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Reynolds’ Etudes allows the performer to not only choose the number of Etudes to be presented (even repeating them, if desired) as well as their order. In this way, the performer becomes a co-creator with the composer. All 12 Etudes are presented in this recording by Eric Huebner. Each etude inhabits a world distinctly its own. Reynolds dares a remarkable leap from the first to the second book. Rather than merely continue the premises and promises established by the first six etudes, the second …
The music of Austrian composer Bernhard Lang (b. 1957) is one of in-betweens. Stylistically, Lang’s oeuvre occupies the space between a multitude of genres, ranging from contem porary composition and free improvisation to the wider realms of hip hop and DJ-culture. By virtue of Lang’s radical openness to creative conversation and collaboration, and to ideas and influences from other areas of artistic and scientific exploration, his oeuvre finds connections to the worlds of film, dance, theatre, …
Bruno Strobl has a soft spot for sounds – for decades, he has been tinkering with them, changing them, playing with them. In the past by means of analog sound processing machines, for a long time by computer software and electronic instruments. Mostly, however, it is an analog sound that he takes as a starting point. Three sound generators are the core of his interest for the pieces collected on this CD. Three working tools moreover: a circular saw of the craftsman, four old water mills of the L…
From early beginnings to the present: The composer Bruno Strobl began his studies in composition comparatively late. First came his degree as a classroom teacher, the profession in which he worked until retirement, guiding countless pupils towards music, including contemporary art mu-sic. His own interest in electroacoustic music was triggered during his studies in the 1980s, and one of his early pieces for tape, Hiatus, can be heard on this CD. The Latin “hiatus” means gap, and the basis of thi…
Wojciech Błażejczyk’s music feeds on scientific theories, internet streams and civilization waves or scrap. It sometimes looks like a nerd’s diary. Full of different colors and fonts, notes, charts, exclamations and underlined words. This diary is the composer’s reaction to what surrounds him every day. Global news often appear together with local events, fake facts – with perceptual illusions, war strategy – with a pacifist message. All of that put in a new music idiom spiced up with a pinch of…
Could you imagine music as a geyser? Erupting violently, waiting on tense standby, forever renewing itself... Or, just the contrary, as a sigh? An operatic sospiri, inhaling and exhaling, a tangible, rhythmic fluctuation... Or as walking with your eyes closed with full alertness to the sounds of unknown origin? That’s what Marcin Stańczyk’s music is like.The milestone of his career turned out to be the composition Sighs (2008–10, rev. 2012) for chamber- or symphonic orchestra. It got him the pre…
Cezary Duchnowski, although perceived as a specialized composer with consciously chosen specialization, is very open to extremely versatile activity in the musical field. Apart from absolute music, he’s also keenly interested in relations between music and the word, music and theatre (or rather performance art) as well as visual arts in the wide sense. What he aims at with this kind of syncretism is a genuine interaction of various media. In his musical activity, he explores various areas of the…
Aleksandra Gryka is undoubtedly one of the most enigmatic and fascinating figures of the young generation of Polish composers. She does not comment on her works, does not give interviews, and does not provide critics with an insight into her scores (which even causes the occasional international scandal). She is also mysterious in her music: her works are like planets with their own atmosphere and laws. The narrative is usually torn, fragmentary and always incom plete, it leaves the listener uns…
Tombstones is a collection of twenty songs composed by American composer Michael Pisaro-Liu between 2006 and 2010, journeying into experimental pop with pieces that are "experimental or indeterminate but still a song". This disc features eleven songs under the artistic direction of the Lille-based pianist Barbara Dang. Dang and six members of the Muzzix collective (Yoann Bellefont, Ivann Cruz, Raphaël Godeau, Peter Orins, Christian Pruvost, Maryline Pruvost) recorded the pieces in June 2020, wit…
l'infini des possibles is a set of twelve studies for solo piano, written by French composer Bruno Duplant in 2019. The score consists of lowercase letters (a, b, c, d, e, f, g) and spaces in between, which leaves the pianist an openness for interpretation and artistic determinations. The Belgian pianist/conductor Guy Vandromme intensely studied these 12 pieces via in-depth discussions with Duplant over two years, and realized them for this recording of a double CD in the spring of 2021, on a St…
* In pocess of stocking * In Better Shape Than You Found Me is a one-hour piece jointly composed and realized by American composer/violist Jordan Dykstra and Dutch composer/musician Koen Nutters in the year 2020. Dykstra plays viola, pitch pipe, crotales, piano EBow, electronic programming, field recordings, and Nutters delivers the piano programming and field recordings. The two bring together their sounds and structures in very organic ways, merging into a single, intriguing sound world. Maste…
Peter Ablinger is one of home composers of GOD Records. His cult releases GODrec "Regenstücke 1 and 2" and "Voices and Piano" (GOD 08, 18 and 34 respectively) are part of every serious record collection around the globe. With "Orchesterstücke" Ablinger finally delivers some of his remarkable orcestra pieces in last ten years. Release contain three Ablinger's orchestra pieces, "Quartz", "Wachstum, Massenmord" and highly controversial piece "4 Weiss", for orchestra and white noise - the piece th…
If you ask a random group of people familiar with contemporary classical music to categorize the style or type of music that Daniel Goode (b. 1936) creates, you would probably receive as many answers as the number of people in that grouping: minimalist, gamelan, process, improvised, folk-based, solo, chamber, orchestral, spoken word, electro-acoustic, intermedia, graphic, and more.
This CD features two types of instrumental music: solo/small ensemble music and orchestral (or, to be more precise…
A somnambulant modern masterwork, Kali Malone’s 2017 debut full length album is made available again on vinyl some four years since its limited private press of just 100 copies.
Temporary Super Offer! John Cage was an evangelist for a new mode of listening in which we would listen to everything with the same attention that we bring to music. For John Cage proposes instead that we listen to this music as if it were everything. While these two instruments are playing there is nothing else, just a violin and a piano. Even the process of remembering, normally so important in helping us make sense of what we hear, is altered: the ‘tenuous’ rhythms of For John Cage articulat…
Why is there a harmonium (reed organ) at Ftarri? It all goes back to the Ftarri Festival held in Tokyo in November 2019. A quartet made up of Klaus Lang (harmonium), Johnny Chang (violin), Samuel Dunscombe (bass clarinet) and Michiko Ogawa (clarinet) was planned for the festival's final day, so Ogawa quickly purchased a used harmonium for Lang. As she lives in Berlin, Ogawa and Ftarri decided that the harmonium would be housed there temporarily and used in Ftarri concerts.Composer Masamichi Kino…
The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble’s unique sonic resources in diverse stylistic setting…
The first woman to record Frederic Rzewski's setting of Oscar Wilde's De Profundis, Bang on a Can/Steve Reich pianist Lisa Moore sheds powerful new light on Wilde's jailhouse meditation on imprisonment, debasement, and the barriers that he faced as a homosexual. Rzewski, a revolutionary American composer with associations in both the modern classical and avant-jazz worlds, has created an aggressively emotional soundtrack to Wilde's moving prose. De Profundis breaks down the boundaries between …
Neuma presents the complete recordings of Roger Reynolds’s "imAgE" series (2007-2015). The series features six pairs of comparatively short, related works that showcase several solo instruments: flute; viola; cello; contrabass; piano; and guitar. Each pair, composed for the same instrument, represents opposing ideas- the first is evocative, and the second is more articulate and punctuated. All works were composed for the performers on the album.