Iva Bittová, Gyan Riley and Evan Ziporyn as Eviyan, live at Victoriaville on 16 May 2013: violin, voice and kalimba, acoustic guitar and clarinets in songs between Moravian folk, minimalism and chamber music.
Tip! “For the first duo release, Birgit Ulher stays close to her primary instrument, the trumpet. She plays that, as per usual, in combination with a radio, speakers and a voice changer. Early February 2020, she recorded a duet with Petr Vrba, also o…
Milan Knízak canonical text Aktual University, dating from 1967, contains ten short lectures outlining the university's character -- On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirationa…
** Edition of 65 ** Shakali's first album 'Petojen Tavat' was recorded during 2016-2020 in Imatra (Finland) and Brno (Czech Republic). Enigmatic ambient works with a dreamy tribal essence. “These contemplative psychedelic tracks were recorded layer b…
The science fiction yearning for utopia sometimes falls into dystopian space. Kurt Liedwart with Ken Ganfield and Petr Vrba tried to follow the impulse of getting to the ideal world but their most powerful and fearful predictions and prophesies came …
Petr Vrba explores non-idiomatic improvisation using trumpets, clarinets, vibrating speakers and other electronics which made him one of the most active experimental musicians in Prague. He works with a lot of projects like Prague Improvisation Orche…
Milan Knizak 1979's masterpiece never re-released before. Presented as a gatefold with the original design. Before everyone else - Christian Marclay, Philip Jeck, eRikm, Martin Tétreault, Otomo Yoshihide - there was Milan Knizak. In 1964, Milan Kniza…
Violin was Milan Knizak's first instrument. He has composed hundred of works of this ilk; the first one DHK, 45 years ago. Next to his destroyed works, Milan took notations of different composers, cut them and put them together (with his own score) i…
Resonators documents a distinctive trio - George Cremaschi (double bass, electronics), Irene Kepl (violin, electronics), and Petr Vrba (trumpet, clarinet, electronics) - whose central aim is to use the acoustics of resonant spaces as a compositional …
Milan Knizak and Opening Performance Orchestra revisit Knizak's 1979 Broken Music (SR 400LP) in Berlin, 2014. "In 2008-9 we transferred the original recording from vinyl records into digital form. As we did so, we weren't interested in the precise, c…
The tracks of the album Esox lucius were recorded on high end analogue technique at the Czech Radio Broadcasting Studio in Prague. Four exceptional instrumentalists are creating bubbling and zizzling chamber music, they are blurring the edges of thei…
Legendary east block vocalist. Here is 17 tracks of experimental child songs mixed with traditional folky style that are calm and relaxing. Beautiful voice as always.
With voice, violin and percussion, this duo produces music with a thrilling intensity, suspense and drama. The musical basis is a mixture of the duo's interpretation of slovakian and romanian folk music, jazz and classical. They play with a freshness…
Iva Bittová has been the guest of many artists all over the world, but this compilation mostly explores her work with her Czech compatriots, including Ida Kelarová, Pavel Fajt and Pluto, Nederlands Blazers Ensemble, Krajinka and Vladimír Godár, as we…
Janáček's piano cycle On an Overgrown Path in Daniel Rumler's string orchestra arrangement, with Suk's St. Wenceslas Meditation, Dvořák's Notturno and poems read by Maïa Brami. Camerata Zürich led by Igor Karsko; recorded 2017 at Radiostudio Zürich.
Hungarian pianist Dénes Várjon's first solo ECM New Series album: Berg's Piano Sonata op. 1, Janáček's In the mists and Liszt's Sonata in B minor, recorded in April 2011 at the RSI Auditorio in Lugano and produced by Manfred Eicher.
Debut album of the Italian sisters Natascia (violin) and Raffaella Gazzana (piano), playing Takemitsu's Distance de fée, Hindemith's Sonata in E, Janáček's Sonata and Silvestrov's Five Pieces, recorded in March 2011 at the RSI Auditorio in Lugano.
Duo album by Miroslav Vitous (double bass) and Jan Garbarek (tenor and soprano saxophones), with seven Vitous compositions and two joint improvisations. Recorded February 1992 at Rainbow Studio, Oslo, produced by Manfred Eicher.
Third ECM album by Miroslav Vitous's quartet, with John Surman (reeds), John Taylor (piano) and Jon Christensen (drums), recorded at Talent Studio, Oslo, in July 1982, produced by Manfred Eicher and released in 1983.
Cooperative trio of Terje Rypdal (guitar, guitar synthesizer, organ), Miroslav Vitous (double bass, electric piano) and Jack DeJohnette (drums), recorded in June 1978 at Talent Studio, Oslo, produced by Manfred Eicher. First released 1979.