Atlas eclipticalis / 103
Two live, unedited performances of Cage's orchestral music: "At last Eclipticalis With Winter Music" (recorded 5/19/93, performed by The Orchestra of the SEM Ensemble, conducted by Petr Kotick, piano by David Tudor) and "103" (recorded 11/21/98, performed by the Janacek Philharmonic Orchestra, conducted by Petr Kotik)." Kotik and Cage met for the first time in May, 1964, performing a 3-hour, six percussion version of Atlas Eclipticalis. Kotik's association with Cage continued until the composer'…
A tribute
From the liner notes of Eric Salzman: “John Cage wrote for keyboards throughout most of his life. Most famously, he invented the so-called "prepared piano" but he also wrote for unprepared piano in both traditional and untraditional ways. His later piano works employ an almost ferocious complication and virtuosity at the outer limits of performer possibility. Earlier he used electronic extensions, chance and performer collaboration in complex ways. His early keyboard music was written for himsel…
Jani Christou (Enantiodromie / Praxis / Epicycle / Anaparastasis)
An expanded version of the previous rz LP by Jani Christou. All works by Christou, the late, legendary "freely-atonal" Greek composer. Features: "Enantiodromia" (1965-68, for orchestra); "Praxis" (1966-69, for string orchestra and piano), "Epicycle" (1968, for instruments, actors and voices); "Anaparastasis III" (1968-69, for soloist, ensemble and continuum [tapes]); "Mysterion" (1965-66, for narrator, actors, 3 choirs, orchestra and tapes)"Jani Christou tried to use and incorporate philosophica…
A Catalogue of Sounds
Jakob Ullmann's music realizes an infinite variety of gradations in all areas of musical formation. That the music of the "catalogue" is nearly always played very softly leads to the ear noticing the smallest differentiations; the listener is put into a state of constant, acute attentiveness. The musical stream is constantly subjected to small irritations, sometimes its flow quickens, sometimes there are brief splashes like those caused by pebbles thrown into water. Performers: Ensemble Oriol Be…
One Line Two Views
One Line, Two Views features seven compositions for nine-piece
ensemble by Muhal Richard Abrams. Works range from the subtle textural
and tonal explorations of “Textures,” “Hydepth,” and the title track to
the hard bop revisitations of “11 over 4” and “The Prism 3.” The disc is
rounded out by an ebullient, joyous, and celebratory “Tribute to Julius
Hemphill and Don Pullen” and the blues-tinged “Ensemble Song.” Abrams
opts for unique instrumentation including violin, harp, and accordion.
…
Iannis Xenakis
Trifold glossy slipcase includes two CDs, label catalogue and 16-page booklet of liner notes and images. For new initiates and avant-garde fiends alike, this Iannis Xenakis collection renders a breathtaking survey of works by the radical composer, theorist, architect and engineer, spanning the period 1956-1974 and featuring some of the greatest works of the 20th century, including the awe-inspiring sonic architecture of ‘Persepolis’.Inarguably one of the most important composers to blend electro…
Ensemble Music Vol.2
Recorded after performances at New York's prestigious 92nd Street Y in 1996 with the participation of the composer, Ensemble Music 2 is the follow up to the initial, critically acclaimed and best selling volume of Iannis Xenakis' Ensemble Works on Mode.
This disc contains the first recording of Xenakis' memorial work A la Mémoire de Witold Lutoslawski, to the great Polish composer. A literal monument in sound, comprised of massive blocks of brass arranged as a dirge-like fanfare. Composed in 19…
Ensemble Music Vol.1
Xenakis' oeuvre is unique in modern music--it is music of great visceral power, energy and sheer sound. Music from another world. Music that grabs the listener, riveting his attention. Conductor Charles Zachary Bornstein is a Xenakis specialist. Bornstein learned that of the 700 to 800 performances of Xenakis' music worldwide each year, only a handful were in America. He formed New York's ST-X Ensemble (named after Xenakis' series of ST- compositions from the 1960s) in 1994 to fill the void.
Mod…
Percussion Works
Performed by the percussion ensemble red fish blue fish, directed by Steven Schick. "The first complete set of Xenakis' percussion ensemble, percussion duos, and solo percussion works. As Steven Schick states in his comprehensive essay accompanying this set, Xenakis was the 'progenitor of modern percussion music.' Of course, Iannis Xenakis did not create percussion music, his first major contribution to the percussion repertory came more than three decades after the American percussion revolutio…
in Tokyio
Implosive Eternity -- computer assisted music; 'Abysses Latents -- for voice, tenor saxophone and percussion; 'Bolids & Contemplations (III) -- computer assisted music; 'La Legende D'Icaire' -- for bass clarinet, ensemble and computer assisted sounds; 'Penumbra' -- for saxophone solo. Performed by: Keiko Hatanaka, Robert Reigle, Gustavo Aguilar, Tim Hodgkinson, Hyperion Ensemble
Soleil Explosant
First CD in a while from the Romanian composers Dumitrescu and Avram (potenially associated with the European "spectralism" contingent, what The Wire referred to as "the altered harmonic dimensions and numinous sonorities of the European avant garde composition movement"). Iancu Dumitrescu: "Remote Pulsar (I)" (computer assisted music), "Movemur (III)" (spectral music for viola solo, performed by: Cornelia Petroiu), and "Numerologie Sect*te (I)" (computer assisted music). Ana-Maria Avram : "Inca…
monades
Two pieces by Dumitrescu: "Au Dela de Movemur" (for orchestra & strings) & "Monades (Gamma & Epsilon)" (for 6 monocords, crystals & metallic objects). Avram is a young Rumanian composer, and of similar interest, with 3 pieces: "Ekagrata" (for orchestra), "Signum Geminai" (for ensemble and tape) & "Zodiaque III" (for prepared piano, percussion and tape).
galaxy
GALAXY ( acousmatic music for gongs, harryphones, metallic plaques and percussions ) & MOVEMUR ET SUMUS for 2 cellos 2 double basses. ( HYPERION Ensemble ) & RELIEFS for piano and orchestra (Alexandrina ZORLEANU) & ALTERNANCES for string quartet & BAS-RELIEFS for large orchestra
s/t
PIERRES SACREES ( acousmatic music ) & HARRYPHONIES - alpha ( with Fernando GRILLO & HYPERION Ensemble /Cond.; Iancu Dumitrescu ) & ìGRANDE OURSEì chamber ensemble and tape ( Hyperion Ensemble/ Cond. Iancu Dumitrescu ) & HARRYPHONIES - epsilon, Large orchestra and soloists: Fernando GRILLO, Barry WEBB, Melvin POORE, ConductorS Iosif CONTA & Iancu DUMITRESCU - Romanian Radio and Television Symphony Orchestra
Medium III
Medium III" for double bass (1983), "Cogito / Trompe L'Oeil" for prepared piano, two double basses, Javanese gongs, crystals & metallic objects (1982), "Aulodie Mioritica (gamma)" for double bass and orchestra (1984), "Perspectives au Movemur" for string quartet (1978), "Apogeum" for 22 wind instruments & 3 percussion groups (1972). Fernando Grillo (double bass), Ion Ghita (double bass), Iancu Dumitrescu (prepared piano), Costin Petrescu (Javanese gong), Cristian Valeanu (metallic objects), Hori…
Compositions demonstrations 1946-1974
One of the key figures in electronic music development, though better known as an inventor, Le Caine did make pieces and some of the best are collected here. Some humorous and plunderphonic (happy birthday made from the scream in Berg's Lulu), some informative - demonstrations by Le Caine of his instruments and some just very entertaining or ear-turning. Echoes of Raymond Scott.
Intimate rituals
This Romanian-born composer is noted for having developed the technique of 'spectral composition' during the 1960s. According to the man himself, this is defined as a "variable distribution of the spectral energy, synthesis of the global sound sources, micro- and macro-form as sound-process, four simultaneous layers of perception and of speed, and spectral scordaturae, i.e. rows of unequal intervals corresponding to harmonic scales." If you're any the wiser as to what he's on about do drop us a …
Streichquartett N°4 Opus 33
String Quartet No 4, opus 33 (1976-87). Performed by the Arditti String Quartet. "infinite to be cannot be infinite, infinite anti-be could be infinite" (for nine string quartets or a string quartet surrounded by an imaginary 128 string-"viola da gamba"). "Among contemporary composers, Horatiu Radulescu is one who has something essential to express about the enigma of time: multi-layered lines of events, their structuring, perception and potential for poetic-religious message are -- together wit…
Clepsydra, Astray
**Restock of a rare, must-have record for contemporary music lovers. Comes with 4-page 12" booklet ** Great dense orchestral scraping and bowing from 1982 & 1983 by Romanian composer Horatiu Radulescu (1942-2008), among the great masters of Spectralism and subharmonics. This absorbing LP includes two groundbreaking works centered around the 'Sound Icons' - pianos standing on their sides, played with bows between the strings. On side A is the hypnotic, otherworldly Clepsydra for 16 Sound Icons (E…
Improvisations
This unique collection comes with an attractive and profusely illustrated 144-page book with many previously unpublished photographs of Gurdjieff and recollections of people who were present when these recordings were made. It further contains several chapters by Gert-Jan Blom about the process of selecting and sequencing the tracks, audio restoration of the recordings, the history of Gurdjieff’s harmonium music, transcriptions of Gurdjieff’s stories and an extensive track notes-section. The boo…