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If ‘Satyajit Eye’ (which is released at the same time on Staalplaat) only blinks at Indian culture, the album ‘Al Jar Zia Audio’ does this with both eyes open. It is known that Bryn Jones, the man behind Muslimgauze, looked further than the Palestinian conflict and used extensively the rhythms of India, Pakistan and other Eastern cultures. Like crossing borders in the bigger Islam regio, Jones takes whatever comes at hand and moulds into his own trademark sound – often imitated, never surpassed.…
Jebel Tariq has strong hand drum beats throughout but still maintains a very moody feel. It was undoubtedly these very elements that lead Jeremy Keens to state it was"balanced between the ambient and beat sides" of Bryn's work. It goes beyond just these elements though. There are whispered voices changing to strong ululations, frequent flute"samples" and then the bass. There are parts where the deep throb of the electric bass element gives a very dub feel and then there is the use of acoustic ba…
*2025 Stock* “Sulaymaniyah is part of Staalplaat’s ongoing Muslimgauze archive series, masters originally submitted in 1997, then “replaced” by what became Vampire of Tehran released early in 1998. It was not uncommon for the prolific Bryn Jones to replace masters with what he believed to be a more fit release. Short of two tracks, “Fez Tishan” and “Hamas Pulse of Revenge”, this is Vampire of Tehran with nine additional, unreleased tracks. Because Sulaymaniyah was “replaced”, it was stored in St…
*2025 Stock* Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties. Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more information than handwritten track titles on the sleeve of a DAT. Why he would submit multiple copies of the same or similar tracks to those he worked with…
*2025 Stock* Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001. Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It's a…
Essential Re-issue of this stone cold classic .First released in 2006 Written and produced by Mika Vainio in Turku 1992-1993.
Mastered at Dubplates & Mastering by Rashad Becker.
Désinances is a collection of pieces taken from two contrasting recording sessions. The first was intended as a set of raw materials made specifically for a collaborative project with Franck Vigroux, and provided the impetus for the making of this album, with the second following on shortly afterwards. Both occasions yielded different musical results, yet possess a similar intention - owing something to the liminality of crepuscular daylight and the nighttime darkness during which they were both…
Towards the Center of Time and Surrounded by Spirits by Peter Van Hoesen is an immersive exploration of perception and temporality. Crafted with precise spatial sound design, it fuses techno’s structural logic with the meditative density of electroacoustic composition, turning rhythm into a vessel for introspection and astral presence.
*200 copies limited edition* The early Eighties in France and the UK: the Post-Punk, Dark and Cold Wave scenes broke onto the music world. Usher San in Dijon, France was starting his career with Coït Bergman, Metal Radiant and as Anthon Shield and DZ Lectric.... and then Norma Loy… and later Die Puppe, Black Egg and even Pagan Ring... He is one of the leading figures of what would become known as coldwave south of the English Channel. Martin Bowes and Julia Waller were starting on their musical …
*200 copies limited edition* Black Bamboo IV continues TeZ's series of electroacoustic and acousmatic performances, centered on the live transformation of acoustic sources and field recordings. Improvisations unfold through the interplay of hybrid DIY tools, traditional folk and ethnic instruments, environmental textures, and archival audio fragments. These elements are expanded and recombined through generative filters, delays, pitch shifters, and harmonizers—woven into evolving feedback loops …
*200 copies limited edition* The series of double albums by Gianluca Becuzzi for St.An.Da/Silentes, which began in 2020 with "In Between", continues. Like its predecessors, "American Requiem" combines drone guitar with sacred themes, creating compositions with a dark and captivating mood. This time, the theme of faith and death in the land of capitalist materialism par excellence, the United States, is placed at the centre of the work, with the use of a mix of traditional country-blues and avant…
Simon Balestrazzi's new solo effort calls for the ear to linger on things shrouded in fog, sounds meandering between vision and reality. Highlighted by the mysterious shots by Adriano Zanni you can now enter an awkward soundworld where nothing can be traced anymore. "Scomparire", to disappear, Vanishing. Pretending to vanish in a thick fog, never to be found again. The detachment from one’s identity. Leaving behind the constant paranoia of what is real and what is not. Leaving behind everything:…
This is an unreleased and “lost” new album by Deison and Mingle conceived in 2014 /15 right after the recording and the release of their debut collaboration-album "Everything Collapse[d]". After the passing of Andrea Gastaldello (“Mingle”) in 2021 and founding these forgotten tracks led us to think that this work should have been listened to understand the essence of the original album. Published by a co-production of three label who have released various works by the duo in the past (Loud!, Fin…
Slow Dances and Still Memories is the convergence of two musicians from distinct generations, Andrea Bellucci & Giulio Aldinucci — a languid waltz of fragmented memories and fleeting emotions, tied to moments in life, whether they arise from a dancefloor or a remote rural setting, from the hum of the night or the stillness of silence. Electronics here functions much like time itself: they blurs, distorts, reshapes, and subtly deceives memory… A choreography of ancient voices that intertwine in t…
**Edition of 200** Vittore Baroni and Daniele Ciullini met in the early 1980s in the then flourishing circuit of fanzines and mail art, starting a series of collaborations in small self-produced artistic publications and in the sound field, as in the case of “The Cop Killers”, a tape part of the TRAX multimedia project. In 2018, at the time of the vinyl reissue of this audio cassette, the idea of giving a sequel to the dystopian-science fiction "industrial opera" was born, but without anything c…
The London based singer and keyboard player Dominic Appleton, known since the early eighties for his musical activity in the post punk/dream pop band Breathless, and perhaps even more for his vocal contributions to the legendary This Mortal Coil project on 4AD, joins forces with the Milanese producer and sound artist Matteo Uggeri, active from 1993 behind several projects spanning from industrial to post-rock and ambient soundscapes, known for collaborating with artists such as Maurizio Bianchi,…
Drifts by Arp is an abstract ambient album drawing on collaborations with artists like Patrick Belaga, Marilu Donovan, and Takuma Watanabe, it blends piano, harp, strings, and modular synth into cinematic and elliptical compositions that explore the terrain between aftermath and renewal, inviting listeners into mapless, dreamlike space where intimacy and electricity converge.
Patrick Cowley’s Hard Ware is a ten-track time capsule from the late disco era, weaving together raw synth grooves, industrial textures, and playful electronic vamps. The album is expansive, sensual, and just a touch sardonic, showcasing Cowley’s boundary-pushing imagination and pioneering electronic production sensibility.
Belgium’s avant-rock legends explore their prehistory in a special archival project. Retrieved from long-forgotten reel-to-reel tapes and cassettes, this collection of previously-unreleased tracks unveils some of the meanders which eventually led to the inception of Aksak Maboul in 1977. These 17 tracks and 80 minutes of music will take us for a stroll through moments of free rock, improv, quasi-kraut, modular & ambient electronics, and various experiments. Out on November 21 on digital, limited…