Music from United Kingdom

2016 repress. If you're new to Throbbing Gristle then, well, shame on you; but don't worry, all's not lost, you can get up to speed with the help of the band's Greatest Hits, newly remastered. First released by Rough Trade in 1980 with the apt subtitle Entertainment Through Pain, it's an unbeatable summary of crucial material from Gen, Chris, Cosey and Sleazy's first three albums (Second Annual Report, DoA: The Third and Final Report and 20 Jazz Funk Greats), taking in the robo-fetish disco of '…

2016 repress. Throbbing Gristle's second album, remastered - making for markedly superior sound quality to some previous editions - and reissued on Industrial Records. This finds the band at their sleazy (no pun intended) and savage best, reaching an apogee of apoplectic rage on 'We Hate You (Little Girls)', and has to rank as one of the most brilliant British evocations of decay and dysfunction to appear in any art form, ever. For all the P.Orridge-helmed murk, you feel Chris Carter's presence …

**few copies back in stock** Special edition white vinyl reissue to celebrate 40 years of TG! Includes stickers, inserts and download code with additional audio.Restored and remastered by Chris Carter from 24bit 'baked tape' digital transfers of the original first generation analogue master tapes. Originally released in 1977, TG's Second Annual Report features various recordings of "Slug Bait" and "Maggot Death," plus the 20-minute soundtrack to After Cease To Exist, a short film featuring a cas…

2016 repress. Live performance brought out Throbbing Gristle's talents for improvisation and provocation, and it's no coincidence that most of their classic albums contain sizeable extracts and edits of their shows; the live arena - be it grotty club, gallery space, concert hall or even the band's own rehearsal space - is where the action and the innovation really happened. The bulk of Heathen Earth documents one particular performance which took place in 1980 on "Saturday the 16th February betw…

Double LP edition. Deluxe gatefold sleeve. Includes download card. Limited to 500 copies. Post industrial pioneers Sutcliffe Jugend take everything to a new level with the beautifully packaged album Offal. With printed lyrics included for the first time, we get to the heart of Sutcliffe Jugend at their euphoric and vilifying best. Words that will make you question what it is to be truly human and not the conformist PC neo-liberal slave so prevalent and encouraged in the modern era. The productio…

Brian Eno's pioneering Ambient album from 1978. Music for Airports is so delicate, lovely, and aesthetically moving, that it has been known to give rise to sensations of flying, being enfolded in warm blankets, or watching a vision take place in the heavens. If this sounds like an overstatement, you haven't heard the album. A four part 'piece' performed entirely on synthesizer and piano, Eno's composition finds a referent more in abstract painting (one visualizes bold blocks of colour in warm hu…

The second in Brian Eno's ambient series, The Plateaux of Mirrors fuses the fragile piano melodies of Harold Budd and the atmospheric electronics of Eno to create a lovely, evocative work. In sharp contrast to the exaggerated pieces found on his debut, The Pavilion of Dreams, this record finds Budd delivering sharp shards of piano notes pregnant with meaning and minimal in the best sense of the word. Eno's unobtrusive electronics add a resonance and atmosphere that draw from the ambient textures…

By the time Brian Eno left Roxy Music and came to record this masterpiece of a debut in 1973, he already held in his grasp the raw tools to revolutionize popular music. Here Come The Warm Jets is bathed in his singular pop-with-a-wink aesthetic and free-associative imagination. Whether on the four-on-the-floor pre-punk stomp of Needles in the Camel's Eye' or the Spector / Velvet Underground trad-rock-ism of Cindy Tells Me,' the album displays an unabashed love of quirky, catchy pop. Savage guita…

Continuing the twisted pop explorations of Here Come the Warm Jets, Brian Eno's follow up album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states. Eno's richly l…

Completing the essential quartet of Brian Eno's early vocal albums is 1977's Before and After Science. The first half is vibrant, rhythmically complex songs (No One Receiving, Kings Lead Hat etc) before slipping into gentle relective moods for the second half. Cluster's Moebius and Roedelius, Can's Jaki Liebezeit, Phil Collins, Robert Fripp, Fred Frith, Fairport's Dave Mattacks, Phil Manzanera etc are amongst the players.

Another Green World is where Brian Eno creeps up behind me, and whispers how all pop music is about art, how all art is about life, and life is really a vessel for pop music. Where I forget what is a song and what is not a song, and where Eno realizes you can create something at once high art, low art, and not art at all. Most importantly, Eno discovers there is more beauty and worth in the discreet nuances of subtle sophistication than in all the blunted bluster in the world. With Another Green…

The amorphous unit that is AMM has been refining—and indeed redefining—a sound for as long as it's been in existence, and there's no reason to believe that the process this implies is likely to ever stop evolving. This does of course render John Butcher's presence here as perhaps anomalous, but there are no musical reasons to believe that this was the case in reality. The resulting trio—indeed the Trinity—of Butcher on tenor and soprano saxophones, pianist John Tilbury and percussionist  Eddie P…

** few copies in restock, dont sleep** Masterpiece, already sold out at source! Originally recorded and released in 1988, Nurse With Wound's ambient opus was years ahead of its time, a groundbreaking set of atmospheric sound patterns designed for ritual ceremonies. Hailed as a masterpiece on release, it soon became a firm favorite of NWW fans and topped the world ambient chart for over three months! This edition has been expanded to a four-LP set containing the original three LPs plus a 40…

John Butcher, saxophones. Michael Duch, contrabass. Jazzfest Trondheim, Trondelag Senter for Samtidskunst, 9th May 2015. Recorded in concert by Jonas Krossli and mastered by Karl Klaseie. Thanks to Ernst-Wiggo Sandbakk and Randi Martine Brockmann. 'I first heard John Butcher in 2001 playing duos with Rhodri Davies and Derek Bailey on the CD Vortices and Angels. I was completely mesmerized, particularly by the two tracks in the end with John and Rhodri playing together. Vortices and Angels is sti…

Fascinating combination of two uncompromising saxophonists. Seymour Wright grew up listening to Evan Parker's radical reshaping of the saxophone and both develops and deconstructs it in his own playing. Together, the two interrupt and augment each other incessantly, creating tight spirals of difference and similarity that crackle with ideas and energy.Evan Parker : soprano and tenor saxophones. Seymour Wright : alto saxophone.Recorded by Sebastian Lexer on 5 October 2014 at the Kernel Brewery, …

*Limited edition of 150 copies.* First ever official vinyl re-issue of this absolutely essential TNB recordings!  Seinsart : Live At Morden Tower includes two legendary full live performances recorded in 1983. Originally Seinsart : Live At Morden Tower was self released by TNB in an edition of 100 copies on cassette. The original tape edition is very hard to find and ridiculously expensive nowadays. Black vinyl LP with printed labels. Paste on cover. It includes replicas of the original performa…

Tilbury left communist Poland in 1964 and his visits grew rare. He got involved with Cornelius Cardew’s Scrath Orchestra and the AMM; later he went on to become known for his performances of Morton Feldman’s compositions. Meanwhile Zygmunt Krauze, aside from his work in the Musical Workshop, grew to be his generation’s leading conceptual composer, mainly thanks to his reception of Wladyslaw Strzeminnski’s unism. The worlds of Krauze and Tilbury were separate, but adjacent.    The Musical Worksh…

Voice, guitar and zither by Richard Youngs. Composed, recorded, mixed and mastered by Richard Youngs.Motto of Populista Winter Triangle came about on 13th of December, 2014. It was a cold and windy day, a classic of pre-winter Warsaw, cold, wet, transparent yet at the same time grey, or perhaps mostly grey. It was also a day of the first Warsaw show of Richard Youngs in Komuna// Warszawa. Not fully by accident, there was a piano in the room, which made Richard propose performing 'ParallelWinter'…

When you contacted me about the duos, I thought there is nothing more original than playing with a dead person […] which is curious because Derek Bailey is very much alive, especially when we hear his voice and I feel he's sort of sitting here, in the studio, and he's waiting for me and I'm waiting for him and we're not quite sure what's gonna happen. „Derek and I always wanted to do a duo recording together and we never quite managed that. Within the later years that we were trying to set somet…

In the only studio recording of this duo, John Tchicai and Evan Parker improvise a set of pieces at once reflective and joyful, introspective and responsive by turns. Recorded in 2005 during John's visit to London at the invitation of John Coxon and Ashley Wales. A beautiful dialogue between these two great figures.