dread. Aligned with fellow Bay Area experimentalists The Residents (to whose Ralph Records the group eventually signed) and Robin Crutchfield's post-DNA project Dark Day, Tuxedomoon developed a unique combination of synthesizer and guitar that placed them at the forefront of the US post-punk movement in the late '70s and early '80s.Scream With A View, recorded …
Sylph Ballet
Still living in the mythical landscapes SAND not only created Golem who was a being of the earth. Something else pulsated with a different energy of oscillation. The invisible beings of the air performed their dances. The Golem was large, mighty and of compact matter. He needed an external spirit to be navigated. Sylph creatures moved with the clouds and the wind – from gentle breezes to violent storms, always sensitive to the chimes of the motions. The sylphs are the children of the moonlight a…
Unusual Perversions
Unusual Perversions was the first "official" production of Pacific 231, originally released in 1984. Previously,Psychic Euthanasia was a limited edition, self-produced tape, and one of the first DIY experiments from 1981-83. After the short lived Berlinerluft, an outfit that included Axel Kyrou (from Vox Populi!) andBertrand Wolf, Pacific 231 swiftly moved away from the new wave genre toward a raw industrial sound with power electronics tonalities in-line with his influences, going from writers …
The Eastcode Studios Session
Dancing Wayang present a new and rare studio album by US noise legends Borbetomagus titled The Eastcote Studios Session. Recorded in 2014, it unites fire-breathing saxophonists Jim Sauter, Don Dietrich and face-flaying guitarist Donald Miller whom together summon one of their most forceful yet detailed sonic onslaughts to date. The bulk of Borbetomagus releases over the last forty years have been taken from live recordings. This particular workout, however, took place in the eponymous studio …
Stockhausen - Aus den Sieben Tagen
180-gram LP version in gatefold sleeve. Includes download code. Edition of 500. The third collaboration between Keiji Haino, one of the most prolific artists of the Japanese experimental/noise scene, and the critically acclaimed zeitkratzer ensemble, comprising stunning interpretations of Stockhausen compositions. When Keiji Haino heard zeitkratzer rehearsing for their Stockhausen performance at the Ruhrtriennale festival, he spontaneously decided to join the group for that part of the program…
Hairway To Steven
The final album for the Surfers' legendary run on Touch and Go got a reception probably not even the band figured on -- lead reviews in major music magazines, increasingly higher profiles, and more. As it is, though, Hairway is actually a touch lazy in comparison to the previous releases, sometimes sounding almost all too normal. When it connects, though, Steven works wonders, whether continuing in the punk/psychedelic fusion vein of the past or exploring a gentler, tuneful side. The lengthy ope…
Psychic, Powerless... Another Man Sac
The Surfers' Touch and Go debut remains their highlight for many fans, an inspired blast of ugly noise, knowing idiocy, drugged-out insanity and some backhanded surprises. Haynes is still relatively interpretable here; the vocal distortions are only on a few songs, like the opening "Concubine," and what one can't quite understand one can still sense. The band's self-production brings out the mighty rumbles of drummers Coffey and Nervosa and Leary's avant-junkyard guitar work with clarity and a b…
Rembrandt Pussyhorse
Everything seems to start almost normally on Pussyhorse with "Creep in the Cellar," even with the rather gone violin line -- Haynes is intelligible, the piano part is quiet serene. Then again, Haynes is talking about the creep in question doing things like taking off his skin, so clearly all is still at least somewhat tweaked in Surferland. The rest of the album makes that pretty clear; if not quite as strong as Psychic...Powerless, Pussyhorse is still a strong slice of homegrown art/psychedelia…
Desert Tracks
Sub Rosa present Michel Redolfi's Desert Tracks as part of their Early Electronic Series, originally released by INA-GRM in 1988 alongside "Pacific Tubular Waves". In 1987, Michel Redolfi hit the California desert road during the fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.In 196…
Musique Barbare
CD in six-panel digipak with 24-page booklet. First reissue of Karel Appel's masterpiece Musique Barbare. In 1963, Dutch abstract expressionist painter Karel Appel (1921-2006), who cofounded the avant-garde Cobra movement in 1948, booked time in the Instituut voor Sonologie in the Netherlands to compose music for a documentary that cinematographer Jan Vrijman was making on Appel's work. Musique Barbare was born. Originally released by Philips, this masterpiece of musique concrète is a real …
City of vorticity
Track 1: City of Vorticity (with soloists): Al Margolis, violin; Alan Zimmerman, percussion, prepared hammer dulcimer; Peter Zummo, trombone, didgeridoo; Tom Hamilton, electronic sound environment.Track 2: City of Vorticity (electronic sound environment): for listening alone or as an accompaniment.The Wire has described Hamilton’s music as “colourful and seductive,” and Gramophone has noted that “the results bubble with energy, a veritable counterpoint of indeterminacy.” These brief descriptions…
Zurich
Live in Zurich 1984. Reissue of a double vinyl publish on the same label. Donald Miller, guitar, alto saxophone (on one track). Jim Sauter, tenor, alto, baritone saxophones. Don Dietrich, tenor, alto saxophone, guitar (on one track). 'First off, there is this huge saxophone sound, the bells of the two saxes often jammed against each other with a microphone dropped inside, and then there is the guitarist as a generator of sounds more crazed than anything that has ever come out of the instr…
A 1000 Keys
CD version. "How many can get a personal sound out of a fucking piano?!" - Lee Konitz. Thomas Brinkmann takes his seductive reductionism to the next level with A 1000 Keys, a harsh meditation on the expressive qualities of digital sound production. In translating the timbre of a grand piano into binary codes, thus rebuilding its corpus with "0 and 1s", Brinkmann subverts the sensual qualities of this proto-romantic instrument in a sardonic way. Replacing the musician with a mathematically p…
In defense of the machine
This new cd by Brazilian composer Jorge Antunes, one of the pioneers of electronic music in South America consists of 7 works for instruments and tape, composed between 1965 and 2003. Canção da Paz was composed in 1965, and is one of the first pieces in Brazilian music history to use a traditional instrument accompanied by pre-recorded electronic sounds. Insubstituível 2ª was written for the cellist Iberê Gomes Grosso (1905-1983). Antunes was an early pioneer in electronic music. The piece, alm…
Locust Abortion Technician
The aural equivalent of a nightmarish acid trip and arguably the band's best album (or worst, depending on your point of view), Locust Abortion Technician tops the psychedelic, artsy sonic experimentation of Rembrandt Pussyhorse while keeping one foot planted firmly in the gutter. The record veers from heavy Sabbath sludge (even parodying that band on "Sweat Loaf") to grungy noise rock to progressive guitar and tape effects to almost folky numbers in one big, gloriously schizophrenic mess. Gibby…