Best sellers
Lair of the White Worm
**Limited edition of 300 audiophile 140 gr white premium vinyl. Full color gatefold sleeve with lyric inner sleeve.** This is (another) strange one. It’s a genuinely ‘lost’ album, by which I mean it is one the band and I recorded then abandoned because I couldn’t find a suitable theme when it came to writing the lyrics. The music evoked a fantasy world, but I had already covered that subject on ‘Duel’ and ‘Grimm’ and felt I couldn’t justify writing more songs about Kings, Queens, castles and dec…
Hat
LP version. "Davy Graham is recognized as an early influential figure on the 1960s British folk scene, where he inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Paul Simon, John Martyn and indeed Jimmy Page. Not one to be categorised Graham could be seen as a true world music artist covering the genres of folk, blues and jazz. He also popularized DADGAD tuning, later widely adopted by many acoustic guitarists. Released in 1969 Davy noted that the fourtee…
Whistling Jigs To The Moon
LP version. Includes insert with lyrics, liner notes, and photos. Sommor Records present a reissue of Flibbertigibbet's Whistling Jigs To The Moon, originally released in South Africa in 1978. Whistling Jigs To The Moon is not only a very rare and sought-after album but also a wonderful collection of traditional and original folk tunes with a strong Celtic influence. Featuring Alison O'Donnell and David Williams from psych-folk legends Mellow Candle. In 1974, following the break-up of Mellow Can…
The Pawnshop
Warped guitars, screams and voices gone berserk; furious drums, tenacious bass guitars, frenzied Hammonds, avalanches of sitars, dramatic inflections, and hypnotics breaks. All these things together and many more are The Pawnshop. A moniker for an obscure supergroup behind which three truly unforgettable heroes of the Italian library music used to conceal themselves and experiment without any musical boundaries whatsoever. They were the celebrated Giuliano Sorgini (Raskovich), Alessandro Alessa…
Folk, Blues & Beyond
LP version. "One of the most influential figures in the 1960s British folk scene, Davy Graham inspired many practitioners of the fingerstyle acoustic guitar of the era, notably Bert Jansch, John Martyn and Jimmy Page. Graham is probably best known for his acoustic instrumental 'Anji' and for popularizing DADGAD tuning, later widely adopted by many acoustic guitarists. Not one to be categorised, Graham could be seen covering the genres of folk, blues and jazz. Graham was an entirely British pheno…
Wilderness
*70 copies limited edition* Blickwinkel releases Wilderness, the fifth instalment in Ameel Brecht’s cassette series exploring the theme of sleep. This closing volume delves into the world of dreaming and what it does to our minds, and for the first time in Brecht’s oeuvre features newly composed parts for (bass) clarinet.
"Sleeping and dreaming in your childhood: the first dreams you remember, the whole wildness of it; dreams of flying, and of disappearing, the strangeness of blue twilight, wor…
A New Perspective
** Special Time-Limited Offer ** On A New Perspective, Donald Byrd imagines hard bop through stained glass, fronting a band with Hank Mobley on tenor saxophone, Herbie Hancock on piano, Kenny Burrell on guitar, Donald Best on vibraphone, Butch Warren on bass, Lex Humphries on drums, and a wordless choir led by Coleridge-Taylor Perkinson. Byrd’s trumpet sits at the crossroads of church, street, and conservatory, with the choir’s sustained voicings bathing the grooves in a luminous, spiritual glow…
Red Clay
This is the sequential classic of Freddie Hubbard‘s catalog. Bandmates on this musical journey are Herbie Hancock on Fender Rhodes, Ron Carter on electric & acoustic bass, Lenny White on drums & Joe Henderson on tenor sax & alto flute. ‘Red Clay’ is accessible, grooving and one of the first fusions of R&B & Funk with Post-Bop. “Red Clay” sprung from his memories of his childhood in Indianapolis, noting that many of the neighborhood’s residents had come from the deep South, and he wanted the tune…
The Final Tour: Copenhagen, March 24, 1960
On The Final Tour: Copenhagen, March 24, 1960, Miles Davis and John Coltrane turn a standard club set into a knife‑edge drama, Davis all poised understatement, Coltrane in full escape‑velocity experimentation over one of the greatest rhythm sections in jazz.
With pats on the head, just one too few is evil one too many is good that's all it is
Tip! The heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experim…
Hidden
The inimitable Richard Youngs returns to Black Truffle with this third full-length for the label, »Hidden«. Like »CXXI« and »Modern Sorrow«, »Hidden« unfolds across two side-long pieces at once eminently listenable and possessed of the ›bloody-minded‹ dedication to having an idea and sticking with it’ that Youngs himself has identified as one of the key qualities of his work.
At the core of both pieces are rapid, randomised arpeggios generated with a Moog Grandmother, hypnotic patterns that woul…
Hyperglyph
Chicago Underground Duo is the long-running collaborative project of composer/trumpeter/electronicist Rob Mazurek (Exploding Star Orchestra, Isotope 217, New Future City Radio with Damon Locks) and composer/drummer/mbiraist Chad Taylor (jaimie branch’s Fly or Die, Marshall Allen’s Ghost Horizons, Luke Stewart’s Silt Trio). Hyperglyph is their first album in 11 years, and 8th in the absolute cabinet of wonders that is the Chicago Underground Duo. The pair have played music together in a multitude…
Environmental Percussion Vol. 2
Continuing the percussive investigations begun in Volume 1, this installment pushes further into the liminal space between rhythm and chaos. Where the first volume established the conceptual framework, Environmental Percussion Vol. 2 explores its implications more deeply, finding increasingly complex rhythmic patterns within seemingly formless noise.
Together, the Environmental Percussion volumes document Merzbow's engagement with rhythm and pulse - dimensions often overlooked in discussions of …
Environmental Percussion Vol. 1
The "Environmental Percussion" series finds Akita exploring the rhythmic potential of non-traditional sound sources - objects, spaces, and acoustic phenomena pressed into service as percussion instruments. These experiments anticipate the more overtly beat-driven work of later periods while connecting to musique concrète traditions of treating all sounds as potential musical material.
Akita transforms everyday acoustic phenomena into percussion, finding rhythm where conventional listeners percei…
Scoop
Terrific monster Psyche-Krautrock track from OST "Scoop". Original in 1973, 7" reissue in Cameleon Rds in 2013, CAME 3.
Gal
*2025 repress* After Caetano Veloso broke out with his solo debut, the self-titled 1968 release recognized as the building block for the now infamous Brazilian Tropicalia movement, his friends and musical peers released similar albums, always upping the ante in terms of outrageousness and inventiveness. This release, the second of two self-titled albums released by Gal Costa in 1969, set the high watermark in terms of overall insanity and complete experimental freedom for the entire lot; not Vel…
Embrace
Mega tip! *300 copies limited edition* ‘This celebration of the group’s 30th anniversary is composed entirely of recent works, but each will move around in time as well as in form, in ways that belong to traditions of both improvised and composed music, but also in ways that belong distinctively to this group. It demonstrates breadth and depth that suggest great temporal reach, embracing musical values that touch the art’s ritual origins and offering a sense of ongoing relevance and renewal. Tru…
I Luoghi del Potere
Art Fleury's “I luoghi del Potere” is another gem that we excavated from the past, which makes us wonder once again on how intense and creative the Italian avant scene of the seventies was, and how much we have forgotten about it. This is timeless music that redefines the borders of our experience and perception, and urges us to reconsider the impact of an Idea, when it functions as the soul and the engine of an artistic work. ... while i can certainly hear nods towards Henry Cow (with whom they…
Speak No Evil
** Special Time-Limited Offer ** On Speak No Evil, Wayne Shorter fronts a quintet of Freddie Hubbard on trumpet, Herbie Hancockon piano, Ron Carter on bass, and Elvin Jones on drums. Shorter’s compositions are haunted and luminous: melodies that are instantly memorable yet subtly elusive, harmonies rich with unresolved tension, forms deceptively straightforward. His tenor lines slide between inside and outside, often stating a theme in stark tones before twisting it into ambiguous shapes. The ba…
Transcendental Mathematics (Book)
In Transcendental Mathematics, Eric Schmid confronts the fundamental epistemological problem that has haunted philosophy since Kant's fourfold division of knowledge into analytic a priori, synthetic a priori, synthetic a posteriori, and the notoriously empty fourth cell of analytic a posteriori, a schema whose boundaries have been successively contested throughout analytic philosophy, from Carnap's logical empiricism (which sought to collapse the synthetic a priori into the analytic a priori thr…