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International Holy Hill Jazz Meeting 1969
BE! JAZZ is happy to come up with a limited edition (500 copies) of a true “holy” modern/free jazz gems of the late 1960s. The original double LP was issued by Meno Liechtenstein’s CB Records – he was also the organizer of the “International Holy Hill Jazz Meeting” in Heidelberg/Germany. The sound quality on the original album was not really bad – but it certainly was not really good as well. We spent a lot of work on a proper restoration of the live tapes. The result is truly amazing – after al…
Separately & Together
"Given the number of musicians involved listeners will be surprised at the coherence and delicacy of much of the music here. As is so often, the pieces mainly consist of 'conductions' wherein one musician directs the orchestra, giving an overall form and structure to each piece - at least, that is the intention. So, Philipp Wachsmann's On the point of influence closes with a long restrained duo for cello and bass, while Ashley Wales' Study for Oppy Wood is an atmospheric tone poem.
In addition t…
Small songs for Kack Jirby
Steve Roden new double album! "Small songs for Kack Jirby began in 2014, when i stopped performing with the tools I had used since 1993 (pedals, contact mics, cassettes, etc.). As I was trying to find a way to some 'new' tools, various friends had suggested I work with a modular synthesizer. At the time, I didn't know anything about the modular, but it offered me the thing I wanted - something I didn't understand, and to begin again as a musical child. Instead of working for several years to mas…
The hearing continues
The hearing continues. The playing continues. The listening continues. The music continues. The London Improvisers Orchestra (LIO) continues to play the first Sunday of every month (except December & January) at the Red Rose. Every concert is different - has its own flavour - largely due to who is performing that night, and whose pieces are performed. Some musicians have other commitments on the night. Some musicians drop out completely, others join afresh. Some are just in London for an extende…
Out to launch
Two complete solo soprano saxophone concerts, from Chicago and London, show that Coxhill is as inventive as ever some four decades after his first solo performances. In between there is a 10-minute improvisation by an impromptu 13-piece orchestra. 77 minutes -- previously unissued.
Overground
"During the mid-'70s, Howard Riley developed a highly personal musical vocabulary that remained under-documented. His use on the acoustic piano of amplification and electronic effects usually associated with the electric guitar may sound a bit dated today, but it gave his music a distinct color that is still very enjoyable. The material on Overground was recorded in two studio sessions in August 1974 and November 1975 with the same trio as the one found on Synopsis (Barry Guy on bass and Tony Ox…
Hooky
Virtually the whole of the 1976 Montreal solo concert -- one of his best -- including the complete Tao cycle and several other pieces, one of which ('Hooky') is not on any other record. Reissue of half of Quark LP 9998 with over 50 minutes of previously unissued material from the same concert.
Mouthpiece
"Outrageous sounds produced by a workshop orchestra directed by John Stevens - an SME-type improvisation; instrumental & vocal drones; a mechanically rhythmic yet unpredictable piece; and an all-out improvisation featuring non-vocal mouth sounds, vocal sounds & instruments. The exact line-ups on each of these ensemble pieces are not known (apart from the leader on cornet), so they are not given." (Emanem)
Weal & woe
If you have only heard the more recent, understated recordings of this giant of the soprano saxophone, you may wonder what all the fuss is about. Just listen to this seminal album and you should understand right away why Lacy is such a formidable force. The initial eight tracks are a reissue of the first LP issued by Emanem, which was Lacy's first solo recording. Each is a gem: radical, accessible, and fascinatingly offbeat. One uses a random radio selection as a backdrop, another mimics duck wa…
Nohome
Double LP version. After the internationally and heavily praised Caspar Brötzmann Massaker in the early '90s, not much was heard from the German "Modern Primitive" guitar player Caspar Brötzmann, aside from some collaborations for theater. Now he is back with a new band -- extreme, heavy, intense. In summer 2012 he was invited by the A L'arme Festival for a special gig with Swiss musicians Michael Wertmüller(drums) and Marino Pliakas (ebass) (those two form the group Full Blast with Caspar's fat…
The Left Hand Path
Zu has always been a mercurial and ever-changing entity: unafraid of cross-genre explorations, eager to break down barriers between musical styles. Despite playing traditional instruments, major influences on Zu's music have always been sonic explorers like Coil, Throbbing Gristle, or early Neubauten. The sound of The Left Hand Path is the somewhat hidden side of Zu, though latent in all of its previous music. It's like digging out a box from the earth, containing everything the band had wished …
Zeitschrei
Dominik Blum (Hammond C3 organ); Marino Pliakas (E-bass); Lucas Niggli (drums). The Swiss trio Steamboat Switzerland tackle the energetic and innovative border-crossings between hardcore and avant-garde and play compositions by Michael Wertmüller (drummer of Peter Brötzmann's Full Blast outfit) -- breath-taking, radical, exact. "The Hammond avant-core trio Steamboat Switzerland is a damn wild and absolutely virtuoso project. They have played many different festivals -- from Donaueschinger Musikt…
Oto No Hajimari Wo Motomete 1: Hiroshi Siotani work
Hiroshi Shiotani was an engineer of NHK (Nippon Housou Kyoukai: National Broadcasting association) electronic music studio, and then he cooperated with some avant-garde composers of Japan. This CD get Shiotani's works together, and released several years ago as a memorial of him when he died. It was repressed 500 copies by a private studio. All tracks are legendary early electronic works of Toshiro Matuzumi and Makoto Moroi. These works had originally released in '50s-'60s, but we have not been …
Oto No Hajimari Wo Motomete 6: Nishihata Shiotani Takayanagi Work
Brand new CD of this series was released just now!! Recorded at the NHK electronic music studio, Tokyo in 1955. The sixth & most recent entry into the “other” series of compilations collecting early japanese electronic music ... starting out w/ Shibata’s 1955 “musique concréte for stereophonic broadcast” (a kind of insane extended take utilizing water & machine noises ... even crowd-reaction documentation & varèse-lineage percussion-room sonics), Takemistu’s 1958 “sky, horse and death” (crystal-…
My Pipe Yellow Dream
"'Song Poems Wanted' read the ads. 'We need new ideas for recording!' The send-us-your-lyrics business was a borderline scam, taking whatever lyrics came their way from would-be songwriters and -- for a fee -- setting them to music. None of the results ever came close to being a hit, and to be sure, the vast majority was sufficiently bland or clumsy to insure no great karmic loss in their instant obscurity and miniscule press runs. But Rodd Keith -- the late, great genius whose prolific output …
Forse 2
Alessandro Cortini's second release in his Forse trilogy is full of thick analog brightness and deep analog warmpth. Despite also being fully composed on a Buchla Music Easel, the feeling of Forse 2 is quite different from Forse 1 and this deluxe double vinyl release is the ultimate way to experience this engaging work. Pressed in an edition of 500. 'All pieces were written and performed live on a Buchla Music Easel, in the span of one month. I found that the limited array of modules that the in…
Oriente Oggi
Eastern tinged Italian library music by Rino “Awake” De Filippi. Recorded in 1972 at Orthofonic Studio in Rome by historic RCA sound engineer Pino Mastroianni, with collaborators including the drummer Vincenzo Restuccia and Bruno Battisti D’Amario on stringed and ethnic instruments. Includes the mid-tempo funk-break tune “Oriente Contemplativo”. Limited edition of 500 copies in a glossy cover.
One of the most sought after library LPs, breathtaking east meets west musical ideas by one of the abso…
Grayfolded: Transitive Axis
Here it is, Deadheads, the ultimate Dark Star is now on vinyl. Deluxe audiophile pressing cut in Toronto under the watchful ears of John Oswald. Elaborately printed packaging in a heavy duty triple gatefold jacket includes liner notes by musicologist Rob Bowman featuring exclusive interviews with Jerry Garcia, Phil Lesh, and Robert Hunter plus six 'time maps' which chart the source concerts of Dark Star. Music performed by The Grateful Dead (c) Grateful Dead Productions Inc. & Ice Nine Publishin…
Beauty Is A Rare Thing: The Complete Atlantic Recordings
Ornette Coleman has been a leading force in jazz since his startling debut in the late '50s, Coleman's emotive alto saxophone style relies on melodic improvisation unbound by chord changes. This style (and philosophy) was dubbed by Ornette 'harmelodics' and reached its peak in a small combo whose virtuoso playing had the power of the blues and the multi-rhythmic sophistication of Monk, Mingus, or Coltrane. The landmark series of albums Coleman released in the late '50s and early '60s still defin…
Stille Post (Radio Works: 2003-2011)
Outstanding 4xBOX with 36-pages booklet that includes the bulk of Alessandro Bosetti compositional work of over a decade in which "I found shelter in the simultaneous intimacy and distance of radio. I feel happy, thrilled and relieved to be able to share those five pieces wich form a coherent unity and trace a personal itinerary while making use of translations, misunderstandings, travels, microphones, headphones and sonorous telephone games as creative tools."It includes five radio compositions…