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1993 release ** "The title of this CD might erroneously suggest something heavy, abrasive and industrial, but The Rapture of Metals is in part an elegant homage to the metallic gongs of the Indonesian gamelan orchestra. The title track is the most overtly Indonesian, with electronic drones and effects enhancing a traditional gamelan gong pattern. But on several other tracks, Paul Schütze (Laughing Hands) further personalizes his use of gongs, capturing the dreamy, otherworldly quality of Indones…
2011 release ** "Kasper T. Toeplitz, known as one half of Le Depeupleur (with Zbigniew Karkowski), is successful with his computer trio on the young Icelandic label Zoar. I think Toeplitz can do whatever he wants, it will always retain his special touch of grey sound. Here we imagine how a channelless TV screen with a crackled image is transformed into music. This scene always appears in my mind's eye when I hear music by Toeplitz. And so it is on The Deep - a fearless escapade of hissing, nasty…
2011 release ** "A collaboration album by two prominent Russian post-industrial projects Majdanek Waltz and Sal Solaris. The conceptual core of the record is the poetry of Paul Celan, one of the major German-language poets of the post-World War II era. His cryptic fractured lyrics spoken in a specific estranged way by Pavel Blumkin is enchased by a weird fusion of avant-garde neoclassic and dark ambient music. This record will seem unusual even for those who are already familiar with the works o…
2008 release ** "This album, dedicated to A.O. Spare include 60 minutes of pure magic[k]al sounds conceived by two projec[k]ts: Different State and Sigill. Each of them represents a slightly different approach, although they are both connected by mystic[k]al, alc[k]emical, ritual character. Marchoff (Different State) describes his music as alchembient. This sums his work up perfectly. It’s a mix of illbient a bit in the vein of Coil or Psychic TV, a great deal of alchemical incantations and moan…
2011 release ** "The publication contains remastered versions of songs that were first released on the Yield cassette in 1995 by I&E SPM and a bonus in the form of two songs from the ‚Cardinal Mosaic’ release. When this material appeared on our scene over 15 years ago, someone said: Americans have Ministry, English have Godflesh and Poles have Different State. This is the best summary of what is on this album. These words best reflect the atmosphere of this album."
2006 release ** "Dark and impressive Industrial-Electronics in classical style mixed with dronning and pulsating Power-Electronic tracks. Unreleased early recordings from these pioneers of the early 90ies! cover-art by Fabrice Billard."
1999 release ** "Javier Hernando: from 1979, as a founder member o the legendary post-punk group from Barcelona Xerox, has produced different works of electronic music under identities like Melodinamica, Sensor, Sinusoidal, or under his own name. Parallel to this, he was cofounder of the label Ortega y Cassette (1981) and made during 10 years the program Los Silencios de la Radio in Radio Pica. Luz Nacarina, his first CD, consist of, in the authorґs own words, "electromagnetic resonances with a …
2005 release ** "The interaction between computer science technology and freeform musical creative process becomes a central point in this international collaboration of three artists from Belarus and USA. The abstract soundscapes are obscured by intricate structures, acoustic phenomena and electronic effects, it’s going to infinity and never repeat itself. The finest harmony of soundfield is credited to the principles of intuitive simulation, realised through the system of computer-aided instru…
2004 release ** "Andrea Resch was one of the two members of the legendary Mynox Layh. "Requiem" is a genuinely unusual, sinister work of morbid atmospheres... disorienting as though waking from a nightmare. Immense, striding, sumptuous string arrangements create a majestic and inspiring atmosphere. A highly recommended "opera" in vein of In The Nursery and old Laibach. There are no other words which could possibly describe the endless feeling of the album. This remastered edition features four b…
Beatrice Dillon and Hideki Umezawa's split record for the Portrait series. The title of this work by Beatrice Dillon is taken from the notion of ‘basho’, developed by Kitarō Nishida, Japanese philosopher and father of the Kyoto school. Kitaro’s ‘basho’ (場) refers to a fundamental ‘place’ or ‘field’ where things exist and interact. Not just a physical location, but a more abstract space where all experiences, thoughts, and phenomena are interconnected. In Nishida’s philosophy, ‘basho’ is a dynami…
Breach, by American composer Olivia Block, engages in a dialogue between field recordings and synthesised sounds, creating a vibrant plea for wild spaces that face an ever-growing threat to their survival from human activities. The work is based on recordings collected in the San Ignacio lagoon in the Mexican part of Southern California. This lagoon is known as a breeding ground for eastern Pacific grey whales. With the help of precise electronics, the music unfolds like a drift, depicting the s…
1998 release ** Limited edition of 500 hand-numbered copies. "Cut-up, lo-fi electronics. Ambient, drone, modern classical. Foom (no reference to the old Marvel Comics fan club) is a catch-all name for musical projects by Boston's Whitehaus Family peripheral member Chris Lichatz. His solo output dates back to the 1990's, and ranges from the demented blues-based Butthole Surferisms of 1994's Six of My Favorite Turds (Stomachache Records) to the abstract lo-fi electronics of 1998's self-released No…
2003 release ** "Not only did Julian Bradley (of Vibracathedral Orchestra) adopt the hilariously cumbersome moniker A Companion as Glamorous as Sleeping on Wheels to use in place of (and/or in addition to?) his own name, he also released this album under his own name, with ACAGASOW as it's title. Lots of shorter pieces here, recorded between 1997 and 2000, released as a CD by the Belgian label Veglia."
2008 release ** "With the album "Delog" Jaroslaw Wierny continues his journey within the mysteries of tantric Tibetan Buddhism. Conceptually the album looks at the near death experience, where the soul is free to visit other mysterious realms, looking beyond the constraints and boundaries of our own world and perhaps offering an opportunity to find quick enlightenment. Musically this sits somewhere in the borderland between dark ambient and more droney lengthy ambient à la Oöphoi. The music has …
1990 release (RARE) ** "John Watermann was one of the truely underground sound and visual artists. In the late eighties his name surfaced out of knowhere, when a double CD was released by Walter Ulbricht in Germany. Starting out in Berlin, Germany, where he was born, as a filmmaker and photographer, he found out that he needed soundtracks for his films. He started composing music in the mid sixties and moved to Australia in the early seventies. Although he was collecting sound equipment, his fir…
2007 release ** "The album starts out with some very slow tempo percussion sounds that are accompanied by synths that come and go and refuse to stick around long enough to develop into anything but further ambiance for the song. I have to point out that the percussion in this song reminds me somewhat of Coil, maybe I’m thinking “Black Light District” or some latter period works… I’m not sure exactly why but the resemblance (for me at least) is most definitely there. The next song starts out with…
2001 release ** "The first release from this German label (who have since released material by HNBjörkk and I Burn Vs. Sshe Retina Stimulants), who are fully dedicated to audiophile pleasures, comes from the Hamburg-based project Windfahnenamt. Entirely constructed with looped and manipulated vinyl grooves, it creates warm, drifting atmopsheres and a perfectly lulling ambiance. Digipak."
2007 release ** "Marek Styczyński uses technical achievements to create folk, ethnic music of various kinds - both in recording "in the field", in the studio, and in computer processing. He effectively transfers the world forgotten and rejected by pop culture into the digital sphere, processing it a lot. He writes: "I used sounds as the initial building block for designing sound environments and I completely processed some of them, moving them significantly away from the original". He uses many …