Three string works written between 2020 and 2023, performed by Ensemble Modern: a nonet locked in seven-eight, a piece that splits sound the way a prism splits light, and a score written in mirror notation. Ikeda's electronic precision, played on bowed strings.
Tip! **Premium gatefold sleeve with die-cut window and special finishing. Scratch-resistant matte lamination + spot UV gloss details. Includes an insert booklet (multiple panels/pages) presented in a cover sleeve with a satin ribbon detail ((This site pictures a selection of examples).**
Alva Noto - Wave Weave – Sono Obi is the original soundtrack by Alva Noto, composed for a film by Carsten Nicolai. The project emerged from a collaboration with an 12th-generation kimono textile manufacturer in …
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert. * Founded initially as the The Beckerlee Quartet sometime towards the late 1950s and early '60s, a time during which time they went through various lineup changes before morphing into The Contemporary Jazz Quartet, in 1962 they began playing the Vingaarden club in central Copenhagen as one of the earliest European adopters of the emerging movement of free jazz. It was there that they came …
The Merzbow 108 CD Box turns Merzbow’s vast archive into a monument of productive excess: 108 discs spanning lost albums, alternate mixes, outtakes, rehearsals and recent work, assembled by Slowdown Records across nearly a decade. Its Buddhist number signals 108 worldly desires - but this is noise as discipline, mutation and inexhaustible liberation.
"My encounter with the Hoh Rain Forest, located inside Olympic National Park across the water from Seattle, felt like seeing a whole new world for the first time in my life. Long green fronds draped along the branches, like a scene in which fairies could be heard whispering to one another. But when you try to listen, no sound can be heard. Amidst the mysterious silence, in which no birds or insects make a sound, every living thing seemed to have stopped in its place, only to start dancing when s…
Peter Kowald solo on double bass and voice, live at Podewil in Berlin in November 2000 and edited by Kowald himself in June 2002: a concert version of his solo album Was da ist, in seven parts.
Boards of Canada's 1996 Skam EP, the duo's first widely available release, back on vinyl for its 30th anniversary: six tracks including Turquoise Hexagon Sun and Everything You Do Is A Balloon, in a gatefold sleeve with four 12-inch prints.
Seychelles is the debut solo album by Japanese guitarist and composer Masayoshi Takanaka, released on Kitty Records in July 1976. Named after the Indian Ocean archipelago, it introduced the bright, melodic fusion sound that would become his signature.
Across eight tracks, Takanaka blends jazz fusion, funk, Latin rhythms, reggae textures, and early Japanese city-pop sensibility. His guitar leads are fluid and sunny, moving from the playful groove of “Oh! Tengo Suerte” and “Tokyo Reggie” to the ex…
Since its release in 1996, Surface of the Earth's self-titled first album has gradually been recognized as an unlikely minimalist masterpiece and one of the key albums to emerge from New Zealand’s 1990’s Free Noise movement. Liberated from tonal and structural convention, yet also embracing elements of drone and ambient music, the Wellington trio created an album that defied easy categorization. It has been called "one of the most important albums to ever drag the subterranean vibe of unending d…
*200 copies limited edition* "I Know Your Voice, but It’s Hard to Find in the Crowd" is a concept album centered on the use of the voice. What shape does the voice take when conveying an emotion? The compositions in this work are made up almost exclusively of voices—an extensive spectrum of voices that sing, speak, whisper, processed through Auto-Tune, or emerge from WhatsApp messages, VSTs, analog and digital keyboards from the ’80s and ’90s, field recordings, and samples from films, TV, and Yo…
2014 Release. Half the CD is taken up by Circle Process, the result of composer Pascal Criton and Silvia Tarozzi working in very close collaboration - and it’s pretty extraordinary. For a long time indeed, it’s not even obvious what it is you’re listening to. There’s a catalogue of extended techniques explored here, on a violin strung with four identical strings pitched a sixteenth tone apart. The production is extraordinary: minute in its detail. This really is a very exceptional piece worth th…
Unlike the distant "18/8/81" or the more recent "Wrong Ninna Nanna", this new solo work contains no piano or other instrumental parts. In this release, which occurred like all truly welcome things in an unexpected and unsought way, I have collected some of my own compositions created only from sound material recorded around or taken from other recorded music. Such material has been mutated with various sound processings, and assembled by multiplying layers in both digital and analog environments…
Peter Brötzmann solo on clarinets and alto, tenor and bass saxophones, recorded at the FMP studio in May 1976: the twelve pieces of the LP Brötzmann/Solo, from 27 seconds to ten minutes.
Second duo LP by Sarah Hennies and Tristan Kasten-Krause: two sidelong pieces grown from a live work played in darkness, singing bowls, gongs and double bass drifting into waltz-like pulses and field recordings. Numbered edition of 200.
*200 copies limited edition* In its apparent bare simplicity, “Fade, Remain” is Iluiteq's most uncompromising and intimate album to date. Delving into the universal human condition of experiencing a loss and coping with a new phase of life, Iluiteq have released a new collaborative album, co-written with renowned Italian producer and musician Eraldo Bernocchi. The album juxtaposes the condition of “fading”, meant as leaving or departing, with the notion of “remaining”, either physically or spiri…
The state51 Conspiracy is proud to present the reissue of The Human Beast’s legendary (and sole) album ‘Volume One’ - a visceral slice of the late 60s Edinburgh underground. Remastered by Grammy-recognised mastering engineer Sarah Register, this definitive edition gives both collectors and casual buyers the chance to own one of Scotland’s cult hidden psych hard rock gems, complete with updated sleeve notes, never before seen photos/ephemera and an art card signed by the band.
The sedate gentilit…
** 2021 Remastere repress** This is the second movie with Zeudi Araya, filmed in a hurry to take advantage of the success of the previous “La ragazza dalla pelle di luna”. “La ragazza fuoristrada”, set between Egypt and Ferrara, Italy, deals in an unusual way with the theme of racial integration, still a taboo at the time especially in remote Italian provinces. Despite the fact that the title evokes the legendary "Dune Buggy" (the main character, Luc Merenda, is a journalist who goes to Egypt to…
condition (disc/cover): M/M (still sealed)
Vittorio Gelmetti (1926-2005) worked outside the Italian academic avant-garde and made a music built from other music. Organum Quadruplum (1967), written for a concert at St. Paul's American Church in Rome, sets a choir and Frederic Rzewski on organ against tape, popular songs and radio noise. Ipotesi A (1974), a study for the opera Non otterrete risposta, has Gelmetti on piano, percussion and bird call.
Side B, L'opera abbandonata tace e volge la cavi…
** 2021 Stock. High quality vinyl, with original insert and new liner notes on printed innersleeve ** More than 40 years after its original release, the recording of the Marc Levin Ensemble’s Songs Dances and Prayers will be reissued, both on vinyl and digitally. Until now it has only existed in the original vinyl form, making it difficult to obtain, which is why we decided to make this magnificent recording easily available again. Though Marc Levin is often characterized as a Free Jazz musician…
We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both ev…
*Limited edition of 200 copies.* Eight 'watercolours' of 'classic' ambient music with nuanced and delicate hues... Eight touching instrumental 'landscapes' painted through soft and sober sonorities, barely whispered melodies, an ever-changing play of light and shadow with a flavour as hypnotic as it is relaxing. A continuous observation of the surrounding landscape through swaying leaves and windswept tree foliage, catching and capturing in the apparent stillness every little movement, every ele…
*200 copies limited edition* A series of electroacoustic/acousmatic perfomances by TeZ (known for his collaboration with Clock DVA and the works on 13/Silentes with Fabio Orsi), based on live processing of acoustic sounds and field recordings. The improvisation with hybrid DIY and traditional folk/ethnic instruments, environmental recordings and archive audio clips is expanded through a series of generative filters, delays, pitch shifters and harmonisers, orchestrated in ever changing feedback l…
*100 copies limited edition* Very, very broadly speaking, there are two kinds of Nurse With Wound albums: the sprawling, immersive, evolving drone-type recordings - think Soliloquy for Lilith, Salt Marie Celeste - and the wild, surreal freak-outs. A Sucked Orange is a prime example of the latter. Originally released by United Dairies at the end of the 1980s, A Sucked Orange has long been out of print, especially on vinyl. Infinite Fog is beyond happy to bring this singular work back as a 2LP pic…
200 copies limited edition, black vinyl edition Accessing the history of avant-garde and experimental music from Latin America has always been a complex affair - the true breadth of activity during the second half of the 20th Century sinfully under-documented, the result of political and economic circumstances that unfolded across decades. Over the last years, reissues have begun illuminating the remarkable creative triumphs that transpired in Peru, Chile, Argentina, Cuba, Brazil, Venezuela, and…
Ten tracks of dark, slow-motion dub by Ravenna photographer and field recordist Adriano Zanni, built from delays, reverb and recordings of abandoned places, from Pripyat to Craco. Limited grey vinyl on Bronson Recordings.
*200 copies limited edition* "Ever Expanding" unfolds like a fissure in the continuity of the real. Each sonic fragment carries the memory of an archaic gesture, while also heralding a form yet to come. Nothing asserts itself, yet everything emerges with the gentle force of an apparition—unstable configurations that breathe in the space between the familiar and the elusive. The pieces overlap without collision: each remains distinct, yet surfaces within a shared field. What arises is a multiplic…
*250 copies limited edition CD in 6-panel digisleeve* Cade is Bruno Dorella and Giovanni Lami. We come from different backgrounds and trainings, but we found a common ground in our open view to different disciplines, and our curiosity towards unorthodox approaches to music. "Cade" is our first ever album to be released, part of a wide archive of sessions that we recorded in 2019-2020, with no kinds of pressure. Dorella plays some traditional instruments such as guitar and percussions, while Lami…
Joe Harriott's 1964 quintet with Shake Keane, Pat Smythe, Coleridge Goode and Bobby Orr turns songs from the Broadway musical High Spirits into lyrical, swinging jazz, now on vinyl in stereo for the first time.
The complete works for ordinary piano by microtonal pioneer Ivan Wyschnegradsky, mostly unpublished, from the late Étude sur le carré magique sonore back to preludes written in Petrograd in 1916. Played by Martine Joste, who knew him well.
**300 copies** Minimal Wave is proud to present The Sound of Indifference, a rare cassette released in 1981 by Aural Indifference. Aural Indifference was a post-punk studio collective from Sydney, Australia. The two principal members were Brian Spencer Hall (the M Squared in house producer) and Kevin Purdy. The cassette album, The Sound of Indifference, was released in 1981, featuring tracks such as “Theme”, “Park, and “Man Am I Progressive”. Their sound ranges from minimal synth, to post-punk t…
**180 gram vinyl** Minimal Wave is proud to present an LP of 6 songs by cult U.K. project Scenes de la Bohème, entitled ‘Standing in the Rain’. Scenes de la Bohème was formed by Anthony Waites in London, in 1981 with an innate desire to create poetic, subversive pop music. Without any intention of ever signing to a record label, he self-released one untitled 7” single in 1982, an edition of 150 copies, with money funded to him by his parents for his 21st birthday. He often used borrowed synthesi…
The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens.
Over the last decade, Davachi has emerged as one of the most singular voices working at the intersection of minimalism, early music, and electro…
*200 copies limited edition CD in 6-panel digisleeve* The idea behind "Methexis" is to take some of the foundational concepts of jazz such as interplay, timbral research and improvisation, and render them in a predominantly electronic context. The compositions were sketches, for example various modes of interactions and three modal macro-areas were indicated on the piece "Methexis", while "On Silent Haunches" is an improvisation for solo electric piano structured on the final four chords of the …
**200 copies** To find again sequences, sounds and samples, previously elaborated for other works and live performances, decontextualizing all of them to create new original material. These are the starting points for To Found, the third release by Corrado Altieri and Gianluca Favaron on a Silentes label, devoted to all-round experimentation and stylistic contamination through the multiple languages of electronic sound. Drone music, post-Techno rhythmic disintegrations, suggestions of the old In…
Long before streaming services, podcasts, or even the compact disc, there was Tellus - a radically ambitious publication that imagined recorded sound as an exhibition space. Founded in 1983 in downtown New York, Tellus transformed the humble audio cassette into a magazine, commissioning and publishing new works by musicians, composers, visual artists, poets, writers, choreographers, and performers who were reshaping the boundaries of contemporary art. Each issue invited listeners into a world wh…
2 × 180g vinyl LP, Flating jacket, Obi. Deluxe edition. Informel emerged from the rupture of the COVID-19 pandemic in 2020, and stands as the point of origin for the present-day Sinsuke Fujieda Group. With regular performance activity brought to a halt, Sinsuke Fujieda was given time to reconsider his own music at its deepest level, and to ask himself what the music was that he truly wanted to express now. His answer was to return to jazz as his foundation, and to pursue, through both compositio…
The Fall's first four Step-Forward singles, 1977-79, plus Dice Man from Dragnet: Mark E. Smith's early art punk of atonal guitar, looping bass and combo organ, back on vinyl for the first time with liner notes by Stephen Malkmus.
NoBusiness Records is proud to announce the release of New Light, a previously issued live recording featuring three singular figures in the history of free jazz and improvised music: legendary drummer Sunny Murray, multi-instrumentalist Arthur Doyle, and trumpeter Rasul Siddik.
Recorded live at Thelonious in Bordeaux, France, on October 21, 1999, New Light captures an intense and uncompromising meeting of three musicians whose work has consistently challenged convention while expanding the expr…
On Fantasy, Piero Umiliani resurfaces four decades late with a perfectly preserved final statement: a 1983 library dream where analog synths, light orchestration and soft rhythms drift between science‑fiction shimmer and easy‑listening warmth, closing his universe on a quietly visionary note.