Music from United States

A tale of lost love and desperation, this is prurient's full length follow up to the acclaimed Pleasure Ground. And Still, wanting takes the recent new direction of combining layered synth's and electronic loops with his usual poignant vocals to a whole new level of intensity. A new chapter in obsession with all that is mundane in our human life. This special 1000 copies first edition of the CD comes with a bonus 5' vinyl titled 'Shield' with tracks that won't be available anywhere else + 12 pag…

Wedlock captures Sunburned in its 2003 suit when they took it to the West Coast to tour their way up to Wasilla, Alaska to attend and perform at Paul & Val's wedding on the longest day of the year, June 21, 2003. Under the bright midnight sun, Sunburned recorded this document, a testament to irony, omnipotence, moisture, pain, and the weight. Come and dine at this one, clear table. Double LP. September 2005 release taken from recordings in Alaska on the Summer Solstice. Features a beautifully de…

A fully improvised communion of 3 of America's masters of music. The manifest intent: sowing seeds of sound & bringing them to full blossom. Abstract, organic, & fully inviting. Recorded live at NYC's The Stone in June of 2008, this was the 3rd meeting of drummer GERALD CLEAVER, bassist WILLIAM PARKER, & pianist CRAIG TABORN. An immersive experience yielding magic & inducing a calming mystical ambience. Improvising in long, fluid ideas, Mr. Taborn's solos were housewreckers.

A live collaboration from SUTCLIFFE JUGEND (KEVIN TOMKINS and PAUL TAYLOR) and PRURIENT (DOMINCK FERNOW of Hospital Productions) recorded April 19, 2006 in Tunbridge Wells, UK. Features lyrics appropriated from death poems by Japanese monks. Beatuiful gatefold packaging designed by Fernow with photography by LINDSEY WATKINS.

7th album from noise maker extraordinaire who attacks 2 large amplifiers w/2 microphones swirling into the invisible electro-magnets fields around the amps. His masterwork of harshness that feat. drums in addition to his wailing subsonic shit fest.

In the culturally turbulent mid-1960s, the visionary, otherworldly musical being we have all come to know as Sun Ra formed a brief but tight bond with the late storyteller, activist and poet Henry Dumas. The Ark and the Ankh is a vintage 1966 document of dialogues and meditations between the poet and the musician set to the fervent musical experiments of the Arkestra recorded live at the legendary downtown New York club and haven for the insurgent black music scene, Slug's Saloon. The Ark and th…

This is the third and last entry in the Ann Arbor Blues & Jazz Festival, The Sun Ra Trilogy, produced by John Sinclair in agreement with the late Alton Abraham. This time the year is 1974 and the program of the evening includes some of the Arkestra'a greatest hits plus one number never recorded before, It Is Forbidden. This performance has never been released. 2001 release.

The Black Post Society embraces and accepts the depression of not having anything left to hunt. The mask without a face to hold. The depression of the hunter after the deer is killed. It is better to be hungry than to have eaten. As fantasy shatters under the whip of reality, erotic malaise settles in the nest of the mind inverting this dormant fuel to rekindle the endless cycle of sexual chaos. Black industrial / power noise from this highly respected US act!

Long out of print, John Duncan's release Incoming continues his work exploring the inner qualities of electronic drones in conjunction with shortwave radio, itself an extension of his work in pirate media, including both radio and television. The title track builds from metallic scrapes, layered with intense electronics, garbled vocals, descending electronic whines reminiscent of the final section of Karlheinz Stockhausen's masterpiece Hymnen, shortwaves, white noise, and digital pops. It is one…

For close to forty years z'ev has been at the absolute fore front of new musics. Playing his unique brand of percussive music he gained a lot of attention, but in more recent years he returned to working with electro-acoustic manipulations.Since 2003 he has also begun a wide ranging series of collaborations, working with Francisco Lopez, Stephen O'Malley, David Jackman/Organum and Oren Ambarchi among others. One such ongoing collaboration is with Frans de Waard, with whom he released 'Forwaard' …

Rare artist's record, with an amazing versions of Tudors electronic environment masterpiece, performed by David Tudor and Takehisa Kosugi for the Merce Cunningham Dance Company. Numbered edition of 200 copies. Packaged in plain black jacket with insert and obi, and pressed on red vinyl. New and unplayed, one copy available

Awesome release by the label Urashima, here's Werewolf Jerusalem,  the side project of Richard Ramirez (Black Leather Jesus). A study in static textures and crackling wall noise. A project initially influenced by the work of Chop Shop. LP comes in a deluxe silver silk screen on black cardboard sleeve limited to 114 hand numbered copies. Amazing!

This compilation of rare material from the Sun Ra Arkestra draws from tapes recorded between 1963 and 1970, and the space-age jazz shaman conjures up a variety of styles and moods along the way. A balmy tropical vibe greets the ears with the opener ("Island in the Sun"), but it doesn't take long for Ra to set his controls for the stratosphere, and soon, distorted gongs, haunted house organ, and homemade instruments are exploring African mysticism on the title track. "Velvet" is a more traditiona…

The real gems of this prized reissue from Leo Records's Golden Years vault imprint are two previously unreleased tracks. The first features Sun Ra and his Arkestra on an 18-minute "Watusa" from 1984, and the second features a 13-minute piece by Saleh Ragab's Cairo Free Jazz Ensemble, "Music for Angela Davis," from 1971. It's no surprise Sun Ra loved going to Egypt, what with all the astro-mythology he used in the Arkestra. This love shows brightly on "Egypt Strut" and "Dawn," two Ragab tunes pla…

...Catholic Boys" Together they unravel slow motion ghost blues across three extended pieces that evolve from the elder's martian style to the thundering, feedback splattered lead grooves of that whippersnapper. The spontaneous melodies shift from devastating, country road intimacy to hypnotic overamped rock. It's ferocious, epic, & an utter beauty.

A complete video realization of John Cage's 49 Waltzes for the Five Boroughs by Don Gillespie, Roberta Friedman and Gene Caprioglio, filmed at 147 New York City locations in 1994-95 with durations set by the I-Ching.

This is a piece of folk history that slipped through the cracks. Buffalonian Frank traveled to London in the mid-'60s and recorded this album with the help of his still unknown pal Paul Simon. After its release, Frank became the toast of the town, though his music never hit the States. His poetic, Dylan-influenced lyrics, complex fingerpicking, and artsong-like structures influenced everyone from Bert Jansch to Nick Drake. Except for a young Al Stewart's recorded debut playing second guitar on "…

The folksinger's folksinger, Jackson C. Frank was regarded as a giant by his contemporaries, but somehow missed out on the stardom which awaited many of his admirers. Paul Simon produced this classic 1965 album (it came out originally on Columbia), which introduced the world to Frank's best-known song, 'Blues Run The Game'. The teenage Al Stewart also played guitar on this album.

2 separate performances from 1986 & 1990 show Sun Ra & friends in trademark improvisational spaciness, playing tracks like "The Shadow World," "Space Is The Place/We Travel The Spaceways" & "Interstellar Low Ways". Recorded in 1986 and 1990.

Sun Ra presents a fun-filled & strange live album that pays tribute to Walt Disney with a few songs from his movies, inc. "Zip A Dee Doo Dah," "High Ho, High Ho" & "Whistle While You Work" Recorded in Austria in 1989.