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Lüüp, the acclaimed international project with collaborations / contributions from musicians from different countries known for blending folk textures with cinematic ambience, releases Meadow Rituals, an expansive 3CD collection that unfolds like a seasonal hymn to nature, memory, and communal ritual. Across three discs, Lüüp weaves delicate acoustic instrumentation, ritualistic percussion, choral textures, and intimate field recordings into a cohesive sonic journey that feels both timeless and …
anabasis (1) is a composition in 72 parts for five musicians, based on four kinds of materials: Sand, Wind, Tone and Wave; these materials are arranged and intertwined with a fifth ‘Interludes’ strand that interacts with the four materials. All of these are then ‘unbound’ over the course of the piece by changing continuity in a variety of ways outlined in the score. This interpretation of the score is a live performance that features prepared reed organ, electromagnetic pick-ups, sand, pedals, D…
The interesting thing about Robert Morris’s (b. 1943) remarkable career as a composer (and a theorist) is how free he is to move from composing works of great rigor with intricate integrity in his use of pitch-class design, to works of sonic beauty to be performed in a natural outdoor environment, to imaginative electronic/computer music, to the music of acculturation. Among the latter, his monumental Carnatic String Quartet is an outstanding example. In his own words: “Carnatic String Quartet (…
This double LP with 16-page booklet is the extensive documentation of the exhibition "Godspeed in 4/4 Time" at the church St. Matthäus in Berlin, where artist William Engelen installed an instrument consisting of 366 metal tubes that was on display from May to September 2025. The tubes were mounted next to each other surrounding the nave of the church. Each tube was unique and differed from the others in length, diameter, thickness and/or material (copper, brass, stainless steel, aluminium), and…
This 7" single is the first release in a fictitious series of avant-garde music packaged in those cheap generic covers of hit singles from the 1950s and 1960s. The series opens with Nikolaus Gerszewski's 7-minute orchestral piece Beethoven Square, pragmatically split into parts I & II across the two sides of the record. The cover advertises the history of Edition Telemark, but is also an homage to the elegant product design of the period, which had drawn inspiration from Constructivism, the …
'Spaces' is an ode to the joy of live performance. It expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts. Breaking the convention of a traditional live album, 'Spaces' was recorded over the course of two years in different locations and on various mediums, including old portable reel-to-reel recorders and cassette tape decks. The decision to select takes that have people coughing and cell pho…
In April 2009, Iceland’s neo-classical export Ólafur Arnalds created the 7-song series Found Songs – recording a song a day for 7 days and instantly making each track available via Twitter. With artwork contributions from fans via Flickr, this modern release awakens memories of a tradition that seemed lost in the digital age we live in. Born in 1987, Ólafur hails from the suburban Icelandic town, Mosfellsbær, just a few kilometres outside of Reykjavík. He has immersed himself completely in a wor…
Darla Records is honored to offer Another Flower, a new record by two singularly and sonically recognizable masters of lush beauty and minimalism respectively, Robin Guthrie and Harold Budd. Another Flower was recorded at Robin's home studio in France in 2013 and was held unreleased, until now.Another flower follows Robin and Harold's previous work together Bordeaux (2011), matched set After the Night Falls and Before the Day Breaks (2007) and Mysterious Skin (2004) and of course The Moon and th…
Darla is pleased to offer A Song For Lost Blossoms, a record of ambient melody and transcendental mood portals from minimalist/modernist master Harold Budd and friend guitarist/composer/producer Clive Wright. A Song For Lost Blossoms nicely builds on both artists’ previous ambient work. A Song For Lost Blossoms was recorded live and in studio at different locations including the artists’ homes, at REDCAT (Roy E. Disney Concert and Theater), Los Angeles, and Clive Wright's Desert Sky Studio, Josh…
Darla is pleased to offer a new album from Harold Budd and Clive Wright. Little Windows completes the trilogy begun with A Song for Lost Blossoms and carried through their previous album Candylion. Part of Little Windows was recorded especially for Echoes, the nightly music soundscape from Public Radio International heard on over 120 public radio stations and online at www.echoes.org. These recordings were first heard on Echoes Radio in Fall 2009. The other part of Little Windows was recorded…
Jane 12-21 is the companion to Jane 1-11. Minimal, modern classical piano and avant-garde electronics by the master. "It's simple. I broke out and broke back to my earlier days: A triangle of risk, improvisation and joy -- as I say, very simple. My rules to myself were: No plan, no notes, no ideas, no microphones; except for Jane 1 I stuck to it. My other rule -- the most important one -- was: At least one piece per day, finished, mixed and not to be revisited again. Jane 7, 8, 9 were done in o…
Harold Budd is a one of a kind modern neo-classical artist creating high-callibre and complex music with unique and subtle tension and abstraction, and simultaneous almost-pastoral but as-often otherworldly mood.
At the time of release in 2005 Avalon Sutra was reported to be California-born American minimalist composer and pianist Harold Budd’s last recorded work. Avalon Sutra (released as a 2 disc set) is a suite of short, heartbreaking ambient pieces, featuring Budd’s delicate piano improvisations, lush string arrangements and warm electronic drones. The second disc (As Long As I Can Hold My Breath) features a startling coda by LA based electronic composer Akira Rabelais, sending Budd’s arrangements in…
Darla is pleased to offer a new record of string quartets by Harold Budd. Bandits of Stature is a first as it comprises 14 compact Budd composed string quartets played by the Formalist Quartet.
*200 copies limited edition* Following the album Volumes released on the Bern-based label CRTTR in April 2025, Tobias Lanz has continued working with this original composition through two new interpretations. While the earlier recording sought to recreate and expand the pallete of the church organ through digital means, these new works shift attention back toward an acoustic interpretation. Both pieces were recorded in the Stadtkirche Burgdorf, where the large hall functions as an active collabo…
'What Remains’ is the new album from John Haycock featuring Dan Bridgwood-Hill. Originally composed for resonance and performed live at Hope Baptist Church in Hebden Bridge in 2023, the composition uses kora, clarinet, guitar, violin and electronics to produce a heartfelt conjunction of acoustic, processed and environmental elements, deeply rooted in the land and history of the Calder Valley, West Yorkshire.
The original recording has been ‘Worldized’ in the Todmorden Unitarian Church, a term co…
Bastille Musique presents its fortieth release »György Kurtág: Secreta« featuring Quatuor Béla. The album contains a new studio production of Kurtág’s complete works for string quartet from 1959 to 2011, including the first recording of a previously unpublished composition. The recordings, produced by the SWR, are complemented by a 56-page bilingual booklet (EN, DE) with texts by Tobias Bleek, a conversation with the quartet and the recording producer, several autograph pages and two concertina-…
The latest album from Michael Cashmore (formerly of Current 93, plus known for his work as Nature and Organisation and collaborations with artists such as Marc Almond, Nick Cave, Bill Fay, Rose McDowell and Antony and the Johnsons, amongst others) veers from the paths his previous releases have been on into an area altogether more grandiose or stately. While all of his recordings under his own name have alluded to orchestral or soundtrack work to varying degrees, he has long committed himself to…
VERY last copies * Edition of 200, comes with an insert * Giuseppe Chiari's Intervalli, composed between 1950 and 1956 and now recorded in complete form for the first time, is one of the most significant and least heard compositions of the European post-war avant-garde. A twelve-part work for solo piano, it sidesteps the dominant Serialism of its moment entirely - arriving instead at a form of radical restraint that prefigures Minimalism, systems-based music, and conceptualism by more than a dec…
*300 copies limited edition* "Feldman used to say that music is not so much an ‘art-form’ as a ‘memory-form’. Scientific research informs us that personal memories are not stored in one stable unchanging state, but that each time we retrieve a memory, it is slightly modified. We hear the opening four-note gesture of this work, it soon passes, but the resulting resonance from the sustaining pedal remains a little longer, and then only a delicate memory trace is left. This opening gesture is heard…