Best sellers
Baroque Non Baroque #27815 (LP)
*110 copies limited edition. Includes repulsive cover photo and hand-stamped labels* ‘Nothing compares to you’ was about Peter Fengler and Sinéad was right! There’s no losers here, just the bare and brutal leftovers of a very long night or a really early morning. Is the sound your uncle Peter makes sexy or sexist? Is knocking on wood kinky or slapping the salami sufficient? Is it a Karlheinz with a Karlsquell or a Cage with a Cara? Or just tins for fears? Complex comparisons more zonked than the…
Days As Echoes
Bomb! Estonian multi-instrumentalist Misha Panfilov returns with Days As Echoes, a sophomore release that channels the expansive spirit of Krautrock through the lens of contemporary ambient and spiritual jazz. Part of Panfilov's ever-expanding musical universe, the Misha Panfilov Sound Combo delivers six compositions that function as both individual meditations and a cohesive sonic narrative about hope, journey, and human connection. Drawing from an impossibly diverse palette that includes Ethio…
Differenz/Wiederholung 2
Bernhard Lang's Differenz/Wiederholung 2 is a multi-media piece for amplified ensemble, three voices and video installation. While the music is filled with rocking-and-rolling, anti-grooving sound slaps, "scored free jazz", and crippled repetitions, three vocalists present texts (including rap) from Gilles Deleuze, William Burroughs and Christian Loidl, commenting on usual repetitive human habits and its nonsense. If Captain Beefheart's Trout Mask Replica (1969) is a milestone of avant-rock, …
Gaku-No-Michi Materials
Riding an incredible high, Sound3 Co.’s groundbreaking “The Beginning of Japanese Electroacoustic” series returns with its 15th and most ambitious release to date: “Gaku-No-Michi Material”, an astounding 5CD set, presenting the French composer Jean-Claude Eloy’s legendary, monumental electroacoustic work - recorded in Japan between 1977 and 1978 - “Gaku-No-Michi” in a revelatory new way. Comprising 22 tracks, each representing an individual reel of the materials used by Eloy when performing the …
The Music of Butterfly
More than two decades since he blew minds with a suite of brilliant releases on Warp, Vincent Gallo returns to the world of music at long last in Butterfly, his duo with Harper Simon, with the project’s full-length debut, “The Music of Butterfly”. A gesture of gentle, DIY / bedroom left-field pop, falling within the rough territory for which Gallo became renowned during the late '90s and early 2000s, while interweaving fascinating flirtations with minimalism and experimentalism, it’s a truly ca…
Breaking the Surface
Two of Annea Lockwood's dramatic works dealing with issues of spiritual wholeness. Duende (1997), about shamanic transformation, is written with and performed by Thomas Buckner. Lockwood selected sounds which reminded her of certain vocal transformations heard in recordings of shamanic ceremonies. In such singing, changes in the voice mirror and also help to bring about changes in the singer's mind and awareness. Within an improvisational framework, Buckner explores the possibility of change of …
Gleann Ciùin
Organ, cello and electronics performed by Claire M Singer. The captivating second instalment in a triptych of albums that delves into two intertwining narratives. Gleann Ciùin -which means "quiet glen" in Scottish Gaelic (pronounced gly-ow-n kyoon) -is released on CD / digitally by Touch on7th November 2025.
The follow up to 2023's Saor, the heart of this album lies a profound exploration of the artist's personal journeys across the rugged, awe-inspiring landscapes of the Cairngorms in Aberdeens…
The Empty Hollow Unfolds (Expanded Edition 2021)
In a long-awaited unveiling, celebrating it's 25th anniversary, raison d’être’s critically acclaimed dark ambient opus The Empty Hollow Unfolds will be available for the first time ever on vinyl, released as a deluxe Double LP edition on Marbled vinyl and standard Black. Originally issued in 2000 this reissue marks a significant milestone in the legacy of Swedish composer Peter Andersson, whose immersive soundscapes helped define an era of industrial ambient music.
The Empty Hollow Unfolds is no…
Kimatika
An irresistible splurge of sax, krautrock grooves and heavy modular doom that should excite fans of Bent Arcana, Holden/Zimpel and The Comet is Coming.” -- Uncut
"Blend of disobedient free jazz with krautrock" -- Louder Than War
Kimatika, the 3rd album by the Slovenian audio-visual trio Etceteral, is a visceral plunge into the raw undercurrents of futuristic jazz, motoric propulsion, free improv and elastic compositions. A growling baritone sax weaves through pulsating electronics and restless d…
Eye
*250 copies limited edition* Mariska Baars, aka soccer Committee is a force to be reckoned with: whoever heard one of her albums, or was lucky enough to see her live, knows that no one masters the art of peeling away every unnecessary layer of a song like she does. From the very first notes of 'Eye, it’s clear that Baars is at the peak of her powers. The most traditional songs here remind us why we fell for her songwriting in the first place: they’re delicately strong and quietly fierce. Other p…
Last Shot At Heaven
When describing the "Last Shot at Heaven" cover art on the Skullflower Bandcamp page, Matthew Bower highlights the ambiguity of the striking photograph of a civilian casualty during the Yugoslavian schism. "Is it ecstatic[?]" he asks of the woman's expression. This, too, is a question one could reasonably ask of any Skullflower album.
Bower and his many cohorts' body of work is full of lengthy compositions that evoke all manner of emotions. Statement records like "IIIrd Gatekeeper", released a y…
Sunburned Dreamlike Safari
A floating drift toward a mysterious reality, between Nature and Cosmos, poised between sleep and wakefulness, temporal co-presences and impossible spatial ubiquities. In this phantasmagorical saga, inspired by TV science-fiction as well as 60s and 70s horror movies, Nicola Giunta/Lay Llamas creates a miraculous balance between original inserts and retrievals of freely chosen fragments from old audio documentaries on vinyl, perfecting the art of sound collage in an absolutely psychedelic way. No…
Mema Verma
[mema verma] is the final step of a study about an indian shruti box G (low) tuned, mostly used without emitting any note (as in the first two tracks, sampling and processing the breaths, whistles and noise produced by the reeds. The third track, is the only one in which the shruti is played in a more standard way, as well as its sound was recorded through a set of very old mid-range speakers, later sampled and processed. A split into three tracks but the whole project is sort of a metam…
Die Form - Hurt
This Die Form side-project was recorded in a few days in 1984 and remains the only trace of their material recorded under the name Hurt, initially released on the Bain Total label during the same period as Some Experiences With Shock. This release brings together all the tracks from the cassette, as well as other titles from Die Form from this period. It is a kind of snapshot, close to the tear and chaos, where the machines and the out-of-control guitars are used as a support for the cry to fina…
The Albums: 1968-1972
14LP box set, black vinyl, slipmat, and a 64-page book. 1968 to 1972, saw the release of 6 studio albums from Folk’s first supergroup Pentangle. Featuring the songwriting talents of guitarists Bert Jansch and John Renbourn, alongside bassist Danny Thompson, drummer Terry Cox and singer Jacqui McShee, their innovative folk-fusion encompassed elements of jazz as well as pop, which left a lasting influence and legacy. The first 5 albums were released on legendary Folk label Transatlantic, while Sol…
Feather and Pine
We are very proud to announce the second album by Michael Krassner for Dark Companion. This innovative, as ever, breathtaking music was originally intended as the soundtrack to a docufilm by Michael James Beck and Star Rosencrans of the same name: the film denounces the severe deforestation of North America’s majestic forests and all the associated problems. The music strikes arcane chords, buried in our collective memory. Ancient tales are told without words, preserving a profound sacredness th…
Listen Ship
Listen Ship is the latest masterpiece in the ever-expanding sound world of Pulitzer Prize-winning composer Henry Threadgill, whom The New York Review of Books recently described as “one of American music’s great Romantics and a lifelong seeker of the sublime.” The new work is a suite for six acoustic guitars – including individual stylists such as Bill Frisell, Miles Okazaki and Brandon Ross – and two pianos that utilize Threadgill’s unique intervallic syntax to illuminate his idiosyncratic visi…
Cassotto
*200 copies limited edition* On October 10, Brussels-based accordionist Suzan Peeters releases her debut album 'Cassotto' on the Belgian label blickwinkel. With 'Cassotto', she opens a door into a hidden chamber of sound. The title refers to the “cassotto” — a small resonating chamber inside the accordion that warms, softens, and deepens its tone. Listening to this record feels as if you’ve stepped into that room yourself, enveloped in a world where intimacy and grandeur collide. Although this i…
Sinopah
World Rhythms originated as a ten-channel live improvisation in which the audience was surrounded by ten loudspeakers. The recorded sounds include volcanic eruptions, earthquakes, radio waves, geysers and pools, and tree frogs. These sounds are a physical manifestation of energies which shape us and our environment constantly, energies of which we are not always aware, but which powerfully influence and interact with the rhythms of our bodies."What separates her work from musique concreté is tha…
Thousand Year Dreaming-Floating World
Thousand Year Dreaming (1990) was commissioned by Essential Music and was written with the musicians on this recording, their particular strengths and inclinations, very much in mind. It grew out of an improvisatory piece, Nautilus, which Art Baron, Scott Robinson and Annea Lockwood realised in 1989. They found that the sound of conch shell trumpets, didjeridu and frame drums really flowered in the resonant spaces they were using for the piece. Lockwood started imagining the sonorities possible …