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First in a Glass Trilogy of operas about men who changed the world through the power of their ideas, "Einstein"'s sub-text is science. The opera is non-narrative in form, and the producer has two options: to reproduce the original Robert Wilson production (which exists on videotape), or to create a new series of stage and dance pictures based on themes relating to the life of Albert Einstein. Opera in four acts, composed in 1976. Remastered reissue of the original 1979 Tomato Music Company / CBS…
Unreleased recordings from the late 70s, performed by Glass (Farfisa, Yamaha & Hammond organs, Fender Rhodes piano, Arp synthesizer). New release which contains three seminal works in Glass's musical history. In the late 1970s, Philip Glass was asked by two film producers, Francois de Menil and Barbara Rose, to write music for a film they were producing. The film was Mark di Suervo, Sculptor and it was Glass's first film score, predating even Koyaanisqatsi. The score took its titles from the nam…
The collected Recordings by exceptional Greek composer Jani Christou. Included compositions ranging from the late 1940s until 1968. Each CD comes in a book cover, containing lots of information to each composition. Truly an amazing series of recordingsVolume 1:Phoenix Music for orchestra in five continous movements (1948-49, 11'20'')Six T.S. Eliot Songs for mezzo-soprano and piano (1955, 12'27'')The Strychnine Lady for solo viola (female), five actors, instrumental ensemble, tapes, various sound…
1986 recording of this infamous piece (originally premiered in 1970), performed by Yvar Mikhashoff (piano) and Ole Orsted (electronics). Each of the sections comprises a microcosm from a different perspective. 'Mantra' is such a piece in that each of of its parts reflects itself, backwards, as in a mirror, standing on its head, elongated, compressed, twisted. It is super-redundant, pervasive, just like a bottle of Coke, that instead of a beverage produces the famous concept of 'Coca-Cola'... it …
*In process of stocking. 2022 stock.* Anthony Pateras is a composer/performer based in Melbourne who is as comfortable writing for full orchestra as he is performing in intimate improvisational groupings. Pateras represents the best in the new generation of musicians combining the spontaneity of improvisation with the formal logic of composition and for his second Tzadik CD, he has chosen an eclectic mix of ensemble pieces that blend instrumental virtuosity and electroacoustic sonorities in star…
Charles Ives composed nearly 200 songs throughout his life. Wiley Hitchcock, in the thorough introduction to his 2004 critical edition 129 Songs, described the Ives song canon as the contents of a kind of scrapbook or commonplace book or chapbook, or even a desk drawer. Into such a receptacle Ives tossed irregularly, if not casually, his reactions Ñin the form of songsÑto memories, personalities, places, events, discoveries, ideas, visions, and fantasies in his life.' Whether popular tale or per…
The definitive recording of Conlon Nancarrow’s Studies for Player Piano, originally released on LP by 1750 Arch Records, newly remastered in spectacular sound, representing the most faithful reproduction of what Nancarrow heard in his own studio. This is the only available recording utilizing Nancarrow’s original instruments: two 1927 Ampico player pianos, one with metal-covered felt hammers and the other with leather strips on the hammers. The 4-CD set includes a 52-page booklet with the origin…
VERY LAST COPIES, long deleted masterpiece 'Doppio coro' (1993) for organ orgue, 'Artemisia' (1991), 'Triola ou Symphonie pour moi-même' (1977-78), 'Cantate pour elle' (1966) for soprano, harp and tapes, 'Week End' (1982), 'Luminétudes' (1968), 'Reflets' (1961), 'Dahovi' (1961), 'Lumina' (1968) for 12 strings and tapes.
an original copy of an awesome Scelsi LP, featuring Hô (1960) - Four melodies for solo voices. Pranam I (1972) - (In memory of the tragic loss of Jani and Sia Christou) for voice, 12 instruments and tape. Khoom (1962) - (Seven episodes of a story of love and death in a distant land) for voice and 6 instruments. Hô and Khoom were recorded in 1960-1962: Pranam I, in 1972.
The first complete recording of Giacinto Scelsi's music for double bass, played by Robert Black with guests on cello, harp, tam-tam and second bass, including Ko-Tha in Fernando Grillo's transcription.
For each ecstatic instant / We must an anguish pay / In keen and quivering ratio / To the ecstasy." It almost seems as if Emily Dickinson could have been describing the early piano music of Morton Feldman when she wrote those lines nearly one-hundred-and-fifty years ago. Certainly, the uncommonly short, acutely concentrated, unadorned and vulnerable pieces Feldman composed between 1950 and 1964 each span just an “ecstatic instant” — a brief, heightened experience measured not according to time b…
Improvising guitarist Derek Bailey has expressed the belief that «If you’re going to explore uncharted territory, it’s okay to carry a compass, but not a map.» It’s obvious; if you know where you’re going and have plotted the most efficient or scenic course to get there, you may arrive without mishap but deprived of much of the drama, the danger, the unpredictable uniqueness of the journey. In the years following 1950, John Cage walked these paths of musical uncertainty, providing performers wit…
First recording of Iannis Xenakis's Kraanerg (1968) for 23 instruments and 4-channel tape, with the tape restored from the analog masters, played by the Callithumpian Consort conducted by Stephen Drury.
Outstanding book + 4 cd in a truly deluxe edition sold to a very cheap price- Portraits polychromes are a series of books associated with multimedia documents presented on the Internet site of the GRM since 2001. In releasing this collection, their primary concern was to increase awareness of the electroacoustic repertoire and the reserves in the GRM archives. Pierre Shaeffer, Pierre Henry, Brian Kane, Réjean Beaucage, Marcus Erbe and Simon Grintsch, Martin Laliberté, Philippe Langlois, Jacques …
Henning Lohner's 1993 composed film in memoriam John Cage, 130 minutes long, combining interviews, found footage and concert performances with 42 personalities in conversation, plus a complete video of 4'33".
DVD of two films by Evans Chan on pianist Margaret Leng Tan: the documentary Sorceress of the New Piano (2004) and the bonus film The Maverick Piano (2007), with performances of Cage, Ge Gan-ru, Satie and Twining and toy piano.
Lydia Kavina plays theremin works with Ensemble Sospeso: first recordings of music by Howard Shore, Olga Neuwirth, Christian Wolff and Percy Grainger, and Miklós Rózsa's chamber version of Spellbound, premiered at Lincoln Center in 2000.
Four recent works by Frank Denyer for very quiet voices and rarely combined instruments, including muted strings, flute, clarinet and percussion, played by The Barton Workshop under Denyer and James Fulkerson.
Recorded at Sentemo Records, Cessalto (Italy) on 30 January and 1-2-20 February 1993, except track 5 recorded live 4 May 1991 at Teatro Comunale, Ferrara (Italy). "Polifonica-Monodia-Ritmica", for 6 instruments and percussion, composed in 1951. "La Fabbrica Illuminata", for voice and tape, composed in 1964. "...sofferte onde serene..." for piano and tape, composed in 1976-77. "Post-Prae-Ludium Per Donau" for tuba and live electronics, composed in 1987. "Con Luigi Dallapiccola" for 6 percussionis…
Four absolute masterpieces by one of the greatest composers of the 20th Century. Spanning over three decades, LEPTON presents New York born Wuorinen at his radical best, pushing the limits of instrumental and electronic music. Expressly chosen for this exclusive Tzadik release by longtime Wuorinen fan John Zorn, the pieces here include the electronic composition Time's Encomium, (winner of the Pulitzer Prize in 1970); from the '80s: New York Notes, which brilliantly blends electronic tape with a…