Best sellers
L’Oreille Voleuse
On L’oreille Voleuse, Brunhild Ferrari opens her archive of “ear memories” to Eiko Ishibashi and Jim O’Rourke, who treat her magnetic-tape recollections as a living landscape, improvising a drifting, prismatic electroacoustic Hörspiel about time, listening, and theft as tender attention.
Crawling Wind
First vinyl reissue of Univers Zero's 1981 EP, originally on Japan's Chaos International. Three pieces move from Bulgarian-tinged folk to an Andy Kirk ambient composition to a live improvisation haunted by a stray radio signal. Once voted one of the greatest Belgian albums ever. Redesigned cover by Thierry Moreau. LP.
Windmills
*150 copies limited edition* On the website fancymoon.com, CON himself describes 'Windmills' as Electro Cosmic Metal Industrial. It comprises 33 tracks and represents a continuous body of electronic music. The album was recorded and performed in the same vein as 'III Kugeln', serving as its predecessor, and is made up of four “solo electric pieces”: Sack, Turbine, Raumknoten, and Fenster. As FdW noted in his review of 'III Kugeln', this is not ambient, not dance music, not musique concrète, not …
Choreological Exchanges
British Dadaists Hastings of Malawi, with roots in the Nurse With Wound circle, continue their inquiry into communication itself. Recorded in the pandemic, side one is built from the sound of old mechanical telephone exchanges and their engineers' voices, a "dance within the wires"
Baur Bentur
Dewa Alit, master of radical Balinese gamelan, returns to Black Truffle with Baur Bentur. Genetic (2020, BT063) introduced international listeners to the magical sound-world of Alit’s Gamelan Salukat, who perform on instruments tuned to a unique scale derived from modified versions of two traditional Balinese scales. The two pieces heard on Chasing the Phantom (2022, BT093) further demonstrated his radical fusion of tradition and experimentation, with passages where unorthodox techniques make th…
Woman's Colours
One of the most iconic Italian library music albums ever, Woman’s Colours by the Giancarlo Barigozzi Group (with Sergio Farina and Oscar Rocchi) emerged from Milan’s vibrant studio scene. Originally released in 1974 under the supervision of Fabio Fabor, it’s a refined concept work blending jazz-funk, jazz-rock, bossa nova and exotica, featuring Wurlitzer, Fender Rhodes, fuzz guitars and expressive flutes, balancing groove and elegance. Over time it has attained cult status, now regarded as a cor…
Smolders / Delaere / Nijs
Composition trio between Jos Smolders (electronics), Guido Nijs (saxophone) and painter Koen Delaere, whose abstract pigment surfaces serve as compositional model. Five tracks named after pigments (Aureolin, Barium, Diarylide, Bianco di Titanio, Indigofera Suffruticosa) translate Delaere's clashing, superimposed colour material into sonic canvases. The work grew out of two years of free improvisation; on Diarylide, the duo is extended with Eric Van Der Westen on bass and Aron Raams on guitar.
Observations
On Observations, eRikm and Pierre Bastien stage a tightly focused encounter between hacked turntables and mechanical orchestra, sculpting trance‑like, Dubuffet‑dirty rhythms and razor‑sharp details from one hyper‑attentive night in Brussels.
Versprochen
300 copies. Three years after his debut Miniaturen, the Berlin-based composer and producer Konrad Sprenger - real name Jörg Hiller - returned in 2009 with Versprochen, his second solo album and first for the Italian imprint Schoolmap. Where the earlier record traded in short, clipped statements, this one stretches out into a longer, more spatial scale, twelve pieces with evocative German titles given room to unfold across darker emotional registers. The word Versprochen itself sits somewhere bet…
Spectra Ex Machina: A Sound Anthology of Occult Phenomena
Philippe Baudouin's anthology of rare occult recordings, most from little-known archives. Volume one explores spiritualism and haunted houses: seances, spectral voices and poltergeist cases, with Arthur Conan Doyle and Houdini's final seance. A cabinet of sound curiosities revived in the listening. CD.
Moondog In Europe
Originally released in 1977, Moondog In Europe was visionary composer Moondog’s first release after moving from NYC to Germany. Regarded as reflecting the historicity of his new environment, the album is more structured and formal than most of his previous releases; however, his layered song-cycles are just as circular and experimental, and still backed by a fair amount of tribal percussion.
“Viking I” opens the album with Moondog’s solo celesta playing and retains the quirk and charm of his pre…
Live at Cafe Oto
Uneven Eleven is an improvising power trio that should not, on paper, work as well as it does: Charles Hayward on drums (This Heat, Massacre), Kawabata Makoto on guitar (Acid Mothers Temple, Gong) and Guy Segers on bass (Univers Zero, X-Legged Sally). Three players from three different corners of the avant-garde, captured in full flight at Cafe OTO in London on 24 May 2013, in one of those rare meetings where the chemistry is immediate and combustible.
Live At Cafe OTO spreads four long collecti…
Aguirre Bundle (3LP Bundle)
A three-LP bundle gathering the latest Aguirre reissues from two corners of contemporary folk and experimental music, offered together at a reduced price.
Two of the records belong to Brannten Schnüre, the Würzburg duo of Christian Schoppik and Katie Rich, who have spent more than a decade building a singular world at the borders of dark folk, musique concrète, ambient, and narrative conceptualism. Sommer im Pfirsichhain, the summer panel originally issued in 2015, and Geträumt hab ich vom Marti…
New Old Medicine
Tip! Hot on the heals of their spectacular self-titled debut album, The Handover is back with their second long form composition, New Old Medicine. Aly Eissa (oud), Ayman Asfour (violin), and Jonas Cambien (vintage organ/synth) have been cutting their teeth on the international touring circuit for the past two years, landing from town to town in their seductive spaceship to blow people's minds and then dematerialize into the void. An outline for a new piece began to emerge along the route and la…
Radio Experiment Rome, February 1981
In Radio Experiment Rome, February 1981, Robert Wyatt dismantles the barriers of song structure in a playful, vulnerable encounter with live radio. Captured in RAI’s studios, this session documents his real-time creative process as fragments of melody, vocal improvisation, and tape trickery mingle in a tapestry of radical intimacy.
Cuspa Llullu
Second collaboration between Anla Courtis and Daniel Menche, recorded across Portland and Buenos Aires. Two side-long pieces traverse a kaleidoscopic sound labyrinth: Side A moves through metallic, multi-layered corridors in constant mutation, Side B opens outdoors and gradually visits a sequence of interior regions toward a final climax. The sound material is treated as living, vibrating matter rather than inert sample, a study in frequency-as-organism on the drone-noise threshold.
Haarlemmerhout
Polack returns to the park in south Haarlem made famous by Nicolaas Beets's Romantic 1839 novel Camera Obscura, and uses it as the field for an exercise in urban escapism. Local recordings (pigs from the petting zoo, birds migrating north from Africa) are torn apart and rebuilt with layers of synthesis and electronics, blurring the line between unprocessed source and synthetic counterpart. Field-recording ambient in the lineage of Chris Watson, but tilted toward romantic synthesis.
Moonshine
Maurice Louca and his Elephantine Band commit a live, raw, collective sound to record. One of Egypt's most adventurous experimental figures pulls cosmic jazz, African and global musics and modal traditions into long stretches of hard-grooving, hypnotic intensity and avant-jazz abandon. Red and black vinyl mix.
Apryl Fool
The Apryl Fool’s self-titled album Apryl Fool (1969) is a singular psychedelic rock record born from the collaboration between Japanese musicians Hiro Yanagida and Takashi Matsumoto and American producer Gary Walker. The album fuses West Coast psychedelia with baroque pop, orchestral arrangements, and subtle Eastern melodic sensibilities, creating a richly textured and cosmopolitan sound that stood apart from both mainstream American psych and contemporary Japanese rock. Though commercially over…
Occam Hepta I
Edition of 250 copies. Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other for analog synthesizer (performed by Ryoko Akama).
In Eliane Radigue's work, we oppose electronic works (composed until the early 2000s) to those written for acoustic instruments. From 2002, the artist began a series of compositions, Occam, orally transmitted living music. In her own words, she fully realized what s…