Best sellers
Gman+
Gman+ gathers some of the most elusive material from Merzbow’s 2011–2012 period and welds it into a single, punishing disc, four tracks that function as both archival rescue and self‑contained statement. The collection pulls together work originally issued in limited form, recasting it as a crucial chapter in the same cycle that produced Kumo No Zettaichi, Sugamo Flower, Bit Bluesand Kotorhizome. Across “Gman”, “HJYUGTF2”, “Hakutouwashi” and “Lop 13”, Masami Akita works out a language of layered…
Kotorhizome
Kotorhizome catches Merzbow in a phase where noise stops behaving like a vertical wall and starts acting more like an underground network. Recorded between 2011 and 2012 and released later as part of the Slowdown archive cycle, the album is built from a deceptively modest setup: small koto, synth, and drone box woven into three extended pieces. The title fuses “koto” with “rhizome,” hinting at what the music does structurally - traditional string resonance is fed into electronics and allowed to …
Bit Blues
Bit Blues sits in the middle of Merzbow’s Horizon cycle like a scorched signpost, three tracks cut from performances recorded at Munemihouse in 2011 and 2012 and later remastered in 2021. All the music is by Masami Akita, working with a small, intensely exploited setup that favours dense, bit‑crushed textures and overdriven loops over the more sprawling configurations of earlier decades. The title points in two directions at once: “bit” as in digital grain and reduced resolution; “blues” as in a…
Sugamo Flower
Sugamo Flower compresses a particular 2011 moment in Merzbow’s practice into two long tracks that feel like one continuous, mutating organism. Both pieces are sourced from performances recorded that year, later repurposed as material for “Sugamo Flower Festival” on the split LP Freak Hallucinations with Actuary (2012), which gives the album a double life: document of an event and quarry for subsequent work. Central to the sound is the return of the Korg AX30 multi‑effect pedal, a unit Masami Aki…
雲の絶対値 Kumo No Zettaichi
On Kumo No Zettaichi, Merzbow trades drum violence for a hall of hovering machines, two 2011 pieces where small drone boxes, oscillators, and minikoto threads knot into a dense but strangely weightless sky of electric weather. It is harsh ambient as charged cloud bank rather than blunt impact.
Errant Ear, Tutti Frutti (2CD Bundle)
Two masterful explorations of electroacoustic practice that showcase the profound possibilities of the medium - from Ferrari's intimate sonic memoir to Vande Gorne's four-decade spanning artistic statement. Essential listening for anyone interested in the cutting edge of contemporary experimental music.
Brunhild Ferrari - Errant Ear
A stunning new long-form electroacoustic work by the German composer Brunhild Ferrari. Drawing upon sound sources recorded between the 1970s and 2024, with sonic con…
Murasaki
A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…
Construcao
Construção (Portuguese for 'Construction') is the eighth studio album by Brazilian singer-songwriter Chico Buarque, released in December 1971. It was composed in periods between Buarque's exile in Italy and his return to Brazil. Lyrically, the album is loaded with criticisms of the Brazilian military dictatorship, especially with regard to the censorship imposed by the government at the time. It is widely regarded by music critics as one of the greatest Brazilian albums of all time.
La Ragazza dalla Pelle di Luna
500 copies, audiophile pressing. Perfect replica of the original packaging, newly remastered for optimal sound. “La ragazza dalla pelle di luna” is the first chapter of Piero Scattini’s acclaimed movie trilogy,completed by “La ragazza fuoristrada” (1973) and “Il corpo” (1974), whose soundtracks were all entrusted into Piero Umiliani’s expert hands. With a title taking inspiration from the fame of Seychelles’ indigenous beauties (a myth later dismissed by Scattini himself) the film found its prot…
Jazz For The Jet Set
“In much the same way hippies can be an iconic symbol of the late ’60s, the early ’60s might be represented by the world of the Jet Set. The Jet Set was a carry over from the Café Culture of the ‘50s and first popularized in such films as Fellini’s La Dolce Vita (1960) and Edward’s Breakfast at Tiffany’s (1961). The women were beautiful, glamorous, and sexually available. The men were slick, sharply dressed, and talking the fast hip lingo. The alcohol flowed, cigarettes burned, and the music alw…
Manchmal Vertrödelt Christa S. Den Tag
Rare original issue. Recorded by the husband and wife duo of Kurt Schwertsik and Christa Schrwertsik, “Manchmal Vertrödelt Christa S. Den Tag” is a dreamy gestalt, an album that borders Chanson, spoken-word, Ubu-esque passages, chanting and singing, against a variety of textures and jazz noir. Kurt Schwertsik (b. 1935) is an Austrian experimental/avant-garde composer. His music is mercurial and idiosyncratic with a refreshing lightness of touch. Though a pupil of Karlheinz Stockhausen, the compo…
Inner Mind Mystique
**Limited Edition of 299 copies + Poster** Along with Merzbow, Incapacitants and Hijokaidan, Masonna is one of the best (known) Japanese noise projects. A psychedelic touch, cascades of electronic noise and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barrelled named for Masonna. Yamazaki “Maso” Takushi created Masonna in 1987 and simultaneously he started recordings on cassette tapes and seven inches for his own…
Masonna vs. Bananamara
**Limited Edition of 299 copies.** Masonna, the moniker of the Osaka based artist Maso Yamazaki, belongs to the second wave of Japanese noise. The name alone, a pun on Madonna’s name by combining the Japanese words Maso (Masochist) and Onna (Woman), illuminates the wry humor and intensity that rubbles below his work.Masonna claims that his interest in making noise is rooted in childhood encounters with the sounds of destruction on tv. Initially playing in psychedelic rock bands, following encoun…
Return To Monster Planet
A sequel to the cult 1975 Australian space rock album Monster Planet. In 2013 The Roundtable curated a dedicated program redocumenting the music of Australia’s legendary space rock band Cybotron. A new generation of electronic music enthusiasts and krautrock fans alike had been introduced or had perhaps been reconnected to the unlikely yet incredible sounds of Australia’s unique brand of ‘kosmische musik’. This archival series included Steve Maxwell Von Braund’s groundbreaking solo album Monster…
M.elle Le "Gladiator"
Edition of 300 copies, white vinyl. In the sprawling catalog of Franco Battiato's remarkable career, certain artifacts remain tantalizingly out of reach—works that slip between the cracks of official discographies yet represent crucial moments in the evolution of one of Italy's most visionary artists. M.Elle Le Gladiator stands as one such treasure, released in 1975 as the final and most controversial work of Battiato's experimental period for the Bla Bla label, marking the end of what many cons…
Live In Tokyo (LP)
* Gatefold LP, 180 grams quality reissue * It’s incredible to witness this resurgence of Strata-East’s recordings over the last few years – an appreciation for the label’s ground-breaking approach to music-making, backed by a phenomenal catalogue, continues to attract listeners both new as well as its devoted faithful once again giving rise to its revered and cult-like status. The label’s return to prominence and its subsequent reintroduction to new audiences has been aided, in no small part, by…
L'Enfant Sauvage
300 copies. Félicia Atkinson is having a very productive 2011. The French musician, artist, and writer has released tapes and CDs under her own name and the moniker Je Suis Le Petit Chevalier, establishing herself as an increasingly important voice within experimental music circles. Currently based in Brussels, Atkinson represents a new generation of artists who seamlessly blend musical composition with visual art and literary expression, creating works that transcend traditional categorical bou…
So(u)len(skin(ner)
So(u)len(skin(ner) is the second solo LP Katt Hernandez has released. After 13 years as a veteran of the variated wonderments of the experimental music scenes of the east coast, Katt moved to Sweden. She became a producer at Fylkingen and several other organizations for new and experimental music, started making electro-acoustic music alongside her long beloved violin at EMS and the Royal Music Academy alike, and is playing all about Sweden and further with a burgeoning tumult of new and fantast…
Tim Maia 1973
An icon of Brazilian popular music, Tim Maia was a musical polymath and prolific recording artist best known for introducing American soul to the Brazilian music scene, pioneering the sambalanço style by blending elements of soul, funk, rock, and samba. Maia recorded four self-titled albums for Polydor Brazil, this fourth release from 1973 arguably the best, with its outstanding hits ‘Réu Confesso’ and ‘Gostava Tanto de Você’; ‘Do Your Thing, Behave Yourself’ shows how the soul form fitted him p…