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Beat Records Company, in collaboration with Cabum Edizioni Musicali is glad to present the original motion picture soundtracks of the movies Anche gli angeli mangiano fagioli, Anche gli angeli tirano di destro. Two movies respectively directed by Enzo Barboni in 1973 and 1974 featuring Giuliano Gemma first with Bud Spencer, than with Ricky Bruch, two entertaining comedies set in New York of the early 30s, in full prohibition. The great casts give life to a series of images on which Guido & Mauri…
*2023 stock* The journal Source: Music of the Avant-garde was and remains a seminal source for materials on the heyday of experimental music and arts. Conceived in 1966 and published to 1973, it included some of the most important composers and artists of the time: John Cage, Harry Partch, David Tudor, Morton Feldman, Robert Ashley, Pauline Oliveros, Dick Higgins, Nam June Paik, Steve Reich, and many others. A pathbreaking publication, Source documented crucial changes in performance practice an…
In collaboration with Edward R. Pressman Film Corporation, Music Box Records proudly follows their IFMCA award-winning release of Bernard Herrmann’s 1976 Oscar-nominated score for Obsession by now going back to his collaboration, one that relaunched his career as well as boldly announcing a new Master of Suspense. Almost forgotten when editor Paul Hirsch was inspired to use Psycho as temporary music, the resulting collaboration between him, filmmaker Brian De Palma and Herrmann showed just how m…
*2024 stock* For a long time downplayed and deprived of any recognition whatsoever, oromo music is one of the liveliest Ethiopian musical traditions. This 28th volume of Ethiopique pays tribute to Ali Birra, the man in whom Oromo music has irrepressibly affirmed itself since the 1960s. A very unusual groove, very different from gouragué, amhara and tigrignarhythms, a relentless quest for identity and, on top of that, a guitar style that would stand out anywhere. (Most of the pieces presented her…
Black Editions presents “Historic Music Past Tense Future”, the first ever album to feature the meeting of Peter Brötzmann, Milford Graves and William Parker. Three of the towering figures in the history of Free Jazz forge an incredibly vital free music born from lifetimes of uncompromising, ceaseless artistry. “Historic Music Past Tense Future” is the inaugural release by Black Editions Archive and the first in a series of records that will present previously unreleased works featuring Milford …
Dis FAC is the first release of an eponymous project which sees Andrew Hulme (co-founder of O Yuki Conjugate) reunited with Tom Fazzini for the first time in 20 years since their previous group A Small Good Thing (active 1989 - 2002).
"This album began as a pipedream about 5 years ago and became reality in the Summer of 2023. I've been a huge fan of ATA Records for years now and have wanted to record at the ATA Studio for equally as long, but I had found out that it no longer operated as a commercial studio and just served as a place where Neil (Innes, ATA head honcho and member of Work, Money, Death/The Sorcerers) could record his own music for his label. So I gave up on the idea of ever going there... Then, randomly, I met …
The story of electronic music pioneer Kerry Leimer continues with a focus on his auteurist studio project Savant. Compiling the standalone album, 1983’s The Neo Realist (At Risk), with Savant’s debut 12″ and a grip of compilation and unreleased tracks, Artificial Dance documents Leimer’s complete collaborative venture into the unpredictable realities of music, exploring the gulf between what is expected by its creators and what is eventually – and eternally – committed to tape.Savant was designe…
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - September 30, 1979. This is the seventh concert that Tom Albach recorded at Immanuel United Church of Christ. A wild and beautiful performance from beginning to end. Opening with an angelic take of Coltrane’s ‘Equinox’ which turns into a Coltrane medley, this recording is obviously a special one from the start… the existence of an unheard Sabir Mateen composition from 1979 (‘A C…
Audion 38 (8/1997) 48 pages. Cover article: Rock In Opposition - Part 4: The French Connection (Etron Fou, ZNR, Albert Marcoeur, Art Zoyd)plus: NME at the NFT - Julian Cope Presents A Krautrocksampler, Sphere & IQ - The Palace Theatre, Newark, 11/5/97, Artemiy Artemiev, Cluster On Tour, Volcano The Bear - Physio & Firkin, Leicester 1997, SFF - An interview with Heinz Fröhling, Urban Sax - "Street Life" at the South Bank, London 18/7/97, The Deviants, King Crimson "Epitaph", Cunieform Records, Se…
Audion 37 (5/1997) 44 pages. Cover article: A Chat With Chris Karrerplus: Caravan, Cluster - Asheville, North Carolina, USA, 6/8/96, Faust - The return of Faust Part ???, Moving Gelatine Plates - The Genius Of, Rescued Relics, KLEMdag '96 - Vereniging, Nimwegen, Rescued Relics, Infortecture, Peter Hammill - Union Chapel, London 3/11/96, London Oris Jazz Festival - QEH, Brainticket - The Mysterious Story of..., etc.
Black Truffle is pleased to announce The Mountains Pass, a major new work from Olivia Block. A key player in Chicago’s vibrant experimental music scene since the late 1990s, Block has developed an extensive body of work grounded in a personalised, at times emotive approach to the studio-based practices of the musique concrète tradition, while also encompassing improvisation, orchestral pieces, sound installations, and a sustained engagement with the piano. On The Mountains Pass, recorded by Greg…
During the height of the turned-on 1960s and '70s Occult explosion, even the under-the-counter men's magazines got in on the act and began a surreal exploration of the haunting netherworld of Witchcraft and Satanism. This monumental art book reveals a world of diabolical smut that was so compelling and obscure that many people today would actually question whether or not the magazines were real or just an elaborate and detailed modern photo editing invention. A few salacious titles and images on…
'Marginal Invitation', 'Corrosions on the Surface of Life', 'Cloud Passade No. 3'. Comprised of three balanced examples of his Continuous Music technique on solo piano, Three Solo Pieces serves as perhaps the best introduction the Ukrainian-Canadian composer Lubomyr Melnyk yet available. 'Marginal Invitation' is a subdued work with a deeply rooted melodic sensibility that is rich in overtones, while 'Corrosions on the Surface of Life' exhibits a dissonant fury of patterned note play. The final, …
Joe McPhee's first international release, Black Magic Man, was issued on the newly formed Hat Hut imprint in 1975. It was a watershed moment for the 35-year-old musician. Based in Poughkeepsie, New York, he was too far away from Manhattan to have participated extensively in the Loft Jazz happenings of the decade. European exposure, however, would give McPhee an alternative circuit, something of an escape route from the trappings of American cultural myopia.
" In support of the new record for thi…
"Paul Schütze’s debut album from 1989 sets his stall out from the start; with a cyber update on Jon Hassell’s notion of ‘Fourth World Music”. Schütze’s music always sounds like it could be an alternative soundtrack to ‘Blade Runner’ (be aware fellow purists, I did state “alternative”), and this album is probably the perfect candidate if in some other dimension the Vangelis OST was no longer deemed satisfactory (such a dimension surely cannot exist). The listener feels like they’re walking throug…
** Numbered + handmade in an edition of 300 copies only; 180gr 2xLP vinyl in custom-made screen-printed outer ** Frans Zwartjes’ studio remains untouched since his passing in 2017. In early 2023, we returned to the studio and discovered a trunk of unlabelled 3/4 inch tapes, containing completely unheard music by Zwartjes. These works, largely synthesiser-based improvisations for films either unmade or unfinished, were played and recorded by Frans Zwartjes between the late 1960s, through his most…
*200 copies limited edition* Gustafsson and Lindsjö had collaborated in the mid-eighties in the Swedish-American group The Bad Quartet. Playing local gigs in both New York and Lund. Lindsjö later moved back from New York City to reunite with Gustafsson in Stockholm, where the ensemble Gush had just begun to establish itself. With their shared American influences in mind, Raymond Strid was recruited on drums to form the trio Maxcolic.
The trio started off in a free improv funk/rock that contraste…